View allAll Photos Tagged Digitization
Portrait digitised from a negative taken with Hasselblad 500cm with the Sonar 250mm lens. 120 film 2 1/4" x 2 1/4" or 6x6cm medium format.
Quicker than scanning and more controlled using my Nikon Z9 raw file. Taken in 1986.
Using the . jjcfoto.com/product/fda-k1/
And the jjcfoto.com/product/jjc-mobile-film-digitizing-adapter-set/
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica 35mm f/2.0 SUMMICRON-M Aspherical | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
Dawson has begun the upload process. He will be with you as soon as the download completes. Please stand by.
More fun with Photoshop!
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica Voigtlander Nokton Vintage Line 50mm f/1.5 Aspherical II VM Multi-Coated | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit
Digitized with Negative Lab Pro v2.1.2
28mm f2.8 Leica | Kodak TriX 400
Digitized with Epson V550 + Negative Lab Pro v2.1.2 | Lomography
Rodinal 1-50
Shot with an Olympus XA2 using Ilford HP5+ 400 film. Digitized using an Olympus E-M1 with an adapted Zuiko 35mm f/3.5 Macro and a light table.
Image was shot at All-City Meet at College of San Mateo using Nikon F2A + 28 mm f/2.8 lens with Kodachrome 64. Action was panned at 1/30 and f/11.
Just testing if it will appear in my contacts' list.
I used digital painting on Obama's picture.
Reworked: A better looking Obama here.
Digitized with Negative Lab Pro v2.1.0
Mamiya RB67 | Kodak TriX 400
Digitized with Epson v550 + Negative Lab Pro v2.1.0 | Lomography
Digitized with a Kaiser Digital Dia Duplicator and 35mm film strip holder edited with DXO photo-lab 4 elite. Sharp in the centre but blurry in the corners.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
8th Infantry Regiment, 4th Infantry Division.
Photo Source: U.S. National Archives. Digitized by Signal Corps Archive.
The Stein Quadriptych was likely created in Bruges, and it has been attributed to Simon Bening and associates, ca. 1525-30. This collection of sixty-four miniatures is mounted in four panels, each in sets of sixteen miniatures per panel. The ensemble of miniatures was first cited in scholarly literature as the Stein Quadriptych because the earliest known owner of the collection was Charles Stein until 1886. The miniatures seem to have been dismantled at some point and then reassembled in these four panels. No texts have been found on the backs of these miniatures by the Walters Conservation Department. However, because it was normal practice for illuminated folios to be inserted into South Netherlandish prayer books without accompanying text on the back, the lack of textual evidence does not rule out the possibility that these miniatures were once part of a prayer book. Based on formal visual analysis and the use of color, however, these 64 miniatures appear to have been meant to be viewed as an ensemble. The recitation of prayers from a book or from memory may have been intended while the suppliant viewed the visual program.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
PictionID:54475220 - Catalog:Atlas 5 AV-007 - Title:Array - Filename:Atlas 5 AV-007-15.jpg - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
AFFINITY x KENZO MINAMI = DIGITIZER A CINECYCLE PRODUCTION
Affinity Cycles, one of the most respected independent bicycle brands in the world, is not only seen raced in velodromes by professional cyclists, but also ridden on the city streets by fashionable commuters, elite bike messengers, and passionate cyclists. The signature Affinity “Kissena“ track frame is the key component of the “Digitizer” and represents the pinnacle of bicycle frame technology.
Kenzo Minami is an artist and designer who grew up in Japan in the 80’s. During this time, Japan had experienced a huge economic boom fueled by the country’s technological supremacy. The graphic design that dominated this era was one that underscored the “more is more” attitude. Japanese design embraced a euphoric idealism of the new digital frontier where design became a fantastic reflection of the technology itself. Kenzo’s inspiration for “Digitizer” came from this nostalgia of his childhood. However, this inspiration is tempered with a practical purpose. “Within the chaos of visual information found on the city streets it is important that the design allows the bicycle to stand out and be recognized by both pedestrians and cars alike,” reflects artist Kenzo Minami. "The colors and patterns on the bicycle were carefully conceived and laid out with the understanding that they will not only be seen when the frame and wheels are static but more importantly how they will be transformed when the bicycle is in motion."
Cinecycle curated this project, with the goal of producing an item of extreme beauty and quality, which explores the intersection of form, function and design. To that end, Cinecycle is proud to have brought together premiere artist Kenzo Minami and Affinity Cycles to create the "Digitizer" project. “Digitizer synthesizes concepts that are fundamental to our culture with regard to how technology can inform and transform our perception of space. Affinity Cycles and Kenzo Minami have come together to create a bicycle that expresses how the cyclist, even in our modern digital age, still represents the most simple and effective union of man and machine," says Daniel Leeb, CEO, Cinecycle.
Camera: YASHICA MAT 124 G
Lense: Yashinon 80mm, F3.5
Film: Fuji Pro 160NS
Processing: C41 by PS13, digitized with Epson V370
The geyser is located along the banks of the Firehole River in the Upper Geyser Basin of Yellowstone NP. On this occasion it sent up two distinctive water plumes and steam probably reaching about 75 feet height.
This image was taken in 1987 using a Minolta XD on undocumented negative film and digitized using a Canon R5 in 2025.
Image - Copyright 2025 Alan Vernon
Title : D. Jarvis
Creator (Photographer) : Unknown
Publisher : Graphic Services
Place of Publication : College Station, Texas
Year (Coverage) : 1950
Document Type : Image
Format : Photographic negative
Dimensions : 4 x 5 inches
Digitization Date : December2009
Description : Unknown
Note : Brazos County, Texas
Collection : Texas A&M University Archives
Resource Identifier : Graphic Services Photos, Box 30, File 30-356
Institution : Texas A&M University, College Station, Texas
Repository : Cushing Memorial Library and Archives
Contact Information : Email: cushing-library@tamu.edu Phone: 979-845-1951
Copyright : It is the users responsibility to secure permission from the copyright holders for publication of any materials. Permission must be obtained in writing prior to publication. Please contact the Cushing Memorial Library for further information