Photographies anciennes numérisées (camions et camionnettes).
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Digitized paper photo taken during a trek through the White Desert (Egypt).
Location: ancient Roman settlement.
This trek took place in 2001. The trip consisted of daily walking tours + transfers by jeep. We slept every day somewhere in the desert under the starry sky, a "heavenly" experience. The White Desert is in my top 3 of travel outside Europe.
See also: www.flickr.com/photos/190022557@N04/50561388658/in/photol...
Picture taken with a Canon T50, Kodak Gold 200
Digitized from the negative by the photography store, which processed the film
Palmyra, eine Oase in der syrischen Wüste nordöstlich von Damaskus, beherbergt monumentale Ruinen einer grossen Stadt, die eines der wichtigsten kulturellen Zentren der Antike war. Dort, wo mehrere Zivilisationen aufeinander trafen, verbanden sich vom 1. bis zum 2. Jahrhundert Kunst und Architektur griechisch-römischer Techniken mit lokalen Traditionen und persischen Einflüssen. Seit 1980 ist das Ruinengelände UNESCO-Weltkulturerbe. Im Bürgerkrieg nahm die Terrororganisation Islamischer Staat Islamischen (IS), der aus ideologischen Gründen Kulturgut zerstört (Ikonophobie), im Mai 2015 Palmyra ein und sprengte in der Folgezeit bedeutende historische Bauwerke; zudem wurde die Stätte geplündert. Die UNESCO hat die Ruinenstadt auf die rote Liste des gefährdeten Welterbes gesetzt (whc.unesco.org/Wikipedia).
Palmyra contains the monumental ruins of a great city that was one of the most important cultural centres of the ancient world. From the 1st to the 2nd century, the art and architecture of Palmyra, standing at the crossroads of several civilizations, married Graeco-Roman techniques with local traditions and Persian influences. Since 1980 the ruins have been a UNESCO World Heritage Site. During the civil war the militant organization Islamic State of Iraq and the Levant (ISIL), which destroys cultural assets for ideological reasons (iconophobia), took control of Palmyra in May 2015 and subsequently blew up important historical buildings; the site was also looted. UNESCO has placed it on the red list of endangered world heritage sites (whc.unesco.org/Wikipedia).
Exif Data: Date and Time (Original) - 2019:09:09 09:09:09
Date and Time (Digitized) - 2019:09:09 09:09:09
Hi, Me again...
In April 2021, I received my first 35mm as a gift from a fellow photography enthusiast. I seriously had no idea what I was doing but I immeditely knew I enjoyed it. The sound alone was enough to give me shivers!! Since then, I have shot a few rolls of film, find myself in possession of 5 new cameras, managed to process 2 rolls at home, 'scan', and now I'm ready to put them out there.
I don't ever profess to be a perfect photographer. If fact, I'm usually incredibly insecure. Digital photography always had me seeking perfection. It is silly because life isn't perfect, but regardless, I feared things like proper exposure and unconventional subjects. (Yes....insert eye roll here!)
The thing about film though, it has given me freedom it be imperfect, appreciate 'flaws' and embrace everyday life in an authentic and unpolished way. Film has given me permission to love the imperfect and see it for all its beauty. Also, the fact that my hands are on it from start to finish....well that... that alone gives me immense satisfaction.
So.....I'm saying be ready for the perfectly imperfect. And just to prove it...I resisted the urge to edit out my chicken pox scars. :-) I'm going to be brave and start sharing what I've been working on and what I love.
Here goes....
**
Nikon FM10 | Ilford HP5 400
Digitized with Sony A7riii | Skier Sunray Copy Box 3 | 135 Skier Sunray Film Holder
Home developed in Cinestill Monobath | 3 min, 80 F
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Another in my digitized negatives series (ignore the EXIF) and how the photographer's world has changed. I have seen photos of this incredible scene in the Glencoe Valley and thought, I must get back up there someday and get this shot.
When I was digitizing these, to my shock I found several shots of this scene that I already had, never printed and forgotten all about. I was simply driving through the area and saw the shot. There were no other togs or even tourists around. Simply me, my companion and the mountains.
No shot lists, no heavy planning just living in the moment.
Please enjoy the gentle film details in Large. Thank you so much for your visit!
young Burmese monk .
Burma . Inle Lake area .
Analog archives . Digitized from Fuji Velvia . Nikon F 80 (or F 801s ? )
January / February 2005
Now I have to spend time to try digitizing the archives of a lifetime
Mainly slides for lots of distant travels,(Asia and middle East) Colour print films for short travels in Europe ,and some B&W made throughout the years, especially in Paris
After a first selection, rigorous enough, it 'remains far too many
Too bad that the Digital Photography has appeared too late for me.......Can no longer travel anywhere , can no longer walk long in Paris , (health problems)
...... And yet I was very reluctant, but now I appreciate the quality of sensors and the ease of processing,with softwares ,effective and easy to use
Olympus Trip 35, Zuiko 40/2.8, orange filter, Sunpak 20SR flash, Cinestill BWXX@320, HC-110/dil B, 6 min. Digitized with Nikon D700, AF Micro-Nikkor 60/2.8 D, ES-2, CS-LITE.
Digitized image of a b&w foto from the 1970s
Originally shot with Nikon F2 on Ilford film FP4 - 125 ASA.
Digitized by photographing the negative with my Nikon D5300.
Digitalisiertes Bild eines SW-Fotos aus den 70er Jahren;
Das Original war mit meiner Nikon F2 auf Ilford FP4 - 125 ASA aufgenommen worden. Digitalisiert hab ich das Original durch das Fotografieren des Originalnegativs mit meiner Nikon D5300.
Camera: Certo Dolly 3x4 Modell B ca. 1931
Lens: Steinheil Cassar 2.8/50mm (unvergĂĽtet 7 uncoated)
Film: Rera Pan 400 in Rodinal
Digitized with a Panasonic Lumix GH4
Das erste Bild mit der Certo Dolly zeigt meine Adler M2011 vor dem Haus, in dem ich vor vielen Jahren mit meiner Familie gewohnt habe - eine kleine Reise in meine eigene Vergangenheit ...
The first picture with the Certo Dolly shows my Adler M2011 motorbike in front of a house i lived with my parents many years ago ... a little trip into my personal past
Hasselblad 503 CW, Zeiss Distagon 1:4, f=50 mm, shot on Portra 400, developed in Tetenal C41 and digitized with an Epson V600,
As we have continued to digitize old photographs for our parents, I came across this excellent image of my wife’s Great Grandparents automobiles taken from their front porch during a snowstorm. The picture was taken around 1936 near the North Texas town of Woodson. I not sure about the car on the left, but it looks possibly like a 1932 Ford Model B. The car on the right is a 1936 Ford Model 48. I felt that this image really captures that remote sense of loneliness on a 1930s farm in rural North Texas. A good day to stay inside next to the stove and play dominoes if you ask me!
Photo by Unknown, circa 1936
Restoration by Danny Shrode
Ricoh KR-5, Rikenon 50/2, Kodak Tri-X 400@640, +1 developing, HC-110/dil. B, 8 min. Digitized with Nikon D700/ES-2.
Nikon F3, Nikkor 35/2.8, A2 warming filter, Kodak Tri-X 400, HC-110/dil. B, 5.5 min. Digitized with Nikon D700/ ES-2
Digitized from an old slide, I think I photographed this in the 1980's sometime. Probably in the Parker River Wildlife Refuge in Newburyport, MA.
(Shot with an Agfa Isolette III on Ilford FP4+; developed in Moersch Eco Film Developer; digitized with DSLR + hugin; edited with the GIMP)