Photographies anciennes numérisées (camions et camionnettes).
View allAll Photos Tagged Digitization
Digitized paper photo taken during a trek through the White Desert (Egypt).
Location: ancient Roman settlement.
This trek took place in 2001. The trip consisted of daily walking tours + transfers by jeep. We slept every day somewhere in the desert under the starry sky, a "heavenly" experience. The White Desert is in my top 3 of travel outside Europe.
See also: www.flickr.com/photos/190022557@N04/50561388658/in/photol...
Alt title: Visual volume made visible through shadows
Digitized image of a b&w photo from the 70s.
Originally shot with Nikon F2; on Ilford film FP4 - 125 ASA
Digitalisiertes Bild eines SW-Fotos aus den 70er Jahren;
TD: Agfa 100 35mm film, developer Acutol 1+10 7' 20°C. Exposure ISO 100 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
Behind the war curtain photography series.
Children pointing to some bullets impacts.
The Lebanese Civil War was a multifaceted armed conflict that took place from 1975 to 1990. It resulted in an estimated 120,000 fatalities and an exodus of almost one million people from Lebanon.
en.wikipedia.org/wiki/Lebanese_Civil_War
Ektachrome 100 @35mm Pentax-M lens on Pentax-MX body - E6 Processing Jobo CPP2 - Digitized with Sony Alpha 6000. Edited in CameraRaw.
young Burmese monk .
Burma . Inle Lake area .
Analog archives . Digitized from Fuji Velvia . Nikon F 80 (or F 801s ? )
January / February 2005
Now I have to spend time to try digitizing the archives of a lifetime
Mainly slides for lots of distant travels,(Asia and middle East) Colour print films for short travels in Europe ,and some B&W made throughout the years, especially in Paris
After a first selection, rigorous enough, it 'remains far too many
Too bad that the Digital Photography has appeared too late for me.......Can no longer travel anywhere , can no longer walk long in Paris , (health problems)
...... And yet I was very reluctant, but now I appreciate the quality of sensors and the ease of processing,with softwares ,effective and easy to use
Self portrait photoshopped onto a circuit board I have saved. I always save interesting things like that to potentially use in future photos.
Camera: Leica R8
Lens: Summicron R 2/50mm
Film: Agfa XRG 100, expired 1993
Digitized with a Sony 7rIII
Der Eremit, der in jahrzehntelanger Arbeit den Wald in eine heilige Stätte nach seinen eigenen Vorstellungen verwandelt hat, ist letztes Jahr gestorben, wenige Monate bevor ich am 28.12.2020 diese Aufnahmen gemacht habe.
The hermit had worked decades to transform the forest into a holy place of his own imagination. He died last year, a few months before i took these pictures on December 28th, 2020.
Digitizing some of my old diapositives with macro lens and flash.
FUJI Velvia 50
My selfmade Copy Station ;-)
"On the banks of the Rhine"
Voigtländer VM Ultron 35 2 II @ Leica MP
Ilford Delta 100
Digitized with Sony A7RIII + FE 50 2.8 Makro + Nikon ES-2
Film: Kodacolor 200
Developed by: flash foto, München
Digitized with Sony a7RIII
Location: Venezia, Italia
Tootie the Night Owl
Technical information:
Camera: Zenza Bronica ETRSI
Lens: Zenzanon PE 50mm f/2.8
Film: Kodak Portra 400
Processed by Richard Photo Lab
Digitized at home with a Fujifilm X-T5 with a Canon-mount Sigma 105mm Macro lens using a Fringer EF-XF converter (with autofocus) and the Valoi 360 film holder. Negmaster software was used in the conversion.
Digitized image of a b&w foto from the 1970s
Originally shot with Nikon F2 on Ilford film FP4 - 125 ASA.
Digitized by photographing the negative with my Nikon D5300.
Digitalisiertes Bild eines SW-Fotos aus den 70er Jahren;
Das Original war mit meiner Nikon F2 auf Ilford FP4 - 125 ASA aufgenommen worden. Digitalisiert hab ich das Original durch das Fotografieren des Originalnegativs mit meiner Nikon D5300.
This photo was shot on a sunny but cold winter day on Kodak Gold 200 in 135 (35mm) format. It was developed and digitized at home by yours truly. This is part of my continuing quest to achieve the best results possible from film at the lowest possible investment of production time and money. I'm not there yet, but I am quite happy with the improvements so far.
Technical information:
Camera: Canon EOS 3
Lens: Canon EF 35mm f/2 IS USM
Film: Kodak Gold 200 (at ISO 160)
Developer: Bellini C-41
Digitized with a Canon EOS R5, a Sigma 105mm macro lens, the Valoi 360 film holder, the CS-Lite light source, and a copy stand made out of an old Durst enlarger.
Software conversion: Negative Lab Pro 3.0
Nikon F3, Nikkor 50/1.8 AI-s, Y48 yellow filter, T-Max 400@320, HC-110/dil. B, 6 min. Digitized with Nikon D700, AF Micro-Nikkor 60/2.8 D, ES-2, CS-LITE
Ricoh KR-5, Rikenon 50/2, Kodak Tri-X 400@640, +1 development, HC-110/dil. B, 8 min. Digitized with Nikon D700/ES-2.
A 'Daymark' navigational tower near Kingswear, Devon, placed to guide sailors towards Dartmouth Harbour, built in 1848 and 25m high. The smoke behind is from a field of stubble being burned off...
Fuji RDP100 35mm slide film, Olympus OM2SP.
Standard consumer E6 chemicals, processed at home.
Digitized using a Nikon D7000 dslr, Nikkor 40mm lens, JJC ES-2 adapter.
RAW file edited in Photoshop Elements 11.
Olympus Trip 35, Zuiko 40/2.8, orange filter, Cinestill BWXX, HC-110/dil. B, 6 min. Digitized with Nikon D700/ ES-2
Nikon FE2 | Nikkor 24mm f/2.8 | Ilford FP4+ 125 @ 400, +2 dev. Digitized with Nikon Z6 II with 60mm f/2.8 | Kaiser Slimlite Plano. | Essential Film Holder v3 Home developed in HC-110 1:31 | 18 minutes @ 20ºC.
Camera: Rolleiflex 3003
Lens: Carl Zeiss F-Distagon 2.8/16 mm
Film: Ilford FP4
Developer: Perceptol 1:1 15 Min
Digitized with a Panasonic GH4, Lumix G Macro 2.8/30mm
Digitally "developed" with Pixelmator Pro on an iMac pro.
Ausstellung der Künstlergruppe Broke.Tody im ehemaligen Maschinenhaus des Krankenhauses München Schwabing an 5./6. März 2022
Exibition of the Artists of the Group "Broke.Today" March 5th and 6th 2022 in the former engine house of the Munich Schwabing Hospital.
Digitized from an old slide, I think I photographed this in the 1980's sometime. Probably in the Parker River Wildlife Refuge in Newburyport, MA.
As at the end of last year, I am showing a few digitized slides again:
A bursting soap bubble, February 1992.
Exposure time (= flash duration): 50 µs = 1/20.000 s
Digitized slide from 1992, the EXIF data refer to the camera used for digitizing, not to the original slide.
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Wie schon zum Ende letzten Jahres, zeige ich wieder ein paar digitalisierte Dias:
Eine platzende Seifenblase, Februar 1992
Belichtungszeit (= Blitzdauer): 50 µs = 1/20.000 s
Digitalisiertes Dia von 1992, die EXIF-Daten beziehen sich auf die Digitalisierung, nicht auf das Originaldia.