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A followup to my photo during the interesting loading of these vessels destined for scrap. The Development Way is a semi-submersible -- the floating cargo is nudged into position, then she lifts back out of the water and everything is welded and secured in place for the trip to China.
Something I hadn't noticed until I shot this closer detail is that the Straits Logger has another three small vessels loaded on top of her.
Former International Development Secretary, Justine Greening, meets with former Microsoft co-founder Bill Gates, from the Bill & Melinda Gates Foundation and U2 rock star Bono, from the One Campaign, at the Department for International Development in London. Bill and Bono also met with DFID staff members and thanked them for their work.
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CARE Chefs' Table Program hef, Spike Mendelsohn shares a recipe for Coconut Chicken Curry during the summit lunch break. Spike Mendelsohn is a “Top Chef” alum and owner of Good Stuff Eatery.
Hundreds of development leaders, public and private sector partners, civil society, diplomats, and entrepreneurs gathered to celebrate shared contributions that have led to dramatic progress in global health, energy, food security, good governance, partnership, and youth engagement during the White House Summit on Global Development in Washington, DC hosted by President Obama.
Photo by Ellie Van Houtte/USAID
New housing development in Stayner, ON (Clearview Township). After years of sluggish development in the community, new housed seem to be popping up like mushrooms!
53rd ADB Annual Meeting: ADB Webinar - Achieving the Sustainable Development Goals by Strengthening Domestic Resource Mobilization and International Tax Cooperation
17 September 2020. ADB President Masatsugu Asakawa discussed with developing member countries and development partner representatives how their collaborative efforts can help address challenges facing the region in domestic resource mobilization (DRM) and international tax cooperation (ITC). President Asakawa also presented ADB’s Vision and Action Plan, including the establishment of a DRM and ITC regional hub.
Countries are facing increasing pressure to raise tax revenues, especially with the introduction of tax policy relief measures during the COVID-19 pandemic, to achieve the Sustainable Development Goals.
The webinar was held virtually as part of the 53rd Annual Meeting of the ADB Board of Governors (2nd Stage). View the full list of webinars and meetings.
The first stage of the 53rd Annual Meeting comprised a reduced-scale meeting of the Board of Governors on 22 May, during which Governors approved ADB’s financial statements and net income allocation in line with ADB institutional requirements.
Teodoro Alonso presents "Using Apache Cordova (Phonegap) for cross platform mobile apps" at the Mobile Software Development Community (Mobile SDC) in Oakbrook Mall at the Microsoft Store
www.meetup.com/SoftDev/events/52749512/
Teodoro Alonso is a Technical Architect at Model Metrics a Salesforce.com company.
Meeting sponsored by Salesforce.com
Apache Cordova (previously known as Phonegap) has emerged as one of the most important hybrid (native-html/javascript) cross platform mobile application development environment. The goal of this meetup is to present the basic architecture of Cordova/Phonegap in iOS and demonstrate its capabilities by creating a simple application in HTML/Javascript and then deploy it to a mobile device as a native application. We will also discuss the resources available to learn how to develop applications in Cordova/Phonegap. If time permits, we will review a simple Cordova/Phonegap plugin that I developed to extract information from an iTunes library.
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WASHINGTON, April 7, 2015— World Bank Group President Jim Yong Kim announced a broad strategy to end extreme poverty by 2030, and he welcomed emerging players such as the Asian Infrastructure Investment Bank and the New Development Bank, established by the BRICS countries, as potentially strong allies in the economic development of poor countries and emerging markets.
He spoke at the Center for Strategic and International Studies (CSIS) in Washington in advance of the World Bank/IMF Spring Meetings, Kim noted that to achieve the World Bank’s twin goals — ending extreme poverty by 2030 and boosting shared prosperity among the poorest 40 percent in low- and middle-income countries — “there is more than enough work to go around.”
Photo: Simone D. McCourtie / World Bank
Söndagens öppningsceremoni.
Anna König Jerlmyr, Vice Mayor, Social Affairs Division, City Hall
Foto: Lena Dahlström
Government of Southern Sudan President Salva Kiir Mayardit registers to vote November 15 in Juba. Photo by Michael Eddy/USAID
From A Proposal for the Development of the East Shore Tidelands of San Francisco Bay, Prepared for the Atchison, Topeka, and Santa Fe Railway Company by Victor Gruen Associates, October, 1963.
Enrique Iglesias, Secretary General, SEGIB and Colm Foy, Head of Publications and Relations with the Media,OECD Development Centre.
A blog post that includes these photos lives here: likeafishinwater.com/2016/04/29/pilgrimage-to-uji-for-hib...
My company: www.thirdplacemedia.com - Research, content development and communications strategy focused on transit, walkability, placemaking and environment issues
My blog: likeafishinwater.com
Joanna Reid (centre), head of UK Department of Foreign and International Development (DFID) in Somalia listens during a meeting with Somali police and members of the African Union Mission in Somalia (AMISOM) in the central Somali town of Baidoa. Reid was visiting the capital of Somalia's Bay and Bakool Region to see first-hand the impact and progress of UK-funded projects to renovate the central police station, a similar forthcoming project to repair and improve the town's prison and to meet with local Somali leaders and representatives of humanitarian agencies implementing DFID-funded programs in Baidoa and meet with a team of Somali mine and ordinance disposal experts deployed to defuse bombs and other improvised explosives devices (IEDs) planted in and around the town by suspected Al-Shabaab militants.. AU/UN IST PHOTO / MAHAMUD HASSAN.
Meeting of the Crypto Sustainability Coalition
André Vanyi-Robin, Founder and Chief Executive Officer, Plastiks, United Kingdom; Josh Knauer, Co-Founder, ReSeed Carbon Assets, USA; Sophia Li, Co-Founder, Steward, USA
Charles Thomas Pool, Head, Partnerships, Toucan Protocol, Switzerland; Tomicah Tillemann, Chief Policy Officer, Haun Ventures, USA; Matthew Blake, Head of Shaping the Future of Financial and Monetary Systems, World Economic Forum; Klaus Schwab, Founder and Executive Chairman, World Economic Forum. Copyright: World Economic Forum/Jeffery Jones
President Kagame receives Mr. Li Yong, Director General of United Nations Industrial Development Organisation (UNIDO) | Kigali, 4 February 2016
Badami formerly known as Vatapi, is a town and headquarters of a taluk by the same name, in the Bagalkot district of Karnataka, India. It was the regal capital of the Badami Chalukyas from 540 to 757 AD. It is famous for its rock cut structural temples. It is located in a ravine at the foot of a rugged, red sandstone outcrop that surrounds Agastya lake. Badami has been selected as one of the heritage cities for HRIDAY - Heritage City Development and Augmentation Yojana scheme of Government of India.
HISTORY
- Dravidian architecture - Badami Chalukyas
- Hindu temple architecture - Badami Chalukya architecture
- Political history of medieval Karnataka - Badami Chalukyas
- Architecture of Karnataka - Badami Chalukya architecture
- Chalukyas of Badami
PRE-HISTORIC
Badami is surrounded by many pre-historic places including Khyad area of Badami, Hiregudda, Sidlaphadi and Kutkankeri (Junjunpadi, Shigipadi and Anipadi), there we can see the rock shelters megalithic burial sites and paintings.
BADAMI CHALUKYAS AND OTHER DYNASTIES
MYTHOLOGY
The Puranic story says the wicked asura Vatapi was killed by sage Agastya (as per Agastya-Vatapi story), the area in which the incident happened so named as Vatapi. At Aihole there was a merchant guild known as Ayyavole Ainuravaru lived in the area have reformed. As per scholar Dr. D. P. Dikshit, the first Chalukya king was Jayasimha (a feudatory lord in the Kadamba dynasty), who in 500 AD established the Chalukya kingdom. His grandson Pulakeshin Ibuilt a fort at Vatapi.
BADAMI CHALUKYAS
It was founded in 540 AD by Pulakeshin I (535-566 AD), an early ruler of the Chalukyas. His sons Kirtivarma I (567-598 AD) and his brother Mangalesha (598-610 AD) constructed the cave temples.Kirtivarma I strengthened Vatapi and had three sons Pulakeshin II, Vishnuvardhana and Buddhavarasa, who at his death were minors, thus making them ineligible to rule, so Kirtivarma I's brother Mangalesha took the throne and tried to establish rule, only to be killed by Pulakeshin II who ruled between 610 A.D to 642 A.D. Vatapi was the capital of the Early Chalukyas, who ruled much of Karnataka, Maharashtra, Few parts of Tamil Nadu and Andhra Pradesh between the 6th and 8th centuries. The greatest among them was Pulakeshin II (610-642 AD) who defeated many kings including the Pallavas of Kanchipuram.
The rock-cut Badami Cave Temples were sculpted mostly between the 6th and 8th centuries. The four cave temples represent the secular nature of the rulers then, with tolerance and a religious following that inclines towards Hinduism, Buddhism and Jainism. cave 1 is devoted to Shiva, and Caves 2 and 3 are dedicated to Vishnu, whereas cave 4 displays reliefs of Jain Tirthankaras. Deep caverns with carved images of the various incarnations of Hindu gods are strewn across the area, under boulders and in the red sandstone. From an architectural and archaeological perspective, they provide critical evidence of the early styles and stages of the southern Indian architecture.
The Pallavas under the king Narasimhavarma I seized it in 642 AD & destroyed the vatapi. Pulakeshin II's son Vikramaditya I of Chalukyas drove back Pallavas in 654 AD and led a successful attack on Kanchipuram, the capital of Pallavas. Then Rashtrakutas came to power in Karnataka including Badami around 757 AD and the town lost its importance. Later it was ruled by the Hoysalas.
Then it passed on to Vijayanagara empire, The Adil Shahis, Mughal Empire, The Savanur Nawabs (They were vassals of Nizams and Marathas), The Maratha, Hyder Ali. The Britishers made it part of the Bombay Presidency.
INSCRIPTIONS
Badami has eighteen inscriptions, among them some inscriptions are important. The first Sanskrit inscription in old Kannada script, on a hillock dates back to 543 CE, from the period of Pulakeshin I (Vallabheswara), the second is the 578 CE cave inscription of Mangalesha in Kannada language and script and the third is the Kappe Arabhatta records, the earliest available Kannada poetry in tripadi (three line) metre. one inscription near the Bhuthanatha temple also has inscriptions dating back to the 12th century in Jain rock-cut temple dedicated to the Tirtankara Adinatha.
VATAPI GANAPATI
In the Carnatic music and Hamsadhwani raga the Vatapi Ganapatim Bhaje by the composer Muthuswami Dikshitar. The idol of Vatapi Ganapati brought from Badami by Pallavas, is now in the Uthrapathiswaraswamy Temple, near Thanjavur of Tamil Nadu.
In 7th century, Vatapi Ganapati idol was brought from Badami (Vatapi - Chalukya capital) by Pallava who defeated Chalukyas.
TOURISM
Landmarks in Badami include cave temples, gateways, forts, inscriptions and sculptures.
- A Buddhist cave in a natural setting that can be entered only by crawling on knees.
- The Bhuhtanatha temple, a small shrine, facing the lake, constructed in 5th century.
- Badami Fort situated on top of the hill.
- Many Shivalayas including the Malegatti Shivalaya with 7th century origins.
- The Dattatreya temple.
- The Mallikarjuna temple dating back to the 11th century, built on a star shaped plan.
- a Dargah, a dome of an Islamic place of worship on the south fort side.
- Vista points on top of the North Fort for the view of the ancient town below.
- Temple of Banashankari, a Kuladevata (family deity) for many families, is located near Badami.
- Archaeological museum, that has collection of sculptures from Badami, Aihole and Pattadakal.
BADAMI CAVE TEMPLES
The Badami cave temples are a complex of four cave temples located at Badami, a town in the Bagalkot district in the north part of Karnataka, India. They are considered an example of Indian rock-cut architecture, especially Badami Chalukya architecture initiated during the 6th century. Badami was previously known as Vataapi Badami, the capital of the early Chalukya dynasty, who ruled much of Karnataka from middle of the sixth until the middle of the eighth centuries. Badami is situated on the west bank of an artificial lake filled with greenish water dammed by an earthen wall faced with stone steps. Badami is surrounded in the north and south by forts built in later times from the ramparts that crown their summits.
The Badami cave temples represent some of the earliest known experimentation of Hindu temple prototypes for later temples in the Indian peninsula. Along with Aihole, states UNESCO, their pioneering designs transformed the Malaprabha river valley into a cradle of Temple Architecture, whose ideas defined the components of later Hindu Temples elsewhere. Caves 1 to 3 feature Hindu themes of Shiva and Vishnu, while Cave 4 features Jain icons. There is also a Buddhist Cave 5 which has been converted into a Hindu temple of Vishnu. Another cave identified in 2013 has a number of carvings of Vishnu and other Hindu deities, and water is seen gushing out through the cave all the time.
GEOGRAPHY
The Badami cave temples are located in the Badami town in the north central part of Karnataka, India. The temples are about 110 km northeast from Hubli-Dharwad, the second largest metropolitan area of the state. Malaprabha river is 4.8 km away. Badami, also referred to as Vatapi, Vatapipuri and Vatapinagari in historical texts, and the 6th-century capital of Chalukya dynasty, is at the exit point of the ravine between two steep mountain cliffs. Four cave temples have been excavated in the escarpment of the hill to the south-east of the town above the artificial lake called Agastya Lake created by an earthen dam faced with stone steps. To the west end of this cliff, at its lowest point, is the first cave temple dedicated to Shiva, followed by a cave north east to it dedicated to Vishnu but is at a much higher level. The largest is Cave 3, mostly a Vaishnava cave, is further to the east on the northern face of the hill. The first three caves are dedicated to Hindu gods and goddesses including Brahma, Vishnu and Shiva. The fourth cave, dedicated to Jainism, is a short distance away.
HISTORY OF CAVE TEMPLES
The cave temples, numbered 1 to 4 in the order of their creation, identified in the town of Badami, the capital city of the Chalukya kingdom (also known as Early Chalukyas) are dated from the late 6th century onwards. The exact dating is known only for cave 3 which is a Brahmanical temple dedicated to Vishnu. An inscription found here records the creation of the shrine by Mangalesha in Saka 500 (lunar calendar, spanning 578 to 579 CE). These inscriptions are in Kannada language, and have been the source for dating these rock cave temples to the 6th-century. The Badami caves complex are part of the UNESCO inscribed World Heritage Site under the title "Evolution of Temple Architecture – Aihole-Badami-Pattadakal" in the Malaprabha river valley which is considered a cradle of Temple Architecture, which formed the template for later Hindu temples in the region. The art work in Cave 1 and Cave 2 exhibit the northern Deccan style of 6th- and 7th-century, while those in Cave 3 show a simultaneous co-exhibition of two different ancient Indian artistic traditions – the northern Nagara and the southern Dravida styles. The Cave 3 also shows icons and reliefs in the Vesara style – a creative fusion of ideas from the two styles, as well as some of the earliest surviving historical examples of yantra-chakra motifs and colored fresco paintings in Karnataka. The first three caves feature sculpture of Hindu icons and legends focusing on Shiva and Vishnu, while Cave 4 features Jain icons and themes.
TEMPLE CAVES
The Badami cave temples are composed of mainly four caves, all carved out of the soft Badami sandstone on a hill cliff, dated to the late 6th to 7th centuries. The planning of four caves (1 to 4) is simple. The entrance is a verandah (mukha mandapa) with stone columns and brackets, a distinctive feature of these caves, leading to a columned mandapa – main hall (also maha mandapa) and then to the small square shrine (sanctum sanctorum, garbhaghrha) cut deep into the cave. The cave temples are linked by stepped path with intermediate terraces looking over the town and lake. Cave temples are labelled 1–4 in their ascending series even though this numbering does not necessarily reflect the sequence of excavation.
The cave temples are dated to 6th to 8th century, with an inscription dated to 579 CE. The inscriptions are in old Kannada script. The architecture includes structures built in Nagara style and Dravidian style which is the first and most persistent architectural idiom to be adopted by the early chalukyas There is also the fifth natural cave temple in Badami – a Buddhist temple, a natural cave, which can be entered kneeling on all fours.
CAVE 1
The cave is just about 18 m above the street level on the northwest part of the hill. Access is through series of steps which depict carvings of dwarfish ganas (with "bovine and equine heads") in different postures. The verandah with 21 m length with a width of 20 m in the interior, has four columns all sculpted with reliefs of the god Shiva in different dancing positions and different incarnations. The guardian dwarapalas at the entrance to the cave stand to a height of 1.879 m.
The cave portrays the Tandava-dancing Shiva, as Nataraja. The image, (1.5 m tall, has 18 arms, in a form that express the dance positions arranged in a geometric pattern, which Alice Boner states, is a time division symbolizing the cosmic wheel. Some of the arms hold objects while most express mudras (symbolic hand postures). The objects include drums, trident and axe. Some arms also have serpents coiled around them. Shiva has his son Ganesha and the bull Nandi by his side. Adjoining to the Nataraja, a wall depicts the goddess Durga, depicted slaying the buffalo-demon Mahishasura. Elsewhere, the two sons of Shiva, Ganesha and Kartikkeya, the god of war and family deity of the Chalukya dynasty are seen in one of the carved sculptures on the walls of the cave with Kartikkeya riding a peacock.
The cave also has carved sculptures of the goddesses Lakshmi and Parvati flanking Harihara, a 2.36 m high sculpture of a fused image that is half Shiva and half Vishnu. To the right, Ardhanarishvara, a composite androgynous form of Shiva and his consort Parvati, is sculpted towards the end of the walls. All the carved sculptures show ornaments worn by them, as well as borders with reliefs of various animals and birds. Lotus design is a common theme. On the ceiling are images of the Vidyadhara couples. Through a cleavage in the back side of the cave is a square sanctuary with more images carved.
Other prominent images in the cave are Nandi, the bull, in the sculptural form of Dharmadeva, the god of justice, Bhringi, a devotee of Shiva, a female decorated goddess holding a flat object in her left hand, which are all part of Ardhanarishvara described earlier. The roof in the cave has five carved panels with the central panel depicting the serpent Shesha. The head and bust are well formed and project boldly from the centre of the coil. In another compartment a bass-relief of 0.76 m diameter has carvings of a male and female; the male is Yaksha carrying a sword and the female is Apsara with a flying veil. The succeeding panel has carvings of two small figures; and the panel at the end is carved with lotuses.
CAVE 2
Cave 2, facing north, to the west of Cave 3, created in late 6th century AD, is almost same as cave 1 in terms of its layout and dimensions but it is dedicated primarily to Vishnu. Cave is reached by climbing 64 steps from the first cave. The cave entrance is the verandah, divided by four square pillars, which has carvings from its middle section to the top where there are yali brackets with sculptures within them. The cave is adorned with reliefs of guardians. Like the Cave 1, the cave art carved is a pantheon of Hindu divinities.
The largest relief in Cave 2 shows Vishnu as Trivikrama – with one foot on Earth and another – directed to the north. Other representations of Vishnu in this cave include Varaha (boar) where he is shown rescuing Bhudevi (symbolism for earth) from the depths of ocean, and Krishna avatars – legends found in Hindu Puranas text such as the Bhagavata Purana. Like other major murti (forms) in this and other Badami caves, the Varaha sculpture is set in a circle, the panel is an upright rectangle, states Alice Boner, whose "height is equal to the octopartite directing circle and sides are aligned to essential geometric ratios, in this case to the second vertical chord of the circle". The doorway is framed by pilasters carrying an entablature with three blocks embellished with gavaksha ornament. The entrance of the cave also has two armed guardians holding flowers rather than weapons. The end walls of the outer verandah is occupied by sculpted panels, to the right, Trivikrama; to the left, Varaha rescuing Bhudevi, with a penitent multi-headed snake (Nag) below. The adjacent side walls and ceiling have traces of colored paintwork, suggesting that the cave used to have fresco paintings. The columns show gods and battle scenes, the churning of cosmic ocean (Samudra Manthan), Gajalakshmi and figures, Brahma, Vishnu asleep on Shesha, illustrations of the birth of Krishna, Krishna's youth, Krishna with gopis and cows.
The ceiling of Cave 2 shows a wheel with sixteen fish spokes in a square frame along with swastikas and flying couples. The end bays have a flying couple and Vishnu on Garuda.[8] The main hall in the cave is 10.16 m in width, 7.188 m deep and 3.45 m high and is supported by eight square pillars in two rows. The roof of this hall has panels which have carvings. At the upper end of the wall a frieze runs all along the wall with engravings of episodes from the Krishna or Vishnu legends.
The sculptures of Cave 2, like Cave 1, are of the northern Deccan style of 6th-and 7th-century similar to that found in Ellora caves.
CAVE 3
The Cave 3 is dedicated to Vishnu, and is the most intricately carved and the biggest. It has well carved giant figures of Trivikrama, Anantasayana, Paravasudeva, Bhuvaraha, Harihara and Narasimha. The theme on which the Cave 3 is carved is primarily Vaishnavite, however the cave also shows Harihara on its southern wall – half Vishnu and half Shiva shown fused as one, making the cave important to Shaivism studies as well. Cave 3, facing north, is 60 steps away from the Cave 2. This cave temple's veranda, 21 m in length with an interior width of 20 m, has been sculpted 15 m deep into the mountain, and an added square shrine at the end extends the cave some 3.7 m further inside. The verandah itself is 2.1 m wide and has four free standing carved pillars separating it from the hall. The cave is 4.6 m high, supported by six pillars each measuring 0.76 m square. Each column and pilaster is carved with wide and deep bases crowned by capitals which are camouflaged by brackets on three sides. Each bracket, except for one bracket, has carvings of standing human figures, under foliage in different postures, of a male and female mythological characters, along with attendant figure of a dwarf. A moulded cornice in the facia, with a dado of blocks below it (generally in 2.1 m lengths), have about thirty compartments carved with series of two fat dwarfs called ganas. The cave shows a Kama scene on one pillar, where a woman and man are in maithuna (erotic) embrace beneath a tree.
Cave 3 also shows fresco paintings on the ceiling, but some of these are faded, broken and unclear. These are among the earliest known and surviving evidence of fresco painting in Indian art.[14] The Hindu god Brahma is seen in one of the murals, while the wedding of Shiva and Parvati, attended by various Hindu deities, is the theme of another. There is a lotus medallion on the floor underneath the mural of four armed Brahma. The sculpture is well preserved, and a large number of Vishnu's reliefs including standing Vishnu with 8 arms, Vishnu seated on a hooded serpent called Sesha or Ananta on the eastern side of the verandha, Vishnu as Narasimha (half human – half lion), Varaha fully armed, a boar incarnation of Vishnu in the back wall of the cave, Harihara (a syncretic sculpture of Vishnu and Shiva), and Trivikrama avatars. The back wall also has carvings of Vidhyadaras holding offerings to Varaha, and adjoining this is an inscription dated 579 AD with the name Mangalis inscribed on it. At one end of the pilaster there is a sculpture of the fourth incarnation of Vishnu as Vamana shown with eight arms called Ashtabhuja decorated with various types of weapons. A crescent moon is crafted above his face, crown of Vishnu decorates his head and is flanked by Varaha and two other figures and below on his right is his attendant Garuda. The images in front of Vamana are three figures of Bali and his wife with Shukra, his councilor. Reliefs stand 4 metres tall. The culture and clothing embedded in the sixth century is visible in the art sculpted in this cave. The roof in the verandha has seven panels created by cross beams, each is painted in circular compartments with images of Shiva, Vishnu, Indra, Brahma, Kama and so forth with smaller images of Dikpalas (cardinal guardians) with geometric mosaics filling the gaps at the corners.
The front aisle's roof has panels with murals in the center of male and female figurines flying in the clouds; the male figure is yaksha holding a sword and a shield. Decoration of lotus blooms are also seen on the panels. The roof in the hall is divided into nine panels slightly above the level of the ceiling. The central panel here depicts a deva mounted on a ram – conjectured as Agni. Images of Brahma and Varuna are also painted in the central panels while the floating figures are seen in the balance panels.
CAVE 4
The Cave 4, to the east of Cave 3, excavated around 650 AD, is located higher than other caves. It is dedicated to revered figures of Jainism and was constructed last among all the caves. It also features detailed carvings and diverse range of motifs. The cave has five bayed entrance with four square columns with brackets and capitals, and to the back of this verandah is a hall with two standalone and two joined pillars. The first aisle is a verandah 9.4 m in length, 2.0 m wide and extends to 4.9 m deep. From the hall, steps lead to the sanctum sanctorum, which is 7.8 m wide extending to a depth of 1.8 m. On the back part of this, Mahavira is represented, sitting on lion throne, flanked by bas-reliefs of attendants with chauri (fans), sardulas and makara's heads. The end walls have Parshvanath (about 2.3 m tall) with his head decorated to represent protection and reverence by a multi-headed cobra, Indrabhuti Gautama covered by four snakes and Bahubali are seen; Bahubali is present to the left of Gautama shown with his lower legs surrounded by snakes along with his daughters Brahmi and Sundari. The sanctum, which is adorned by the image of Mahavira, has pedestal which contains an old Kannada inscription of the 12th century A.D. which registers the death of one Jakkave. Many Jaina Tirthankara images have been engraved in the inner pillars and walls. In addition, there are some idols of Yakshas, Yakshis, Padmavati and other Tirthankaras. Some scholars also assign the cave to the 8th century.
CAVE 5
It is a natural cave of small dimensions, undated, is approached by crawling as it has a narrow opening. Inside, there is a carved statue seated over a sculpted throne with reliefs showing people holding chauris (fans), tree, elephants and lions in an attacking mode. The face of this statue was reasonably intact till about 1995, and is now damaged and missing. There are several theories as to who the statue represents.
The first theory states that it is a Buddha relief, in a sitting posture. Those holding the chauris are Bodhisattvas flanking the Buddha, states this theory, and that the cave has been converted to a Hindu shrine of Vishnu, in later years, as seen from the white religious markings painted on the face of the Buddha as the 9th incarnation of Vishnu. Shetti suggests that the cave was not converted, but from the start represented a tribute to Mayamoha of the Hindu Puranas, or Buddhavatara Vishnu, its style suggesting it was likely carved in or before 8th century CE.
The second theory, found in colonial era texts such as one by John Murray, suggested that the main image carved in the smallest fifth cave is that of Jaina figure.
The third theory, by Henry Cousens as well as A. Sundara, and based by local legends, states that the statue is of an ancient king because the statue's photo, when its face was not damaged, lacked Ushnisha lump that typically goes with Buddha's image. Further, the statue has unusual non-Buddha ornaments such as rings for fingers, necklace and chest-band, it wears a Hindu Yajnopavita thread, and its head is stylistically closer to a Jina head than a Buddha head. These features suggest that the statue may be of a king represented with features of various traditions. The date and identity of the main statue in Cave 5, states Bolon, remains enigmatic.
OTHER CAVES
In 2013, Manjunath Sullolli reported the discovery of another cave with 27 rock carvings, about 500 metres from the four caves, from which water gushes year round. It depicts Vishnu and other Hindu deities, and features inscription in Devanagari script. The dating of these carvings is unknown.
OTHER TEMPLES AT BADAMI
On the north hill, there are three temples, of which Malegitti-Shivalaya is perhaps the oldest temple and also the finest in Badami, and has a Dravidian tower. Out of the two inscriptions found here, one states that Aryaminchi upadhyaya, as the sculptor who got this temple constructed and the other dated 1543 speaks of the erection of a bastion during the Vijayanagara rule. The lower Shivalaya has a Dravidian tower, and only the sanctum remains now.
Jambhulinga temple, situated in the town, is presumably the oldest known trikutachala temple in Karnataka. An inscription dated 699 ascribes construction of this temple to Vinayavathi mother of Emperor Vijayaditya.
The place also has Agasthya Tirtha, temples of Goddess Yellamma, Mallikarjuna, Datttreya and Virupaksha. Bhuthanatha group of temples are most important in Badami.
BADAMI FORT
Badami fort lies east of the Bhuthnatha temple, atop a cliff right opposite the Badami cave temples. The entrance to this temple is right through the Badami museum. It is a steep climb with many view points and dotted with little shrines. The path is laid with neatly cut stone, the same that adores all the architecture around.
ETYMOLOGY
The name Vatapi has origin in the Vatapi legend of Ramayana relating to Sage Agastya.There were two demon siblings Vatapi and Ilvala. They used to kill all mendicants by tricking them in a peculiar way. The elder Ilvala would turn Vatapi into a ram and would offer its meat to the guest. As soon as the person ate the meat, Ilvala would call out the name of Vatapi. As he had a boon that whomsoever Ilvala calls would return from even the netherland, Vatapi would emerge ripping through the body of the person, thus killing him. Their trick worked until Sage Agastya countered them by digesting Vatapi before Ilvala could call for him, thus ending the life of Vatapi at the hands of Ilvala. Two of the hills in Badami represent the demons Vatapi and Ilvala.
It is also believed that name Badami has come from colour of its stone (badam - Almond).
CULTURE
The main language is Kannada. The local population wears traditional Indian cotton wear.
GEOGRAPHY
Badami is located at 15.92°N 75.68°E. It has an average elevation of 586 metres. It is located at the mouth of a ravine between two rocky hills and surrounds Agastya tirtha water reservoir on the three other sides. The total area of the town is 10.3 square kilometers.
It is located 30 kilometers from Bagalkot, 128 kilometers from Bijapur, 132 kilometers from Hubli, 46 kilometers from Aihole, another ancient town, and 589 kilometers from Bangalore, the state capital.
WIKIPEDIA
The low level counter used in the solar neutrino experiment is being
placed in the shield. In this experiment neutrinos which result from
nuclear reactions in the sun's core are detected by measuring the
radioactive argon nuclides that they produce in a target.
For more information or additional images, please contact 202-586-5251.
My attempt at a quick character head-drawing exercise developed by @Shaun_Bryant (on Twitter). You can find him on You Tube under the channel name Shaun Bryant Art. My theme for this exercise was Fictional Characters' New Year's Resolutions. Basically, he gives you head shapes and you try to quickly draw characters using those shapes.
5 May 2014 - Forum 2014 Session: Tax for Development. OECD Headquarters, Paris, France.
Moderator: Zeinab Badawi, Presenter, World News Today, BBC World News (tbc)
Scene Setting
- Jon Lomøy, Director, Development Co-operation Directorate, OECD
& Pascal Saint-Amans, Director, Centre for Tax Policy and Administration, OECD
Speakers
- Winnie Byanyima, Executive Director, Oxfam International
- John Christensen, Director, Tax Justice Network
- Paul Collier, Director, Centre for the Study of African Economies, Professor of Economics and Public Policy,
Blavatnik School of Government, University of Oxford, United Kingdom
- Margaret Hodge, Chair, Public Accounts Committee, House of Commons, United Kingdom
- Alan McLean, Member, Taxation and Fiscal Policy Committee, BIAC
For more information, visit: www.oecd.org/Forum
Photo: OECD/Hervé Cortinat
Large golfing umbrella featuring the Livingston Development Corporation logo and the slogan 'Make it in Livingston'.
Livingston was one of the ‘new towns’ created after WWII to relieve the need for housing in urban areas. Livingston Development Corporation (LDC) was set up by the New Town (Livingston) (Development Corporation) Order 1962 to create and co-ordinate new industrial activity in West Lothian and to manage the population over-spill from Glasgow by providing new homes and employment. LDC wound up in1997, when its functions were transferred to West Lothian Council.
West Lothian Local Museums. http://www.westlothian.gov.uk/tourism/museumsgalleries/ums/information
If you would like more information about this object, please contact: museums@westlothian.gov.uk, quoting WLCMS2008.004.001.
At Bishop's Mill, on Freeman's Reach where the ice rink used to be in Durham City. This National Savings building is nearly finished and nearby they're putting up the steel skeleton of the new Passport Office (info).
Our career development center — in conjunction with academic advising — help you strategically showcase your skills and stand out from a sea of competitors. We start early by helping you define your goals and make the right major and career choices. Job shadowing, learning to network, practice for interviews, and preparing your resume are all part of the process.
Akinwumi Adesina, President, African Development Bank; and Dr. Aia-Ezada Silva, Governor, Angola having a portrait during Annual Meeting 2018 - Day 2 on May 22, 2018, in Busan, South Korea.
Participants from Zimbabwe gather together for a Constitution Strategy Development Meeting with the UNDP Resident Coordinator, Elizabeth Lwanga and the Deputy Prime Minister of Zimbabwe, Thokozani Khupe. (Photo credit. UNIC Harare, 12 February 2010)
Migrant workers make an enormous development contribution to both their countries of origin and destination, many – particularly those with irregular status – suffer human and labour rights violations. The Greater Mekong Sub-region (GMS) and neighbouring countries comprise one of the world’s most dynamic migration hubs. There are well over two million migrants in both Thailand and Malaysia, and the number of migrants from Cambodia, Lao PDR and Viet Nam continues to rise.
In this image, migrant fishermen are photographed by the ILO'sTripartite Action to Protect and Promote the Rights of Migrant Workers within and from the Greater Mekong Subregion (the GMS TRIANGLE project). The GMS TRIANGLE project aims to reduce the exploitation of labour migrants by contributing to the development of legal and safe recruitment channels and improved labour protection mechanisms. ©ILO
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.
The Compass Point development around Saunders Ness Road and taking in Mariners Mews and Sextant Avenue was built in the mid-80s forming a quiet, neat upmarket estate on the Isle of Dogs.
As part of the development, two tall blocks of flats are abutted by full height cylindrical towers, framing and echoing the view of silos across the Thames and acting as a small reminder of the estate's industrial past.
Architect Sir Jeremy Dixon's Georgian-inspired designs were built on Dudgeon's Wharf, reclaimed after the closure of the docks.
At the end of Sextant Avenue, a memorial remembers the old Wharf - not for its years of hard labour in the service of heavy industry - but for a reason more poignant and tragic.
Forty years ago the world was looking skywards for news of Nasa's audicious mission to take Buzz Aldrin, Neil Armstrong and Mike Collins to the moon.
On July 17, a day after Apollo 11 shot into the skies atop a cone of fire, another explosion took the lives of five fireman, the biggest loss of life suffered by the London Fire Brigade in peace time.
Dudgeon's was a ship building firm in the 1800s and was one of a cluster that prospered on the island - including names such as Ash, Stewart's and Samuda's. At its height, in the early 1860s, it is estimated that the firms on the Isle of Dogs employed up to 15,000 men and boys in the shipyards and engineering firms.
The most iconic of the ships built at these docks was Isambard Kingdom Brunel's SS Great Eastern, the largest ship ever built at the time of her launch in 1858.
But the Great Eastern was a last hurrah for ship building on the Thames. The rivers of the North were more efficient and labour and materials were cheaper and in double-quick time large firms of the Thames went bankrupt and tens of thousands were out of a job.
People starved, shipyards became wastelands and revival would take many long painful years.
Some shipbuilding survived by specialising - Yarrow built steam-powered gunboats while other firms turned to ship repair. Shipbuilding skills evolved. Workers produced a diverse range of goods including parts for major civil engineering projects - bridges and gas holders - as well as boilers, engine parts, tanks, propellers and wire rope. Other skills were cannabilised into new industries - sacks and tarpaulins, woodworking and paint, varnishes and chemicals.
Industry survived one way and another for another 100 years of so until the docks and their associated works began disappearing in the 1960s.
The arrival of containers - which London couldn't handle - in the late 60s finally rendered the docklands obsolete.
By the time of the 1969 tragedy, the wharf was a redundant "tank farm" with an array of a hundred or so containers for storing oils and spirit, some up to 200,000 gallons in size. However, these tanks were destined to go as part of the regeneration of the land and demolition contractors had received advice on how to take apart these structures safely.
The demolition was rife with danger and difficulties and firefighters had frequently attended the site after sparks from cutting gear ignited small fires.
Less than two weeks before the fatal explosion, 40 men with eight pumps had tackled a fire on waste oil in a derelict tank and now another call arrived at Millwall Fire Station at 11.21am alerting the emergency services to another fire.
Two appliances were sent from Millwall in F Division and another from Brunswick Road. A foam tender from East Ham was sent later along with a fireboat from Greenwich.
Station Officer Innard, believing the fire to be out when he arrived, decided to put a curtain of water into the open top manhole of Tank 97.
Four other officers joined him on top of the tank to feed in the water. Later reports concluded that this pull of water drew air into the tank, mixing with the flammable vapours.
SO Innard then decided to ensure there was no further fire by opening the bottom manhole. Unable to find a spanner to undo the nuts, it was suggested they should be burned off.
As soon as a workman applied the cutting flame of his torch to the first nut, the vapours inside the tank ignited immediately, blowing the roof off the tank, together with the five firefighters and a work man.
The explosion happened at 11.52. Three appliances were sent from Bethnal Green and Bow. Their role was to collect the bodies.
Remembering the tragedy on a brigade forum, one ex-firefighter wrote: "I had been in the job for seven years when this happened and it really shook us. As you say 'Never forgotten' especially from us guys who could have been involved. Rest easy, mates."
THE VICTIMS
- Temporary Sub Officer Michael Gamble of F23 Millwall, 28, married, 10 years in the brigade.
- Fireman John Victor Appleby of F22 Brunswick Road, aged 23, married, three children, almost five years' service.
- Fireman Terrance Breen of F22 Brunswick Road, aged 37, married with three children, 12 years' service.
- Fireman Paul Carvosso of C25 Cannon Street, aged 23, married, one child, four years' service.
- Fireman Alfred Charles Smee of F23 Millwall, aged 47, one son, 24 years' service.
IMF economists Tao Sun and Parma Bains participate in a Capacity Development Talk moderated by Eva-Maria Graf titled Digital Money: Building Capacity for a Virtuous Circle at the International Monetary Fund.
IMF Photo/Cory Hancock
11 April 2022
Washington, DC, United States
Photo ref: CH220411018.arw
A 1st Regiment, Basic Camp Cadet traverses a rope as part of a TDC obstacle during CST at Fort Knox, Ky., on June 4, 2017. (Photo by Nicholas Bafia)
Arrested Development play HMV Institute in Birmingham, 14 October 2010.
www.arresteddevelopmentmusic.com
venues.meanfiddler.com/hmv-institute/home
Photos for Gig Junkies with review by Daron of The Hearing Aid.
www.thehearingaid.blogspot.com
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Thank you.
The kit and its assembly:
This whif kitbashing was inspired by real design studies from General Dynamics that show evolutionary developments of the F-16 in a no-tail configuration, but with an enlarged diamond-shaped wing shape (much like the F-22's), obviously based on the F-16XL. Additionally you find several similar fantasy CG designs in the WWW – the basic idea seems to have potential. And when I stumbled across the remains of a Revell X-32 in my stash and an Intech F-16A kit, I wondered if these could not be reasonably combined...?
What sounds easy eventually ended up in a massive bodywork orgy. The Intech kit (marketed under the Polish Master Craft Label) is horrible, the worst F-16 kit I have ever seen or tried to build - it's cheap and you get what you pay for. Maybe the PM Model F-16 is worse (hard to believe, but sprue pics I saw suggest it), but the Intech kits are …challenging. This thing is like a blurred picture of an F-16: you recognize the outlines, but nothing is sharp and no part matches any other! Stay away.
Well, actually only the fuselage, the cockpit and parts of the Intech kit's landing gear survived. The X-32 kit is, on the other side, a sound offering. It was not complete anymore, since I donated parts like the cockpit and the landing gear to my SAAB OAS 41 'Vيًarr' stealth aircraft from Sweden some time ago, but there were many good parts left to work with. Especially the aerodynamic surfaces (wings and V-tail) attained my interest: these parts match well with the F-16 fuselage in size and shape if you look from above, and the leading edges even blend well with the F-16 LERXs. But: the X-32's wings are much, much thicker than the F-16's, so that the original blended wing/fuselage intersection does not match at all. Additionally, the X-32's bulged landing gear wells in the wings had to go, so these had to be filled as an initial step. The wing roots were roughly cut into the F-16 kit's shape and glued onto the fuselage. After drying, the whole blended wing/fuselage intersection had to be sculpted from scratch - several layers of putty and even more wet sanding sessions were necessary. I stopped counting after turn five, a tedious job. But it eventually paid out…
Additionally I decided to change the F-16's chin air intake and implant parts from the X-32 divertless supersonic "sugar scoop" intake. Such an arrangement has actually been tested on an F-16, so it's not too far-fetched, and its stealthy properties make a welcome update. The respective section from the X-32's lower front fuselage was cut away and had to be modified, too, because it would originally not fit at all under the F-16's front. The intake was carefully heated at the edges and the side walls bent inwards - I was lucky that no melting damage occurred! Inside of the new intake, the upper, bulged part was implanted, too, so that in real life the jet engine parts would be protected from direct frontal radar detection. The front wheel position was retained. As a consequence of the new, much more voluminous and square air intake, the rather round section from the main landing gear onwards had to be sculpted for a decent new fuselage shape, too. But compared to the massive wing/fuselage body work, this was only a minor task.
The F-16A's fuselage was not extended, but for a different look I decided to eliminate the single fin and rather implant the X-32's outward-canted twin fins - the original extensions that hold the F-16's air brakes and now blend into the new wings' trailing edge were a perfect place, and as a side benefit they'd partly cover the jet nozzle. The latter was replaced by a respective spare part from an Italeri F-16 – the Intech nozzle is just a plain, conical tube!
The landing gear was mostly taken over from the Intech F-16, even though it is rather rough, as well as the pylons. The ordnance was puzzled together: the Sidewinders and the cropped drop tanks come from the Intech kit (the latter have a horribly oval diameter shape and the triangulare fins are a massive 1mm thick!), the Paveway bombs come from a Hasegawa air-to-ground weapons set.
I had an opportunity to explore the construction site for the future city centre and captured a few interesting perspectives.
International Development Secretary Andrew Mitchell today met with children from a Keighley school to find out about their educational partnership with schools in Pakistan and Sri Lanka.
Mr Mitchell took questions from young people at Holy Family Catholic School as he paid a visit following a Cabinet meeting in Bradford.
To read the full article on the visit go to: www.dfid.gov.uk/Media-Room/News-Stories/2010/Internationa...