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I'm already using coffee (caffenol c) as a developer for my bw films. Today I want to try to cross process a fuji nph 400 color negativ film. Took a few pictures this morning. On some blogs about caffenol there was mentioned that coffee is also able to develop these color films and is even used for paper prints. The color is almost 'washed' away but the film then is some kind of toned. I'm looking forward for the results.
Things needed are:
* instant coffee
* soda
* vitamin c
* potassium bromid
* citric acid
* fixing liquid
* a tank for the film
The film stays in the soup for about 15 minutes. The tank should be carefully agitated for the whole first minute and then three times every minute. After flushing with water the process is stopped by citric acid. The citric acid solution stays in the tank for 1-2 minutes. Then after another flushing with water fill in the fixer (e.g. Ilford Rapid Fixer or any other available for b&w films). Fixer stays for 8-12 minutes. Then wash the film following the Ilford scheme (3-6-12-24 agitations or 5-10-15-25). Last step is flushing with distilled water.
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Developer Console (Free camera) | Hud Toggle
Original Photo 5k (15Mp)
Reshade
Photoshop Edit
Homemade coffee based film developer.
My formula:
Dissolve 5tbs instant coffee in 6oz water.
Dissolve 4tbs washing soda in 2oz of water. Stir until uniform.
Add soda solution to coffee.
Dissolve 1000mg Vitamin C in 2oz water. Dissolves fast.
Add Vitamin C solution to coffee/washing soda mixture.
Put in freezer until temp lowers to 20C.
I developed for 15 minutes, agitating 15 seconds for every minute of development.
On the way to Presido, had to stop for this. Warning, subject in photo is much farther away appears!
Fujifilm X-M1, XC16-50mmF3.5-5.6 OIS, all pre-production, RAW / Iridient Developer & Apple Aperture
Read the X-Pert Corner article about using the X-M1 and the two new lenses (XF27mmF2.8 & XC16-50mmF3.5-5.6 OIS) on June 27th.
Free PDF reading samples from my current book on the X-Pro1 (also suitable for X-E1 users):
English: Mastering the Fujifilm X-Pro1 (reading samples, 65 pages, PDF)
German: Das Fujifilm X-Pro1 Handbuch (65 Seiten Leseproben, PDF)
Fujifilm X-T1, Iridient Developer & Aperture
Fuji X Secrets workshops
Read the X-Pert Corner blog.
New books:
Die Fujifilm X-E2. 100 Profitipps
Kentmere100 + T-Max developer. I found the liquid contains some sticky substance at development.... I have discarded it and have prepared SPD ( Super prodol ) for substitution.
While not my favourite combination of film and developer, that doesn't mean TMax Developer does a good job, it does, it just doesn't make Tri-X look like the Tri-X I know and enjoy. But if it's all you have, it won't do a terrible job.
You can read the full review online
www.alexluyckx.com/blog/index.php/2018/04/24/ccrfrb-revie...
Nikon F5 - AF Nikkor 50mm 1:1.4D - Kodak Tri-X 400 @ ASA-320
Kodak TMax Developer (1+4) 7:15 @ 20C
Scanner: Epson V700
Editor: Adobe Photoshop CC (2018)
Sucessfully developed this UE film in PMK but I tried it in Pyrocat HD but I underdeveloped it by about 4 minutes.
1/5
Leica R4 (S/N:1553147)
Leica Vario-Elmar-R 1:3.5/35-70 E67 (S/N: 3662380)
Foma Fomapan Classic 100 @200ISO
Foma Fomadon Excel 1+0 for 9 min. (20C)
Fujifilm X-T1, Iridient Developer & Aperture
Fuji X Secrets workshops
Read the X-Pert Corner blog.
New books:
Die Fujifilm X-E2. 100 Profitipps
Drinkers at the public bar of The New Brighton Hotel, early evening, Manly village, Sydney, spring 2018. Leica CL M-Rokkor 40mm f/2 Kodak TMAX P3200 (old version) in TMAX developer 1+4 9.4mins 24C. V700 scan.
Photographed March 2017 / FED Zarya 35mm viewfinder Film Camera with 15.2mm extension tube + Roeschlein Kreuznach LUXON 50mm/2 lens. The film was FOMAPAN 100 metered ASA 80 developed in Parodinal (a Rodinal type film developer derived from paracetamol).
So, my C41 chemicals were exhausted, haha.
Mamiya C330
Seiko 80mm f/2.8
Kodak Ektar 100
Jobo C41 Press Kit
2014-05-08
Nikon F2
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
Optical shop
Forgot to check with film developer how to shoot the film. Only ask when already completed with shooting. Was told to shoot at ISO200 even though he doesn't like the film. Think he tried to do something after I told him I shot at ISO400. Usually I shot at different lighting situations. Luckily, the habit (which was improved over time) saved some shots.
Pentacon Six TL (S/N 51715)
Carl Zeiss Jena DDR MC Sonnar 2.8/180 (S/N 9928426)
Kentmere PAN 400 at 3200 ISO
Foma Fomadon Excel 1:1 for 22 min. 30 s. (20C)
Blurry photo taken at Sapo's Codebits 2011 in Lisbon.
The blurred action depicts hardworking developers during coding competition.
The omnipresent green is a Codebits' trademark.
Experimenting further to see what I can use for developer when using an inkjet printer with developer on photo paper. This will also finally to print a photo on photo paper without a dark room.
Here I brush on Foma 312 paper the retro320 developer. It gives enough time to make some creative decisions. Toning with Ferro Blend (red) and FAC plus Kferro (Blue)
Hasselblad Planar 80mm, SFX (715) eco film developer
a somewhat different use of lith, soft and warm and fine grained
I call this treatment "hidden lith"
moderately overexposed Fomatone 132with hard grade (magenta) filter
two tray
Easy Lith 1+10 8 mins (until the shades are clearly visable, without considerable density of midtones and lights)
Catechol 1+100 3 mins for full tonal range and warm hue