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Nikon F90x
Nikon AF NIKKOR 50mm 1:1.4 D
Ilford HP5 400, expired 1984
Adonal 1:25 6min @ 20℃
Canon CanoScan 9000F Mark II
01_20190708_013-2
relaxing at Manly wharf, Sydney harbour, June 2018. Leica IIIc Cosina-Voigtlander 21mm f/4 Color-Skopar LTM, Foma Retropan 320 in TMAX developer 1+4. V700 scan.
Fort Custer Recreation Area near Augusta, Michigan. January 9, 2016.
Pentax Mz-S
FA 28-105 f4-5.6
Kentmere 400 rated @400
Tmax developer 1+4, 6min @ 20c
Toned image from scanned B&W exposure. My first experiment with Tmax developer and K400.
16-00575_tu6
I shoot whole roll of Fomapan 400 (at 1600) in Świnoujście... but surprisingly NOTHING came out. Film was completely blank... and I have no idea what I've done wrong.
Also, this frame is somewhat scratched - I had huge problem with putting this Rollei Retro roll to developer tank.
Minolta Dynax 4
Maxxum AF 50mm 1.7 lens + PZO Warszawa OG4 (yellow/orange) filter
Rollei Retro *)S + Rodinal 1:50 for ~14min (~20 celcius)... and I think it's a bit overdeveloped.
UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale
1/6
The Biltmore Hotel in Coral Gables wasn't always a hotel.
It was built in 1926 by a young developer named George Merrick, who's known as the founder of Coral Gables.
The hotel became a place to host glamorous fashion shows, galas, golf tournaments and water shows in what was then the largest pool in the world.
At a loud party on the 13th floor of the hotel, a gangster named Thomas "Fatty" Walsh was shot and killed by another gangster. That murder yielded a lot of ghost rumors over the years.
Then World War II happened and the federal government transformed the Biltmore into a military hospital. Once the war was over, it continued being a hospital for veterans. In 1952, the University of Miami made the Biltmore its first home.
When the hospital closed in 1968, the Biltmore became an abandoned shell. That's when neighborhood kids started sneaking in.
"All the kids would always talk about how there must be ghosts in there," says Betsy Skipp, who grew up in Coral Gables and would sneak into the Biltmore with her friends. "You'd sneak out of the house and we all had flashlights."
Betsy Skipp in her Coral Gables home. When Skipp was growing up, she and her friends would sneak into the abandoned Biltmore Hotel.
So many kids were sneaking into the shuttered building, that the City of Coral Gables decided to hire a security guard.
Kim Dunn-Zocco also grew up in Coral Gables and would sneak into the shuttered building. Sneaking past the guard, whom they nicknamed "The Greenie" after the guard's green golf-cart, was part of the fun, she says.
"Once you got in, that's when it started to get a little creepy and quiet and creaky," says Zocco.
Because the Biltmore had been a veteran's hospital and a medical school, Zocco says her friends' worst fear was the possibility of seeing a dead body inside the building. One time, her friend swore he saw a severed limb.
Check out this 1988 student documentary called "The Biltmore's Strange Guest List" produced by Kathy Bolduc as a final project for a University of Miami class.
"I remember we just ripped it out of there and hauled ourselves all the way home."
In 1983, Coral Gables put $55 million into renovating the Biltmore. The hotel reopened in 1987 and was restored to glory. Ten years later, the Biltmore was added to the National Registry of Historic Places.
Still, the ghost stories kept swirling. Starting in 1994, Linda Spitzer told ghost stories every Thursday night in the Biltmore's lobby. She was a staple for 10 years, before she moved to Lake Worth.
Linda Spitzer shares a photo of herself telling ghost stories in the Biltmore Hotel lobby.
"The guests loved it," says Spitzer, who would wear sun hats reminiscent of The Roaring Twenties. "I would tell them I'm here from 7 p.m. until 7:30 p.m. and it would drag on until 8 p.m."
She did her research before telling her stories, but she says her best material came from the hotel guests themselves. Listen to some of the stories Spitzer heard about happenings in the Biltmore below.
Today the Biltmore is far from the creepy place that once terrified the children of Coral Gables.
Zocco was 17 years old when she worked at the Biltmore's banquet.
For Zocco, it's been an inescapable part of life. Her husband's uncle was a veteran patient when it was a hospital, her father went to medical school as a University of Miami student, she and her sister both had jobs at the hotel. And now she takes her family there for brunch.
"It's such a beautiful building with so much history and so much mystery that you can't help but be drawn to it whether it's empty or living and breathing."
Minolta Dynax 505si Super
Mir 1B, 37mm/f2.8
Foma Retropan 320, 8,5 min. in stock Ilford ID11
Scanned on Epson Perfection V550 Photo, with SilverFast SE 8.8.0r19
relaxing at Manly beach, Sydney, winter 2018. Leica IIIc Cosina-Voigtlander 21mm f/4 Color-Skopar LTM, Foma Retropan 320 in TMAX developer 1+4. V700 scan.
Camera: Ricoh 500GX
Lens: Fixed 40mm f2.8 Rikenon
Film: Ultrafine Extreme 100
Developer: Xtol
Scanner: Epson V600
Photoshop: Curves, Healing Brush (spotting)
Cropping: None
Wolf's Lair - Adolf Hitler's Eastern Front military headquarters in World War II.
Perhaps the last person to take photos at this place with Kodak Retina was SS-Oberscharführer Rochus Misch (he writes in his memoirs that he had such a camera).
Kodak Retina I (type 148)
Kodak-Anastigmat Ektar f:3,5 F=5cm №1584503
Fomapan 100
Fomadon P Stock (23.5°C for 6mins)
In October 1881, developer John M. Ruck purchased a long parcel of property along West 58th Street that included vacant lots, a wooden stable, and one 25-foot wide "shanty.” Three months later, it was reported that Ruck's architects, Thom & Wilson, had filed plans for six buildings on the site, four of which were five-story brick flats and two private houses. Those would share a 25-foot wide plot, giving each a narrow 12.5 foot frontage. The architects disguised the slender proportions by designing mirror image brownstone-faced residences that appeared nearly as one. The house at 420 was initially operated as a boarding house; it seems to have been damaged when construction began on the apartment building next door to the east in 1928. The Ruck family retained ownership of the skinny house until 1940 when the Jay-Em-Arr Realty Corporation sold it to an unnamed buyer. Renovations included a a two-story extension that brought the entrance to sidewalk level. The original doorway was preserved, serving as an entrance to a sunroom at the former parlor level. Simultaneously the matching house at No. 422 was demolished in 1940 and replaced with an "office and storage" building.
Camera: Hasselblad 500C/M
Lens: Zeiss Sonnar CF 150mm f/4
Film: Ilford HP5+
Developer: Kodak HC-110 (1+49, 8 mins) Development details on FilmDev
Scanner: Epson 4180
Cropping, levels and dust removal done in Darktable.
6609
The Film Photography Project now brings you D96 B/W negative developer. Long used in the motion picture industry as the standard B/W developer, but previously only available in very large quantities. We now have it available in powder to make 1 US Gallon.
D96 is a lower contrast film developer with the ability to increase the contrast by increasing your developing times or agitation. We have tested this developer with not only cinema films like X2 (Eastman Double-X), ORWO Cinema Films and FPP LOW ISO BW, but with standard B/W films like Kodak Tri-X. T-Max and Ilford FP4 an HP5 films.
For Processing BW Film - Not For Drinking!
The FPP’s new Caffenol Developer for Black and White Processing at home! CUP O’ JOE is a powder solution in a handy pouch that when mixed with water produces 1 Liter of BW Home Developing solution that will process up to 4 rolls of 35mm, 120 or 8 4x5 sheets of BW film.
filmphotographystore.com/products/darkroom-supplies-caffe...
Zenit 12xp SLR and Domiplan 50/2.8.
Fomapan 100 (bulk)
Developed in paracetamol/acetaminophen developer for 1 hour, dilution 1+100 semi-stand
Nikon F2; Nikkor 105mm f/2.5
iso 400, aperture: f5.6, speed : 1/125
Scan Kodak 135 Trix-400 @ iso 400
Developer : Rodinal 1:100 1h 20°C semi stand-dev
Web site : www.dup1.net/
Developer John J. Emery, Jr Emery modern artists to adorn the interiors. The Gourmet Room received a curving, 30-foot mural by Joan Miró
The Gourmet Restaurant, Cincinnatians quickly took to calling it “the Gourmet Room.”
Inside, it was impossible not to notice the room’s only wall, graced with Miró’s massive mural (which now hangs opposite the Terrace Café in the Cincinnati Art Museum). On art dealer Pierre Matisse’s urging, Miró had been commissioned and was brought in from Europe to install it himself. It was a “sort of artificial window,” says Tubb.
The Terrace Plaza Hotel (its original name) is the most important Modernist building in Cincinnati and is of national and even international significance. Designed in 1945-46 in the New York office of the renowned Modernist architectural firm of Skidmore, Owings, and Merrill (SOM), and built between 1946-48, it was the most progressive American hotel of its day and the first building by SOM to be widely published and receive national attention. So advanced were its design, aesthetics, and technology that it was jokingly called “the pushbutton palace.” It contained spectacular interiors which featured modern art and design by major artists, architects and designers; indeed, it was acclaimed as the best synthesis of modern art and architecture in America of its day.
Terrace-Plaza-Cincinnati
Leica-M6 TTL 0.72, Summicron-C 1:2.0/40mm
Kodak T-Max 100asa. Developer T-Max 1+4 20º 7 min.
Nikon Super Coolscan 5000 ED .
Hoge Frontenpad, Linie Van Dumolin, Maastricht Nederland.
Maastricht The Netherlands, Hoge Frontenpad.
Thank you everyone for your visit, favorites and comments.
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder,Serial Number 1395533
Leica-M 6 TTL 0.72 1998 Rangefinder Serial Number 2466527
Leica-M6 TTL 0.85 2001 Rangefinder Serial Number 2755204.
This is a experimental piece that i did a few years ago of a photograph that has been manipulated during the processing stage. The darker areas of the image display where the developer has been sprayed or brushed on like a painting as the image is developed over the top.
You can see more of the art work at my website at www.markchadwick.co.uk. Thanks for viewing!
Zeiss Nettar 517/16, Utrafine Xtreme 100, HC-110
Scanned with iPhone 11 Pro Max and Film Developer app.
Plotting some data from www.hackdiary.com/2010/02/10/algorithmic-recruitment-with... in preparation for Web Directions @media London on Friday.
Shows all developers who identify their location as London on Github, who have 4 or more other Londoners following them. The sizes and colours come from Betweenness Centrailty and In-Degree respectively.
Plotted with Gephi
Homemade coffee based film developer.
My formula:
Dissolve 5tbs instant coffee in 6oz water.
Dissolve 4tbs washing soda in 2oz of water. Stir until uniform.
Add soda solution to coffee.
Dissolve 1000mg Vitamin C in 2oz water. Dissolves fast.
Add Vitamin C solution to coffee/washing soda mixture.
Put in freezer until temp lowers to 20C.
I developed for 15 minutes, agitating 15 seconds for every minute of development.
Fujifilm X-M1, XC16-50mmF3.5-5.6 OIS, all pre-production, RAW / Iridient Developer & Apple Aperture
Read the X-Pert Corner article about using the X-M1 and the two new lenses (XF27mmF2.8 & XC16-50mmF3.5-5.6 OIS) on June 27th.
Free PDF reading samples from my current book on the X-Pro1 (also suitable for X-E1 users):
English: Mastering the Fujifilm X-Pro1 (reading samples, 65 pages, PDF)
German: Das Fujifilm X-Pro1 Handbuch (65 Seiten Leseproben, PDF)
Sucessfully developed this UE film in PMK but I tried it in Pyrocat HD but I underdeveloped it by about 4 minutes.
1/5
On the way to Presido, had to stop for this. Warning, subject in photo is much farther away appears!
Flic Film makes a developer called Black/White & Green. It has a syrup-like consistency and is advertised to have a long shelf-life. Recently, I also noticed that it's vitamin-C based, so decided to try stand developing with it, thinking it could be something life caffenol (it's also environmentally friendly as per Flic Film).
I could not find any posts on stand developing with this developer. Flic Film only provides standard developing times. However, I tried and it worked really well at 1:100 for 65 minutes, with 1 minute inversion at the beginning.
Fed 2
Industar 61 L/D
Arista 400
Flic Film Black White & Green, 1:100, 65 minutes
Pakon F135