Rodinal Special / R09 Spezial
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Camera: Chamonix 045F-1
Lens: Schneider 90mm F5.6
Film: ILFORD Delta 100
Developer: ILFOTEC DD-X
Exposure time: 8Mins
Location: Miyajima, Japan
TD: Ilford HP5 35mm film, developer ID-11 13' at 20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
Ilford HP5 35mm film, developer ID-11 10' at 20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
Toned Kallitype,
Arches Platine, Sodium acetate developer, short (20 secs) Palladium pre-toning and after fixing alkaline Copper toner 1:30 mins.
Django Reinhardt, Stephane Grapelli, J'Attendrai
TD : Ilford HP5 35mm film, developer ID-11 25' at 20°C. Exposure ISO 1000 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
Looking back down the path, with Gibson Knott at the end of the ridge, and Helm Crag beyond it. Seat Sandal's summit is lost in the clouds and so is Fairfield behind it.
Processed in SilkyPix
"Life is a series of experiences, each one of which makes us bigger, even though sometimes it is hard to realize this. For the world was built to develop character, and we must learn that the setbacks and grieves which we endure help us in our marching onward."
-- Henry Ford (American industrialist & business magnate who was the founder of Ford Motor Company and chief developer of the assembly line technique of mass production)
Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/
FP4 N+1 in Tanol.
coolest Kallitype tone without a toning is a combination of Arches Platine and Sodium acetate developer
FP4 N+1 in Tanol,
Kallitype onto Hahnemühle Platinum Rag,
developer Potassium sodium tartrate/Sodium tungstate mixture at 28°C.
Cullasaja Gorge, Nantahala National Forest
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Ilford Delta 100, developed in homemade Kodak D-76 (1927), 1+3 dilution
Fujica ST605 + Super Multi Coated Takumar 35mm f/2.0 + Yellow filter
Printed on 18x24 Fomabrom Variant 111 using Fomadon R09 developer
Kallitype on Hahnemühle Platinum Rag, Silica pre-coated, Oxalate/Acetate developer,
short Lead toning followed by Copper sulfate toner
Live Oak and Palmetto, Sleeping Turtles Preserve North, Venice, Florida
590nm IR-converted Pentax K-5
Laowa 20mm f/4 Zero-D Shift
Iridient Developer
Small waterfall below Secret Falls, Nantahala National Forest.
Pentax K-1
SMC Pentax 1:3.5 35mm
Iridient Developer
View from Bald Head Island
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 18mm
Iridient Developer
Affinity Photo
Glen Falls Trail, Nantahala National Forest
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Cypress, fern, bromeliads, Grassy Waters Preserve, Palm Beach County, Florida
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
I went to Anglesey Abbey to finish off a test roll in the Autocord, and also to capture the main building with the wildflower meadow in the foreground. The meadow and weather were great for capturing it, but unfortunately it was clad in ugly scaffolding, typical! But still, there are other views and details to capture here, including the mill, and soon wished I’d brought some more rolls of film.
Minolta Autocord, Kentmere 100, Caffenol CL-CS, 15C starting temperature, 60 minutes.
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Rolleiflex T Tri-X in Pyro48.
Kallitype onto Hahnemühle Platinum Rag,
Rochelle salt developer, Palladium toner, ATS acidic fixer.
Back to the main channel, on the downstream side of Fish Dam Island, Eno River State Park
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
A cold Sunday in December.
Technical information:
Camera: Bronica ETRSi
Lens: Zenzanon PE 50mm f/3.5
Film: Kodax Tri-X 400
Developer: Adox FX-39 II
Scanner: Canon EOS R camera with Sigma 105mm macro
Other tools: Kasier Slimline Plano Lightbox and Essential Film Holder
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
(Crop from 4x5 negative shot with a Linhof Kardon Color and Fujinon T 400 f/8 lens on Fomapan 100; developed in Moersch Eco Film Developer; digitized with DSLR; edited with GIMP)
Brumley Preserve, Orange County NC
Pentax K-1
Pixel-shift super-resolution mode
SMC Pentax 1:1.8 85mm
Iridient Developer
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Paine’s Bridge, Chatsworth, Derbyshire, England.
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
500cm - Planar2.8-80
BerggerPancro400
D-76 1:1 @20°C for 17 minutes
first time i used D-76 and the Bergger Pancro400
i already love this film or the developer makes the difference.
No matter! how do you like the results?
Rolleiflex 3.5F TLR Camera. Planar Lens.
Ilford FP4 Film + XTOL Developer.
Negative scanned using a Fuji GFX-50s + Kipon Adapter + Pentax 645 120 Macro Lens + Negative Lab Pro Software.
- - -
Film: Ilford HP5+ 400
Developer: Ilford DD-X (1:4 ~ 9 min)
Stopper: Ilford Ilfostop Stop Bath
Fixer: Ilford Rapid Fixer
Scanner: Nikon CoolScan 5000 ED
Rollei SL66SE, Carl Zeiss Planar 80mm f/2,8, Lens tilt used, Kodak T-Max 100 Professional TMX6052, Developer Ilfosol S 1+9, negative photographed on a light pad, digital processing in Lightroom.
The lens tilt used enables a plane of focus which is not parallel to the film plane, but tilted along the top of the wall, stretching from a metre or so to infinity. Notice that the grass in the foreground is not in focus, even though it is the same distance from the camera as a part of the the wall which is sharp.
de.wikipedia.org/wiki/Scheimpflugsche_Regel
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film