T-Max Developer
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Camera: Graflex Century Graphic
Film: Kodak T-Max 400
Developer: Ars Imago Monobath
Scanner: Epson V850 Pro
Scannersoftware: SilverFast
Hasselblad 501CM 80mm, Efke IR820 in Finol,
Kallitype, COT-320,
Ammonium citrate developer, MT10 Gold toner prior to fixing.
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Catecholentwickler haben den Nachteil, daß sie als giftig eingestuft sind und als Warnhinweis auf der Flasche ein Totenkopf-Piktogram aufweisen müssen. Auch das Hydrochinon der Lithentwickler ist als gesundheitsschädlich eingestuft. Bei Konzentraten besteht für Anwender allerdings nur eine Gefahr, wenn man das Zeug schluckt oder darin badet. Es macht also eigentlich keinen Sinn, das Catechol aus dem Zweitentwickler nach Lith zu verbannen. Ein Austausch gegen eine ungefährliche Substanz ist möglich, aber nicht ökonomisch. Der Ersatzstoff ist erheblich teurer, im Grunde also eine nutzlose Spielerei. Ein erster Versuch zeigt auch eine etwas kontrastreichere Wirkung, was sich aber noch ändern ließe.
Linke Seite: Lith gefolgt von Brenzkatechinentwickler
Rechte Seite: Lith gefolgt von 2,5-Dihydroxibenzene Kaliumsalz Entwickler.
Catechol developers have the disadvantage that they are classified as toxic and must have a skull and crossbones pictogram on the bottle as a warning. The hydroquinone in lith developers is also classified as harmful to health. With concentrates, however, users are only at risk if they swallow the product or bathe in it. It therefore makes no sense to ban catechol from the second developer after lith. Replacing it with a harmless substance is possible, but not economical. The substitute substance is considerably more expensive, so it is basically a useless gimmick. A first attempt also shows a somewhat higher-contrast effect, but this could still be changed.
Left side: Lith followed by pyrocatechol developer
Right side: Lith followed by 2,5-dihydroxibenzene Potassium salt developer.
Olympus OM2, red filter, Kodak High-Speed Infra-Red film developed in Kodak D76, negative scanned, digital processing in Lightroom.
The geotag is accurate to a few hundred metres only.
Hasselblad 501CM, Planar 80mm,
PXP @400ASA in eco film developer.
Lobotype onto HPR
MT7 Iron Blue Toner 5+5+20+5+600ml 1:30 mins, followed by Lead acetate toner 1,25% 30 secs.
Hasselblad, PXP @400 in eco film developer.
Foma Retrobrom
Ãœberbelichtung ca. 2 Blenden, ermittelt mit Heiland Splitgrade Controller (Papierspeicher Festgradationspapier).
SE5 Lith (A+B+D+water) 50+50+10+1000ml 7:30 minutes.
Hinweise für die Verarbeitung.
Bei Entwicklungszeiten über 10 Minuten können sich Snowballs bilden. Versucht man durch längere Belichtungszeit auf eine kürzere Entwicklungszeit zu kommen, verstärkt sich das Problem, falls die Überbelichtung dann schon über 2,5 bis 3,5 Blenden liegt. In solchen Fällen ist es erfolgversprechender, den Entwickler etwas fetter einzustellen, oder den Gehalt an Lith D zu reduzieren.
Hinweis zur Trocknung auf Sieben.
Dieses Papier ist relativ schwach gehärtet. Bei der Trocknung auf Sieben mit der Schichtseite nach unten kann es zu Schichtverletzungen mit punktuellen Siebmustern kommen.
Processing instructions.
Snowballs may form during development times exceeding 10 minutes. Attempting to achieve a shorter development time by increasing the exposure time will exacerbate the problem if the overexposure already exceeds 2.5 to 3.5 f-stops. In such cases, it is more promising to adjust the developer to be slightly richer or to reduce the Lith D content.
Note on drying on screens.
This paper is relatively weakly hardened. When drying on screens with the coated side facing down, the coating may be damaged, resulting in selective screen patterns.
Hasselblad 501CM, Planar100 with extension tube, Rollei ATP 120 in flaTTec developer.
Kallitype onto HPR,
potassium sodium tartrate/sodium tungstate developer,
MT7 Iron blue toner
This photo was shot on a sunny but cold winter day on Kodak Gold 200 in 135 (35mm) format. It was developed and digitized at home by yours truly. This is part of my continuing quest to achieve the best results possible from film at the lowest possible investment of production time and money. I'm not there yet, but I am quite happy with the improvements so far.
Technical information:
Camera: Canon EOS 3
Lens: Canon EF 35mm f/2 IS USM
Film: Kodak Gold 200 (at ISO 160)
Developer: Bellini C-41
Digitized with a Canon EOS R5, a Sigma 105mm macro lens, the Valoi 360 film holder, the CS-Lite light source, and a copy stand made out of an old Durst enlarger.
Software conversion: Negative Lab Pro 3.0
Rolleiflex Automat (1951)
Zeiss Opton Tessar T 75mm f/3.5
Ilford Pan F+
Rollei yellow filter
Sekonic L758DR
Kodak HC 110 Developer
Dlsr digitized
CC Photoshop
Contact print on Fomabrom variant 111, developer Kodak DEKTOL 1+2, ILFORD FP4 Plus developer Kodak D-76 1+3.
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Transitional woods in James River Park, Richmond, Virginia
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
Rollei SL66SE, Carl Zeiss Planar 80mm f/2,8, Konica Infra-red film IR750 developed in Kodak D76, digitised by photographing the original negative on a light pad - tethered capture and digital development in Lightroom.
The Jura peaks are roughly 30km away in a northwesterly direction, seen from the same viewpoint as that for the previous photo. The use of long wavelengths (750nm) makes for a haze-free image.
Minolta Maxxum 7000
Minolta AF 28-85/3.5-4.5
Kodak Tri-X
Rodinal Developer 7min@20C
DsLr DiGiTiZeD
PS ( two exposures ala dynamic range type, masked off only revealing some detail on the pot!!!
6x6 negative taken by Agfa Isolette II with yellow filter on Fomapan 400. Darkroom print on Fomabrom classic 131 FB paper, developed in Amaloco neutral tone developer. Short toning in Selenium 1+9 to enhance the Dmax.
Mamiya C330, Mamiya Sekor 105mm f/3.5 DS, Kentmere 100 @ISO 50, 38 minutes in Caffenol CL-CS @15-20°C, Zone Imaging Eco Zonefix.
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Camera: Kodak Retina IIIC (1957)
Lens: Schneider-Kreuznach Retina-Xenon 2/50mm
Film: Adox Silvermax 100
Developer: Adox Silvermax Developer
Digitized with a Sony a7RIII
Location: München, Fußgängerzone
Latergram ist meine Antwort auf Instagram - ich belichte einen Film und bewahre ihn einige Zeit auf, ohne ihn zu entwickeln.
Latergram is my answer to Instagram - i expose a film and put it away for some time without developing it.
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
In PORTO and throughout Portugal are buildings like this-
prime location(s) along the Douro River,
close to other Investment opportunities,
but- because of layers of burdensome Bureaucratic B.S.-
these buildings- sit, undeveloped while housing and especially affordable housing remains a scarcity here,
as in many parts of developed world today.
Hasselblad 501CM
Hasselblad 120MM CFi lens
Hasselblad 56MM Extension Tube
Kodak T-Max 400 developed in T-Max developer for 9 minutes
Furano, Hokkaido.
Canon T50, Tamron 90mm F2.5, Kodak Microfilm Imagelink HQ exposed as ISO 40, developed with SPD ( Superprodol from Fujifilm for B&W film developer ) for 10 minutes at 20 Deg.C., alkaline pushing added, scanned with Plustek OpticFilm 120 + VueScan, edited with GIMP.
Bigger sizes: www.flickr.com/photos/threepinner/49629259068/sizes/ up to 10000 × 6604 pixels compatible. Learn DIY development and upgrade to film !
Dune Evening Primrose (Oenothera deltoides), Anza-Borrego Desert State Park.
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
FujiFilm GW690III
Fujinon 90mm f/3.5 EBC
Ilford Pan F Plus Film, Yellow Filter
T-Max Developer 1:4 5 1/2 Minutes
Epson Perfection V550 Photo
A couple of frames to illustrate the point of the Divided D76H, highlight preservation. The Courtyard has lovely shiny tiles so reflects the light beautifully and it was kind when I walked past. The stairs were a sunny sixteen challenge as well. There the lamp isn't blown out yet there is great shadow detail.
The developer is actually a variant on the Vestal divided D76. He couldn't remember on mixing if the sulphite went in A or B bath so split between them. The H is added as this formula looses the Hydroquinone but boosts the metol and borax, I ran 5mins in both baths with continuous gentle agitation.
For developer detaiols ee The Film Developing Cookbook Pg 85
Film is the ORWO N74 movie film in IXMOO home loaded with yellow filter on the f2 ZM Biogon 35mm.