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Europe, The Netherlands, Zuid Holland, Rotterdam, Cool, Coolhaven, Little C, Balconies (slightly cut from all sides)
Much has already been said and written about Little C. See the previous post for a little sample.
The style of the building complex can partly be traced back to the inherent cynicism of the project developers that created a project that uses the morphology of ultimately very problematic urban districts/housing complexes like The Projects (New York) -and the long ago demolished Kowloon (Hong Kong) quarter.
This is for now the last of the Little C mini-series.
This is number 1343 of Minimalism / explicit Graphism.
Hasselblad 501CM Distagon 50mm, Efke IR 820 in eco film developer,
Kallitype on Hahnemühle Platinum Rag,
Sodium acetate developer 3 mins,
Citric acid 1% 4 mins,
ATS acidic fixer 1+10 4 mins,
MT3 Vario Toner, bleach 1+75 1:30 mins, toner setting D.
Hasselblad 501CM 80mm, Efke IR820 in Finol,
Kallitype, COT-320,
Ammonium citrate developer, MT10 Gold toner prior to fixing.
Chair and drying octopus, Parikia, Paros
July 1975
photo by Mary Lou
2400 dpi scan of a 6x6 cm Kodak VP120 negative
Mamiya C220 TLR, 80 mm lens
Affinity Photo
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
FP4 N+1 in Tanol.
coolest Kallitype tone without a toning is a combination of Arches Platine and Sodium acetate developer
FP4 35mm in eco film developer,
Kallitype onto Hahnemühle Platinum Rag,
Potassium citrate developer,
MT7 Iron/Lead toner. Iron 4+4+9+4+500 1:15 mins followed by Lead acetate 3% 2 mins
Eno River State Park
Playing with my new lens
590nm IR-converted Pentax K-5
Lensbaby Sol 45/3.5
Iridient Developer
Scadin Falls, Cullasaja Gorge, Nantahala National Forest.
Pentax K-1
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Affinity Photo
View from Bald Head Island
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 18mm
Iridient Developer
Affinity Photo
Glen Falls Trail, Nantahala National Forest
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Leica M6, 35mm Steel Rim, Kodak Portra 160, analogue film
The Bessemer process is a steel production method that is no longer used today. It is named after its developer Henry Bessemer, who developed it in England and patented it in 1856.
In the so-called Bessemer bulb, a cylindrical refractory vessel, air is blown through the very carbon-rich pig iron melted in the blast furnace. The carbon and other elements burn to form carbon monoxide, carbon dioxide and other oxides. As a result, the temperature of the molten metal rises far above the melting temperature of the pig iron of 1,150 °C at least to that of the steel, which can be up to around 1,550 °C. When the carbon content in the iron has fallen below a certain value, steel has been produced from the pig iron. Experts can tell when the composition corresponds to the desired one by the color of the flame at the exit of the Bessemer bulb.
The Bessemer bulb is a so-called bottom-blowing converter. For the Bessemer method to work in the acidic process, the pig iron must be low in phosphorus and sulphur. Pig iron with this impurity was processed into steel in the Thomas bulb.
Shakespeare's Globe is a reconstruction of the Globe Theatre, an Elizabethan playhouse first built in 1599 for which William Shakespeare wrote his plays. Like the original, it is located on the south bank of the River Thames, in Southwark, London. The reconstruction was completed in 1997 and while concentrating on Shakespeare's work also hosts a variety of other theatrical productions. Part of the Globe's complex also hosts the Sam Wanamaker Playhouse for smaller, indoor productions, in a setting which also recalls the period.
en.wikipedia.org/wiki/Shakespeare%27s_Globe
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100x: The 2024 Edition
75/100 London landmarks by night
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
(Shot with an Agfa Isolette III on Ilford FP4+; developed in Moersch Eco Film Developer; digitized with DSLR + hugin; edited with the GIMP)
en.wikipedia.org/wiki/Pow%C4%85zki_Cemetery
Leica Vario-Elmar-R 1:3.5/35-70 E67 (S/N: 3662380)
Agfa APX 400 @400ISO
Fomadon Excel 1+1 for 12 min. (20C)
Here you can see how early car manufacturers used lead (instead of Bondo) to fill in roof joints. Notice how sanding (file) marks are still present in the lead. More importantly, just how thick the early paint jobs had to be to cover these scratches up.
Image:
Konica T4
40mm f1.8
Fuji 4791 duplicating film.
POTA developer, 12 Minutes.
A cold Sunday in Dayton.
Technical information:
Camera: Bronica ETRSi
Lens: Zenzanon PE 50mm f/3.5
Film: Kodax Tri-X 400
Developer: Adox FX-39 II
Scanner: Canon EOS R camera with Sigma 105mm macro
Other tools: Kasier Slimline Plano Lightbox and Essential Film Holder
Fountains Abbey, North Yorkshire, England.
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Mushrooms in Bothell, Washinton.
Camera: Ricoh Diacord L
Lens: Rikenon f/3.5 8cm with Rondo Close-up attachment II
Film: Fujifilm Neopan Acros II
Developer: Beerenol (Rainier beer)
Solargraphy by camera fixed a to lawn mower. Vibration of engine made solar path to appear as a band.
Camera: 2 jar lids
Paper: Kodak Polymax RC, 8 cm in diameter
Exposure: 1 hour of work, then left still for 3-4 hours until sunset
Developer: D-76 1:1, fixed
Scanner: CanoScan 9950f
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
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In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
In PORTO and throughout Portugal are buildings like this-
prime location(s) along the Douro River,
close to other Investment opportunities,
but- because of layers of burdensome Bureaucratic B.S.-
these buildings- sit, undeveloped while housing and especially affordable housing remains a scarcity here,
as in many parts of developed world today.
To view more of my images, taken in the Isle of Wight, please click "here" !
Please do not insert images, or attach group invites; thank you!
St Lawrence is a village on the south side of the Isle of Wight, in southern England. It is located to the west of Ventnor and many consider it a part of that town. St Lawrence is situated on the Undercliff, and is subject to regular landslips.
St. Lawrence is much older than Ventnor. One of its churches dates from the 13th century; before the addition of a chancel in 1830, it was only 25 feet long and 11 feet wide, and was considered the smallest church in England. Although there are undoubtedly smaller chapels including the tiny church at Les Vauxbelets on Guernsey, this arguably remains the smallest to be built as a parish church — although this role has long since been supplanted by a larger church in the village - see St. Lawrence's Church, St. Lawrence. It also has a 15th-century baptismal font - a stoup that is about 500 years old and a series of 18th-century hat pegs. The piscina niche is almost the same age as the church.
The larger church at St. Lawrence dates from the 19th century, but has a 17th-century altar and a chest that dates from 1612.
There is a glassworks styled as Isle of Wight Glass by the Old Park Hotel in St. Lawrence. Nearby is the site of the Tropical Bird Park, which is now closed. Close to the newer church is the site of the Rare Breeds Park, which closed while the A3055 road was closed to the west of the village due to landslip.
St Lawrence was in the nineteenth century the subject of an ambitious plan by a German developer, named William Spindler (who had made his fortune as a chemist in Berlin), to develop St Lawrence as a resort to rival Ventnor. He lived on the Isle of Wight from 1881 to his death in 1889 and is buried in Whitwell. During his time in St. Lawrence he had an enormous influence there and on the surrounding areas. He possibly alienated local opinion with a series of "improving pamphlets" criticising local perceived laziness. His legacy has been a number of grand Victorian houses, often semi-derelict and half hidden by woodland. Perhaps his most noticeable memorials are several huge pieces of masonry in Binnel Bay, which once formed a harbour which is all but inaccessible from the land. These have fallen into titanic ruins and are known locally as "Spindler's Follies".
Egret (heron) in flight in coastal wetlands, Sydney, May 2020. Moments before I had encountered this egret on a walking track in the wetlands. As I edged closer it took off, flying right past me towards the setting sun.
Olympus OM4-Ti OM Zuiko 28mm f/3.5 Ilford HP5+ @ISO800 in Microphen developer dilution 1+1. V700 scan.
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