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FP4 N+1 in Tanol,
Gold toned Kallitype after fixer,
paper Hahnemühle Platinum Rag
developer Sodium acetate
Fuji Acros in Finol (N-1),
Kallitype on Hahnemühle Platinum Rag,
Sodium acetate developer, MT3 Vario toner, followed by MT10 Gold toner
A bit further up along Stanger Gill from the last shot, this sloping rock caught my eye. Surely it deserves an official name on the map? Couldn't see one though.
By this point, the cloud was starting to lower and the wind was picking up, especially after leaving the shelter of the northern slopes of Rosthwaite Fell.
Camera: Rolleiflex 3.5F Modell 3 (1964)
Lens: Carl Zeiss Planar 3.5/75mm
Film: Bergger Panchro 400
Developer: Bergger PKM
Location: Piazza Adriana, Roma, Italia
Bokeh weird and wonderful!
The bokeh is not the result of some texture programme in Photoshop or the like, but primarily the result of the optics used, "enhanced" in processing with the clarity control, otherwise known as a detail extractor.
Initial processing in the RAW-converter built into the Pentax K-1, along with the application of "digital filters". Further work on colour intensification, shading and vignetting in SilkyPix Developer Studio Pro 9.
Do view large and zoom in! It's fun!
HSS!
SMC Pentax-M 50mm f:1.7 "Soft" (the lens has a perforated disc in the optical path)
Duto filter (a plain glass filter with concentric rings, popular in the 1930s for creating a soft-focus effect)
PENTAX K-1
See my growing album with shots from this lens...
A 691 acre state park originally called Westbrook, was designed by noted landscape architect Frederick Law Olmstead while the mansion in the Tudor style was created by Charles C. Haight all for William Bayard Cutting, an attorney, financier, real estate developer and sugar beet refiner, in 1886.
This part of the house faces the Connetquat River which empties into Nicoll Bay and finally the Great South Bay of Long Island.
Historical landmark in Los Angeles, California. Took this shot from a road bridge overlooking this canal.
More info: The Venice Canal Historic District is a district in the Venice section of Los Angeles, California. The district is noteworthy for its man-made canals built in 1905 by developer Abbot Kinney as part of his Venice of America plan. Wikipedia
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Camera: Pentax K-1000
Lens: SMC Pentax-M 1.4/50
Filter: None
Film: HP5 400 @ 200 ISO
Developer: Pyrocat HD 1+1+100 7.5 min. 70°
Scanned from lith print on Slavich Unibrom 160 FB SW.
Arista Liquid Lith
SEE THE CAMERA HERE:
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
Minolta Autocord, Kentmere 100 @ISO100, Caffenol CL-CS, 15°C starting temperature, 60 minutes, Zone Imaging Eco Zonefix. 1/8 strength K&F black mist filter used during scanning.
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Here you can see how early car manufacturers used lead (instead of Bondo) to fill in roof joints. Notice how sanding (file) marks are still present in the lead. More importantly, just how thick the early paint jobs had to be to cover these scratches up.
Image:
Konica T4
40mm f1.8
Fuji 4791 duplicating film.
POTA developer, 12 Minutes.
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
Asahi Pentax MX
SMC Pentax, 1.7-50mm
Fomapan 100@100 ISO
Moersch Eco Developer
Semi-stand developing 45 min.
DSLR scan
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
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Voigtländer Bessa R2
VM Voigtländer Heliar vintage 50mm ƒ3.5
Ferrania P30@25.5
CD4-LC_stock_22ºC_9:30min
5-panel stitch
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Upper section of Quarry Falls, Cullasaja Gorge, Nantahala National Forest
Pentax K-1
SMC Pentax-A 1:2.8 24mm (4-shot stitch)
Iridient Developer
Affinity Photo
Rolleiflex 2.8C Xenotar 2,8/80, with the Rollei Plate adapter, 6,5x9cm for 6x6 frame, Ilford FP4 Plus 125 film sheet, Romek PQ7 1+3 developer
4800 dpi scan of Kodak Panatomic X ASA 32 in Acufine developer August 1973 cleaned up in Affinity Photo, otherwise straight from the scanner
(Mamiya RB67; Sekor C 3.8/90mm; Ilford FP4+ developed in Moersch Eco Film Developer; digitized with DSLR+hugin; edited with GIMP)
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
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In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
Photographed October 2015 Pontcanna Fields,Cardiff using an Olympus 35 SP rangefinder camera.Film was FOMAPAN 100 rated EI=50 and developed in "ParRodinal" homebrewed paracetamol developer.
The Pleiades cluster rises over Middle Island
Pentax K-1
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Affinity Photo
Minolta Dynax 505si Super
Carl Zeiss Jena Flektogon 35mm/f2.4
Ilford HP5+ @1600
Foma Fomadon Excel (stock, 20C for 13min)
Test DIY color developer "C-41"
Fujica ST801, Fuji Superia 200 (exp.2014), homemade rotation maschine.
Kiev 6C, Biometar 80/2.8, 6×6 cm 120mm rolfilm Fujicolor, studio. Shooting through the curved glass, scanner Epson 3200
My plans around Watford rapidly changed when I visited Cassiobury Park and discovered they were in the process of moving a few dinosaurs around. You know how it goes.
This was a grab shot through the car window before I parked up properly and shows a Triceratops, or at least a Homo sapiens interpretation of it, being transported in the park.
I now know that it forms part of 'Jurassic Encounters' which consists of around 50 automated dinosaurs that move their jaw and limbs and growl - it lasts from 2nd to 18th April 2022.
Despite the event name, the Triceratops did not roam the planet in the Jurassic era, coming much later in the Late Cretaceous period, and only existed about two million years prior to the Mass Extinction.
Cassiobury Park, Watford, Hertfordshire
28th March 2022
20220328 IMG_7817