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Berlin-Charlottenburg, Literaturhaus Fasanenstrasse

 

Graflex Super Graphic, Schneider Symmar 135mm f/5.6, Foma Retropan 320 in Foma Retro Special developer

Development details on FilmDev

banks of the Derbyshire River Wye

The Embassy of the United States of America in London is the diplomatic mission of the United States in the United Kingdom. It is located in Nine Elms and is the largest American embassy in Western Europe. The embassy overlooks the River Thames and has been opened to the public since 13 December 2017, and was formally opened in January 2018. For much of the 20th century and into the 21st, the chancery was in Grosvenor Square, Westminster, London.

In November 2009, the U.S. government conditionally agreed to sell the lease of the Grosvenor Square Chancery Building to Qatari real-estate investment firm Qatari Diar. Though the price was undisclosed, the lease's worth was estimated at £500 million in July 2000. The development value of the property was reduced when the building was given Grade II listed status, requiring developers to maintain its current design. The building is now one of Mayfair's 238 listed buildings and monuments. In 2016, plans were approved for the conversion of the building into a hotel.

On 23 February 2010, the U.S. government announced that a team led by the firm of Kieran Timberlake had won the competition to design the new embassy building and surrounding green spaces. The winning design resembles a crystalline cube, with a semi-circular pond on one side and surrounded by extensive public green spaces and the Embassy Gardens housing development.

 

Event: Birmingham Branch Rally

Location: Hatton Country World, Hatton, Warwickshire

Camera: Canon AT-1

Lens(s): Canon FD 50mm f/1.8

Film: Agfa Vista 200 - expired 2017

Shot ISO: 400 (mistake!) Should have been 200

Light Meter: Camera

Lighting: Sunny/overcast mixed

Mounting: Hand-held

Firing: Shutter button

Developer: Digibase C-41

Scanner: Epson V800

Post: Adobe Lightroom & Photoshop (dust removal)

Konica Big Mini F

Kodak TMax 400@800

XTOL 1:1

Reflecta RPS7200

Mushrooms in Bothell, Washinton.

 

Camera: Ricoh Diacord L

Lens: Rikenon f/3.5 8cm with Rondo Close-up attachment II

Film: Fujifilm Neopan Acros II

Developer: Beerenol (Rainier beer)

While a very fun location to hike almost any time of year, Rock House is by far the trickiest to photograph. The large rock formations are set back far enough that even in the most subdued light can pose a challenge of extreme contrast range. That leaves a film photographer with few choices as to what type of film developer they'll use to represent the scene.

 

The easy way out would be to let the background blow out and take more detail in the rock. Or maybe even bracket and *gasp* stitch together an HDR in post. When applicable, I try to never do either. This shot is yet another in a long line of examples why I love Pyrocat HD.

 

Tachihara 8x10 Double Extension

Schneider Super Symmar-XL 150mm f/5.6

10 min. @ f/32ish + front rise

Ilford HP5+ @ ASA 200

Pyrocat HD 1:1.5:100

 

www.matmarrash.com

Leica M2

Leica Summilux 35mm f/1.4 II

Ferrania P30

Adox Silvermax Developer (1+29)

11 min 20°C

Scan from negative film

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Developer Console (Free camera) | Hud Toggle

Original Photo 5k (15Mp)

Reshade

Photoshop Edit

Camera: Leica MP Lens: Voigtlander Nokton 50mm f1.2 asph vm Film: Kentmere 400 pushed to iso 1600 Developer: HC-110

Surf Life Saving competitors at Manly beach, Sydney, summer 2016. Manly beach is one of Sydney's most popular beaches with both tourists and locals. Volunteer lifesavers perform an invaluable community service keeping beaches safe in the swimming season. Surf Life Saving Clubs are a community hub and regular competitions between clubs keep lifesavers' skills current and are an important social event in the surf life saving community.

Camera: Leica IIIc

Lens: Cosina-Voigtlander 35mm f/2.5 Color-Skopar LTM

Film: Kodak TMAX P3200 @ISO1600

Developer: Kodak TMAX developer

Scan: Epson V700

 

Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2016 Lynn Burdekin. All Rights Reserved.

We have finally released the Developer Kit for our mesh heads!

 

Please share your advertisements in our flickr group, so our customers can find you: www.flickr.com/groups/4144858@N23/

Rollei 6003 Pro / Zeiss Planar 80mm 1:2.8

Ilford HP5+ / Minolta Autometer IVF / Epson Perfection 4490

Self-developed in Kodak D76 (stock)

Development details on FilmDev

Press "L" it's worth.

 

© 2016 follow me or avoid me on instagram tumblr facebook twitter

 

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You can follow my street work at my secondary Tumblr blog: www.tumblr.com/blog/smilefromthestreetsyoushoot

Enjoy. Why not? Of course you will. I know, you know it.

Nikon FE2 + Ai Nikkor 50mm/f1.8 using Adox Silvermax (ISO100) developed for 12 min. in 1/40 Rodinol at 20C in a LPL an old stainless steel lid tank with the usual inversion method. Printed with an LPL 7453 enlarger +fujinon-EP 135mm/5.6 lens at f16/35sec with 00-56-23 filter settings.. Paper is 5x7 iAdox MCC110 processed with Adotol WT developer and Rollei Selenium Toner II. Dry-mounted with a Seal Junior 60 press on PGI museum board and scanned on a CanoScan LiDE 40 scanner.

This tree is behind the wall of a university guest house. I pass by it almost every morning and photograph it each spring.

 

After my first trip to Hocking Hills last April, there have been an additional 4 trips made, and it's all due to the scenery!

 

A sight common to many who've visited Hocking Hills, the Upper Falls are the main attraction on the trail I've been photographing each time I visit. There's a lovely old bridge that crosses these coursing falls, and even in the "off season", manages to move a healthy amount of water.

 

My favorite part of the Upper Falls isn't the falls themselves, but the serene, shallow pond that the falls run into. In this particularly wide view, I tried my best with a combination of long exposure and front tilt to demonstrate both aspects of the falls.

 

Tachihara 8x10 Double Extension

Fujinon-W 250mm f/6.7

2 sec. @ f/22ish + front fall, swing, tilt

Ilford HP5+ @ ASA 200

14 min. in Pyrocat HD 1:1.5:100

 

www.matmarrash.com

developer: Kodak T-Max 1+9 11' (18c)

Myth(Sphinx) Marc Quinn.

 

Leica-M6 TTL 0.72

Elmarit-M 1:2.8/21mm ASPH

Kodak T-Max 100asa

Developer Kodak T-Max 1+4 20º (7min)

Nikon Super Coolscan 5000 ED

Thank you everyone for your visit, favorites and comments.

 

🔴Leica my point of view.

Wetzlar, Deutschland.

 

Leica-CL 1974 Rangefinder,Serial Number 1395533

 

Leica-M 6 TTL 0.72 1998 Rangefinder Serial Number 2466527

 

Leica-M6 TTL 0.85 2001 Rangefinder Serial Number 2755204.

A less traditional view of Battersea Power Station. It won't look like this for much longer...

dark room experiments on space and time

(14)

2017 08 06

Arkliukas, pin 0,2mm, Foma Retropan 320, Foma Retro Special Developer

 

My submission for World Wide Pinhole Photography Day 2019. This is the Schaner Mill building at the Hart Historic District in Hart, Michigan, USA. I have a few other pics I took on pinhole day, but have not developed them yet and deadline for submission is close, so I submitted this one. Last year I missed out on submission because I procrastinated and missed the deadline and did not want that to happen again this year :-)

 

Taken on World Wide Pinhole Photography Day 2019, May 28 2019.

Lensless 75mm pinhole camera

f/231

4 minute exposure

Ilford Delta 100 large format 4x5 sheet film

Developed in Tmax developer 1+4 7 minutes

  

As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....

 

Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!

Needless to say, the second attempt with Merlot developer did not go as well as the first. I left the film in the developer longer and actually got thinner negs. I am currently analyzing the process and have some things I am going to try. These heavily cropped images were dragged out of the film. They were the only two of even instructive merit.

 

Terminator 3, Kodak Tri-X, merlot developer

Camera: Nikon Nikomat EL + Nikkor 50mm f2.0 + Red optical filter

Film: Fujifilm Neopan Acros II 100

Developer: Adox Adonal

Scanner: Epson v300

IN ENGLISH BELOW THE LINE

 

El conjunt dels objectius tipus Petzval, tots de bronze. De moment només he pogut fer servir el Derogy, però espero aviat poder emprar el Voigtlander, el Lerebours i el Dallmeyer, tant per plaques de 13x18 com de 18x24.

 

Es tracta d'un ambrotip en vidre fosc, format 4x5 polzades, realitzat amb una Graflex Speed Graphic, fabricada entorn 1950; objectiu Kodak Anastigmat f4.5; col·lodió Mamuth Liliana, revelat amb Mamuth MD8. He de dir que no estic gens content amb aquest col·lodió, m'ha donat força problemes.

 

Les plaques de col·lodió es realitzen al moment, cobrint una placa de vidre o planxa metal·lica negra amb col·lodió i sals de cadmi i/o potassi, sensibilitzat amb nitrat de plata. Aleshores s'ha de fer la fotografia i revelar-la en uns 5 minuts, abans no s'assequi la emulsió. És un dels processos fotogràfics més antics del món, inventat el 1851, i que dominà fins el 1880. Però ara ha resorgit, ja que les imatges, molt treballades, que dona són úniques, màgiques i i irrepetibles.

 

ca.wikipedia.org/wiki/Col%C2%B7lodi%C3%B3_humit

 

Aquí en teniu una demostració de com es fan:

www.youtube.com/watch?v=P1ZH4RTaM60

 

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Those are my brass oldies, all petzvals. By now I could only use the smaller Derogy, but I'm preparing lens boards et al. to use at least the Voigtländer, Lerebours and Dallmeyer.

 

Ambrotype in 4x5 format, made with a Graflex Pacemaker Speed Graphic; Kodak Anastigmat f4.5 lens; Mamuth Liliana collodion, developed with Mamuth MD8. I'm not happy at all with this Liliana collodion, has given a lot of problems, like cloudly lines & peeling, even with the developer!

 

The collodion plates are made covering a glass plate or black metal plate with collodion and salts of cadmium and / or potassium, sensitized with silver nitrate. Then you have to take the photo and reveal it in about 5 minutes, before the emulsion dries. It is one of the oldest photographic processes in the World, invented in 1851, and which dominated photography until 1880. But now it has resurfaced, as the images, very elaborate to create, that it gives are unique, razor sharp, magical and unrepeatable.

 

en.wikipedia.org/wiki/Collodion_process

 

intrepidcamera.co.uk/blog/rikard-osterlund-guide-to-wet-p...

 

Here's a nice video of the wet plate collodion process:

 

www.youtube.com/watch?v=P1ZH4RTaM60

developer: Fuji Microfine 1+4 15' 20C

film expired in 2014

developer: Fuji Microfine 1+4 expired in 2018 Dec. 12' 22C

film expired in 2015

Future is now.

 

Carl Zeiss Jena Sonnar 1:2 f=5cm (collapsible)

Kiev 4M

ORWO N75 @ 400ISO

Ilford ID11 Stock (9min 30sec)

Gravestone of two, I guess brothers (at least in arms): older Ivan (Иван Иванович Буртик) and younger Peter (Петр Иванович Буртик)

 

There is a report which says where Ivan was buried just after battle of Poznań in which he died: pamyat-naroda.ru/heroes/memorial-chelovek_donesenie80909860/

 

Report says:

Ivan Ivanovitch Burtik

Date of birth: 1915

Place of birth: Byelorussian SSR, Brest region, Brest district, village Kolodno

Place of conscription: 08/06/1944 Brest RVK, Byelorussian SSR, Brest region, Brest district

Last place of service: 236th Infantry Division

Date of leave: 21.02.1945

Reason for leave: killed

Primary burial place: Poland, Poznań Voivodeship, Poznań, Piłsudski str., on the square, between the house and the theater, a mass grave.

 

Zorki 1D - â„–4830526

Industar-22 1:3,5 f=50mm P N5414989

Fomapan 200

Fomadon Excel Stock (for 6:30min)

Zenit ET.

Astrum 200.

Coffee Developer.

Testing Ilford Delta 100 film in Moersch Finol developer.

Shot with a Fujifilm GA645Zi film camera, 65mm focal lenght.

 

Exposed EI 100, 1/250s F 11.

Developed in Moersch Finol 1+75, 5.30 minutes at 28°C, first minute constant agitation then 2 inversions every 20 seconds.

Fixed in Moersch ATS alcaline fixer to preserve the stain, 6.30 minutes, first minute constant agitation then 10 seconds inversions at beginning of each minute

Washed in flowing tap water for 8 minutes.

 

Scanned to true optical 2900dpi with a custom macro setup, then resized.

 

No sharpening or noise reduction applied.

Original file available.

 

Impressive dynamic range from this film/developer combo at EI 100.

º

Nikon F-801s

Ai-S Nikkor 50mm Æ’2

Kodak Vision 250D_5246 [exp. 2003]

DIY ECN-2 kit_4:15min

3-panel stitch

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Fujifilm X-T1, XF18-135mmF3.5-5.6 R LM OIS WR, RAW / Iridient & Lightroom 5.5

  

Fuji X Secrets workshops

  

Read the X-Pert Corner blog.

  

New books:

  

Die Fujifilm X-E2. 100 Profitipps

  

Mastering the Fujifilm X-E1 and X-Pro1

  

The Fujifilm X-E2 – Beyond the Manual

Annually developer cooking session of 5 1/2 liters

Developer stamp on back reads "This is a Kodacolor Print. Made by Kodak. July 1963. L.W. Ward, Cedar Rapids, Iowa."

Photo was found on eBay.

Man, I think we have a real winner here with TMax developer, the contrast is rich, with the maintaining of tone, super sharp, and fine grain!

 

You can read the full review online

www.alexluyckx.com/blog/index.php/2019/02/08/film-review-...

 

Nikon F90 - AF Nikkor 50mm 1:1.4D (Yellow-12) - Kentmere 100 @ ASA-100

Kodak TMax Developer (1+4) 8:00 @ 20C

Scanner: Epson V700

Editor: Adobe Photoshop CC (2019)

5"x7" photochemical print of single frame from IMAX 70mm motion picture film

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Ilford 5x7 Multigrade IV resin coated glossy paper with grade 3.5 filter, Meopta Axomat 4 enlarger, Belar f4.5 50mm process lens, PQ Universal paper developer

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The result of printing from a positive film is a paper negative. It was scanned on an Epson V500 and inverted in post.

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