Painting with Developer
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It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Holga ist auch schon etwas in die Jahre gekommen. Wenn es sehr kalt ist, funktionieren weder der Verschluss zuverlässig, noch meine eingefrorenen Finger. Wie auch immer, hier gab es offensichtlich eine Doppelbelichtung. Eigentlich ein Fall für den Mülleimer, andererseits sah das Negativ so ungewohnt schön schmuddelig aus.
The Holga is also getting a bit long in the tooth. When it's very cold, neither the shutter works reliably, nor do my frozen fingers. However, there was obviously a double exposure here. Actually a case for the rubbish bin, but on the other hand the negative looked so interestingly grubby.
Holga 120N, Plus-X @ISO 320 in eco film developer.
Kallitype onto HPR,
developer Potassium sodium tartrate - Sodium tungstate mixture (44g+40g/950ml).
Zwischendurch mal etwas zum Aufwärmen.
Linhof Technika Tmax 100 in Tanol,
Kallitype onto HPR,
developer Rochelle salt and Sodium tungstate mixture.
Rolleiflex T, Delta 400 @640ASA in Finol.
Kallitype on Hahnemühle Platinum Rag,
Sodium citrate developer,
alkaline Copper toner followed by MT3 50+10+9040ml (without bleach).
Hasselblad 501CM, Planar100 with extension tube, Rollei ATP 120 in flaTTec developer.
Kallitype onto HPR,
potassium sodium tartrate/sodium tungstate developer,
MT7 Iron blue toner
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
A Joshua Tree (Yucca brevifolia), seemingly fascinated by its own shadow. Joshua Tree National Park, Maze Loop Trail.
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
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In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
Leica M2
Leica Summilux 35mm f/1.4 II
Adox Silvermax
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
Kodak-Tri X 400asa Developer T-Max 1+9 10min 24º.
Nikon Film Coolscan 5000 ED.
Canon F-1, Canon FD 1:1.4 /17mm
Thank you everyone for your visit, favorites and comments.
Merci à tous pour votre visite, favoris et commentaires
Berlin-Charlottenburg, Literaturhaus Fasanenstrasse
Graflex Super Graphic, Schneider Symmar 135mm f/5.6, Foma Retropan 320 in Foma Retro Special developer
While a very fun location to hike almost any time of year, Rock House is by far the trickiest to photograph. The large rock formations are set back far enough that even in the most subdued light can pose a challenge of extreme contrast range. That leaves a film photographer with few choices as to what type of film developer they'll use to represent the scene.
The easy way out would be to let the background blow out and take more detail in the rock. Or maybe even bracket and *gasp* stitch together an HDR in post. When applicable, I try to never do either. This shot is yet another in a long line of examples why I love Pyrocat HD.
Tachihara 8x10 Double Extension
Schneider Super Symmar-XL 150mm f/5.6
10 min. @ f/32ish + front rise
Ilford HP5+ @ ASA 200
Pyrocat HD 1:1.5:100
Kiev 6C, Biometar 80/2.8, 6×6 cm 120mm rolfilm Fujicolor, studio. Shooting through the curved glass, scanner Epson 3200
My plans around Watford rapidly changed when I visited Cassiobury Park and discovered they were in the process of moving a few dinosaurs around. You know how it goes.
This was a grab shot through the car window before I parked up properly and shows a Triceratops, or at least a Homo sapiens interpretation of it, being transported in the park.
I now know that it forms part of 'Jurassic Encounters' which consists of around 50 automated dinosaurs that move their jaw and limbs and growl - it lasts from 2nd to 18th April 2022.
Despite the event name, the Triceratops did not roam the planet in the Jurassic era, coming much later in the Late Cretaceous period, and only existed about two million years prior to the Mass Extinction.
Cassiobury Park, Watford, Hertfordshire
28th March 2022
20220328 IMG_7817
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Developer Console (Free camera) | Hud Toggle
Original Photo 5k (15Mp)
Reshade
Photoshop Edit
We have finally released the Developer Kit for our mesh heads!
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My submission for World Wide Pinhole Photography Day 2019. This is the Schaner Mill building at the Hart Historic District in Hart, Michigan, USA. I have a few other pics I took on pinhole day, but have not developed them yet and deadline for submission is close, so I submitted this one. Last year I missed out on submission because I procrastinated and missed the deadline and did not want that to happen again this year :-)
Taken on World Wide Pinhole Photography Day 2019, May 28 2019.
Lensless 75mm pinhole camera
f/231
4 minute exposure
Ilford Delta 100 large format 4x5 sheet film
Developed in Tmax developer 1+4 7 minutes
As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....
Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!
Future is now.
Carl Zeiss Jena Sonnar 1:2 f=5cm (collapsible)
Kiev 4M
ORWO N75 @ 400ISO
Ilford ID11 Stock (9min 30sec)
Fort Custer Recreation Area near Augusta, Michigan. January 9, 2016.
Pentax Mz-S
FA 28-105 f4-5.6
Kentmere 400 rated @400
Tmax developer 1+4, 6min @ 20c
Toned image from scanned B&W exposure. My first experiment with Tmax developer and K400.
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