Ilford ID-11
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Toned Kallitype,
Arches Platine, Sodium acetate developer, short (20 secs) Palladium pre-toning and after fixing alkaline Copper toner 1:30 mins.
Taken during the week on the Rolleiflex on a foggy morning, Fomapan 400 film, R09 film developer, Ilford MGWT paper, Moersch 4812 paper developer, Moersch Selenium
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
(Image taken with an Analog film camera).
(Press "L" or click on the image for a large view).
Black & White Film: Arista Edu 100 @ISO 100.
Camera: Canon A2 (1992)
Lens: Canon EF 28-105mm f/3.5-4.5 II USM (2000)
Developer: Xtol 1:1 @78°f for 12 minutes,
Scanner: Plustek 8100 @3,600dpi. with SilverFast 8.
Editors: Adobe Camera Raw & Silver Efex Pro 2
(Location: Lake Louisa State Park, Clermont, Florida).
Thanks for your comments, faves and views, really appreciated!
Gibson Bottoms, Mainspring Conservation Trust, Macon County NC
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Affinity Photo
FP4 N+1 eco film developer.
Kallitype onto HPR.
On the left, Ockre developer (rochelle salt/tungstate mixture) untoned.
On the right, short gold toning with the aim of achieving a cool highlight colour while retaining reddish shadows. The desired highlight colour is achieved after just one and a half minutes in the MT10 gold toner; the shadows are not yet completely toned, but are already significantly cooler.
FP4 N+1 in Tanol.
coolest Kallitype tone without a toning is a combination of Arches Platine and Sodium acetate developer
View from Bald Head Island
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 18mm
Iridient Developer
Affinity Photo
Explored June 11, 2022
(Image taken with an Analog film camera).
A long term project will guide you and help you grow.
(Press "L" or click on the image for a large view).
Black & White Film: Arista Edu 100 @ISO 100.
Camera: Canon A2 (1992)
Lens: Canon EF 28-105mm f/3.5-4.5 II USM (2000)
Developer: Xtol 1:1 @78°f for 12 minutes,
Scanner: Plustek 8100 @3,600dpi. with SilverFast 8.
Editors: ACR / Silver Efex Pro 2 / ACDSee Photo Editor 11
(Location: Hillsborough River State Park, Thonotosassa, Florida).
Thanks for your comments, faves and views, really appreciated!
Glen Falls Trail, Nantahala National Forest
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Cypress, fern, bromeliads, Grassy Waters Preserve, Palm Beach County, Florida
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
Konica Auto-Reflex 60's SLR camera
Hexanon lens 57mm 1:1.4
Ilford Delta 100 Film
1.4 < f < 2 at 1/500
Home Developed by www.flickr.com/photos/ukke_photo/
Rodinal Developer 1+25
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
Scanned LF print.
Crown Graphic w/ Wollensak Optar 135 mm/f4.7.
Sept 25, 2021.
Fomapan 100 (9x12 cm) in Rodinal 1+100, semistand 1 h.
Split grade printed on Ilford MG IV RC Pearl (8x10"), developed in Ilford MG developer and split toned in Thiourea and Selenium.
PS borders.
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Mr Shahir in action :)
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Make: Rollei Rolleicord III Type 2
Lens: Schneider Kreuznach Schneider Xenar 75mm f3.5
Film: Lupa. Antara Kodak Pro 160, Kodak Portra, atau Fuji 160 S.
Light meter: Lunix 4 Selenium Light Meter
Develop: Fujifilm C-41 developer
Currently listening to: Mike Oldfield - Ommandawn 2/3 (warning! flute out of tune)
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
This is a reshoot of the still life I made a couple ways last week, to look at different lighting, framing and depth of field.
Again, I'm using the 8x10 Fomapan 400, rated at 200 ASA and developed in Thornton 2 Bath developer, at 5 minutes in each.
The tonal scale and separation of values is exceptionally good, especially considering the hard, contrasty quality of the lighting. Look at the highlights on the glass vase - see how well represented these difficult values are.
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
Event: Capesthorne Hall Classic Car Show
Location: Capesthorne Hall, Macclesfield, Cheshire
Camera: Canon EOS 5
Lens(s): Canon EF 50mm f/1.4
Film: Kodak Gold 200
Shot ISO: 200
Light Meter: Camera
Lighting: Mixed weather
Mounting: Hand-held
Firing: Shutter Button
Developer: Bellini C-41 Kit
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Leica MP
Leica Elmarit 28mm f/2.8 III
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
Kentmere 100 Film
Ilfosol 3 developer
Rolleiflex 3.5E3
Planar 75mm F3.5
Fitzroy, Victoria, Australia
January, 2025
Proponent Credit Union, Nutley, New Jersey, 4X5 Chamonix 45F-2 Camera, 75mm Rodenstock Grandagon Lens, FPP Frankenstein Film developed in Pyrocat HD developer
This is a scan of a 120 film negative that was shot with a Mamiya C220 on Kodak Tr-X 400. I was developed with Rodinal R09 OneShot developer and Film Photography Project Fixer in a Paterson Tank. Scanned on a Epson V600 scanner with a custom made masks to include the film edges.
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Rollei Supergrain Developer (1+12)
7 min 30 sec 20°C
Scan from negative film
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Developer Console (Free camera) | Hud Toggle
Original Photo 5k (15Mp)
Reshade
Photoshop Edit
en.wikipedia.org/wiki/Grand_Theatre,_Pozna%C5%84
Voigtländer Bessa I (1937)
Voigtar 1:4,5 F=11cm
Ilford Delta 100 Professional
Fomadon Excel stock, 20C for 14:30min
Canon EOS 50E, Tamron 28-75/2.8, film Foma 200, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, scanner Epson 3200