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Rolleiflex T, Tri-x in Finol,

Kallitype (ferric oxalate 4) on HPR,

Potassium citrate developer.

Hasselblad Xpan

Hasselblad 45mm F4.0

Kentmere 100

Kodak HC100, 1+31, 20C - 7mins

Fix 10mins

© All Rights Reserved

TD: Kodak Tri-X 35mm film, developer D76 1+1 8'20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.

White Sunday in Hürth

Rolleiflex T, Delta 400 @ ISO 800 in Finol,

Kallitype on HPR, Rochelle salt developer, MT10 Gold toner 4 minutes prior to fixing.

APX100 in Finol,

Kallitype, COT-320, Sodium acetate developer,

MT6 Nelson Gold Toner 39°C 2 minutes

(Image taken with an Analog film camera).

(Press "L" or click on the image for a large view).

Black & White Film: Arista Edu 100 @ISO 100.

Camera: Canon A2 (1992)

Lens: Canon Macro EF 100mm f2.8 USM (2000)

Developer: Xtol 1:1 @78°f for 12 minutes,

Scanner: Plustek 8100 @3,600dpi. with SilverFast 8.

Editors: ACR / Silver Efex Pro 2 / ACDSee Photo Editor 11

Thanks for your comments, faves and views, really appreciated!

 

The lower of the two main cascades of Glen Falls, Nantahala National Forest.

 

Pentax K-1

Rokinon 1:3.5 24mm ED AS UMC Tilt/Shift

3-shot shift panorama

Iridient Developer

Affinity Photo

Kodak TMY in Pyro48,

Kallitype onto Hahnemühle Platinum Rag,

Sodium acetate developer, MT3 Vario toner

Mountain Laurel (Kalmia latifolia) in bloom along the Bartram Trail, Scaly Mountain, Nantahala National Forest

 

Pentax K-1

SMC Pentax-A 1:2.8 24mm

Iridient Developer

Eno River State Park

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 35mm

Iridient Developer

Photo information:

ISO: 200

Film type: 135

Film name: Rollei RPX 100

Developer: Kodak D-76

Process: 20°C.

Developer dilution: 1+1

Developing time: 15'

Agitation: in 20 sec every 1 min.

Camera: Nikon F4.

Lens: AF-S Nikkor 28-70mm 1:2.8 D

Filter(s) used: no

Aperture: 8

Exposure time: 1/10

Focal length: 28

Scanner manufacturer: Epson Perfection V550 Photo.

FP4 N+1 in Tanol.

coolest Kallitype tone without a toning is a combination of Arches Platine and Sodium acetate developer

Holga 120N, HP5 in Tanol,

Kallitype on HPR,

Sodium acetate developer,

MT3 Vario Toner: bleach 1+100 1:20 mins, toner setting C.

Zenza Bronica ETRS

Ilford HP5+

Moersch ECO developer

 

View from Bald Head Island

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 18mm

Iridient Developer

Affinity Photo

Glen Falls Trail, Nantahala National Forest

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 35mm

Iridient Developer

Kallitype on Hahnemühle Platinum Rag.

The print negative was made from a scanned Lumen Print.

Sodium acetate developer,

MT3 Vario toner: bleach 1+75 40 seconds, toner setting A (50ml+40ml+900ml), followed by MT10 Gold toner 4 minutes.

 

A hasty three shot panorama taken from the traffic island in the middle of Regent Street while competing for space with tourists snapping the view of the Christmas lights down the street to the right..

 

From Wikipedia:

Hamleys of London Limited, trading as Hamleys, is a British multinational toy retailer, owned by Reliance Retail. Listed in the Guinness Book of Records as the world's oldest toy store, it was founded by William Hamley as "Noah's Ark" in High Holborn, London, in 1760. It moved to its current site on Regent Street in London's West End in 1881. This flagship store is set over seven floors, with more than 50,000 lines of toys on sale. It receives around five million visitors each year, and in 1994 was the largest toy shop in the world.

en.wikipedia.org/wiki/Hamleys

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100x: The 2024 Edition

 

100/100 London landmarks by night

 

It seems I must have misnumbered my entries to the 100x group, and have reached the group's limit. So I am renumbering this to 100 and calling it a night. It has been a fun and rewarding challenge and I thank everyone who faved, commented and viewed these images.

Wisteria arbor, Coker Arboretum, University of North Carolina at Chapel Hill

 

590nm IR-converted Pentax K-5

Lensbaby Velvet 28/2.5

Iridient Developer

Asahi Pentax MX

SMC Pentax, 2.5 135mm

Fomapan 100@100 ISO

Moersch Eco Developer

DSLR scan

The sodium acetate developer produces the coolest image tone in Kallitype.

One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.

For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.

Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.

Right with a short rinse with tap water after the clearing bath,

Zenza Bronica ETRS

Rollei Retro 400S

Moersch ECO developer

 

HP5 35mm in eco film developer,

Kallitype on Arches Platine, MT3 Vario toner.

crossing the Sydney Harbour Bridge, spring 2022. #502

 

Camera: Rollei 35S

Lens: 40mm f/2.8 Zeiss Sonnar

Film: Ilford HP5+

Developer: Ilfotec HC dilution 1+31

Scan: Epson V700.

Post processing: Lightroom 6

 

Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2022 Lynn Burdekin. All Rights Reserved.

Park Boulevard, Joshua Tree National Park. A snowy San Gorgonio Mountain (“Old Grayback”) framed by the park's namesake plants, Yucca brevifolia.

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 35mm

Iridient Developer

Fiordland National Park

 

Revisiting some unusued photos from 2013/2014

 

Pentax K-5

SMC Pentax-A 1:2.8 24mm

Iridient Developer

Zenza Bronica ETRS

Ilford FP4 (zu entwickeln bis 1987)

Moersch ECO developer

Illustrations/code-names for the development team here at work.

 

If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.

Illustrations/code-names for the development team here at work.

 

If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.

Beginners in the technique of Kallitype often ask which developer they should choose.

Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.

A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.

 

I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.

 

Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.

 

-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg

-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography

Eno River State Park, October 30 2019

 

Pentax K-1

SMC Pentax 1:1.8 85mm

Panorama crop

Iridient Developer

The fern covered trees of the MacDonald Forest, photographed on Fomapan 100, exposed at 50 ASA and developed with Thornton 2-Bath developer (6.5 + 6.5 min)

Camera used: The Intrepid 57 with a 9" Wollensak Verito, stopped down to f4.5

Zenza Bronica ETRS

Ilford HP5+

Moersch ECO developer

 

Zenza Bronica ETRS

Ilford HP5+

Moersch ECO developer

 

Fifeshire Rock, Nelson, New Zealand

 

Pentax K-1

SMC Pentax-FA 1:1.4 50mm

Iridient Developer

Zenza Bronica ETRS

Rollei RPX400

Moersch ECO developer

from a first "walk around the block" with this "new to me" TLR, gifted by a student of mine...

Mamiya C330, Mamiya Sekor 105mm f/3.5 DS, Kentmere 100 @ISO 50, 38 minutes in Caffenol CL-CS @15-20°C, Zone Imaging Eco Zonefix.

stormy seas, Sydney coast, May 2020.

Camera: Nikonos V

Lens: Nikkor 35mm f/2.5

Film: Ilford HP5+ @ISO800

Filtration: None

Developer: Ilfotec Microphen dilution 1+1

Scan: Epson V700

 

Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2021 Lynn Burdekin. All Rights Reserved.

This is a bulk gas carrier and guess what. That is a gas power station in the backround

Shot from Portishead Quay as the BRO Developer approaches Avonmouth.

Event: Foxfield Classic Show

Location: Foxfield Railway, Blythe Bridge, Stoke-on-Trent

Camera: Minolta SR-T 101

Lens(s): MD Rokkor-X 50mm f/2

Film: Agfa Vista 200

Shot ISO: 160

Light Meter: Camera

Lighting: Mostly Sunny

Mounting: Hand-held

Firing: Shutter button

Developer: Digibase C-41

Scanner: Epson V800

Post: Adobe Lightroom & Photoshop (dust removal)

Zenza Bronica ETRS

Rollei RPX400

Moersch ECO developer

 

Website | Twitter | 500px | Facebook | Instagram | Getty

 

They're windows developers, but not the Win32 kind!

Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.

 

Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?

 

Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.

 

Note: I chose this as my "photo of the day" for Nov 21, 2015

 

************************

 

In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.

 

I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…

I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.

 

The comprehensive review can be found on my blog here:

 

amazingsky.net/2023/01/01/testing-raw-developer-software-...

Leica M2

Leica Summilux 35mm f/1.4 II

Ferrania P33

Rollei Supergrain Developer (1+12)

7 min 30 sec 20°C

Scan from negative film

500 Brickell is a residential complex in the Brickell neighborhood of Miami, Florida, United States.

 

The complex consists of two condominium towers, 500 Brickell West Tower and 500 Brickell East Tower. The two buildings were designed as twin towers, and rise 426 feet (130 meters), with 42 floors. Both skyscrapers were designed by the Arquitectonica architectural firm and the complex was developed by Thomas Kramer's Portofino Group in partnership with the Related Group of Florida. The towers' construction began in April 2005, was topped out in mid-2007, and was completed in 2008.

 

500 Brickell was originally designed to emulate a giant arch. Both towers are connected by a 10-story base, and the top floors of the two towers are also connected by a large white roof. The roof was designed with a circular hole to direct light into the courtyard formed between the two buildings, where a large pool is located.

 

Credit for the data above is given to the following websites:

www.emporis.com/buildings/203187/500-brickell-east-tower-...

www.emporis.com/buildings/203188/500-brickell-west-tower-...

en.wikipedia.org/wiki/500_Brickell

en.wikipedia.org/wiki/Postmodernism

 

© All Rights Reserved - you may not use this image in any form without my prior permission.

   

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