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Hasselblad Xpan
Hasselblad 45mm F4.0
Kentmere 100
Kodak HC100, 1+31, 20C - 7mins
Fix 10mins
© All Rights Reserved
TD: Kodak Tri-X 35mm film, developer D76 1+1 8'20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
White Sunday in Hürth
Rolleiflex T, Delta 400 @ ISO 800 in Finol,
Kallitype on HPR, Rochelle salt developer, MT10 Gold toner 4 minutes prior to fixing.
(Image taken with an Analog film camera).
(Press "L" or click on the image for a large view).
Black & White Film: Arista Edu 100 @ISO 100.
Camera: Canon A2 (1992)
Lens: Canon Macro EF 100mm f2.8 USM (2000)
Developer: Xtol 1:1 @78°f for 12 minutes,
Scanner: Plustek 8100 @3,600dpi. with SilverFast 8.
Editors: ACR / Silver Efex Pro 2 / ACDSee Photo Editor 11
Thanks for your comments, faves and views, really appreciated!
The lower of the two main cascades of Glen Falls, Nantahala National Forest.
Pentax K-1
Rokinon 1:3.5 24mm ED AS UMC Tilt/Shift
3-shot shift panorama
Iridient Developer
Affinity Photo
Kodak TMY in Pyro48,
Kallitype onto Hahnemühle Platinum Rag,
Sodium acetate developer, MT3 Vario toner
Mountain Laurel (Kalmia latifolia) in bloom along the Bartram Trail, Scaly Mountain, Nantahala National Forest
Pentax K-1
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Photo information:
ISO: 200
Film type: 135
Film name: Rollei RPX 100
Developer: Kodak D-76
Process: 20°C.
Developer dilution: 1+1
Developing time: 15'
Agitation: in 20 sec every 1 min.
Camera: Nikon F4.
Lens: AF-S Nikkor 28-70mm 1:2.8 D
Filter(s) used: no
Aperture: 8
Exposure time: 1/10
Focal length: 28
Scanner manufacturer: Epson Perfection V550 Photo.
FP4 N+1 in Tanol.
coolest Kallitype tone without a toning is a combination of Arches Platine and Sodium acetate developer
Holga 120N, HP5 in Tanol,
Kallitype on HPR,
Sodium acetate developer,
MT3 Vario Toner: bleach 1+100 1:20 mins, toner setting C.
View from Bald Head Island
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 18mm
Iridient Developer
Affinity Photo
Glen Falls Trail, Nantahala National Forest
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Kallitype on Hahnemühle Platinum Rag.
The print negative was made from a scanned Lumen Print.
Sodium acetate developer,
MT3 Vario toner: bleach 1+75 40 seconds, toner setting A (50ml+40ml+900ml), followed by MT10 Gold toner 4 minutes.
A hasty three shot panorama taken from the traffic island in the middle of Regent Street while competing for space with tourists snapping the view of the Christmas lights down the street to the right..
From Wikipedia:
Hamleys of London Limited, trading as Hamleys, is a British multinational toy retailer, owned by Reliance Retail. Listed in the Guinness Book of Records as the world's oldest toy store, it was founded by William Hamley as "Noah's Ark" in High Holborn, London, in 1760. It moved to its current site on Regent Street in London's West End in 1881. This flagship store is set over seven floors, with more than 50,000 lines of toys on sale. It receives around five million visitors each year, and in 1994 was the largest toy shop in the world.
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100x: The 2024 Edition
100/100 London landmarks by night
It seems I must have misnumbered my entries to the 100x group, and have reached the group's limit. So I am renumbering this to 100 and calling it a night. It has been a fun and rewarding challenge and I thank everyone who faved, commented and viewed these images.
Wisteria arbor, Coker Arboretum, University of North Carolina at Chapel Hill
590nm IR-converted Pentax K-5
Lensbaby Velvet 28/2.5
Iridient Developer
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
crossing the Sydney Harbour Bridge, spring 2022. #502
Camera: Rollei 35S
Lens: 40mm f/2.8 Zeiss Sonnar
Film: Ilford HP5+
Developer: Ilfotec HC dilution 1+31
Scan: Epson V700.
Post processing: Lightroom 6
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2022 Lynn Burdekin. All Rights Reserved.
Park Boulevard, Joshua Tree National Park. A snowy San Gorgonio Mountain (“Old Grayback”) framed by the park's namesake plants, Yucca brevifolia.
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Fiordland National Park
Revisiting some unusued photos from 2013/2014
Pentax K-5
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Eno River State Park, October 30 2019
Pentax K-1
SMC Pentax 1:1.8 85mm
Panorama crop
Iridient Developer
The fern covered trees of the MacDonald Forest, photographed on Fomapan 100, exposed at 50 ASA and developed with Thornton 2-Bath developer (6.5 + 6.5 min)
Camera used: The Intrepid 57 with a 9" Wollensak Verito, stopped down to f4.5
Mamiya C330, Mamiya Sekor 105mm f/3.5 DS, Kentmere 100 @ISO 50, 38 minutes in Caffenol CL-CS @15-20°C, Zone Imaging Eco Zonefix.
stormy seas, Sydney coast, May 2020.
Camera: Nikonos V
Lens: Nikkor 35mm f/2.5
Film: Ilford HP5+ @ISO800
Filtration: None
Developer: Ilfotec Microphen dilution 1+1
Scan: Epson V700
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2021 Lynn Burdekin. All Rights Reserved.
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Event: Foxfield Classic Show
Location: Foxfield Railway, Blythe Bridge, Stoke-on-Trent
Camera: Minolta SR-T 101
Lens(s): MD Rokkor-X 50mm f/2
Film: Agfa Vista 200
Shot ISO: 160
Light Meter: Camera
Lighting: Mostly Sunny
Mounting: Hand-held
Firing: Shutter button
Developer: Digibase C-41
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
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In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P33
Rollei Supergrain Developer (1+12)
7 min 30 sec 20°C
Scan from negative film
500 Brickell is a residential complex in the Brickell neighborhood of Miami, Florida, United States.
The complex consists of two condominium towers, 500 Brickell West Tower and 500 Brickell East Tower. The two buildings were designed as twin towers, and rise 426 feet (130 meters), with 42 floors. Both skyscrapers were designed by the Arquitectonica architectural firm and the complex was developed by Thomas Kramer's Portofino Group in partnership with the Related Group of Florida. The towers' construction began in April 2005, was topped out in mid-2007, and was completed in 2008.
500 Brickell was originally designed to emulate a giant arch. Both towers are connected by a 10-story base, and the top floors of the two towers are also connected by a large white roof. The roof was designed with a circular hole to direct light into the courtyard formed between the two buildings, where a large pool is located.
Credit for the data above is given to the following websites:
www.emporis.com/buildings/203187/500-brickell-east-tower-...
www.emporis.com/buildings/203188/500-brickell-west-tower-...
en.wikipedia.org/wiki/500_Brickell
en.wikipedia.org/wiki/Postmodernism
© All Rights Reserved - you may not use this image in any form without my prior permission.