T-Max Developer
View allAll Photos Tagged Developers
FP4 N+1 in Tanol,
Gold toned Kallitype after fixer,
paper Hahnemühle Platinum Rag
developer Sodium acetate
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Late afternoon light on the marsh, Bald Head Island.
590nm IR-converted Pentax K-5
Rokinon 1:3.5 24mm ED AS UMC Tilt/Shift
3-shot shift panorama
Iridient Developer
Affinity Photo
Leica M5
50 mm summilux
Adox Silvermax 100
Adox Silvermax 1+29
Paper: Ilford MG RC V glossy
Ilford Multigrade developer
Delta 100 4x5 in MZB,
Kallitype on HPR, Ferric oxalate no.4 toner test, Sodium acetate developer.
MT3 Vario toner: bleach 1+50 30 secs, toner setting A50+40+900ml 30 secs.
I shot this fence from the other side last year, under very similar conditions (sunset, fine weather), so apologies for the repetition if it looks familiar!
Happy Fence Friday
Late afternoon on a walking track around local coastal wetlands in Sydney, March 2021.
Camera: Canon EOS100
Lens: Canon EF24-105mm f/3.5-5.6 IS STM
Film: Ilford HP5+
Developer: Ilfotec HC dilution 1+47
Scan: Epson V700
Post processing: Lightroom 6
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2021 Lynn Burdekin. All Rights Reserved.
On approach to Dry Falls, Cullasaja River, Nantahala National Forest. The lower section of the falls is just visible.
Pentax K-1
Laowa 20mm f/4 Zero-D Shift
Iridient Developer
Chatsworth Park, Derbyshire, England
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
American Beech (Fagus grandifolia) in late winter garb.
Pentax K-1
SMC Pentax 1:3.5 35mm
Iridient Developer
Abandoned John Deere Loader in Pomona, Georgia
Ilford FP4+ film developed in HC-110.
Test shots with new Canon IV 35mm rangefinder.
Law Connect is owned by software developer Christian Beck, and is a member of the Cruising Yacht Club of Australia (CYCA). It was one of the few 100 footers in the race. Here the motor has started to move the yacht into position to sail back home again. These yachts are so expensive they are not left sitting idle for too long.
On the far wharf on the right hand side is another 100 footer, Scallywag from Hong Kong, which finished third in line honours.
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
crossing the Sydney Harbour Bridge, spring 2022. #502
Camera: Rollei 35S
Lens: 40mm f/2.8 Zeiss Sonnar
Film: Ilford HP5+
Developer: Ilfotec HC dilution 1+31
Scan: Epson V700.
Post processing: Lightroom 6
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2022 Lynn Burdekin. All Rights Reserved.
en.wikipedia.org/wiki/Pow%C4%85zki_Cemetery
Leica Vario-Elmar-R 1:3.5/35-70 E67 (S/N: 3662380)
Agfa APX 400 @400ISO
Fomadon Excel 1+1 for 12 min. (20C)
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
500cm - Planar2.8-80
BerggerPancro400
D-76 1:1 @20°C for 17 minutes
first time i used D-76 and the Bergger Pancro400
i already love this film or the developer makes the difference.
No matter! how do you like the results?
Here you can see how early car manufacturers used lead (instead of Bondo) to fill in roof joints. Notice how sanding (file) marks are still present in the lead. More importantly, just how thick the early paint jobs had to be to cover these scratches up.
Image:
Konica T4
40mm f1.8
Fuji 4791 duplicating film.
POTA developer, 12 Minutes.
February 27, 2021
San Ysidro Creek Land Preserve
Montecito, California
Pentax MZ-S
Pentax smc P-F 24-50mm f/4 Kodak T-Max 100
f/6.7 1/45 ISO 100
XTOL Developer Stock 7 1/2 Minutes
Epson Perfection V550 Photo Scanner
0.01 inches recorded for the month of February...
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
It was early autumn but the weather was more like late summer on Dee Why beach, Sydney, March 2019.
Camera: Yashica 635 twin lens reflex
Lens: Yashinon 80mm f/3.5
Film: Kodak TMAX100
Developer: Kodak TMAX dilution 1+4.
Filtration: Yellow filter
Scan: Epson V700.
Post processing: Lightroom 6
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2021 Lynn Burdekin. All Rights Reserved.
Leica M2
Leica Summilux 35mm f/1.4 II
Adox Silvermax
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
Aria on the Bay is a high-rise condominium located in the Omni/Edgewater neighborhood at 1770 North Bayshore Drive, Miami, Florida, USA overlooking Margaret Pace Park and Biscayne Bay in Miami's Arts & Entertainment District, Aria on the Bay location is conveniently located to Downtown Miami, Design District, Wynwood, The Beaches and Brickell. It was approved at a height of 535 feet (163 m) in 2015 after an initial notice of presumed hazard by the FAA, who recommended a height of 460 feet. The 53-story building will have over 648 units ranging from 813-2365 sq ft as well as commercial space. Aria on the Bay is being developed by Melo Group and is designed by Arquitectonica who is handling the architecture, interior design and landscape.
Credit for the data above is given to the following websites:
Camera: Nikon F6
Lens: Zeiss Makro-Planar T* 100mm F/2
Film: Kodak Ultramax 400
Developer: Lab
Scanner: Lab
Software: Camera Raw
Project 365 (one photo per day for 2022 taken on 5x4 large format film)
Event: Project 365
Location: Kitchen at home
Camera: Wista 45VX
Lens(s): Schneider-Kreuznach Apo-Symmar 150mm f/5.6
Film: Ilford Delta 100
Shot ISO: 80
Light Meter: Weston Master II
Movements: None
Bellows: 205mm (+1)
Exposure: 6s @ f/22
Lighting: Vivanco VL300 - 8:20pm
Mounting: Tripod - Manfrotto
Firing: Cable release
Developer: Ilford DD-X(1+4)
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
continuing to become better acquainted with this new-to-me Graflex Crown Graphic 2x3 and with working with sheet film generally. I like much about this image. Am puzzled though by thebreakdown of the surface into abstracted little tonal blocks (hinting at a Cezanne-like compartmentalization). Developer, fixer, developing process in general (temps, time, so on). The film? Ah, the many mysterious variables...
4800 dpi scan of Kodak Panatomic X ASA 32 in Acufine developer August 1973 cleaned up in Affinity Photo, otherwise straight from the scanner
In PORTO and throughout Portugal are buildings like this-
prime location(s) along the Douro River,
close to other Investment opportunities,
but- because of layers of burdensome Bureaucratic B.S.-
these buildings- sit, undeveloped while housing and especially affordable housing remains a scarcity here,
as in many parts of developed world today.
Camera: Lomography Society Konstructor kit camera
Lens: Yeah, it's got one but I don't know much about it.
Film: Fuji Neopan 400
Developer: Xtol
Scanner: Epson V600
Photoshop: Curves, Healing Brush (spotting)
Cropping: None