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Strictly speaking, one never understands anything from a photograph - Susan Sontag, "On Photography"

 

Pitched detail of the Hiberus Hotel under the early evening sun (Zaragoza).

 

Architects: Martínez Lapeña - Torres Arquitectos, Barcelona (José Antonio Martínez Lapeña y Elías Torres Tur).

Developers: Zaragoza Urbana. Palafox Hoteles.

This horizontal-shaped building boasts a construction quite untypical for an urban hotel. Minimalist in many ways, it looks pretty cold for my taste, yet it neatly fits in its natural environment, smartly protected from the strong regional wind and the outside noise by glass and concrete walls, which are different in size to provide a unique perspective. // Este edificio horizontal exhibe una construcción bastante atípica para ser un hotel urbano. Minimalista en varios sentidos, tiene un aspecto bastante frío para mi gusto, aunque encaja muy bien en su entorno natural, inteligentemente protegido del fuerte viento regional y del ruido exterior por muros de hormigón y vidrio, que tienen tamaños diferentes para proporcionar una perspectiva única.

FP4 N+1 Tanol,

Kallitype onto Arches Platine,

Sodium acetate developer,

MT3 Vario toner: bleach 1+75 45 secs, toner setting c

TD: Ilford HP5 35mm film, developer ID-11 13' at 20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.

Bloomington architect George Miller designed this beautiful Queen Anne style house for Edward & Ora Gridley in 1885. Edward Gridley was the son of Asahel Gridley, a local land developer and attorney. The house was preserved by Alice Light McTurnan, whose family lived here from 1904 to 1996.

 

The Edward & Ora Gridley House is a contributing property in Bloomington's East Grove Street District. This residential historic district includes 43 houses and apartment buildings, 25 of which are considered contributing buildings. The houses in the district were built between 1855 and 1915 for many of Bloomington's upper middle class residents. Due to a building boom between 1880 and 1900, the then-popular Queen Anne style is the most prevalent in the district. Other popular architectural styles in the district include Greek Revival homes from the 1850s, Italianate homes built between 1860 and 1880, and Arts and Crafts homes built in the 1900s. The district was added to the National Register of Historic Places (NRHP) in 1987.

 

Bloomington is the seat of McLean County. It is adjacent to Normal, and is the more populous of the two principal municipalities of the Bloomington-Normal metropolitan area. Bloomington is 135 miles (217 km) southwest of Chicago, and 162 miles (261 km) northeast of St. Louis. The estimated population of Bloomington in 2019 was 77,330, with a metro population of 191,067.

FP4 N+1 in Tanol,

Gold toned Kallitype after fixer,

paper Hahnemühle Platinum Rag

developer Sodium acetate

Taken during the week on the Rolleiflex on a foggy morning, Fomapan 400 film, R09 film developer, Ilford MGWT paper, Moersch 4812 paper developer, Moersch Selenium

Hasselblad 501CM, Kodak Tmax 100 @ISO200 in Pyro 48,

Kallitype on HPR, Sodium citrate developer,

MT9 Gold toner 13 minutes after fixing.

Hasselblad 501CM 80mm, Efke IR820 in Finol,

Kallitype, COT-320,

Ammonium citrate developer, MT10 Gold toner prior to fixing.

Pentax Super A, smc Pentax-M 1:2.8 100mm, Ilford FP4 film/Promicrol 1+3 developer

(Image taken with an Analog film camera).

(Press "L" or click on the image for a large view).

Black & White Film: Arista Edu 100 @ISO 100.

Camera: Canon A2 (1992)

Lens: Canon EF 28-105mm f/3.5-4.5 II USM (2000)

Developer: Xtol 1:1 @78°f for 12 minutes,

Scanner: Plustek 8100 @3,600dpi. with SilverFast 8.

Editors: Adobe Camera Raw & Silver Efex Pro 2

(Location: Lake Louisa State Park, Clermont, Florida).

Thanks for your comments, faves and views, really appreciated!

 

It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.

Fuji X-Pro1.

On this stretch of the famous “Mother Road”—the primary US highway connecting the Midwest and West Coast from the 1920s through the 80s—the road is a pair of roadways—the now unused old road (where I stood to take the picture), which was washed out in several places west of Summit Valley by the floods of 1938, and the “new” road, on the left, built as the original road's replacement. As you can see on the hillside near the center of the image, an enterprising local rancher has cleared away the brush in the form of a “66” to commemorate the famous highway, across which generations of Americans migrated west, especially during the Dust Bowl of the 1930s.

 

Camera: Falcon Miniature (circa 1938, with Minivar 50mm lens)

 

Film: Rera Pan 100 127 film, developed in Arista Liquid Developer for 7:45 minutes @ 67 degrees, and scanned with an Epson V600 scanner.

Eno River State Park

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 35mm

Iridient Developer

Camera: Rolleiflex Automat 3.5 B (1955)

Lens: Carl Zeiss Tessar 3.5/75mm

Film: Rollei Superpan 200

Developer: Spur Acurol N

Location: Piano di Porlezza, Lombardia, Italia

 

Zwischendurch mal etwas zum Aufwärmen.

Linhof Technika Tmax 100 in Tanol,

Kallitype onto HPR,

developer Rochelle salt and Sodium tungstate mixture.

Kallitype

alkaline Copper toner followed by MT3 Vario

Olympus OM2, red filter, Kodak High-Speed Infra-Red film developed in Kodak D76, negative scanned, digital processing in Lightroom.

 

The geotag is accurate to a few hundred metres only.

Looking back towards a snow-capped Fairfield, seen between Gibson Knott and Helm Crag, while on the way up to Tarn Crag in Easedale. Seat Sandal fills in the gap.

Zenza Bronica ETRS

Rollei RPX 400

Moersch ECO developer

 

Live Oaks (Quercus virginiana), Spring Island, South Carolina

 

590nm IR-converted Pentax K-5

SMC Pentax-A 1:2.8 24mm

Iridient Developer

Nikon N80 (2000)

Nikon ED Nikkor 28-200mm 3.5-5.6G

Ilford SFX 200

Kodak HC-110 Developer

DsLr ScAn

LRC/Negative Pro

 

American Beech (Fagus grandifolia) in late winter garb.

 

Pentax K-1

SMC Pentax 1:3.5 35mm

Iridient Developer

Highlands-Cashiers Land Trust

 

Pentax K-1

SMC Pentax-A 1:2.8 24mm

Iridient Developer

Eno River State Park

 

590nm IR-converted Pentax K-5

Lensbaby Velvet 56/1.6

Iridient Developer

Stanton Moor fog

FED 5B

Industar 61 L/D 55 mm f/2.8

Ilford HP5+ expired 2020

Home made developer

(500 mL water

12 mL Sol. A: Pyrocatechol 80 g/L + Sodium Sulfite 12,5 g/L

7 mL Sol. B: Sodium Hydroxide 100 g/L)

Dev. time 12' @ 21 °C

Scanned from negative film

Epson V500

The sodium acetate developer produces the coolest image tone in Kallitype.

One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.

For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.

Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.

Right with a short rinse with tap water after the clearing bath,

Coffee developer and Ilford's multigrade.

Kallitype

Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:

untoned

MT10 Gold toner

MT3 Vario toner (thiourea)

Park Boulevard, Joshua Tree National Park. A snowy San Gorgonio Mountain (“Old Grayback”) framed by the park's namesake plants, Yucca brevifolia.

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 35mm

Iridient Developer

Reflections in a quiet stretch of the river, Eno River State Park

 

590nm IR-converted Pentax K-5

SMC Pentax 1:1.8 55mm

Iridient Developer

Brumley Preserve, Orange County NC

 

Pentax K-1

Pixel-shift super-resolution mode

SMC Pentax 1:1.8 85mm

Iridient Developer

Illustrations/code-names for the development team here at work.

 

If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.

Beginners in the technique of Kallitype often ask which developer they should choose.

Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.

500cm - Planar2.8-80

BerggerPancro400

 

D-76 1:1 @20°C for 17 minutes

 

first time i used D-76 and the Bergger Pancro400

 

i already love this film or the developer makes the difference.

No matter! how do you like the results?

 

www.mikesphotographyandmore.de/home

Fifeshire Rock, Nelson, New Zealand

 

Pentax K-1

SMC Pentax-FA 1:1.4 50mm

Iridient Developer

Zenza Bronica ETRS

Rollei RPX400

Moersch ECO developer

From a wet plate collodion glass negative, 8x10 inches.

Made with a large Darlot Petzval (probably a big projection lens) wide open.

Collodion: Quinn's for negatives, corresponding developer. If I remember correctly, the exposure was about 80 seconds.

This is a bulk gas carrier and guess what. That is a gas power station in the backround

Shot from Portishead Quay as the BRO Developer approaches Avonmouth.

Zenza Bronica ETRS

Rollei RPX400

Moersch ECO developer

 

Lith Print. Hassey capture. Illford film and developer. Moersch lith developer.

Knight Foundry Historic Site - Sutter Creek, California

Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.

 

Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?

 

Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.

 

Note: I chose this as my "photo of the day" for Nov 21, 2015

 

************************

 

In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.

 

I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…

West Facade, dating to 1220

 

Pentax K-1

SMC Pentax 1:3.5 35mm

Iridient Developer

Zenza Bronica ETRS

AGFA APX 100

Moersch ECO developer

I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.

 

The comprehensive review can be found on my blog here:

 

amazingsky.net/2023/01/01/testing-raw-developer-software-...

Zenza Bronica ETRS

Ilford FP4 (zu entwickeln bis 1987)

Moersch ECO developer

 

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