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Incoming tide at Plover Scar Lighthouse...
Camera // Hasselblad 500CM
Film // Ilford Delta 100
Developer // Ilfotec HC (B)
Scanned // Epson V850
Sooty tern swarming on Tern Island in the French Frigate Shoals, Hawaii.
Camera: Olympus OM-1
Lens: Olympus OM-System S Zuiko MC Auto-Zoom f/4 35-70mm. Yellow.
Film: Ferrania P30
Developer: Rodinal 1:50
Kiev 6C, Biometar 80/2.8, 6×6 cm 120mm rolfilm Fujicolor, studio. Shooting through the curved glass, scanner Epson 3200
Rendered @18.7 MP using custom DSR
Developer Menu Activator for freecam
Reshade 3.4.1
Cropping + downsampling w/GIMP
Testing Kodak Tri-X 400 film in Moersch Finol developer.
Love the way Tri-X 400 flares!
Shot with an Olympus 35 SP 35mm film camera.
Exposed EI 240.
Developed in Moersch Finol 1+75, 5.30 minutes at 28°C, first minute constant agitation then 2 inversions every 20 seconds.
Fixed in Moersch ATS alcaline fixer to preserve the stain, 6.30 minutes, first minute constant agitation then 10 seconds inversions at beginning of each minute
Washed in flowing tap water for 8 minutes.
Scanned to true optical 2900dpi with a custom macro setup, then resized.
No sharpening or noise reduction applied.
Original file available.
High developer temperature takes a toll on grain size here, but decent performance nevertheless.
Decent performance in Finol, but for Tri-X at EI 240 I definitely prefer CG 512 / Rollei RLS.
Testing times for D96 developer, I found this guy fishing on the Blanchard River. It's rare to see the river that low and to be able to steps on the falls, it would be even more rare if that guy caught anything.
Camera: Canon A-1, 50mm f1-4.
Film: Polypan F, ISO 50, expired 2015. FPPD-96 developer, 68 Degree, 8 minutes, 30 seconds, slow but continuous agitation in the Lab Box.
These arrived today and I'm excited!
Found a new "local" place for film goodies; it's on Vancouver Island, but one-day delivery to Metro Vancouver. I ordered some Blazinal, my go to developer for B&W; a new B&W developer called Black/White & Green; and some iso 100 Lomography in 120 format.
Blazinal is used exactly the same as Rodinal. I don't know if it's the same formula, just re-packaged, but it's very easy to use and reliable, and the bottle I'm still using was opened June 6, 2021, so it has good shelf life.
I'm very interested to use this Black/White & Green developer. It's made in Canada by Flic Film, and described as having long shelf-life and to give sharp negatives with fine grain. Apparently, it's not as sharp as Rodinal and it gives a less contrasty negative. For me however, the only downside, from what I've read, is that it takes longer to work its magic; Ilford HP5+ for example, takes 15.25 minutes at the 1:49 instructed dilution at 20°C. In Blazinal (Rodinal), it takes 6 minutes in 1:25 dilution at 20°C. I'll try B/W&G this weekend and see!
© 2016 Daniel Novak Photo | FB | Blog | timelessbuffalo | Instagram
© All rights reserved!
Rental boats on Glencoe Beach at sunrise, at least by the clock. The heavy cloud cover insured the actual sun was never visible ... #etbtsy
Nikon FE, 28mm prime
Kodak Tri-X 400
Kodak XTOL Developer, Ilford Ilfostop, Kodak Fixer, Ilford Ilfotol
Scanned with Plustek OpticFilm 8200i SE
More film photography:
timelessbuffalo: black and white film photography from Buffalo, NY
As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....
Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!
Photographed May 2016 : FED-2 rangefinder + FED-35 , 28mm/4.5 lens.Rollei RPX-100 rated EI=64 , developed in 16-3-PYRO (a PYROGALLOL/4-aminophenol mixture).Cardiff City Centre.
Fort Custer Recreation Area near Augusta, Michigan. January 9, 2016.
Pentax Mz-S
FA 28-105 f4-5.6
Kentmere 400 rated @400
Tmax developer 1+4, 6min @ 20c
Toned image from scanned B&W exposure. My first experiment with Tmax developer and K400.
16-00575_tu6
Thank you everyone for your visit, favorites and comments.
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder
Leica-M 6 TTL 0.72 1998 Rangefinder
Leica-M6 TTL 0.85 2001 Rangefinder
Leica-M6 TTL 0.72. Elmarit-M 1:2.8/21mm ASPH. Ilford FP 4 plus 125asa.
Developer Ilford ID 11 1+1 20º 11 min.
Nikon Super Coolscan 5000 ED, Film Scanner.
Maastricht Limburg Nederland
The Netherlands.
The Biltmore Hotel in Coral Gables wasn't always a hotel.
It was built in 1926 by a young developer named George Merrick, who's known as the founder of Coral Gables.
The hotel became a place to host glamorous fashion shows, galas, golf tournaments and water shows in what was then the largest pool in the world.
At a loud party on the 13th floor of the hotel, a gangster named Thomas "Fatty" Walsh was shot and killed by another gangster. That murder yielded a lot of ghost rumors over the years.
Then World War II happened and the federal government transformed the Biltmore into a military hospital. Once the war was over, it continued being a hospital for veterans. In 1952, the University of Miami made the Biltmore its first home.
When the hospital closed in 1968, the Biltmore became an abandoned shell. That's when neighborhood kids started sneaking in.
"All the kids would always talk about how there must be ghosts in there," says Betsy Skipp, who grew up in Coral Gables and would sneak into the Biltmore with her friends. "You'd sneak out of the house and we all had flashlights."
Betsy Skipp in her Coral Gables home. When Skipp was growing up, she and her friends would sneak into the abandoned Biltmore Hotel.
So many kids were sneaking into the shuttered building, that the City of Coral Gables decided to hire a security guard.
Kim Dunn-Zocco also grew up in Coral Gables and would sneak into the shuttered building. Sneaking past the guard, whom they nicknamed "The Greenie" after the guard's green golf-cart, was part of the fun, she says.
"Once you got in, that's when it started to get a little creepy and quiet and creaky," says Zocco.
Because the Biltmore had been a veteran's hospital and a medical school, Zocco says her friends' worst fear was the possibility of seeing a dead body inside the building. One time, her friend swore he saw a severed limb.
Check out this 1988 student documentary called "The Biltmore's Strange Guest List" produced by Kathy Bolduc as a final project for a University of Miami class.
"I remember we just ripped it out of there and hauled ourselves all the way home."
In 1983, Coral Gables put $55 million into renovating the Biltmore. The hotel reopened in 1987 and was restored to glory. Ten years later, the Biltmore was added to the National Registry of Historic Places.
Still, the ghost stories kept swirling. Starting in 1994, Linda Spitzer told ghost stories every Thursday night in the Biltmore's lobby. She was a staple for 10 years, before she moved to Lake Worth.
Linda Spitzer shares a photo of herself telling ghost stories in the Biltmore Hotel lobby.
"The guests loved it," says Spitzer, who would wear sun hats reminiscent of The Roaring Twenties. "I would tell them I'm here from 7 p.m. until 7:30 p.m. and it would drag on until 8 p.m."
She did her research before telling her stories, but she says her best material came from the hotel guests themselves. Listen to some of the stories Spitzer heard about happenings in the Biltmore below.
Today the Biltmore is far from the creepy place that once terrified the children of Coral Gables.
Zocco was 17 years old when she worked at the Biltmore's banquet.
For Zocco, it's been an inescapable part of life. Her husband's uncle was a veteran patient when it was a hospital, her father went to medical school as a University of Miami student, she and her sister both had jobs at the hotel. And now she takes her family there for brunch.
"It's such a beautiful building with so much history and so much mystery that you can't help but be drawn to it whether it's empty or living and breathing."
Holga 120CFN
Kodak T-Max 100 ASA B&W Film (Expired September 2003)
Kodak d-76 Developer
Ilford Stop Bath & Rapid Fixer
Epson V500 Scanner
Miami’s scenic and sophisticated Brickell neighborhood will soon welcome its first waterfront residential tower in over a decade, with the onset of construction officially underway at Una Residences. Developers OKO Group, the luxury development group helmed by real estate mogul Vladislav Doronin, and Cain International have enlisted world-renowned architects Adrian Smith + Gordon Gill (AS+GG) to design the project. The award-winning firm’s design portfolio includes some of the tallest landmark towers across the globe – from China and Dubai to Chicago and Miami – and the soon-to-be world’s tallest building, Jeddah Tower in Saudi Arabia.
Slated for completion in 2025, Una Residences will be comprised of 135 spacious condominiums spanning 47 floors boasting unobstructed views of the Atlantic Ocean, Biscayne Bay, and the Miami city skyline. Residences range from two-to-five bedrooms, measuring between 1,100 to 4,786 square feet in size, with two ultra-exclusive penthouses available. The tower’s secluded waterfront location, situated in the picturesque and private South Brickell area at 175 SE 25th Road, is only moments away from downtown Miami’s metropolitan city life, offering buyers the best of both worlds. Residences are priced from $1.9 to $7.4 million, with penthouses up to $21.6 million.
“Miami has become an international hub, and its standard of living – its happy lifestyle, warm weather, and lower taxes – continues to attract buyers from all over the world as well as domestically. Una Residences, designed by world-class architects, Adrian Smith and Gordon Gill, have been created for residents to fully benefit from Miami’s appealing characteristics with seamless indoor-outdoor living and sweeping views over Biscayne Bay. Una Residences represents one of the last opportunities to buy a new waterfront property in the established and highly desirable Brickell enclave, one of Miami’s most prestigious neighborhoods,” said developer Vladislav Doronin, Chairman and CEO of OKO Group. “In my 27-year career as a developer, I have been fortunate to work with the world’s best architects. We are delighted to collaborate with world-class architects, Adrian Smith and Gordon Gill – who are known for designing the globe’s most notable skyscrapers – for the design of this one-of-a-kind tower, which will bring a timeless elegance and an enhanced quality of life to Miami.”
OKO Group and Cain International broke the mold by enlisting AS+GG to design both the building’s architecture as well as its interior, as most developers view the spaces as mutually exclusive. The team’s holistic perspective to design has allowed the legendary architects to establish an aesthetic relationship between the tower’s materials, textures, and design elements to create continuity and maintain the philosophy of the building inside and out. The designers were tasked with using the language of architecture to embody the spirit of the city and evoke the natural beauty of Brickell’s urban, waterfront environment.
“Una’s subtly undulating surface and strong silhouette stands proud at the water’s edge. We drew inspiration from the elegant shape and opulent materials used in classic yacht design – particularly the beautifully lacquered wood, exposed materials, and stainless-steel connections found on the Italian-made yacht, the Riva. Carefully crafted and detailed and meticulously designed, it is elegant and relaxing. Its primary goal is to relate well and add to the beauty of Miami and the wonderful lifestyle this City is so well known for,” said Adrian Smith FAIA, Design Partner, AS+GG.
“Adhering to our philosophy that form follows performance, we saw the unique opportunity with Una to give the building a little bit of attitude in its design. It stands contrapposto, where one side of the building is holding its full weight and the other side is relaxed, looking at you. I like that attitude, it’s elegant, it’s very comfortable and it’s sophisticated,” added Gordon Gill FAIA, Co-Design Partner, AS+GG.
Just as dramatic up close as it is from afar, residents at Una will approach the building’s driveway and immediately notice the sweeping canopy arc and the smooth lines of the porte cochère, before continuing inside into the grand double-height lobby. Una’s modern curves are complemented by lush, colorful gardens – designed by prominent Swiss landscape firm, Enea Landscape Architecture – that further connect the building to the rich tapestry of Florida’s foliage.
Una’s Residences – with spacious layouts, expansive terraces, and private elevators for all units – cater to the specific tastes and needs of today’s luxury buyer. From the moment the elevator opens into their homes, residents are met with stunning views. Bedrooms and living areas are set along the waterfront, allowing for sweeping, unobstructed vistas. Floor-to-ceiling windows welcome daylight into each open-plan space, while extra-wide terraces are carefully integrated into the great rooms and bedrooms. Sliding doors create an open connection to the main living spaces and a seamless flow between inside and outside, while drawing attention to the water. Within the residences, the expanse of windows is set against the warmth of natural materials. Every finish and surface are inspired by yacht design, bringing a sense of elegance and comfort to the rooms, while celebrating the pleasures of life on the bay.
Amenities at the boutique tower will complement and enhance Miami’s desirable outdoor lifestyle, including three swimming pools, a children’s splash-pad area and playroom, a movie theater, an Aman Resort-inspired spa and steam room, a state-of-the-art fitness center featuring yoga and personal training facilities, onsite dining, and more. Una’s amenities will also extend beyond the property, as residents will receive exclusive membership access to the Grand Bay Club on the beachfront of Miami’s Key Biscayne.
“We continue to believe in Miami’s strength as a global gateway city and are thrilled to be delivering a project that not only meets but exceeds the expectations of international and local residents alike,” said Cain International CEO Jonathan Goldstein. “Una Residences is a one-of-a-kind residential building blending both tranquil privacy and easy access to incredible lifestyle amenities, culture, and world-class entertainment. The homes, unique in both size and grandeur, will achieve a truly differentiated position in the Miami luxury marketplace.”
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/List_of_tallest_buildings_in_Miami
www.miamiluxuryhomes.com/una-residences-brickell/
www.unaresidences.com/#readmore
www.architectmagazine.com/project-gallery/una-residences_o
www.elitemiamiproperty.com/brickell/una-condos-for-sale/
bhsmiami.com/una_residences/una_residences.asp
© All Rights Reserved - you may not use this image in any form without my prior permission.
I love this picture. Combination of 1970s film and 1930s developer. Really looks like it a 1950s vintage. Helps to have shitty glass.... lol Helps that the sun was behind me for this shot.
‘Round-about town with the Lomography Diana + 20mm glass lens “fisheye” on a Nikon F4s (think thousand dollar holga with meter and auto film advance) with long expired Kodak Plus X Pan film. Film was shot at ISO 100 and developed one shot in homebrew Edwal 12 developer – 1:10, stand developed for 44 minutes. It was overcast and late in the day, sun was often behind the subjects and interfered with some of the scenes, but that is what you get. The church has been here probably since the 1930s and I only noticed it was being torn down and may be the last shots I could get of it, so I did what I could. I love this developer with this film. It is a fine grain developer and certainly popular with Plus-X over the decades.
Since this if the first time using a strict Edwal 12 formula in dilution and stand developing, I think these shots could have used a bit more development time. Any combination of slightly more light (or proper light), more dev time, or decrease the dilution. We’ll see on round 2.
+TATOO ®
+Camera & Film : Pentacon Six TL Mc Biometar Carl Zeiss 80mm / TMAX 400
+Developer : Kodak TMAX developer / TMAX Fixer / Ilford Stop Bath
+Scanner : Epson V700 Photo
The Itinerant Locals are modern day traveling minstrels, parents, real estate developers and all around fine folks. Their latest album, Songs We Play, has hit Earl's Top 100 in Manigotapi Mississippi. Listen to their rendition of Chicken Dance at the end of this video. Folk polka slam grass punk pop chamber music. A truely unique duo, and two of my favorite musicians to work with. Take a look at Cheryl and Zac's website. Polka Your Eye Out. Their children, Eureka and Zephyr joined us for a Facedown Tuesday shot.
Strobist: AB1600 with gridded 60X30 softbox camera left. AB800 with Softlighter II camera right. Triggered by Cybersync.
Man, I think we have a real winner here with TMax developer, the contrast is rich, with the maintaining of tone, super sharp, and fine grain!
You can read the full review online
www.alexluyckx.com/blog/index.php/2019/02/08/film-review-...
Nikon F90 - AF Nikkor 50mm 1:1.4D (Yellow-12) - Kentmere 100 @ ASA-100
Kodak TMax Developer (1+4) 8:00 @ 20C
Scanner: Epson V700
Editor: Adobe Photoshop CC (2019)
The Film Photography Project now brings you D96 B/W negative developer. Long used in the motion picture industry as the standard B/W developer, but previously only available in very large quantities. We now have it available in powder to make 1 US Gallon.
D96 is a lower contrast film developer with the ability to increase the contrast by increasing your developing times or agitation. We have tested this developer with not only cinema films like X2 (Eastman Double-X), ORWO Cinema Films and FPP LOW ISO BW, but with standard B/W films like Kodak Tri-X. T-Max and Ilford FP4 an HP5 films.
For Processing BW Film - Not For Drinking!
The FPP’s new Caffenol Developer for Black and White Processing at home! CUP O’ JOE is a powder solution in a handy pouch that when mixed with water produces 1 Liter of BW Home Developing solution that will process up to 4 rolls of 35mm, 120 or 8 4x5 sheets of BW film.
filmphotographystore.com/products/darkroom-supplies-caffe...