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1. Font Squirrel
This is among the greatest collections of fonts online, so you’re certain to find something to fit your tastes. As an additional benefit, they’re all 100% free for commercial use. Font Squirrel also offers a font identifier tool if you have something in your mind, this IOS developer will help you think it is too.
mobile UI design - Fontsquirrel
2. DaFont
DaFont is yet another large online assortment of fonts. If you are seriously interested in fonts, DaFont also provides numerous tools for font management and creation so make certain to try them out.
3. The League of MoveableType
This website is perfect for anybody that wishes to be the leading edge of mobile UI design. The League of Moveable Type’s mission would be to reshape how a person with average skills considers fonts. They offer free and open-source fonts with a focus on top quality.
If you’d want to see a complete listing of free fonts, read this publish!
Icons
1. Iconfinder
This website boasts over a million icons to select from, although some people might are just like compensated assets. Iconfinder includes a great search function with this type of large collection, it shouldn’t take too lengthy that you should determine what you’re searching for.
IOS developer UI Design - iconfinder
2. Icon Archive
Icon Archive includes a large assortment of free icons and iconsets. Probably the most helpful options that come with this website may be the related icons it displays whenever you view a symbol in which you're interested. You may also browse their collection by category or freshness.
3. iconmonstr
iconmonstr is a great back-up if either from the other sites go wrong. Their icons possess a distinct style, meaning they look great together. Make certain to look at their sets if you discover something like they contain alternative versions that you might also relish.
For additional free icons, take a look at How you can Download the very best Royalty Free Icons around the V-Play Blog.
You may also use V-Play’s built-in icon set, operated by Font Awesone.
Sounds
1. Elevated Beaches
Octave by Elevated Beaches is really a free library of UI sounds. While UI sounds might not be at the top of your priority list, they’re among the subtle touches that may push your UI design within the edge for users.
2. RCP Tones
Another free assortment of UI sounds, dev_tones by RCP Tones is a superb option for your mobile UI design with more than 500 tones. You can look at them on-site to locate what you’re really searching for.
3. UI Sounds from Kenney
A great collection located at opengameart.org even though these sounds began off for games, they’ll be at home inside your mobile IOS developer too.
For additional royalty free sounds and music, read this article!
three of the Best Mobile UI Design Examples
Based on your apps functionality, your UI may have different demands. But simply since your UI must strive to own best UX, doesn’t mean it can’t look great. Here are a few recent types of apps that provide an excellent service making some inspired UI choices.
Senior Software Developer for Microsoft .NET for bartering on www.barterquest.com/haves/view/20394-Software-Developer. Check it out!
Ship Type: Oil/chemical tanker
Length x Breadth: 145m X 22m
Speed recorded (Max / Average): 13 / 7.8 knots
Flag: Denmark [DK] Call Sign: OZGE2
MMSI: 219260000 IMO: 9313125
The iPhone apps developer is in a comfortable state – how long he stays that way is debatable. With competition breathing down the neck, it’s no time for complacency. As they say, Apple should “pull up their socks” and strive to maintain, if not, better their product portfolio. For the developers, they should be prepared to work with and for evolving platforms.
ref.: www.allvoices.com/contributed-news/14258716-if-you-are-an...
130114-A-KH311-014
Senior Airman Daniel Burkhardt and Staff Sgt. Christopher Bevins, both Air Force broadcast journalists currently supporting Joint Task Force – National Capital Region, a task force of Department of Defense military and civilian personnel stood up in support of the 57th Presidential Inauguration, put the finishing touches on a cellphone application Jan. 14 that they designed from the ground up to provide real time information on the historic event. Burkhardt and Bevins have come from 11th Wing Public Affairs on their home station, Joint Base Andrews, Md. Their app, called “Inauguration,” was released by Apple Inc. Jan. 14 and is currently available through the corporation’s App Store. (U.S. Army photo by Sgt. Christopher M. Gaylord, 5th Mobile Public Affairs Detachment)
6 grams- Vitamin C pills crushed/22g Arm&Hammer washing soda/16g Folgers Instant Coffee/400 ml Distilled water from my Zero Water water filter pitcher/ Kodak 160NC c-41 film.
Photograph from Mobile Developer Summit 2010 held in Bangalore, India, 10 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.
This is a poster I did to advertise a job opening for web developers at dffrnt. I will be putting this up at various teaching centres in my city to attract some young talent. Also, the dffrnt logo has a new style. All dffrnt artwork will have this new style from now on. (Photo taken with iPhone.)
Visit us and drop a comment at our site: www.dffrnt.com
Central Park Lake, Majestic Apartments
Upper West Side, Manhattan
The Majestic is one of five towered skyscraper apartment buildings which define the impressive skyline of Central Park West. Erected in 1930-31 by the Chart in Construction Company, headed by architect and developer Irwin S. Chanin, it is an excellent example of the Art Deco style in its streamlined later phase. Chanin had attended the highly influential 1925 Paris exposition of decorative arts, and returned a convert to the "modernistic" style. The Majestic was the Chanin organization's first "experiment" ^ in applying the Art Deco style to residential building. The Majestic successfully adjusts the city's housing laws to the new style; its soaring twin towers are a response to new regulations enacted in 1929. Although built during the Depression, it belongs to the luxury apartment building genre of the 1920s. While the Majestic's sparing use of ornament and simple materials reflect its date of construction, the resulting austerity is an integral part of the building's stylistic imagery.
Central Park West, the northern continuation of Eight Avenue bordering on the park, is today one of New York's finest residential streets, but in the mid-nineteenth century it was a rural and inhospitable outpost, notable for its rocky terrain, browsing goats and ramshackle shanties. With the creation of Central Park in the 1860s, followed by Riverside Park (begun 1876), as well as a series of transportation improvements such as the Ninth Avenue Elevated Railroad (1879), the Upper West Side in general experienced a period of intense real estate speculation. The 1880s were the first decade of major development, and set the pattern for the Upper West Side, where rowhouses line the side streets, and multiple dwellings, commercial and institutional structures are sited on the avenues.
Not surprisingly, those avenues closest to the parks, Central Park West and Riverside Drive, were immediately considered the most desirable. The potential of the parkside avenues for development as prime locations led to an anticipatory increase in land values; prices rose to such extravagant heights that many speculative builders shied away from row house and tenement construction, from which they would realized relatively meager returns, while the very wealthy, who could afford to build mansions for the most part remained on the more fashionable East Side.
The Majestic is a thirty-one story apartment building with a massive nineteen-story base which conforms to the lot line, extending from 71st to 72nd streets along Central Park West, and 225 feet westward along 72nd Street, 187.6 feet along 71st Street, with an interior courtyard.
Setbacks begin at the fourteenth story and continue to the nineteenth, above which rise the large twin towers. The three main entrances appear on each facade and are enframed by rose and black polished granite which also forms the watertable. These enframements are simply detailed with grooves. Office doors also appear at the first story. The first three stories of the building are faced with light gray cast stone. Where the piers appear this stone has been ornamented with notches above the third story.
The building from the fourth story up is faced in yellow brick. At the corners of the building, including the towers, the brick has been laid in a striated pattern between the windows. Uninterrupted piers articulate the base of the building on all three facades directly beneath the towers, and also appear on the side elevations surrounding the entrance bays. These piers also continue in the towers, creating a strong vertical element in the elevations. Beneath the windows which are flanked by these brick piers are panels of simple rectangular tiles, which form a slight convex curve, animating the wall surface. At the setbacks terraces are surrounded by simple metal railings. The original windows contain metal casements with upper and lower transoms.
The windows are varied in size, but the majority are bi- and tripartite. Some tripartite windows have sidelights. Single-paned windows appear beneath and in the towers, emphasizing their verticality, while windows with three panes, appear elsewhere and provide a horizontal counterbalance. The comer wrap-around windows contain three sections, with three panes on the north and south sides and eight sections with three panes on the east. The square-headed tower terminations on the east elevation above the piers are ornamented with simple abstract sculpture, typical of the Art Deco style. The rounded terminations on the wings at the west sides of the towers are faced in stone and are again typically Art Deco.
- From the 1988 NYCLPC Landmark Designation Report
My first experiments with a low-contrast, home-made push developer.
The formula comes from a patent by Anneman that probably was a precursor to the now unobtainable Perfection XR-1 developer. Perfection XR-1 seems to have been based on POTA and was capable of pushing ultra-fine grain and microfilms by two stops while keeping grain small and contrast acceptable. In a discussion of the patent, Gainer suggested a variant that is a concentrate and that replaces the hydroquinone and sulphite in the original by ascorbic acid.
It is that concentrate that I have tried to recreate and test. My recipe was:
Dissolve in 100ml of hot triethanolamine
Phenidone 3.8g
Metol 0.6g
Ascorbic Acid 2.3g
Borax 1.9g
and allow to cool. The concentrate is a pale straw colour.
I convinced myself that a good starting point for a film like Bluefire Police film would be a dilution of 1+200 for 60 minutes at 20C stand developed. That's what I have done for the four images posted here.
This first image shows a scene as it came out of the scanner and, for comparison, the same after the contrast had been slightly reduced in Photoshop.
As a first attempt with the developer I'm pleased with it. Points worth noting I think are:
- minimal or no base fog, despite the 60 min stand
- a working temp of 20C, as opposed to Perfection XR-1 that typically had to be used at 30C or higher
- minimal grain: I can't see it at the scanning resolution I used (4800dpi on an Epson Perfection V700)
- stand processing, rather than frequent agitation
- about 2 stops push over the box speed, which for Bluefire must be about EI 20 or possibly less.
I also got a more moderate contrast using this Anneman-Gainer developer than I did using Bluefire's own, so I count that as a success. The results came out looking like Rollei Retro 80S when I develop it in Rodinal, but if anything finer-grained and with slightly less contrast.
This is obviously not the optimal dilution/timing/method for this developer, but I think it shows promise and it is very, very easy and cheap to make. It would be great if I could encourage anyone else to play with it.
I hope to expose some Rollei ATP 1.1 tomorrow, weather permitting, and try the same time and dilution on that.
Feel free to link to this post if you know any other discussion groups or websites where it might be of interest.
Zorki 1 with Jupiter-12
Bluefire Police film @ 80
Stand dev in Anneman-Gainer developer 1+200 for 60 mins, 30s initial inversions + 1 inversion @ 30mins.
ADDED: The ATP 1.1 needs something stronger that 1+200 / 60 mins. When I get some more I'll try 1+100 for the same time.
Film scanner for first time in months ... years.
Minolta 800si AF camera with 50/1.7 Tri-X/Sprint
Both film and developer well past "sell by date"
S J Green Heaven - Villas and Plots near Hoskote - Bangalore by S J Developers. For more Real Estate updates, please visit indianconcretejungle.blogspot.in