View allAll Photos Tagged Develope
Scatti estivi 2018
Olympus OM2n
Zuiko 35mm f2.8
Zuiko 21mm f3.5
Kentmere 100
Studional 1+31 x 9 min
il resto in questo album
www.flickr.com/photos/domenicocichetti/albums/72157700787...
There are hundreds of acres of cotton fields surrounding our house here in the Brazos River Valley Bottom. I had never seen a cotton plant up close until we moved here, and I'm fascinated by the beauty of the flower. It appears that the flower only lives for about 24 hours. It blossoms a creamy white, and as the day progresses, a soft magenta begins to appear on it's petals. By the end of it's life cycle, the flower closes a bright, deep magenta. Once the matured flower falls from the plant, the cotton boll begins to develope where once the flower had been.
2020 Giugno
Milano - quartiere Gallaratese
Voigtlander VF101 - Color-Skopar 40mm f2,8
Kodak Tmax 100
Hydrofen 1+39 x 6min
Maggio 2023
Milano - Scorcio Urbano
Olympus OM-4
Zuiko OM Zoom 28-48 mm f4,0
Kodak Eastman 5222 @250 asa
R09 Studio 1+31 x 8 min
Isza, The Illustrator (www.facebook.com/iszunia)
Production Info:
Model, Stylist, MUA: Isza
Photo: mareksy
Light: Pearl in the shell set-up (mareksy)
Edition: mareksy
Pearl in the shell set-up,
one Speedlite in the soft above the model, higher (almost full power),
one Speedlite in the soft below towards model, lower,
silver blend behind the model,
triggered from the camera (Canon system),
cleaned in Lr5, finalized in Ps CC by mareksy www.creamteam.biz
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Creamteam Studio Brandingu i Reklamy to opowieść o reklamie, identyfikacji i designie, prosto z Krakowa, serca Polski. Creamteam to opowieść o łączeniu pasji tworzenia w brandingu z miłością do profesjonalizmu w reklamie. Creamteam to najlepsze połączenie obydwu!.
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..We are Creamteam Studio. A story about Branding & Advertising from Cracow, royal old town in Poland, the heart of modern Europe. Creamteam is the story about connection between love, passion & professionalism.
The waves crashing onto the shore freeze, and over a period of time develope "dunes" of ice. To look at them, they are very surreal. I thought that this setting suited B&W.
Busto Arsizio - Gennaio 2022
Scorcio Urbano
Leica M2
Leitz Summitar 50mm f2 (10 blades 1939) + yellow filter -1
Kodak Eastman 5222 double-x 250@320asa
R09 Studio 1+32 x 8 min
Busto Arsizio - Scorcio Urbano
(test Nikon FE) - Giugno 2022
Nikon FE
Nikkor NC auto 24 mm f/2.8 mod AI
Nikkor 35 mm f/2 AI
Nikkor 105 mm f/2.5 AIS
Kodak Tmax 100
R09 Studio 1+30 x 10 min
Singer 10 (1919-24) Engine 1096cc S4 OHV Production 6000 approx
Registration Number ND 1891
SINGER SET
www.flickr.com/photos/45676495@N05/sets/72157623722487129...
Introduced in 1919 with a straight four side vale engine, overhead valve from 1923, driving through a three speed gearbox and cone clutch.
The Rootes Brothers sales network helped make the model a great sucess from its launch, Rootes finally aquire Singer in 1956. Forty to Fifty a week were being produced by the mid 1920s. Quoted as having a top speed of 50mph and 40mpg, not at the same time,
A Singer Ten special was contested by Lionel Martin before he went on to develope Aston Martin.
Thanks for 16.3 Million views
Shot 12 Aug 2012 at the Astle Park Traction Engine Rally, Chelford Cheshire Ref:93a-683
Busto Arsizio
Settembre 2024
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Rolei Superpan 200 120
Hydrofen 1+30 x 12 min
A sketch I made of types of (male) bodies that can be described as lean. This is the introduction to a series of posts in which I'll describe why a six-pack does notnecessarily have to be the holy grail of fitness, and how to REALLY get a great one. To kick things off, here's the mini lean-o-pedia:
-The Skinny Fuck
That bony type of boey that many so-called "ectos" have. Those are the infamous "can eat anything and won't get fat" guys. Note that ab definition at this body type can't be called a six-pack; it's visibility of a muscle, but it doesen't symbolize fitness or strenght.
-The Ninja
This is the type of body where people would jokingly say about a person "he's kinda ripped XD". It deserves actual respect, different to the Fuck body, because if you have it, you've worked for it. You've either lost a crapload of fat, or made you first well-earned gains. This is where muscle becomes visible and it's shape is there all over the body, just not with significant volume. The chest is not all-flat anymore, and the arms get defined. In clothing, you might easily be confused with a skinny dude. This was me about up to a year ago, in my long phase of endless pushup and sit-up reps.
-The Athlete
People with this body really start to develope a V. It's not very buff, but appears a lot more dense than the previous category. People might suspect that someone with this body lifts weights.
I'm currently at this state. The main trademarks are noticeably broader than common shoulders, arms that are not big, yet clearly have more size than an average person's as well as a chest and lats that start to be visible, no matter what you wear.
-The Adonis
Obviously muscular and ripped. Not pro bodybuilder-like; more of a body that many Hollywood folks and fitness models have.
Standard 8 (1953-59) Engine 803cc S4 OHV Production 136,317
Registration Number 370 YUH (Cardiff)
STANDARD SET
www.flickr.com/photos/45676495@N05/sets/72157623722503183...
Standards utility model and rival for the Austin A30, Morris Minor. Launched in 1953 the Standard Eight and Ten were designed by Vic Hammond as an entirely new car. The Eight was only offered as a four door Saloon, powered by a new OHV engine of 803cc and an output of 26bhp, which was down on the outgoing side valve unit, but was increased in 1957 to 30bhp. Drive was delivered via a four speed gearbox, with synchromesh on the top three ratios, with an option of overdrive from March 1957.
The bodies were of unitary construction, with coil independant front suspension and hypoid rear. Early ones have minimal trim, sliding windows and internal access to the boot. Winding windows on the Deluxe from 1954, and the rest from May 1955. Better equipped Super from 1956 and the triple overdrive Gold Star from 1957
STARTER MOTOR, Bicester
This cars overall condition is explained by the Starter Motor legend on the front door. Starter Motor is a Bicester based charitable company, aimed at giving youngsters the neccessary skills to develope a carreer within the world of classic motoring. The mantra reads - The charity believes our old-car world provides a haven in the digital age, offering enjoyment, adventure and community. It's a place to belong; a place where friendship, common interest and mechanical fun are self evident; where things are repaired and not thrown away. The cars are donated by their owners and hopefully this Standard will be brought back its best by the young aspiring mechanics and their mentors
Diolch am 78,450,442 o olygfeydd anhygoel, mae pob un yn cael ei werthfawrogi'n fawr.
Thanks for 78,450,442 amazing views, every one is greatly appreciated.
Shot 06.10.2019 at Bicester Scramble, Bicester, Oxon. 143-1418
Roma - Scorcio urbano
Settembre 2025
Canonet G-III QL17
Canon 40 mm f1,7
Kentmere 200
Bellini Hydrofen 1+31 x 10 min
negative scanned::Kiev 88::Arsat 80mm f2.8mc::Fujifilm Neopan Acros 100 [ self - develope ] :: Ilfotec DD-X 1+4 :: Janda Baik Pahang ::
Programmed Child Development Psychology Club by student from HELP University for Orphanage & Orang Asli. Good program.
Busto Arsizio - Scorcio Urbano
Aprile 2024
Nikon FE
Nikkor AIS 28-50mm f3.5 + yellow filter 2 stop
Rollei Retro 400 S
R09 Studio 1+31 x 17 min
Milano 2018-01-02
Leica M2 + Canon 35 mm f2 LTM
Ilford FP4 125 @100
R09 One Shot 1+50 x 15 min
Rotazioni 30 sec + 10 sec ogni minuto
Busto Arsizio - Scorcio urbano
Luglio 2025
Rolleiflex 3,5E
Schneider-Kreuznach Xenotar 75mm f3.5 + yellow filter -0,5
Rollei Retro 400S
Bellini Hydrofen 1+15 x 8,5 min
Frisky Mk.1 Family Three (1959) Captain Raymond Flower originally attempted to set up and build a small racing car, the Pheonix in Egypt but plans were halted by the Suez crisis. On return to England he approached Meadows with his light people car and when Meadows decided to develope it Gordon Bedson joined the project to utilise his chassis expertise. Henry Meadows offered production facilities at the Meadows factory in Wolverhampton (famous for the supply of propriety engines). Naming the car company Frisky.with a small four wheeled Villiers powered Coupe and Sport. The Frisky Family Three with an Excelsior Twin although most had a 197 cc Villiers engine appeared in 1958 and became the companies best seller. Long after Flower had departed from Meadows and the Frisky project he attempt to raise interest in Egypt. Later he helped Egpt develope the Rameses an NSU and later Fiat based car
Shot at Trentham Gardens, Staffordshire
Verona 2018-10-13 - qTp day
Serie analogica raccolta in parallelo con quella digitale
Olympus 35 RD
F.Zuiko 40mm f1,7
Filtro Giallo da 1 stop
Kentemere 100 @ 100 asa
Dev. Studional 1+30 x 9 min
Le altre nel seguente album flic.kr/s/aHsmsmhqWV
Mercedes S600 V12 (1991-99) 6000 cc V12 389 bhp. Production S600 only 35,910
Registration Number S 60 ORW
The Mercedes flagship W140 class debuted at Geneva in March 1991 as a S600 standard t wheelbase S600L long wheelbase or the Coupe SEC. In 1996 the Coupe became the separate CL class. Development was behind schedule and way ahead of budget and it is thought to have cost over $1 billion dollars to develope. The S600 engine of 408 bhp joined the range in 1992 but was slightly detuned to 389 bhp in 1993. The car came with every conceivable option. Shot at the Enfield Pagaent 27.05.09 ref 38-110
hey you guys! my 52 week will be up later this week, because it's on film that I haven't had a change to develope yet. this is really different from my usual work, but I like it. i hope you do too!
I need a huge favor from you guys. I entered a contest, and I really want to win. You can vote for me here. The entry is titled Julia, and it’s a picture of me, my grandmother, and my brother. I was winning, but I'm not anymore, and I need about 60 votes to get into first place. If everybody who views this picture would just take a second to click vote, I really think I could win this thing. And everybody who does vote, and lets me know, will be entered into my print giveaway which I haven't drawn winners yet for. Even if you already entered, voting on this gives you and extra chance of winning. Thank you so much to everybody who votes. (YOU LITERALLY ONLY HAVE TO CLICK VOTE)
Busto Arsizio - Scorcio Urbano
Aprile 2023
Nikon F2A
Nikkor AIS 105 f2.5
Rollei SuperPan 200@200
Bellini Hydrofen 1+30 x 13 min
Milano - Dicembre 2022
Scorcio Urbano
Leica M5
Voigtlander SuperHeliar III 15mm f4 - Summicron-c 40mm f2 - Elmar 90mm f4
Rollei SuperPan200
Hydrofen 1+30 x 13 min
Busto Arsizio
Settembre 2024
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Rolei Superpan 200 120
Hydrofen 1+30 x 12 min
Busto Arsizio
Settembre 2024
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Rolei Superpan 200 120
Hydrofen 1+30 x 12 min
Scatti estivi 2018
Olympus OM2n
Zuiko 35mm f2.8
Zuiko 21mm f3.5
Kentmere 100
Studional 1+31 x 9 min
il resto in questo album
www.flickr.com/photos/domenicocichetti/albums/72157700787...
Rearranging a sub-theme in my main project I think I have to develope next time I will be in Japan...
Busto Arsizio - Scorcio Urbano
Maggio 2024
Leica CL
Leitz Elmarit-m 28mm f2,8 ASPH
Kodak Eastman 5222 double-x 250@200
R09 Studio 1+32 x 7 min
On the left is my Canon 1000D
Tamron 18-270mm,
my back up 18-55mm.
On the right in my Canon TX from 1976
Hanimex flash
200mm Hanimex lens
MISC filters, polarizers
Small tripod.
i like shooting film, it is going back to the roots of photography. I also love to develope and precess all my own film.
I HOPE YOU WILL COME AND LOOK AT SOME OF THE OTHER PHOTOGRAPHS I HAVE TAKEN.
Ottobre 2021 - Milano Gallaratese
Nikon S2 + Jupiter 12 35mm f2.8 + Nikkor - S.C Nippon Kogaku Japan 50mm f1,4
Ilford HP5+ @ 400 asa - Rollei Supergrain 1+15 x 7 min
Busto Arsizio
Febbraio 2019
Leica CL
Summicron-c 40mm f2
Ilford FP4+
Studional 1+31 x 7 min
Album flic.kr/s/aHsmacWJEg
This is of interest to cutters. We all develope our own favorite patterns and this is one of mine. The reflective pattern is totaly opposite of what you would expect with this small number of facets. When I was intending to do this for a living I spent some time devising patterns that would cut fast but still be quite striking. This one fills the bill I believe as if you don't mind some very minor uneven facet meets that no one but a cutter would notice I used to produce a stone like this in about 1.5 to 2 hours.