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Busto Arsizio - scorcio urbano

Giugno 2023

 

Leica M5

Leica Summicron-c 40mm f2

Leica Elmarit-m 28mm f2,8 ASPH

 

Kodak Eastman double-x 5222 250 asa@200 asa

R09 Studio 1+31 x 7 min

Busto Arsizio - Ottobre 2019

Scorcio urbano

 

Leica CL

Elmarit 28mm f2.8 ASPH

 

Kodak Eastman 5222 Double-X @200asa

Studional 1+31 x 7 min

Milano - Dicembre 2022

Scorcio Urbano

 

Olympus 35 SP

G.Zuiko 42mm f1,7

Rollei SuperPan200

Hydrofen 1+30 x 13 min

*Talbot Sunbeam Lotus (1979-81) *Engine 2172 cc S4 DOC 16 v Production 2308

Registration Number MGN 718 V (London SW)

 

TALBOT SET

www.flickr.com/photos/45676495@N05/sets/72157623918911117...

The Chrysler Sunbeam had been aimed at the super-mini sector when launched in 1977. But it was felt that a hot hatch was needed to boost the sporty image. To this end the Chrysler Sunbeam Ti was launched in 1979 with a 1600 cc twin Weber carbs and an output of 100 bhp

Chrysler had also commissioned Lotus to develope a rally version. The car was unveiled at the 1979 Geneva Motor show , but the road going version was not offered to the public until after the re-branding and became the Talbot Sunbeam Lotus. With a 2172 cc version of the Lotus 2.0 ltr 16v engine and ZF gearbox. This one of the later facelift cars with the modified head lights. The earlier short (134) is of a pre-facelift car with the original head lights.

The car won the World Rally Championship with Henri Toivonen in 1981 and the 1980 Lombard RAC Rally

 

This car appears to be a replica, based on a Talbot Sunbeam GL with a 1998cc engine

 

This car driven by Shaune Clorley was part of the RaceRetro rally demonstration at Donington

 

Diolch am olygfa anhygoel, 64,897,655

oblogaeth y Lloegr honno dros y Mynyddoedd

 

Thanks for a stonking 64,897,655 views

 

Shot 05.05.2018 at Donington Historic Festival, Donington Park, Leic Ref 133-339

   

In May 1968 the Leyland Motor Corporation merged with British Motor Holdings to form British Leyland Motor Corporation, or British Leyland for short. With the formation of British Leyland resulted in BL having the monopoly of the rear-engined double-deck market in the UK comprising of Leyland Atlantean, Bristol VRT and Daimler Fleetline. One man operation of double-deck buses was legalised in 1970 resulting a huge demand for double-deck buses this had a knock on effect on sales of the rear-engined single-deck buses notably the Leyland National which was a joint project between British Leyland Truck & Bus Division and the National Bus Company. A brand new state of the art assembly factory to assemble the Leyland National at the rate of 2000 buses per year had been built on the Lillyhall industrial estate near Workington.

 

The Industry wanted Leyland develope a second generation rear-engined double-deck chassis, sadly Leyland had other ideas. Towards the end of 1972, Leyland started to put the finishing touches to their thoughts of their next generation double-deck bus coded B15. The Government organised a major transport symposium in April 1973 at the Transport and Road Research Laboratory at Crowthorne in Berkshire. At this event Leyland launched two new Leyland National models, but most importantly launched the B15 both with a full size wooden model and a selection of artist's impressions which I have posted. These were used in discussions with major operators in 1973 and 1974, and some appeared in London Transport and West Midlands PTE liveries. Plus the body style differed from the one in the image I have used.

 

The B15 was not a chassis but a sophisticated and advanced rear-engined double-deck bus, not what the industry really wanted. In 1973, MCW launched the Metropolitan rear-engined double-deck bus using Scania running units. The Metropolitan was not a threat to Leyland's market share, but it was the foundations for MCW's next double-deck bus, the Metrobus which was a serious threat to Leyland's market share.

 

I will be going into detail about the B15 project which became the Titan over the next few months with previous unseen photographs.

 

Photograph credit: British Leyland Truck & Bus Division

Frazer Nash Le Mans Replica (1948-52) Le Mans Replica II (1952-53) Engine 1971cc S6 OHV

Production 34

Race Number 23 John Ure

Owner P A Mann

Registration Number RPJ 1 (Guildford)

FRAZER NASH SET

 

www.flickr.com/photos/45676495@N05/sets/72157623665136729...

 

Shortly after WW!!, Frazer Nash were aquired by the Bristol Aeroplane Company and plans were put forward to develope a luxury Saloon under the Bristol name and a new Frazer Nash sports car, both to be powered by the former BMW 328 engine built under license by Frazer Nash during the second half of 1930s. Though before the cars could be marketed the companies had become independant once more. Bristol built their 400 and susequent models. While Frazer Nash with limited resources produced a sports car that was a clear developement of the BMW. chassis it was new but still consisted of a conventional steel ladder frame. Suspension at the front was through lower wishbones with a single transverse leaf spring. A live rear axle was fitted with torsion bar springs. A development of the overhead-valve 328 engine was, which featured hemispherical combustion chambers. Equipped with three carburettors, it produced around 120 bhp..

 

A few of these cycle winged High Speed Models were built for competition, one of which achieved third position at the 1949 Le Mans 24 hour race driven by Norman Culpan and Harold John Aldington.

 

The success prompted orders for these cars, and in honour of the achievment the model was renamed Le Mans Replica, from late 1949 whith triple carburettors and larger valve ports and power output of 120bhp Around 50 were sold and competition successes include outright victories in the 1951 Targa Florio (Franco Cortese), and the 1952 Sebring 12 hour (Larry Kulok and Harry Gray)

 

In 1952 a Le Mans Replica Mark II version was introduced with a lighter tubular chassis even more stark than the original LeMans Replica with power increased to 125bhp and a de Dion back end.

 

Production was ended in late 1953 due to the imminent ban on cycle wing, bodied cars in sports car racing. but today the cars remain active in historic events and are extremely valuable, not supringly giving rise to the creation of replica Replicas

 

In the 1960's or 70's Crosthwaite and Gardiner built a number of replicas, after their restoration of an original frame following a racing accident. These cars used a duplicate tubular chassis and running gear from scrapped Bristols. The finished cars had copies of the Le Mans Replica bodies with the correct instruments and trim.

 

Another series of replica were began around 1990, by Werner Oswald and associates, who laid down parts for ten cars possibly copied from the Frank Synter Le Mans Replica I. These were sold in kit for (Werner Oswald Kits) also known as WOKs. Around the same time one of the Werner Oswald associates realising the Frazer Nash name had not been registered for a few years bought the title from Companies House. Meaning Oswald could now advertise the cars legally as having been made by Frazer Nash Cars Ltd. avoiding the cars aquiring Q plate registrations as kit cars.

 

Many thanks for a fantabulous

50,434,015 views

 

Shot 23.04.2016 Shot at VSCC Spring Start Meeting, Silverstone REF 115-482.

©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®

  

No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)

  

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Photograph taken at an altitude of Sixty two metres at 11:02am on a summer morning on Tuesday 8th June 2021, of an adult Carrion crow (Corvus corone), cracking open and eating a walnut having pulled it from under the earth where a Grey squirrel had previously buried it. Taken off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.

    

Right now I have a resident pair of Carrion crows who have decided that my garden is theirs, and are playing a game of cat and mouse with a pair of cheeky Magpies (Pica pica) for dominance and food rights. The male crow actually flies in and 'wings' the magpies to make them leave, an incredible sight to witness. It's an honour and a privilege to be able to win their trust and they have given me so much pleasure this year being able to get within a few feet of them, to photograph and feed them, and they have reinforced my already deep admiration for a bird that is brimming with beauty, intelligence, confidence and also surrounded by myths, legend and prejudice.

  

So let's begin with a look back over history.

  

LEGEND AND MYTHOLOGY

  

Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.

  

In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.

  

In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds. There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.

  

The crow features in the Ghost dance, popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had became a guide and acted as a pathfinder during hunting. Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom.

  

Historically the Vikings are the group who made so many references to the crow, and Ragnar Lodbrok used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows. Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows informed the Lord of the Nordic gods of everything that went on in their kingdoms.

  

In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors. It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.

  

In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.

  

The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug

  

In Greek mythology Apollo is supposedly responsible for the black feathers of the crow. Turning them forever black from their pristine white plumage as a punishment after they failed to watch Coronis, lover of Apollo, battles a Native Indian legend where the once rainbow coloured crows became forever black after shedding their colourful plumage over the other animals of the world.

  

In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.

  

In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:

  

1 Crow Meaning: To carry a message from your near one who died recently.

 

2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.

 

3 Crows Meaning: An upcoming wedding in your family.

 

4 Crows Meaning: Symbolizes wealth and prosperity.

 

5 Crows Meaning: Diseases or pain.

 

6 Crows Meaning: A theft in your house!

 

7 Crows Meaning: Denotes travel or moving from your house.

 

8 Crows Meaning: Sorrowful events

  

Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolises potentially bringing good news and positive change to those who see it. This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....

  

There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders. The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.

  

The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.

  

TAKING A CLOSER LOOK

  

So let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.

  

Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice). Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.

  

Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone

  

Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories. Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm.

  

They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old. The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!

  

They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow. There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.

  

Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence. A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events. They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans., and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans.

  

Pet crows develope a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D. In groups they warn of danger and communicate vocally. They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts under car tyres at traffic lights as a means of cracking them!

  

Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades. Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!

  

They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.

  

In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of to stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain. Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce.

  

I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.

  

OBSERVATIONS ON THE PAIR IN MY GARDEN

  

Crows have been in the area for a while, but rarely had strayed into my garden, leaving the Magpies to own the territory. Things changed towards the end of May when a beautiful female Carrion crow appeared and began to take some of the food that I put down for the other birds. Within a few days she began to appear regularly, on occasions stocking up on food, whilst other times placing pieces in the birdbath to soften them. She would stand on the birdbath and eat and drink and come back over the course of the day to eat the softened food.

  

Shortly afterwards she brought along her mate, a tall and handsome fella, much larger than her who was also very vocal if he felt she was getting a little too close to me. By now I had moved from a seated position from the patio as an observer, to laying on a mat just five feet from the birdbath with my Nikon so that I could photograph the pair as they landed, scavenged and fed. She was now confident enough to let me be very close, and she even tolerated and recognized the clicking of the camera. At first I used silent mode to reduce the noise but this only allowed two shooting frame rates of single frame or continuous low frame which meant I was missing shots. I reverted back to normal continuous high frames and she soon got used to the whirring of the frames as the mirror slapped back and forth.

  

The big fella would bark orders at her from the safety of the fence or the rear of the garden, whilst she rarely made a sound. That was until one day when in the sweltering heat she kept opening her beak and sunning on the grass, panting slightly in the heat. I placed the circular water sprayer nearby and had it rotating so that the birdbath and grass was bathed in gentle water droplets and she soon came back, landed and seemed to really like the cooling effect on offer. She then climbed onto the birdbath and opened her wings slightly and made some gentle purring, cooing noises.... I swear she was expressing happiness, joy....

  

On another blisteringly hot day when the sprayer was on, she came down, walked towards it and opened her wings up running into the water spray. Not once, but many times.

A final observation came with the male and female on the rear garden fence. They sat together, locked beaks like a kiss and then the male took his time gently preening her head feathers and the back of her neck as she made tiny happy sounds. They stayed together like that for several minutes, showing a gentle, softer side to their nature and demonstrating the deep bond between them.

  

Corvus Corone.... magnificently misunderstood by some!

  

Paul Williams June 4th 2021

 

©DESPITE STRAIGHT LINES (Paul Williams)

 

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Nikon D850 Focal length 500mm Shutter speed: 1/640s Aperture f/8.0 iso200 Hand held with Tamron VC Vibration control set to ON in position 1 14 Bit uncompressed RAW NEF file size L (8256 x 5504 pixels) FX (36 x 24) Focus mode: AF-C AF-Area mode: 3D-tracking AF-C Priority Selection: Release. Nikon Back button focusing enabled 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1 (4440k) Colour space: RGB Picture control: Neutral (Sharpening +2)

  

Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Nikon GP-1 GPS module. Lee SW150 MKII filter holder. Lee SW150 95mm screw in adapter ring. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Hoodman HEYENRG round eyepiece oversized eyecup.Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.

    

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LATITUDE: N 51d 28m 28.42s

LONGITUDE: E 0d 8m 10.52s

ALTITUDE: 62.0m

  

RAW (TIFF) FILE: 130.00MB NEF FILE: 90.00MB

PROCESSED (JPeg) FILE: 38.90MB

    

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PROCESSING POWER:

  

Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00

  

HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.

   

Ottobre 2021

 

Voigtlander VF101 + Color-Skopar 40mm f2,8

Rollei SuperPan 200 @ 200 asa - Bellini Hydrofen 1+30 x 10 min

Castiglione Olona - Scorcio Urbano

Dicembre 2025

 

Hasselblad SWC

Zeiss Biogon 38mm f4,5 + yellow filter -1

Rollei SuperPan 200

Bellini Hydrophen 1+30 x 10 min

Lotus Elise SC Sport (Ser.2) (2006-11) Engine 1796 S4 non-intercooled Supercharger 217bhp

Registration Number EU 09 ECC (Chelmsford)

LOTUS SET

www.flickr.com/photos/45676495@N05/sets/72157623671671113...

 

The Series II Lotus Elise was lauched in 2002, replacing the original Elise due to the earlier cars failure to comply with the new European regulations around crash sustainability. Leaving Lotus in need of a partner to develope the new car. General Motors offered to partner/fund the project, in return for a badged and GM-engined version of the car for their European brands, Opel and Vauxhall. which was destined to become the VX220

The Series 2 had a modified version of the Series 1 chassis and the same K-series engine with a Lotus developed ECU. The entry model was the 111S producing around 160bhp until 2005 when the Rover k series engine no longer conformed to the new USA emission regulations.

When Rover died the entry level, K-Series-powered Elise went with it along with a loyal customer base that couldn't stretch to a whopping £29,945 (in basic trim) for the Toyota-powered 'R'. The new S is £6000 cheaper powered by a distant relative of the trick VVTLi engine, built by Yamaha for the Toyota Celica. The 134bhp, 1.8-litre engine sitting under the rear clamshell is lifted from the current Corolla. Unlike the 'R' it’s not been fettled by Yamaha, meaning different internals, no electronic valve lift and one less cog in the gearbox.

 

The second generation Elise had three additions to its line up for 2008. The naturally aspirated standard Elise continued to produce 189bhp, while the Elise SC had a non-intercooled supercharger producing 218 hp reducing 0-60 mph time from 4.9 to 4.7 seconds, and 4.3 seconds for the Sports package Elise SC the he NA Elise styling is similar to the prior model years. The Elise SC, however, is distinguishable from the NA version by a rear spoiler identical to the Type 72-D edition spoiler and new wheels..

 

Diolch yn fawr am 71,312,747 o olygfeydd anhygoel, mwynhewch ac arhoswch yn ddiogel

 

Thank you 71,312,747 amazing views, enjoy and stay safe

 

Shot 21.04.2019 at the annual Weston Park, Easter car show Ref 138-396

   

Busto Arsizio - Gennaio 2021

Scorcio Urbano (same places - second step - another film and equipment)

 

Hasselblad SWC

Zeiss Biogon 38mm f4,5

Rollei SuperPan 200

Hydrofen 1+30 x 8 min

Castellanza - Scorcio Urbano

Gennaio 2024

 

Rolleiflex 3.5C

Zeiss Planar 75mm f3.5

FomaPan 100

R09 Studio 1+31 x 10min

Busto Arsizio - Scorcio urbano

Marzo 2026

 

Canon P

Canon 35mm f2 LTM

Kentemere 200

Bellini Euro HC 1+39 x 5,5 min

Castellanza - Villa Pomini

Maggio 2025

 

Rolleiflex 2.8 C

Schneider-Kreuznach Xenotar 80mm f2.8

Kentmere 100

Bellini Hydrofen 1+31 x 8 min

Busto Arsizio 2018-06-30

Zeiss Super Ikonta IV - Tessar 75mm f3.5

 

Fomapan 100

Studional 1+30 x 10 min

Ok, so not a lot of time to do my 365 today, but I did it dang it! lol

 

We spent the day doing wedding stuff. Wrapping up loose ends, picking up rings, making phone calls...so fun!

 

So, I did a quickie 365 today, I've been a Nikon girl since I picked up my first camera...a Nikon N8008, it was my dad's and we'd shoot black and white film, then we'd coop ourselves up in our home darkroom and drink hot chocolate and develope the film. Those were some of the best times of my childhood and from that point on I was hooked to photography and I always will be, it's in my blood.

 

My dad still has the darkroom, we don't shoot black and white film anymore and the nobody uses the darkroom at all :( I have a few roles laying around as well as the Nikon N8008, my dad gave it to me...so maybe, I'll load up the old 35mm, shoot some film and develope it in the old darkroom.

   

Do Not Copy! All Photos are Property of Sarah Robinson, Sarah Dee Photography

 

Mallorca Oct 22.

 

Probando el carrete que dice tener la mayor resolución ADOX CMS 20 II PRO

 

Pentax LX - SMC K 28mm - Adox Cms 20 II pro - Pyrocat hd semistand 28 min

Milano Gallaratese - Scorcio Urbano

Aprile 2025

 

Nikon FA

Nikkor 35mm f2 AI

Fomapan 100

Bellini Hydrofen 1+31 x 10 min

Legnano - Scorcio urbano

Ottobre 2025

 

Hasselblad 500 C/M

Zeiss Distagon 50mm f4 + yellow filter -1

Kentemere 100

Bellini Euro HC 1+31 x 5 min

Minolta XE-7, MC Tele Rokkor 100mm/2.5, Kodak Ultramax 400, Cinestill C-41 home develope kit

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So, let's get one thing straight from the outset.

  

I LOVE CARRION CROW.

  

There, I've said it. Words I use to describe these amazing birds would include stunning, beautiful, bold, magnificent, intelligent and fantastic.

  

Right now I have a resident pair of Carrion crows who have decided that my garden is theirs, and are playing a game of cat and mouse with a pair of cheeky Magpies (Pica pica) for dominance and food rights. The male crow actually flies in and 'wings' the magpies to make them leave, an incredible sight to witness. It's an honour and a privilege to be able to win their trust and they have given me so much pleasure this year being able to get within a few feet of them, to photograph and feed them, and they have reinforced my already deep admiration for a bird that is brimming with beauty, intelligence, confidence and also surrounded by myths, legend and prejudice.

  

So let's begin with a look back over history.

  

LEGEND AND MYTHOLOGY

  

Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.

  

In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.

  

In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds. There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.

  

The crow features in the Ghost dance, popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had became a guide and acted as a pathfinder during hunting. Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom.

  

Historically the Vikings are the group who made so many references to the crow, and Ragnar Lodbrok used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows. Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows informed the Lord of the Nordic gods of everything that went on in their kingdoms.

  

In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors. It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.

  

In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.

  

The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug

  

In Greek mythology Apollo is supposedly responsible for the black feathers of the crow. Turning them forever black from their pristine white plumage as a punishment after they failed to watch Coronis, lover of Apollo, battles a Native Indian legend where the once rainbow coloured crows became forever black after shedding their colourful plumage over the other animals of the world.

  

In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.

  

In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:

  

1 Crow Meaning: To carry a message from your near one who died recently.

 

2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.

 

3 Crows Meaning: An upcoming wedding in your family.

 

4 Crows Meaning: Symbolizes wealth and prosperity.

 

5 Crows Meaning: Diseases or pain.

 

6 Crows Meaning: A theft in your house!

 

7 Crows Meaning: Denotes travel or moving from your house.

 

8 Crows Meaning: Sorrowful events

  

Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolises potentially bringing good news and positive change to those who see it. This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....

  

There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders. The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.

  

The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.

  

TAKING A CLOSER LOOK

  

So let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.

  

Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice). Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.

  

Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone

  

Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories. Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm. They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old. The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!

  

They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow. There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.

  

Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence. A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events. They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans., and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans.

  

Pet crows develope a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D. In groups they warn of danger and communicate vocally. They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts under car tyres at traffic lights as a means of cracking them!

  

Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades.Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!

  

They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.

  

In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of to stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain. Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.

  

Corvus Corone.... magnificently misunderstood by some!

  

Paul Williams June 4th 2021

  

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Photograph taken at an altitude of Ninety eight metres at 11:03am on a beautiful morning on Saturday 29th May 2021, off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.

  

Here we see a large adult Carrion crow (Corvus corone) patrolling a garden in his territory , and standing in front of a red Azalea, a passerine bird of the family Corvidae and the genus Raven (Higher classification: Corvus), which is native to western Europe and eastern Asia.

  

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Nikon D850 Focal length 450mm Shutter speed: 1/500s Aperture f/7.1 iso250 Tripod mounted with Gimbal head. Image area FX (36 x 24) NEF RAW L (4128 x 2752). JPeg basic (14 bit uncompressed) AF-C Priority Selection: Release. Nikon Back button focusing enabled. AF-S Priority selection: Focus. 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1 (4660k) Colour space: RGB Picture control: Neutral (Sharpening +2)

  

Sigma 60-600mm f/4.5-6.3DG OS HSM SPORTS. Lee SW150 MKI filter holder with MK2 light shield and custom made velcro fitting for the Sigma lens. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch.Hoodman HEYENRG round eyepiece oversized eyecup.Manfrotto MT057C3-G Carbon fiber Geared tripod 3 sections. Neewer Carbon Fiber Gimble tripod head 10088736 with Arca Swiss standard quick release plate. Neewer 9996 Arca Swiss release plate P860 x2.Jessops Tripod bag. Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.

    

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LATITUDE: N 51d 28m 28.08s

LONGITUDE: E 0d 8m 10.47s

ALTITUDE: 59.0m

  

RAW (TIFF) FILE: 130.00MB NEF FILE: 92.1MB

PROCESSED (JPeg) FILE: 35.90MB

    

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PROCESSING POWER:

  

Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00

  

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Busto Arsizio - Scorcio Urbano

 

Rolleicord Vb

Schneider-Kreuznach Xenar 75mm f3.5

Fomapan 100@100

R09 Studio 1+31 x 10 min

Busto Arsizio 2018-07-22

 

Canon 7sZ

Canon 35mm f2 LTM

 

Kentmere 100

Studional 1+31 x 9min

Busto Arsizio Ottobre 2022

 

Rolleiflex 3.5F

Zeiss Planar 75mm f3,5

Rollei Retro 80S @ 80asa

Bellini Hydrofen 1+30 x 9 min

Castano Primo - Marzo 2021

 

Rolleicord Vb

Schneider-Kreuznach Xenar 75mm f3.5 + yellow filter

Ilford HP5+ @ asa 320

Bellini Hydrofen 1+30 x 8 min

Took this the other night, when I saw this start to develope the pup and I hopped in the truck to rush to get this shot, been waiting for the right time to get this, kind of figured this might have been as good of a time as I was gonna get.

 

Hope you all have a great Friday

 

HFF

 

Looks even better when you hit "L"

nadia slept over last night and then rains came over and we went to the woods to take some pictures (:

i took a lot with film/fisheye/polaroid so i have to develope some but the digitals will be up tomorow (:

 

not much editing on this one because hannah, paige, and shannon are here and were going out soon . nice weekend so far.

 

HAPPY EARLY MARTIN LUTHER KING DAY !

Forte di Fenestrelle

09-09-2018

 

Oltre alla serie digitale ( flic.kr/s/aHsmsnW9Lv ) propongo la versione analogica che, secondo me, rende meglio la sensazione di oppressione mista ad appagamento per gli splendidi paesaggi.

 

Olympus OM-2n

OM Zuiko 21 f3,5 - OM Zuiko 35 f2,8 - OM Zuiko 50 f1,8 - OM Zuiko 100 f2,8

Fomapan 100

Dev. STudional 1+30 x 9 min

Busto Arsizio - Scorcio urbano

Febbraio 2026

 

RolleiFlex 3,5F

Zeiss Planar 75mm f3,5 + yellow filter -1

Rollei Retro 400S

Bellini Hydrofen 1+15 x 8,5 min

Stresa - Isola dei Pescatori

Ottobre 2022

 

Olympus OM-4

Zuiko OM 21 f3,5 - OM 50 f1,8 - OM 100 f2,8

Rollei Retro 400@400

Bellini Hydrofen 1+30 x 17 min

Frazer Nash Le Mans Replica (1948-52) Le Mans Replica II (1952-53) Engine 1971cc S6 OHV

Production 34

Race Number 150 Mrs. Annettte Mason

FRAZER NASH SET

www.flickr.com/photos/45676495@N05/sets/72157623665136729...

 

Shortly after WWII, Frazer Nash were aquired by the Bristol Aeroplane Company and plans were put forward to develope a luxury Saloon under the Bristol name and a new Frazer Nash sports car, both to be powered by the former BMW 328 engine built under license by Frazer Nash during the second half of 1930s. Though before the cars could be marketed the companies had become independant once more. Bristol built their 400 and susequent models. While Frazer Nash with limited resources produced a sports car that was a clear developement of the BMW. chassis it was new but still consisted of a conventional steel ladder frame. Suspension at the front was through lower wishbones with a single transverse leaf spring. A live rear axle was fitted with torsion bar springs. A development of the overhead-valve 328 engine was, which featured hemispherical combustion chambers. Equipped with three carburettors, it produced around 120 bhp..

 

A few of these cycle winged High Speed Models were built for competition, one of which achieved third position at the 1949 Le Mans 24 hour race driven by Norman Culpan and Harold John Aldington.

 

The success prompted orders for these cars, and in honour of the achievment the model was renamed Le Mans Replica, from late 1949 whith triple carburettors and larger valve ports and power output of 120bhp Around 50 were sold and competition successes include outright victories in the 1951 Targa Florio (Franco Cortese), and the 1952 Sebring 12 hour (Larry Kulok and Harry Gray)

 

In 1952 a Le Mans Replica Mark II version was introduced with a lighter tubular chassis even more stark than the original LeMans Replica with power increased to 125bhp and a de Dion back end.

 

Production was ended in late 1953 due to the imminent ban on cycle wing, bodied cars in sports car racing. but today the cars remain active in historic events and are extremely valuable, not supringly giving rise to the creation of replica Replicas

 

In the 1960's or 70's Crosthwaite and Gardiner built a number of replicas, after their restoration of an original frame following a racing accident. These cars used a duplicate tubular chassis and running gear from scrapped Bristols. The finished cars had copies of the Le Mans Replica bodies with the correct instruments and trim.

 

Another series of replica were began around 1990, by Werner Oswald and associates, who laid down parts for ten cars possibly copied from the Frank Synter Le Mans Replica I. These were sold in kit for (Werner Oswald Kits) also known as WOKs. Around the same time one of the Werner Oswald associates realising the Frazer Nash name had not been registered for a few years bought the title from Companies House. Meaning Oswald could now advertise the cars legally as having been made by Frazer Nash Cars Ltd. avoiding the cars aquiring Q plate registrations as kit cars.

 

Many thanks for a fantabulous

50,434,015 views

 

Shot 23.04.2016 Shot at VSCC Spring Start Meeting, Silverstone REF 115-480.

Milano - Dicembre 2022

Scorcio Urbano

 

Leica IIIF (1951)

Leitz Elmar 50 f3.5 LTM (1947)

Fomapan 200

R09 Studio 1+31 x 9 min

唷乎~~上班偷閒跑去吃下午茶點心,鴨肉冬粉,竟下雨了!~~Minolta TC-1+Kodak Tmax 400

+TMAX Develope

Busto Arsizio - Settembre 2021

 

Leica CL + Leitz Elmarit-m 28mm f2,8 ASPH + filtro giallo

Kodak Eastman 5222 double-x @ 250 asa - R09 Studio 1+32 x 7 min

Busto Arsizio - Scorcio Urbano

Febbraio 2024

 

FujiFilm GSW690 III

EBC Fujinon-SW 65mm f5,6 + yellow filter 1 stop

FomaPan 400

R09 Studio 1+30 x 12 min

Silvi Marina

Giugno 2026

 

Olympus OM-2n

Zuiko OM Zoom 28-48 mm f4,0 + yellow filter -1

Kentmere 100

Bellini Euro HC 1+31 x 5,45 min

Busto Arsizio 2018-07-22

 

Canon 7sZ

Canon 35mm f2 LTM

 

Kentmere 100

Studional 1+31 x 9min

Cascina Malpaga (Castano Primo) - Scorcio urbano

Aprile 2026

RolleiFlex 3,5E

Schneider-Kreuznach Xenotar 75mm f3.5 + yellow Filter -0,5

Kentemere 100

Bellini Hydrofen 1+31 x 8 min

Castellanza

Giugno 2022

 

Meopta Flexaret Automat VII (1968)

Meopta Belar 80mm f3.5

Fomapan 100@100

R09 Studio 1+30 x 9 min

Milano 2019-09-14

Street

 

Hasselblad Super Wide C (1968)

Biogon 38mm f4.5

 

Fomapan 100

Hydrofen 1+39 x 8 min

 

Other shots in this album

flic.kr/s/aHsmGXiMPy

Scatti estivi 2018

 

Olympus OM2n

Zuiko 35mm f2.8

Zuiko 21mm f3.5

 

Kentmere 100

Studional 1+31 x 9 min

 

il resto in questo album

www.flickr.com/photos/domenicocichetti/albums/72157700787...

Milano 2019-06-14

Leica CL

Elmarit-m 28mm f2.8 ASPH

 

Kentmere 100 @ 100asa

Hydrofen 1+39 x 8 min

Talbot Sunbeam Lotus (1979-81) Engine 2172 cc S4 DOC 16 v Production 2308

Registration Number FCY 2 W (Swansea)

 

TALBOT ALBUM

www.flickr.com/photos/45676495@N05/sets/72157623918911117...

The Chrysler Sunbeam had been aimed at the super-mini sector when launched in 1977. But it was felt that a hot hatch was needed to boost the sporty image. To this end the Chrysler Sunbeam Ti was launched in 1979 with a 1600 cc twin Weber carbs and an output of 100 bhp

Chrysler had also commissioned Lotus to develope a rally version. The car was unveiled at the 1979 Geneva Motor show , but the road going version was not offered to the public until after the re-branding and became the Talbot Sunbeam Lotus. With a 2172 cc version of the Lotus 2.0 ltr 16v engine and ZF gearbox. This one of the later facelift cars with the modified head lights. The earlier short (134) is of a pre-facelift car with the original head lights.

The car won the World Rally Championship with Henri Toivonen in 1981 and the 1980 Lombard RAC Rally

 

Many thanks for a fantabulous

47,324,689 views

 

Shot at Weston Park Classic Car Show 27.03.2016 - Ref 111-655

 

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