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negative scanned::Kiev 88::Arsat 80mm f2.8mc::Fujifilm Neopan Acros 100 [ self - develope ] :: Ilfotec DD-X 1+4 :: Putrajaya ::
Putrajaya Hot Air Balloon Festival
thanx to his parents Hasmi & Azlin.
Crespi d'Adda 2020-01-02
Hasselblad SWC (1968)
Biogon 38mm f4.5
Rollei SuperPan 200@200 asa
Hydrofen 1+15 x 4 min
Altre immagini in questo album flic.kr/s/aHsmKtU24G
Volkswagen Golf (Mk.1) GTI Cabriolet Mk.I (1980-93) Engine 1781cc S4 Fuel Injected Production 6,800,000 (all Mark 1 Golf models)
Registration Number A 806 LWD (Dudley)
VOLKSWAGEN SET
www.flickr.com/photos/45676495@N05/sets/72157623738785355...
The Mark 1 Golf was introduced in 1974 as a front wheel drive hatchback and as a replacement for the original Volkswagen Beetle, designed by Giorgetto Giugiaro of Ital Design with a rather sharp angular look.
In 1975 a sports-oriented variant of the Volkswagen Golf, called the Golf GTI was introduced in March of that year at the Frankfurt Motor Show as a hot version powered by a 1781cc four-cylinder engine fed by a Bosch K-Jetronic fuel injection, which helped it develope a respectable 110 PS aided by a kerbweight of just 810kg.
The Cabriolet version followed in 1980 It had a reinforced body, transverse roll bar, and a high level of trim, and kept the pre-1980 style of rear lamp clusters. The Mk1 Cabriolet is of unibody construction built entirely at the factory of Karmann, from stamping to final assembly; Volkswagen supplied the engine, suspension, interior, etc. for Karmann to install. The vinyl or cloth tops were heavily insulated and manually - or beginning in 1991, electrically - operated, with a heated glass rear window.
Prior to the 1984 model year the highest standard specification Cabriolet was the GLI, which was essentially a GTI in all but name. It was only in late 1983 with the introduction of the 1984 model that an officially badged GTI version of the cabriolet finally became available.
The Mark 1 Golf was replaced by a Mark II model in 1983, but the Cabriolet version produced by Kharmann continued with the Mark I shell until 1993
Many thanks for a fantabulous
46,776,990 views
Shot Brooklands New Years Day Gathering, 01.01.2016 - Ref 111-440
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Busto Arsizio - Ottobre 2019
Scorcio urbano
Hasselblad Super Wide C (1968)
Biogon 38mm f4.5
Rollei SuperPan 200
Hydrofen 1+15 x 4 min
So, let's get one thing straight from the outset.
I LOVE CARRION CROW.
There, I've said it. Words I use to describe these amazing birds would include stunning, beautiful, bold, magnificent, intelligent and fantastic.
Right now I have a resident pair of Carrion crows who have decided that my garden is theirs, and are playing a game of cat and mouse with a pair of cheeky Magpies (Pica pica) for dominance and food rights. The male crow actually flies in and 'wings' the magpies to make them leave, an incredible sight to witness. It's an honour and a privilege to be able to win their trust and they have given me so much pleasure this year being able to get within a few feet of them, to photograph and feed them, and they have reinforced my already deep admiration for a bird that is brimming with beauty, intelligence, confidence and also surrounded by myths, legend and prejudice.
So let's begin with a look back over history.
LEGEND AND MYTHOLOGY
Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.
In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.
In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds. There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.
The crow features in the Ghost dance, popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had became a guide and acted as a pathfinder during hunting. Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom.
Historically the Vikings are the group who made so many references to the crow, and Ragnar Lodbrok used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows. Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows informed the Lord of the Nordic gods of everything that went on in their kingdoms.
In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors. It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.
In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.
The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug
In Greek mythology Apollo is supposedly responsible for the black feathers of the crow. Turning them forever black from their pristine white plumage as a punishment after they failed to watch Coronis, lover of Apollo, battles a Native Indian legend where the once rainbow coloured crows became forever black after shedding their colourful plumage over the other animals of the world.
In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.
In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:
1 Crow Meaning: To carry a message from your near one who died recently.
2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.
3 Crows Meaning: An upcoming wedding in your family.
4 Crows Meaning: Symbolizes wealth and prosperity.
5 Crows Meaning: Diseases or pain.
6 Crows Meaning: A theft in your house!
7 Crows Meaning: Denotes travel or moving from your house.
8 Crows Meaning: Sorrowful events
Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolises potentially bringing good news and positive change to those who see it. This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....
There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders. The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.
The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.
TAKING A CLOSER LOOK
So let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.
Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice). Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.
Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone
Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories. Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm. They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old. The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!
They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow. There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.
Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence. A corvid's pallium is packed with more neurons than a great ape's.Corvids have demonstrated the ability touse a combination of mental tools such as imagination, and anticipation of future events. They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans., and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognative ability level than seven year old humans.
Pet crows develope a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D. In groups they warn of danger and communicate vocally. They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts under car tyres at traffic lights as a means of cracking them!
Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades.Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!
They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.
In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of to stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain. Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.
Corvus Corone.... magnificently misunderstood by some!
Paul Williams June 4th 2021
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©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
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I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 39.079+ Million visitors to my FLICKR site.
***** Selected for sale in the GETTY IMAGES COLLECTION on May 23rd 2021
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©DESPITE STRAIGHT LINES (Paul Williams)
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Photograph taken at an altitude of Sixty two metres at 13:17pm on a cold and rainy afternoon on Wednesday 19th May 2021, of an off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.
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Nikon D850 Focal length 600mm Shutter speed: 1/1250s Electronic front-curtain Aperture f/6.3 iso250 Tripod mounted with Tamron VC Vibration Control set to position 3. Image area FX (36 x 24) NEF RAW L (4128 x 2752). JPeg basic (14 bit uncompressed) AF-C Priority Selection: Release. Nikon Back button focusing enabled. AF-S Priority selection: Focus. 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1 (5160k) Colour space: RGB Picture control: Neutral (Sharpening +2)
Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Nikon GP-1 GPS module. Lee SW150 MKII filter holder. Lee SW150 95mm screw in adapter ring. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Hoodman HEYENRG round eyepiece oversized eyecup.Manfrotto MT057C3-G Carbon fiber Geared tripod 3 sections. Neewer Carbon Fiber Gimble tripod head 10088736 with Arca Swiss standard quick release plate. Neewer 9996 Arca Swiss release plate P860 x2.Jessops Tripod bag. Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
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LATITUDE: N 51d 28m 27.99s
LONGITUDE: E 0d 8m 10.43s
ALTITUDE: 54.0m
RAW (TIFF) FILE: 130.00MB NEF FILE: 90.6MB
PROCESSED (JPeg) FILE: 26.70MB
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PROCESSING POWER:
Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.
Ottobre 2021
Voigtlander VF101 + Color-Skopar 40mm f2,8
Rollei SuperPan 200 @ 200 asa - Bellini Hydrofen 1+30 x 10 min
Busto Arsizio Ottobre 2022
Rolleiflex 3.5F
Zeiss Planar 75mm f3,5
Rollei Retro 80S @ 80asa
Bellini Hydrofen 1+30 x 9 min
Castellanza - Scorcio urbano
Settembre 2025
Hasselblad 500 C (first model)
Zeiss Planar 80mm f2,8 (six lens)
Kentmere 100
Bellini Hydrofen 1+31 x 8 min
2018-10-07
Lago Maggiore - Isola dei Pescatori
Leica M2
Canon 35mm f2 LTM
VC 21mm f4
Agfa APX100
Dev. Studional 1+30 x 9 min
The other images in this album:
Hasselblad 50mm Distagon, Efke IR820 (715 filter - @ 3 ASA) in eco film developer 1+40
Softly lithed Fotokemika Varycon
With contrasty IR-negatives an extremly strong overexposure is required for the lights, but then the shadows come too fast. To prevent this, an interruption of lith development might be the best methode of choice.
The lith developer should be strong with a high amount of D (bromide),
e.g. A+B+water+D 50+50+600+30ml.
Developer 3 mins - water bath 1 min - developer 1 min - water bath 1 min
So far no deep blacks should achieve but all densities must increase expecially mid tones and lights.
Develope again until blackening of the deepest shadows, then an alkaline solution (instead water) - here Lith Omega 1+400 until a full tonal range is visable (1-3 mins). The longer the time, the softer and warmer the tones.
A treatment with Omega is a precondition for this result after toning with polysulfide toners like MT4 Siena.
2018-08-13 Aielli-Fucino (Analogico)
Olympus OM2n
Zuiko 35mm f2.8
Zuiko 21mm f3.5
Kentmere 100
Studional 1+31 x 9'
Parte di "I cieli scritti di Fontamara" (full resolution)
www.flickr.com/groups/qtp-project/discuss/72157670993993637/
Busto Arsizio - Febbraio 2021
Scorcio Urbano
Hasselblad 500 CM
Zeiss Distangon 50 mm f4 CT*
Rollei SuperPan 200
Hydrofen 1+30 x 8 min
Verona 2018-10-13 - qTp day
Serie analogica raccolta in parallelo con quella digitale
Olympus 35 RD
F.Zuiko 40mm f1,7
Filtro Giallo da 1 stop
Kentemere 100 @ 100 asa
Dev. Studional 1+30 x 9 min
Le altre nel seguente album flic.kr/s/aHsmsmhqWV
Canale Villoresi - Tornavento
Gennaio 2023
Hasselblad SWC (1968)
Zeiss Biogon 38 mm f4,5
Rollei SuperPan 200
Bellini Hydrofen 1+30 x 9 min
Verona 2018-10-13 - qTp day
Serie analogica raccolta in parallelo con quella digitale
Olympus 35 RD
F.Zuiko 40mm f1,7
Filtro Giallo da 1 stop
Kentemere 100 @ 100 asa
Dev. Studional 1+30 x 9 min
Le altre nel seguente album flic.kr/s/aHsmsmhqWV
Busto Arsizio - Gennaio 2021
Scorcio Urbano
Rolleicord Vb
Schneider-Kreuznach Xenar 75mm f3.5
Ilford Delta 400
Hydrofen 1+39 x 5,25 min
Foto presa amb una microcamera Minox IIIS fabricada el 1956; rodet de 9x11mm nou fet amb Ilford Delta 100; revelat en el tanc de revelat Minox amb HC110 i escanejat amb penes i treballs amb un Epson V800.
Per cert, les cameres son dues KMZ, FT-2 i Zorki-4.
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Picture taken with a Minox IIIS miniature camera made in 1956; Ilford Delta 100 film bought cut to 9x11 format; develope in the proper Minox tank with HC110 and scanned with an Epson V800.
By the way, the cameras are a FT-2 and a Zorki-4.
Jaguar S type V8 SE (1999-08) Engine 2720cc V6 TD
Registration Number Unregistered
JAGUAR SET
www.flickr.com/photos/45676495@N05/sets/72157623671588245...
The S Type was styled by designer Geoff Lawson and built at the companies Castle Bromwich plant. Based on the Jaguar DEW platform/Ford DEW platform, shared with the Lincoln LS. The production run can be split into pre-faclift cars 1999-02 and facelift cars 2002-08. The first S-Types are distinguished by a U-shaped centre console and optional touch-screen navigation system in the 2003 and later models. The traditional leaping jaguar hood ornament was optional even though it is approved by the US and EU standards and breaks away in the case of an accident.
Subsequent models have the Jaguar logo incorporated within the radiator grille and a more traditional 'looped' styling for the centre console.
A minor facelift on the 2005 model year featured redesigned front and rear aprons, a slightly modified grille, remodeled rear light clusters, an aluminium bonnet, and a new 2.7-litre V6 diesel engine with 207 hp he windscreen washer jets were incorporated into the windscreen wiper arms. There were no changes made to the cabin interior.
The S-Type was powered by a variety of petrol and diesel engines. At launch, the V8 S-Type was powered by the 4.0L Jaguar AJ-V8 engine, the capacity of which was increased to 4.2L in 2002 V6 engines used are the Ford Duratec unit which is used extensively throughout the Ford model range (and in Ford subsidiary companies) and was available as a 2.5, 2.7 and 3.0 litre at various times during the production run.
THIS CAR
was an engineering develope,emt vehicle that was being used at the recently opened Jaguar Test Centre at the Nurburgring. It was decided to race prepare the car, to race in the 2004 Nurburgring 24 hour race, to test its durability. The race that year took place in filthy weather conditions and the Jaguars race was interupted in the 16th hour by an accident, when the car was running in fourth place in the Diesel class, the damage is still evident. Emergency repairs were carried out trackside and the car was eventually able to continue, finishing 8th in class and 113th overall. The car was later used for promotional purposes, before being passed to the Jaguar Daimler heritage trust in 2006
Many thanks for a Supersonic
53,428.539 views
Shot 29.05.2016 at Gaydon Motor Museum, Transport Show REF 119-147
Castellanza - Scorcio Urbano
(test Nikomat ELW + Nikkor NC auto 24mm f/2.8)
Marzo 2022
Nikon Nikomat ELW
Nikkor NC auto 24mm f/2.8
Kentmere 100
Bellini Hydrofen 1+31 x 8 min
Foto presa amb una microcamera Minox IIIS fabricada el 1956; rodet de 9x11mm nou fet amb Ilford Delta 100; revelat en el tanc de revelat Minox amb HC110 i escanejat amb penes i treballs amb un Epson V800.
Al entorn de Cotlliure i Port Vendres, a la Catalunya Nord, hi ha els vestigis més importants de la Segona Guerra Mundial als Països Catalans. Es tracta d'un seguit de bunkers de formigó construits pels alemanys entre el 1943 i el 1944. Formaven part de l'extrem sud del Südwall, l'equivalent mediterrani (i pobre) del famós Mur de l'Atlantic.
Aquests en concret, son dos bunkers d'artilleria naval al nord de Cotlliure, prop del Fort Carrat. Eren part de la posició WN035 de la Kriegsmarine, equipada amb 4 canons de 105mm i integrada en la Marine-Artillerie-Abteilung 615. Tots foren abandonats l'agost del 44.
deutsch.militaria.xooit.fr/t6260-Photos-SUDWALL-ou-le-mur...
sudwall.superforum.fr/t863-lgs-035-maa-5-615-fort-carre-c...
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Picture taken with a Minox IIIS miniature camera made in 1956; Ilford Delta 100 film bought cut to 9x11 format; develope in the proper Minox tank with HC110 and scanned with an Epson V800.
In the surroundings of Cotlliure and Port Vendres, in Northern Catalonia, there are still important vestiges of the Second World War, despite being a far way place for any german soldier. It consists in a series of concrete bunkers built by the Germans between 1943 and 1944. They were part of the southern tip of the Südwall, the Mediterranean (and poor) equivalent of the famous Atlantic Wall.
These in particular are two naval artillery bunkers in the north of Collioure, near Fort Carrat. They were part of the position WN035 of the Kriegsmarine, equipped with 4 105 mm guns and integrated in the Marine-Artillerie-Abteilung 615. All were abandoned and partially demolished in August 1944.
deutsch.militaria.xooit.fr/t6260-Photos-SUDWALL-ou-le-mur...
sudwall.superforum.fr/t863-lgs-035-maa-5-615-fort-carre-c...
Stresa - Isola dei Pescatori
Ottobre 2022
Olympus OM-4
Zuiko OM 21 f3,5 - OM 50 f1,8 - OM 100 f2,8
Rollei Retro 400@400
Bellini Hydrofen 1+30 x 17 min
Monza - Scorcio urbano
Maggio 2025
Canonet G-III QL17
Canon 40 mm f1,7
Kentemere 100
Bellini Hydrofen 1+31 x 8 min
Castano Primo - Cascina Malpaga
Marzo 2024
Rolleiflex 3.5E
Schneider-Kreuznach Xenotar 75mm f3.5 + yellow filter
Fomapan 100
R09 Studio 1+31 x 10 min
Busto Arsizio
Marzo 2019
Minox 35 GT-E
MC Minoxar 35mm f2.8
Kentmere 100
Studional 1+31 x 9 min
Le restanti nel seguente album flic.kr/s/aHsmb4i4ZK
Busto Arsizio 2019-12-31
Hasselblad SWC
Biogon 38mm f4,5 (21 mm equiv.)
Rollei SuperPan 200 @200 asa
Hydrofen 1+15 x 4 min
Crespi d'Adda 2020-01-02
Olympus 35 RD
F.Zuiko 40mm f1,7
Kentmere 100@100asa
Studional 1+30 x 9 min
Altre immagini in questo album flic.kr/s/aHsmKtU24G
Austin Healey 3000 Mk.1 (ex works) (1959) Engine 2980cc S6 BMC C Series
CHASSIS NO: H-BN7/1342
ENGINE NO: XSP/18131/9/HC
Registration Number SMO 746 (Berkshire)
Race Jack Fairman Cup and Mk1 and Mk.2 Jaguar and Innes Ireland Cup
Round Donington 20th April 2019
Race Number 152 Martyn Corfield
AUSTIN HEALEY SET
www.flickr.com/photos/45676495@N05/sets/72157623759812996...
SMO 746 was a flagship car in promoting the newly announced Austin Healey 3000 model. Following the potential shown by its predeccessor Austin Healey 100-6 cars in International rallying a further three of the new 3000 BN7 Type, two seater chassis were allocated to the BMC Competitions Department for 1959. Registered SMO 744, SMO 745 and SMO 746, for preparation for the Alpine rally at BMC Competitions HQ, in Abingdon. SMO 746 was driven by Jack Sears and Sam Moore but was forced to retire from the rally after an incident on the Vivione Pass. The Team Cars' were competitive though, on the first stage Jack Sears in SMO 746 and John Gott with SMO 745 were two of only three of the 33 entries to achieve the allocated time for the 800 miles from Marseilles to Cortina d'Amprezzo which included three laps of the Monza Circuit. In September 1959 Jack Sears and Peter Garnier were timed out when competing in the Liege Rome Liege an event with only 13 cars of the starting 97 surviving to the finish. In October 1959 Pat Moss and Ann Wisdom finished second in the German Rally just behind Pats future husband Eric Carlsson s Saab. In November 1959, Jack Sears and Willy Cave finished second in classin the (British) RAC Rally. The car was damaged in February-March 1960 in a heavy accident on the Solitude circuit while Pat Moss was practicing for the Lyon-Charbonnieres Rally. The works car got modified cylinder heads, manifols and triple SU carburettors ahead of the 1960 Alpine Rally. were SMO 746 was driven by John Gott and Bill Shepherd hey managed 8th place overall, with three of the four 3000s entered finishing 1-2-3 in the class and winning all five team and class prizes open to them. The Healeys repeated their1-2-3 class win in the Liege Rome Liege with SMO 746 again driven by John Gott this time with Reverend Rupert Jones
At the end of the season the works sold SMO 746 to John Gott
In 1960 John Gott was appointed Chief Constable of Northamptonshire Police Force and, with the season over, he retired as a works driver to concentrate on his Police responsibilities. In addition to club motor racing in SMO 746, he was also Vice-Chairman of the RAC Competitions Committee and sat on the CSI International Court of Appeal. He also began to develope SMO 746 John continued to develop SMO 746 into the 1970s and, against increasingly stiff competition, it was becoming difficult to keep the wins coming. However, by that time, SMO 746 with John at the wheel had achieved a start record from 184 competition events of 112 firsts, 42 seconds and 13 thirds. When it raced it almost always achieved a podium and, when on the podium, almost always won. Sadly John died of injuries sustained when racing the Healey in September 1972 at Lydden Hill the accident is thought to have been caused by John suffering a heart attack during the race. The car along with another works car was purchased by Arthur Carter from Johns estate, along with its original works engine. As a tribute to John Gott, Arthur Carter restored the car, respecting a codicil stipulated by Johns widow Susan Gott that the car was not to be raced during her lifetime
Diolch yn fawr am 70,796,468 o olygfeydd anhygoel, mwynhewch ac arhoswch yn ddiogel
Thank you 70,796,468 amazing views, enjoy and stay safe
Shot 20.04.2019 at the AMOC Meeting, Donington Park Ref 138-174
Castellanza - scorcio urbano
Maggio 2023
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negative scanned::Kiev 88::Arsat 80mm f2.8mc::Fujifilm Neopan Acros 100 [ self - develope with khai_nomore ] :: Ciwidey Kawah Putih Bandung Indonesia ::
sorry he just blink his eyes ;P
Ottobre 2021
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Busto Arsizio - Scorcio Urbano
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Siviglia - scorcio urbano
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that's what it feels like when you stand there watching a sky like this develope on Morecambe Promenade
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So, let's get one thing straight from the outset.
I LOVE CARRION CROW.
There, I've said it. Words I use to describe these amazing birds would include stunning, beautiful, bold, magnificent, intelligent and fantastic, loving, tender, victimized.
Right now I have a resident pair of Carrion crows who have decided that my garden is theirs, and are playing a game of cat and mouse with a pair of cheeky Magpies (Pica pica) for dominance and food rights. The male crow actually flies in and 'wings' the magpies to make them leave, an incredible sight to witness. It's an honour and a privilege to be able to win their trust and they have given me so much pleasure this year being able to get within a few feet of them, to photograph and feed them, and they have reinforced my already deep admiration for a bird that is brimming with beauty, intelligence, confidence and also surrounded by myths, legend and prejudice.
So let's begin with a look back over history.
LEGEND AND MYTHOLOGY
Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.
In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.
In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds. There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.
The crow features in the Ghost dance, popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had became a guide and acted as a pathfinder during hunting. Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom.
Historically the Vikings are the group who made so many references to the crow, and Ragnar Lodbrok used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows. Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows informed the Lord of the Nordic gods of everything that went on in their kingdoms.
In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors. It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.
In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.
The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug
In Greek mythology Apollo is supposedly responsible for the black feathers of the crow. Turning them forever black from their pristine white plumage as a punishment after they failed to watch Coronis, lover of Apollo, battles a Native Indian legend where the once rainbow coloured crows became forever black after shedding their colourful plumage over the other animals of the world.
In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.
In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:
1 Crow Meaning: To carry a message from your near one who died recently.
2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.
3 Crows Meaning: An upcoming wedding in your family.
4 Crows Meaning: Symbolizes wealth and prosperity.
5 Crows Meaning: Diseases or pain.
6 Crows Meaning: A theft in your house!
7 Crows Meaning: Denotes travel or moving from your house.
8 Crows Meaning: Sorrowful events
Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolises potentially bringing good news and positive change to those who see it. This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....
There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders. The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.
The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.
TAKING A CLOSER LOOK
So let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.
Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice). Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.
Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone
Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories. Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm.
They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old. The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!
They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow. There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.
Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence. A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events.
They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans., and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans. Communications wise, their repertoire of wraw-wraw's is not fully understood, but the intensity, rhythm, and duration of caws seems to form the basis of a possible language. They also remember the faces of humans who have hindered or hurt them and pass that information on to their offspring.
Aesop's fable of 'The Crow and the Pitcher, tells of a thirsty crow which drops stones into a water pitcher to raise the water level and enable it to take a drink. Scientists have conducted tests to see whether crows really are this intelligent. They placed floating treats in a deep tube and observed the crows indeed dropping dense objects carefully selected into the water until the treat floated within reach. They had the intelligence to pick up, weigh and discount objects that would float in the water, they also did not select ones that were too large for the container.
Pet crows develope a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D. In groups they warn of danger and communicate vocally. They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts under car tyres at traffic lights as a means of cracking them!
Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades. Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!
They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.
In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of to stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain. Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.
OBSERVATIONS ON THE PAIR IN MY GARDEN
Crows have been in the area for a while, but rarely had strayed into my garden, leaving the Magpies to own the territory. Things changed towards the end of May when a beautiful female Carrion crow appeared and began to take some of the food that I put down for the other birds. Within a few days she began to appear regularly, on occasions stocking up on food, whilst other times placing pieces in the birdbath to soften them. She would stand on the birdbath and eat and drink and come back over the course of the day to eat the softened food.
Shortly afterards she brought along her mate, a tall and handsome fella, much larger than her who was also very vocal if he felt she was getting a little too close to me. By now I had moved from a seated position from the patio as an observer, to laying on a mat just five feet from the birdbath with my Nikon so that I could photograph the pair as they landed, scavenged and fed. She was now confident enough to let me be very close, and she even tolerated and recognized the clicking of the camera. At first I used silent mode to reduce the noise but this only allowed two shooting frame rates of single frame or continuous low frame which meant I was missing shots. I reverted back to normal continuous high frames and she soon got used to the whirring of the frames as the mirror slapped back and forth.
The big fella would bark orders at her from the safety of the fence or the rear of the garden, whilst she rarely made a sound. That was until one day when in the sweltering heat she kept opening her beak and sunning on the grass, panting slightly in the heat. I placed the circular water sprayer nearby and had it rotating so that the birdbath and grass was bathed in gentle water droplets and she soon came back, landed and seemed to really like the cooling effect on offer. She then climbed onto the birdbath and opened her wings slightly and made some gentle purring, cooing noises.... I swear she was expressing happiness, joy....
On another blisteringly hot day when the sprayer was on, she came down, walked towards it and opened her wings up running into the water spray. Not once, but many times.
A final observation came with the male and female on the rear garden fence. They sat together, locked beaks like a kiss and then the male took his time gently preening her head feathers and the back of her neck as she made tiny happy sounds. They stayed together like that for several minutes, showing a gentle, softer side to their nature and demonstrating the deep bond between them.
Corvus Corone.... magnificently misunderstood by some!
Paul Williams June 4th 2021
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Photograph taken at an altitude of Fifty eight metres at 14:07pm on a summer afternoon on Monday 7th June 2021, off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.
Here we see an adult female Carrion crow (Corvus corone)'sunning' herself on a garden fence.'Sunning', is a behaviour adopted by several bird species which involves sitting down, fanning it's wings or tail feathers, fluffing out it's feathers, tilting it's head, or even staring at the sun with one eye in an effort to release vital preening oils into the feathers, to help rid themselves of unwanted parasites, and possibly even simply because they enjoy it! Other species that I've observed doing this include the Blackbird (Turdus merula) and juvenile Starlings (Sturnus vulgaris).
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Nikon D850 Focal length 600mm Shutter speed: 1/2000s Aperture f/9.0 iso640 Hand held with Tamron VC Vibration control set to ON in position 1 14 Bit uncompressed RAW NEF file size L (8256 x 5504 pixels) FX (36 x 24) Focus mode: AF-C AF-Area mode: 3D-tracking AF-C Priority Selection: Release. Nikon Back button focusing enabled 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1 (5390k) Colour space: RGB Picture control: Neutral (Sharpening +2)
Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Nikon GP-1 GPS module. Lee SW150 MKII filter holder. Lee SW150 95mm screw in adapter ring. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Hoodman HEYENRG round eyepiece oversized eyecup.Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
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LATITUDE: N 51d 28m 28.36s
LONGITUDE: E 0d 8m 10.61s
ALTITUDE: 58.0m
RAW (TIFF) FILE: 130.00MB NEF FILE: 90.90MB
PROCESSED (JPeg) FILE: 40.00MB
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