View allAll Photos Tagged Develope
For the Utata project Iron Photographer 72
1 - something glass
2 - cloth
3 - cross-processed
Cross-processing is a technique where you use the wrong chemicals - slide chemicals to develope negative film and vice versa. It's easier with Photoshop.
I took the pictures in to be developed a day or two before the L. A. RIOTS broke out in April 1992. When the SHOOT , SCOOT & LOOT was over at FEDCO, they tried to set the store on fire, but the automatic sprinklers came on and some of the pictures show water damage and very slight to a lot of exposure damage. My other rolls of film were completely wasted. I finally got these pictures back about a year later.
Now four of these photos I processed myself because at the time Fedco didn't develope the images because they thought the film was too badly damaged to do anything with. So I just got the negatives. Well I remedied that problem. I had a lot of negatives but didn't want to pay a lot of money to take them to a film lab. So I bought a Kodak Slide 'N Scan digital Film scanner, no old school chemicals and dark room needed. Ain't technology gr8?
Busto Arsizio - Ottobre 2019
Scorcio urbano
Leica CL
Elmarit 28mm f2.8 ASPH
Kodak Eastman 5222 Double-X @200asa
Studional 1+31 x 7 min
Somma Lombardo - Scorcio Castello Visconteo
Dicembre 2024
Hasselblad SWC
Zeiss Biogon 38 mm f4.5
Rollei Superpan 200
Bellini Hydrofen 1+30 x 10 min
Busto Arsizio - Gennaio 2022
Scorcio Urbano
Leica IIIG
Leitz Elmar 50 f3.5 LTM (1947)
Rollei SuperPan 200
Bellini Hydrofen 1+30 x 13 min
Verona 2018-10-13 - qTp day
Serie analogica raccolta in parallelo con quella digitale
Olympus 35 RD
F.Zuiko 40mm f1,7
Filtro Giallo da 1 stop
Kentemere 100 @ 100 asa
Dev. Studional 1+30 x 9 min
Le altre nel seguente album flic.kr/s/aHsmsmhqWV
Silvi Marina (Te) Aprile 2019
Leica CL
Summicron-C 40mm f2
Voigtlander 21mm f4
Kodak T-max100 @ 100 asa
Studional 1+30 x 10 min
Le altre in questo album flic.kr/s/aHsmAMBDxz
Busto Arsizio
Marzo 2022
Rollei-Magic II - full Auto
Schneider-Kreuznach Xenar 75mm f3.5 + filtro giallo -1
Fomapan 100@100 - R09 Studio 1+31 x 10 min
Atri - Scorcio urbano
Agosto 2025
Rolleiflex 3,5E
Schneider-Kreuznach Xenotar 75mm f3.5 + filtro giallo -1
Fomapan 200
R09 Studio 1+30 x 9 min
Morning clouds over a Tucson mountain range that will develope into an afternoon monsoon storm.
Explore - #268
8/6/08
Monza - Scorcio urbano
Maggio 2025
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kentemere 100
Bellini Hydrofen 1+31 x 8 min
Baiedo - Val di Nava (Valsassina) - Maggio 2021
Leica CL
Leica Summicron-c 40mm f2
Agfa APX 100
R09 Studio 1+30 x 9 min
Castano Primo - Skate Park
Giugno 2025
Leica M2
Canon 35mm f2 LTM
Rollei SuperPan 200
Bellini Hydrofen 1+30 x 10 min
Castiglione Olona - Scorcio Urbano
Dicembre 2025
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kodak 400 Tri-X @ 320 ISO
Bellini Euro HC 1+31 x 6,5 min
Busto Arsizio - Scorcio urbano
Febbraio 2026
RolleiFlex 3,5F
Zeiss Planar 75mm f3,5 + yellow filter -1
Rollei Retro 400S
Bellini Hydrofen 1+15 x 8,5 min
Triumph Herald 13/60 (1967-71) Engine 1296cc S4 OHV Engine 82,650 (including CKD export kits)
Registration Number LRU 572 F (Bournemouth)
TRIUMPH SET
www.flickr.com/photos/45676495@N05/sets/72157623847263736...
The Triumph Herald was first introduced by Standard triumph in 1959, as a small two door 948cc, car with a body designed the Italian stylist Giovanni Michelotti, and the car was offered in saloon, convertible, coupé, estate and van models, with the latter marketed as the Triumph Courier.
Following a downturn in the fortunes of Standard triumph the company was taken over by Leyland Motors, releasing more funds to develope the Herald line up. The car was refreshed and relaunched in 1961 with a larger 1200cc unit a retitled the Triumph Herald 1200. An upmarket version, the Herald 12/50, was offered from 1963 to 1967. It featured a tuned engine with a claimed output of 51 bhp (38 kW) in place of the previous 39, along with a sliding (Webasto) vinyl-fabric sunroof and front disc brakes as standard. The 12/50, which was offered only as a 2-door saloon, was fitted with a fine-barred aluminium grille.
The power output of the 1200, which remained in production alongside the 12/50, was subsequently boosted to 48 bhp
The 13/60 was launched in October 1967 at the London motorshow The 13/60 was offered in saloon, convertible and estate-bodied versions. The sun-roof remained available for the saloon as an optional extra rather than a standard feature. The front end was restyled using a bonnet similar to the Triumph Vitesse's and the interior substantially revised though still featuring the wooden dashboard. Interior space was improved by recessing a rear armrest in each side panel. The engine was enlarged to 1296 cc, essentially the unit employed since 1965 in the Triumph 1300, fitted with a Stromberg CD150 carburettor, offering 61 bhp, the 1200 was sold alongside it until late 1970
This Sunday (9th Oct) i am bound from the Bicester Scramble, if you or any other contacts have tickets please join me for a cup of coffee i will be wearing my Flickr hat,- I still look a little bit like my profile picture - a liitle bit older and can now see through both eyes
Diolch yn fawr am 71,623,620 o olygfeydd anhygoel, mwynhewch ac arhoswch yn ddiogel
Thank you 71,623,620 amazing views, enjoy and stay safe
Shot 21.04.2019 at the annual Weston Park, Easter car show Ref 138-506
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Milano Centro - Scorcio Urbano
Marzo 2025
Hasselblad SWC
Biogon 38mm f4,5
Kodak TMax 100
R09 Studio 1+30 x 10 min
Busto Arsizio - Gallarate
Gennaio 2019
Leica M5
VC 21mm f4 m39
Kodak Eastman Double-x 5222
Studional 1+31 x 7 min
Album flic.kr/s/aHsmwTUVDV
Busto Arsizio 2019-09
Scorci Urbani
Leica M5
Elmarit 28mm f2.8 ASPH
Summicron 40mm f2
Agfa APX100
Studional 1+30 x 9 min
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
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I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 43.681+ Million visitors to my FLICKR site.
***** Selected for sale in the GETTY IMAGES COLLECTION on Thursday 6th October 2022
CREATIVE RF gty.im/1428622010 MOMENT ROYALTY FREE COLLECTION**
This photograph became my 5,693rd frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.
©DESPITE STRAIGHT LINES (Paul Williams)
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Photograph taken at an altitude of Fifty five metres at 12:02pm on a beautiful morning on Monday 31st May 2021, off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.
Here we see a large adult Carrion crow (Corvus corone) standing on a stone garden birdbath, a passerine bird of the family Corvidae and the genus Raven (Higher classification: Corvus), which is native to western Europe and eastern Asia. It can grow to twenty inches in length with a wingspan of up to thirty nine inches. This one keeps the magpie's and Jackdaw's in their place, as top of the food chain, afraid of nothing.They can reach a length of 47cm with a 104cm wingspan and a weight of up to 650g, and in the UK they are in the Green conservation list status with over one million breeding territories.
Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence. A corvid's pallium is packed with more neurons than a great ape's.Corvids have demonstrated the ability touse a combination of mental tools such as imagination, and anticipation of future events. They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans., and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognative ability level than seven year old humans.
Pet crows develope a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D. In groups they warn of danger and communicate vocally. They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts under car tyres at traffic lights as a means of cracking them!
Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades.Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!
They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.
In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.
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Nikon D850 Focal length 340mm Shutter speed: 1/640s Aperture f/6.3 iso160 Tripod mounted with Gimbal head. Image area FX (36 x 24) NEF RAW L (4128 x 2752). JPeg basic (14 bit uncompressed) AF-C Priority Selection: Release. Nikon Back button focusing enabled. AF-S Priority selection: Focus. 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1 (4600k) Colour space: RGB Picture control: Neutral (Sharpening +2)
Sigma 60-600mm f/4.5-6.3DG OS HSM SPORTS. Lee SW150 MKI filter holder with MK2 light shield and custom made velcro fitting for the Sigma lens. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch.Hoodman HEYENRG round eyepiece oversized eyecup.Manfrotto MT057C3-G Carbon fiber Geared tripod 3 sections. Neewer Carbon Fiber Gimble tripod head 10088736 with Arca Swiss standard quick release plate. Neewer 9996 Arca Swiss release plate P860 x2.Jessops Tripod bag. Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
LATITUDE: N 51d 28m 28.17s
LONGITUDE: E 0d 8m 10.42s
ALTITUDE: 55.0m
RAW (TIFF) FILE: 130.00MB NEF FILE: 90.6MB
PROCESSED (JPeg) FILE: 40.50MB
PROCESSING POWER:
Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.
Busto Arsizio - Gennaio 2021
Scorcio Urbano
Rolleicord Vb
Schneider-Kreuznach Xenar 75mm f3.5
Ilford Delta 400
Hydrofen 1+39 x 5,25 min
Crespi d'Adda 2020-01-02
Olympus 35 RD
F.Zuiko 40mm f1,7
Kentmere 100@100asa
Studional 1+30 x 9 min
Altre immagini in questo album flic.kr/s/aHsmKtU24G
Forte di Fenestrelle
09-09-2018
Oltre alla serie digitale ( flic.kr/s/aHsmsnW9Lv ) propongo la versione analogica che, secondo me, rende meglio la sensazione di oppressione mista ad appagamento per gli splendidi paesaggi.
Olympus OM-2n
OM Zuiko 21 f3,5 - OM Zuiko 35 f2,8 - OM Zuiko 50 f1,8 - OM Zuiko 100 f2,8
Fomapan 100
Dev. STudional 1+30 x 9 min
negative scanned::Kiev 88::Arsat 80mm f2.8mc::Fujifilm Neopan Acros 100 [ self - develope ] :: Ilfotec DD-X 1+4 :: Putrajaya ::
Putrajaya Hot Air Balloon Festival
thanx to his parents Hasmi & Azlin.
Silvi Marina (Te) Aprile 2019
Leica CL
Summicron-C 40mm f2
Voigtlander 21mm f4
Kodak T-max100 @ 100 asa
Studional 1+30 x 10 min
Le altre in questo album flic.kr/s/aHsmAMBDxz
Milano Centro - Scorcio Urbano
Marzo 2025
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kodak TMax 100
R09 Studio 1+30 x 10 min
Milano Gallaratese - Scorcio Urbano
Febbraio 2025
Rolleiflex 2.8 C
Schneider-Kreuznach Xenotar 80mm f2.8
Ilford FP4+ (defect)
R09 Studio 1+30 x 7 min
Maggio 2023
Milano - Scorcio Urbano
Olympus OM-4
Zuiko OM Zoom 28-48 mm f4,0
Kodak Eastman 5222 @250 asa
R09 Studio 1+31 x 8 min
Frazer Nash Le Mans Replica (1948-52) Le Mans Replica II (1952-53) Engine 1971cc S6 OHV
Production 34
Race Number 73 Tim Summers
FRAZER NASH SET
www.flickr.com/photos/45676495@N05/sets/72157623665136729...
Shortly after WW!!, Frazer Nash were aquired by the Bristol Aeroplane Company and plans were put forward to develope a luxury Saloon under the Bristol name and a new Frazer Nash sports car, both to be powered by the former BMW 328 engine built under license by Frazer Nash during the second half of 1930s. Though before the cars could be marketed the companies had become independant once more. Bristol built their 400 and susequent models. While Frazer Nash with limited resources produced a sports car that was a clear developement of the BMW. chassis it was new but still consisted of a conventional steel ladder frame. Suspension at the front was through lower wishbones with a single transverse leaf spring. A live rear axle was fitted with torsion bar springs. A development of the overhead-valve 328 engine was, which featured hemispherical combustion chambers. Equipped with three carburettors, it produced around 120 bhp..
A few of these cycle winged High Speed Models were built for competition, one of which achieved third position at the 1949 Le Mans 24 hour race driven by Norman Culpan and Harold John Aldington.
The success prompted orders for these cars, and in honour of the achievment the model was renamed Le Mans Replica, from late 1949 whith triple carburettors and larger valve ports and power output of 120bhp Around 50 were sold and competition successes include outright victories in the 1951 Targa Florio (Franco Cortese), and the 1952 Sebring 12 hour (Larry Kulok and Harry Gray)
In 1952 a Le Mans Replica Mark II version was introduced with a lighter tubular chassis even more stark than the original LeMans Replica with power increased to 125bhp and a de Dion back end.
Production was ended in late 1953 due to the imminent ban on cycle wing, bodied cars in sports car racing. but today the cars remain active in historic events and are extremely valuable, not supringly giving rise to the creation of replica Replicas
In the 1960's or 70's Crosthwaite and Gardiner built a number of replicas, after their restoration of an original frame following a racing accident. These cars used a duplicate tubular chassis and running gear from scrapped Bristols. The finished cars had copies of the Le Mans Replica bodies with the correct instruments and trim.
Another series of replica were began around 1990, by Werner Oswald and associates, who laid down parts for ten cars possibly copied from the Frank Synter Le Mans Replica I. These were sold in kit for (Werner Oswald Kits) also known as WOKs. Around the same time one of the Werner Oswald associates realising the Frazer Nash name had not been registered for a few years bought the title from Companies House. Meaning Oswald could now advertise the cars legally as having been made by Frazer Nash Cars Ltd. avoiding the cars aquiring Q plate registrations as kit cars.
Many thanks for a fantabulous
50,434,015 views
Shot 23.04.2016 Shot at VSCC Spring Start Meeting, Silverstone REF 115-481.
Roma - scorcio urbano
Maggio 2023
Olympus 35 RD
F.Zuiko 40mm f1,7
Kentmere 400@640
R09 Studio 1+30 x 10 min
that's what it feels like when you stand there watching a sky like this develope on Morecambe Promenade
When the sun shines, it makes me happy and my flowers love it, too....! In the winter months, the US Southwest Desert gets very cold at night and the roses develope darker edges on thier petals. I have had this rose bush for so long I cannot remember its name....so ashamed....but in the spring, the petal's edges do not turn black like this. I kinda like the black...makes for some red & black "matador" drama...
This is for Sunshine Sunday's Group.
Happy Sunday...!
Silvi Marina (Te) Aprile 2019
Leica CL
Summicron-C 40mm f2
Voigtlander 21mm f4
Kodak T-max100 @ 100 asa
Studional 1+30 x 10 min
Le altre in questo album flic.kr/s/aHsmAMBDxz