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under revamping...:-)
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PS - This roll was done on 2014/2/17, developed by a local studio (五色鳥) on 2014/2/19, and scanned with "Epson Perfection V600 Photo" on 2014/2/27.
He is reading the Autobiography of Richard Wright, author of Native Son, among others.
Yes, he is *actually* reading it, though he only read about 3 pages.
I gave him a verbal quiz afterward and he answered every question right!
He is currently reading the Chronicles of Narnia.
Developing the Guatemalan theme, onto a casual mens top, made to be worn under one of the coats. The silk screen print design is a modern adaptation I have developed from the traditional geometric motifs that are used in the woven fabrics of Guatemala.
camera testing, developed the film myself and had the prints made. apparently my scanner cropped the bottom of this out? Whatever.
Developing plantain fruits in banana and plantain field. Photo by IITA. (file name: PL_394). ONLY low res available.
It's probably been done a million times but there's a reason for that; how can one not be impressed by a lone Hawthorn residing on the limestone scars high on the snowy moors above Settle. Imagine the weather that old tree has endured over its life, from a seed sown by a Fieldfare dropping, to developing into a gnarled, windblown icon of the Dales. I would happily return as a lone Hawthorn on the high moors above Settle.
Developed to replace the 75 and based on the parent company Fiat Group's Tipo Tre platform, the 155 was somewhat larger in dimension than the 75 and had evolved styling from that of its predecessor. The 155 was designed by Italian design house I.DE.A Institute. An exceptional drag coefficient of 0.29 was achieved with the body design. The boxy design of the 155 allowed for a big boot space of 525 L.
The most significant technical change from the 75 was the switch to a front-wheel drive layout. A four-wheel-drive model called the 155 Q4 was also available, which had a 2.0-litre turbocharged engine and a permanent four-wheel drive powertrain, both derived from the Lancia Delta Integrale; it was essentially considered to be a Lancia Delta Integrale with a different body.
The new model came in "Sport" and "Super" trims. The Sport had a slightly lowered ride height and more aggressive dampers while the Super had the option of wood trim and electronically controlled dampers and seat controls.
The reception of the 155 was generally lukewarm. The 75 had been conceived prior to Fiat's acquisition of Alfa Romeo, so as the last automobile independently developed by Alfa Romeo made it cast a shadow over the 155; the loss of rear-wheel drive was frequently cited as the main cause of disappointment. Nevertheless, the 155 was entered in Touring Car racing and was very successful in every major championship it entered, which gradually improved its image.
Developing across One Mile Branch and a sidewalk @ VCC 2013-09-05
Pictures by for Lowndes Area Knowledge Exchange (LAKE),
Valdosta, Lowndes County, Georgia, .
www.l-a-k-e.org/blog/2013/09/developing-across-one-mile-b...
Developed in Rollei RHS D74 for 5 minutes at 20 degrees.
Pentax Super A (Pentax-M 2.8/28mm and orange filter)
Best practices to develop and operate educational programmes, science centres and museums relating to our natural and cultural heritage
Adriatico Guesthouse, ICTP (Trieste) 7-11 December 2015
POLICY SEMINAR
Food Markets and Nutrition in the Developing World: Results from ARENA II
MAR 18, 2019 - 12:15 PM TO 01:45 PM EDT
Will Martin, Senior Research Fellow, IFPRI
Markets play a key role in delivering food and nutrition, even for poor and remote rural households. But nutrient-rich foods, especially animal-sourced foods, are very expensive in poor countries, suggesting that markets for perishable but nutritious foods are not functioning well. Both scientific research and real-world programs have largely focused on farm-level interventions to diversify household production and consumption, not recognizing the important role of market purchases.
This policy seminar will present innovative new research on food markets and nutrition from the ARENA-II (Advancing Research on Nutrition and Agriculture) project—including cross-country studies of the costs of nutritious foods and nutritious diets as a whole, and case studies of fish, dairy, and poultry products.
Photo by: Jamed Falik/IFPRI
Film Developing Minolta Dynax 5 Tamron AF 28-200mm Kentmere Pan 400 Home Developed Ilfosol 3 22-8-2022
One of the greatest challenges to educational software and game developers has always been distribution and access to teachers.
However, in recent years, there has been a transformation in the process of how learning applications & games are developed, distributed, and delivered. Edmodo’s platform for the fastest-growing direct-to-teacher distribution channel has opened access to the highest-quality content and technology to students and teachers around the globe.
In this session, Second Avenue Learning and Edmodo will explore the process in which educational gamification content is provided to educators through advanced distribution methods.
The city of Bath in South West England was founded in the 1st century AD by the Romans who used the natural hot springs as a thermal spa. It became an important centre for the wool industry in the Middle Ages but in the 18th century under the reigns of George l, ll and III it developed into an elegant spa city, famed in literature and art.
The City of Bath is of Outstanding Universal Value for the following cultural attributes: The Roman remains, especially the Temple of Sulis Minerva and the baths complex (based around the hot springs at the heart of the Roman town of Aquae Sulis, which have remained at the heart of the City’s development ever since) are amongst the most famous and important Roman remains north of the Alps, and marked the beginning of Bath’s history as a spa town.
The Georgian city reflects the ambitions of John Wood Senior (1704-1754), Ralph Allen (1693-1764) and Richard “Beau” Nash (1674-1761) to make Bath into one of the most beautiful cities in Europe, with architecture and landscape combined harmoniously for the enjoyment of the spa town’s cure takers.
The Neo-classical style of the public buildings (such as the Assembly Rooms and the Pump Room) harmonises with the grandiose proportions of the monumental ensembles (such as Queen Square, Circus and Royal Crescent) and collectively reflects the ambitions, particularly social, of the spa city in the 18th century.
The individual Georgian buildings reflect the profound influence of Palladio (1508-1580) and their collective scale, style and the organisation of the spaces between buildings epitomises the success of architects such as the John Woods (elder 1704-1754, younger 1728-1782), Robert Adam (1728-1792), Thomas Baldwin (1750-1820) and John Palmer (1738-1817) in transposing Palladio’s ideas to the scale of a complete city, situated in a hollow in the hills and built to a picturesque landscape aestheticism creating a strong garden city feel, more akin to the 19th century garden cities than the 17th century Renaissance cities.
Criterion (i): Bath’s grandiose Neo-classical Palladian crescents, terraces and squares spread out over the surrounding hills and set in its green valley, are a demonstration par excellence of the integration of architecture, urban design and landscape setting, and the deliberate creation of a beautiful city. Not only are individual buildings such as the Assembly Rooms and Pump Room of great distinction, they are part of the larger overall city landscape that evolved over a century in a harmonious and logical way, drawing together public and private buildings and spaces in a way that reflects the precepts of Palladio tempered with picturesque aestheticism.
Bath’s quality of architecture and urban design, its visual homogeneity and its beauty is largely testament to the skill and creativity of the architects and visionaries of the 18th and 19th centuries who applied and developed Palladianism in response to the specific opportunities offered by the spa town and its physical environment and natural resources (in particular the hot springs and the local Bath Oolitic limestone). Three men – architect John Wood Senior, entrepreneur and quarry owner Ralph Allen and celebrated social shaper and Master of Ceremonies Richard “Beau” Nash – together provided the impetus to start this social, economic and physical rebirth, resulting in a city that played host to the social, political and cultural leaders of the day. That the architects who followed were working over the course of a century, with no master plan or single patron, did not prevent them from contriving to relate each individual development to those around it and to the wider landscape, creating a city that is harmonious and logical, in concord with its natural environment and extremely beautiful.
Criterion (ii): Bath exemplifies the 18th century move away from the inward-looking uniform street layouts of Renaissance cities that dominated through the 15th–17th centuries, towards the idea of planting buildings and cities in the landscape to achieve picturesque views and forms, which could be seen echoed around Europe particularly in the 19th century. This unifying of nature and city, seen throughout Bath, is perhaps best demonstrated in the Royal Crescent (John Wood Younger) and Lansdown Crescent (John Palmer). Bath’s urban and landscape spaces are created by the buildings that enclose them, providing a series of interlinked spaces that flow organically, and that visually (and at times physically) draw in the green surrounding countryside to create a distinctive garden city feel, looking forward to the principles of garden cities developed by the 19th century town planners.
Criterion (iv): Bath reflects two great eras in human history: Roman and Georgian. The Roman Baths and temple complex, together with the remains of the city of Aquae Sulis that grew up around them, make a significant contribution to the understanding and appreciation of Roman social and religious society. The 18th century re-development is a unique combination of outstanding urban architecture, spatial arrangement and social history. Bath exemplifies the main themes of the 18th century neoclassical city; the monumentalisation of ordinary houses, the integration of landscape and town, and the creation and interlinking of urban spaces, designed and developed as a response to the growing popularity of Bath as a society and spa destination and to provide an appropriate picturesque setting and facilities for the cure takers and social visitors. Although Bath gained greatest importance in Roman and Georgian times, the city nevertheless reflects continuous development over two millennia with the spectacular medieval Abbey Church sat beside the Roman temple and baths, in the heart of the 18th century and modern day city.
Integrity
Remains of the known Roman baths, the Temple of Sulis Minerva and the below grounds Roman archaeology are well preserved and within the property boundary as are the areas of Georgian town planning and architecture, and large elements of the landscape within which the city is set. Despite some loss of Georgian buildings prior to inscription, the Georgian City remains largely intact both in terms of buildings and plan form. An extensive range of interlinked spaces formed by crescents, terraces and squares set in a harmonious relationship with the surrounding green landscape survive. The relationship of the Georgian City to its setting of the surrounding hills remains clearly visible. As a modern city, Bath remains vulnerable to large-scale development and to transport pressures, both within the site and in its setting that could impact adversely on its garden city feel and on views across the property and to its green setting.
Authenticity
The hot springs, which are the reason for the City’s original development, are of undoubted authenticity. The key Roman remains are preserved, protected and displayed within a museum environment, and the Roman Baths can still be appreciated for their original use. The majority of the large stock of Georgian buildings have been continuously inhabited since their construction, and retain a high degree of original fabric. Repairs have largely been sympathetic, informed by an extensive body of documentation, and aided by a programme of restoration in the late twentieth century. More vulnerable is the overall interaction between groups of buildings in terraces, crescents and squares and views to the surrounding landscape that contributed to the City’s visual harmony. There is a need for new developments to respect the planning of the Georgian terraces, to respect the scale and rhythm of its structures, and to contribute to picturesque views.
Tried to do color infrared. CIR/IRG sort of processing.
Lens was a Nikon AF-S 35mm DX probably @ ƒ/5.6
Ikram Morso speaks about her project, Central Park Ecological Conservation, Tuesday, August 6, 2024, at the Mary W. Jackson NASA Headquarters building in Washington. Every summer early career researchers from NASA’s DEVELOP National Program come to NASA Headquarters and present their research projects. DEVELOP is a training and development program where early career researchers work on Earth science projects, mentored by science advisors from NASA and partner agencies, and provide research results to local communities. Photo Credit: (NASA/Aubrey Gemignani)
10th Ave, Vancouver, British Columbia, Canada
Nikon F100, Nikkor PC 28mm f/3.5, Kodak Gold 200 negtive
©All rights reserved. Without my permission please don't use this image in any commercial, non-commercial or blogging purposes.
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Photographed by: Anisul Hoque
Email : www.anisulhoque@gmail.com
anis11-2146@diu.edu.bd
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Photo by Laura Brunow Miner. Developing Super Senses: Tools to Know Your Users.
Room Hilton C Monday, March 16th, 2009, 5:00 p.m. - 6:00 p.m.
Developed using the Tetenal C41 2L kit. Film was a 2009-expired Fuji Superia. Scanned with a Epson V600
Shot with a Mamiya RB67 + 65mm lens. 1/30 sec + f4.5
The whole process of development takes longer than B/w.
Process:
Pre-heat tank for couple of minutes.
Developer at 38 deg. C for 3 min 15 sec. Started the time as soon as the developer was poured into the tank. Agitated initially for 15 seconds. Agitated lightly every 30 seconds or so. Started pouring developer back into its container as soon as clock hit 3'12'
Bleach at roughly 30 deg C for 6 mins 30 seconds. Poured it back into its container from 6'25'
Fixer for 6 mins 30 seconds.
Rinsed for 3 minutes 15 seconds. Changed water few times and took reel out of the tank and placed it under running water for a bit.
Stabilised for about 2-3 minutes.
Dried straight without final rinse.
This is my first self-developed roll of black and white film. The stats for the camera and film are below, as well as the procedures that I used. I am pretty sure I messed up a few things, cause 1) some frames didn't come up at all, they had some sort of white (looks like overexposed) areas, and I am thinking that might be because of sloppy insertion of film into the reel, especially since I have the metal one, it makes things a bit more difficult to put film evenly. 2) the times for developing the film, fixing it, hypo clearing agent, and photo-flo were all the way messed up :) I don't even remember the exact times I put, but I will do an estimate below. I scanned the film, but did not do any processing on it, just added a border to make them a bit more interesting for my own taste.
Camera: Zenit-E
Lens: Asahi Super-Takumar 135mm/f3.5
Film: Arista II, ISO 400, fresh (non expired)
Scanned with: Canon 8800F
Developing procedure:
1:
Developer: Launder Chemical Formula 76
Ratio: 1:1, single roll, 8oz (4oz developer + 4oz water)
Time: 8 minutes, agitate every 30 seconds for 15 seconds :)
(I am telling you, don't know where I got this number from)
Temperature: tried to keep it at 68F/20C
2:
Fixer: Lauder Chemical Formual 763
Time: 2 minutes, agitate every 15 seconds
3:
Hypo-Clearing Agent: Launder Chemical Formula 150
Ration: 1:7, single roll, 8oz (1oz agent + 7oz water)
Time: don't recall, but something like a minute or so (1 min)
4:
Koda Photo-Flo 200
A couple of drops and god know what I did, just shaked it a bit
5:
Ran water for 10 minutes at 68F/20C
Basically, I am pleased with the results, but still don't know what happened to those overexposed areas. I am sure that was not the film, but something to do with incorrect position of film on the reel during development. Need to get the plastic container I think.
Any comments would be appreciated, please give me something to work on, anything would do, from times of developing to image enhancements.
Thanks
Develop Don't Destroy Brooklyn
Atlantic Yards Junkyard Bonds Protest
December 14, 2009
Standard & Poor's
55 Water Street
New York