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The destination of Arborfield Garrison appears to have been renamed as Arborfield Green, after the new housing development on the site of the former Garrison which was vacated by the Army in 2015. "Leopard" branded Gas-powered Scania/Enviro300 427 displays the new destination at Reading Station on Friday 19th October.
427 and its sister vehicles were originally delivered in pink livery as they were intended for Caversham routes 23/24. However after Wokingham Borough Council decided to cut the subsidy for Thames Travel route 144 (Reading-Arborfield-Wokingham) Reading Buses stepped in to operate the route commercially as route 3, and 424-430 were rebranded as "leopard" for the new route. With increasing development in the area south of Reading, "leopard" has evolved into a mini-network and now includes route 10 to Spencers Wood and route 3b to Bracknell via Arborfield, introduced last September (2017) to coincide with the opening of The Lexicon shopping and entertainment centre. There was also until recently a route 10a to Thames Valley Science Park in Shinfield but that has now been absorbed into route 10.
This cracked me up, one hell of a way to exit a cab. Where had he come from? What was he thinking, he was that pissed he didn't move from that position till the cabbie moved him off the road and propped him up. Only in Roppongi!!!
What’s the matter with Idealism?
Solo exhibition by Charles Avery at GEM, Museum for Contemporary Art The Hague
Charles Avery (1973, Oban, Schotland) is een ontdekkingsreiziger van het ‘ouderwetse’ soort. Al tien jaar werkt hij aan zijn project ‘The Islanders’, waarin hij met behulp van tekeningen, teksten, video, objecten en installaties een fictief eiland in kaart brengt. In Charles Avery - What’s the matter with Idealism? etaleert hij de resultaten van de afgelopen vijf jaar.
De tentoonstelling laat bezoekers reizen naar de bruisende hoofdstad Onomatopoeia met haar drukke haven, het stadspark en de toegangspoort tot de onherbergzame wildernis eromheen. Het is een diep uitgedachte fantasiewereld die Charles Avery op allerlei manieren vormgeeft en voedt met filosofische bespiegelingen. Daarbij laat hij zich inspireren door het gedachtegoed van bestaande filosofen en kunstenaars als William Blake en Joseph Beuys. Ook is in Onomatopoeia een discussie gaande over het bestaan van het mythische wezen Noumenon. Ondanks de inspanningen van jagers en avonturiers heeft niemand het beest ooit gezien. De tentoonstelling omvat karakterstudies, objecten en scènes die inzicht geven in de cultuur, de economie en de overtuigingen van de bewoners.
Avery’s interesse in literatuur, wiskunde en filosofie zien we op allerlei manieren terug. Zo ontwierp hij bomen voor zijn eiland die qua vorm gebaseerd zijn op wiskundige formules. Mooi, fantasierijk, uiterst gedetailleerd en humorvol zijn de verhalende tekeningen die de basis vormen van zijn project. In de loop der jaren heeft hij zijn ideeën en technieken verder uitgebreid, is het formaat van zijn tekeningen groter geworden en het kleurgebruik divers. Met veel aandacht voor details creëert Avery zo een meeslepend verhaal, als beschouwer ga je bijna op in zijn wereld.
Met ‘The Islanders’ wil Charles Avery geen utopie neerzetten. Het eiland is een fictieve samenleving, die op verschillende manieren een spiegel vormt voor de onze. Zo is de eindeloze wijsgerige discussie die op het eiland gaande is een humoristische verwijzing naar de praktijk van de filosofie en is de relatie van het eiland met haar voormalige overheerser Triangland te lezen als een politieke metafoor. Door het eiland als overkoepelend thema van zijn kunstenaarschap te nemen, geeft Avery zichzelf bovendien de vrijheid om met uiteenlopende materialen te werken.
Charles Avery (b. 1973, Oban, Scotland) is an explorer of the ’old-fashioned’ kind. For the last decade he has been hard at work on his project ’The Islanders’, using drawings, texts, video, objects and installations to create a portrait of a fictional island. Charles Avery – What’s the matter with Idealism? showcases the results of the last five years of his project.
The exhibition will transport visitors to Onomatopoeia; bustling port, main town and gateway to the island’s great wilderness: one time colonial outpost turned boomtown, turned depression-ravaged slum and regenerated city of culture and tourist destination.
The island is a carefully considered fictional world described by Charles Avery in a multitude of different ways and nourished by philosophical reflection. The project is inspired by the ideas of real-life philosophers and artists such as William Blake and Joseph Beuys. For example, there is an ongoing debate in Onomatopoeia about the existence of a mythical being called the Noumenon, which – despite the best efforts of hunters and adventurers – nobody has ever glimpsed. The exhibition will include character studies, objects and scenes that give an insight to the culture, economy and beliefs of the Onomatopoeians.
His interest in literature, mathematics and philosophy is apparent throughout his work. For example, Avery has designed trees for his island, the forms of which are based on numerical patterns. The narrative drawings that form the basis of his oeuvre are skilfully rendered, highly imaginative, extremely detailed and full of humour. Over the years Avery has developed an ever-growing vocabulary of ideas, characters, architecture and techniques, enabling him to portray this ’other country’. With increasing conviction, coherence and attention to detail, he creates a compelling and immersive narrative that the viewer can identify with and inhabit.
The world Charles Avery depicts in ’The Islanders’ is not intended to be a utopia. The island is a fictive society, which, in various ways, holds up a mirror to our own. For example, ’The Eternal Dialectic’ (the given name of the endless philosophical argument that smolders throughout the bars and salons of the town) is a reflection on our own pursuit of knowledge, understanding of the concept of truth and our beliefs in its attainability.
By taking the island as the overarching theme of his artistic oeuvre, Avery also gives himself the freedom to work with a wide range of media and ideas.
After attempts at saving Panels, memorabilia and even whole JPT vehicles, all to no avail ive finally managed to save something, albeit it not an original screen, using a JPT controller on a former Mcgills vehicle screen. Brings BAck memories.
If you like to use any of the images please make sure you give a credit to my blog post about the Tourist Destinations In London
I have always thought that Elmstone was the only Kent church without dedication to a Saint/King or Martyr, but it seems East Farleigh has has St Mary foisted upon it.
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Many churches that one spends years trying to see inside of, turn out to be disappointments.
But not so of the Farleighs, East and West.
With West being open and being a delight, what then of East, hidden as it is behind the village hall and old schoolhouse?
I went down the alleyway, round the corner and through the gate and saw that the porch was open, and in the inner door was too.
Again, I was greeted warmly, and once inside I saw a large and impressive church that stay almost hidden from the road above it.
I have always arrived at East Farleigh from West Farleigh, meaning that I arrive at the car park, and then go through the narrow passage way between the old school and village hall.
But looking on GSV, there are fine views from the crossroads opposite the Bull Inn, through the lych gave and down the sunken path to the church.
I am usually speeding away to my next destination at this point, so don't look in my rear view mirror.
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Who would have thought that 150 years ago the picturesque church perched high above the River Medway was the scene of fierce dissent over ritualistic practices? The church was one of the first in the country to have a robed choir. The sunken path from the south shows how much the ground level has risen over the centuries and leads to a porch with a fine parvise. Although the church has been rather heavily restored it contains much of interest. Of special note is the Tudor font cover which sits on a fourteenth century font. The chancel and south chapel were both embellished by the firm of Powell's and much glass and wall decoration is by them. They created a rich focus for Eucharistic worship as a contrast to the rather plain nave and aisles. The south chancel window, with WW1 scenes is a fine example of their work.
www.kentchurches.info/church.asp?p=East+Farleigh
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EAST FARLEIGH.
NORTH-WESTWARD from Linton, on the opposite side of Cocks-heath, and on the southern bank of the river Medway lies the parish of East Farleigh, so called to distinguish it from the adjoining parish of West Farleigh, in Twyford hundred. It is called by Leland, in his Itinerary, Great Farleigh.
In the record of Domesday it is written Ferlaga, and in the Textus Roffensis, FEARNLEGA, and most probably took its name, as well as the parish of West Farleigh, from the passage over the river Medway at one or both of these places, fare in Saxon signifying a journey or passage, and lega, a place, i. e. the place of the way or passage.
THE PARISH of East Farleigh is situated about two miles from Maidstone, it lies on high ground, the soil a loam, covering but very slightly a bed of quarry stone. It is exceeding fertile, especially for fruit trees and the hop-plant, of which, especially about the village, there are many plantations. Its extent is about two miles each way; the river Medway is its northern boundary, over which here is an old gothic stone bridge of five arches, which is repaired at the county charge. The tide, in memory of some now living, flowed up as high as this bridge, but since the locks have been erected on this river to promote the navi gation, it has stopped from flowing higher than that just above Maidstone bridge. From the river the ground rises suddenly and steep southward, forming a beautiful combination of objects to the sight, having the village and church on the height, intersected with large spreading oaks and plantations of fruit, and the luxuriant hop, whilst the river Medway gliding its silver stream below, reflects the varied landscape. The village, through which the road leads from Tovill to West Farleigh, stands on the knole of the hill, about a quarter of a mile from the river, having the church and vicarage in it; eastward lies the hamlet of Danestreet, and further on Pimpes-court, at the extremity of this parish next to Loose, in which part of the lands belonging to it lie. At a small distance westward of the village of East Farleigh, is a genteel house, formerly belonging to a family of the name of Darby, some of whom are mentioned in the parish register as inhabitants of it, as far back as the year 1653. Mr. John Darby, the last of them, died in 1755, and by will gave this house to his widow, (Mary, daughter of Captain Elmstone, of Egerton) who re-married Mr. James Drury, of Maidstone, by whom she had one daughter, Mary. Since his death in 1764, she again became possessed of it, and resides in it; from hence the ground keeps still rising southward to Cocksheath, between which and the village is the manor of Gallants, part of the heath is within this parish, which reaches within a quarter of a mile of the house called Boughton Cock, part of Loose parish intervening, and separating the eastern extremity of it entirely from the rest. In this part of the parish are some quarries of Kentish rag stone, commonly called the Boughton quarries, from their lying mostly in that parish, and on the banks of the Medway there are more of the same fort, wholly in this of Farleigh.
A younger branch of the clerks of Ford, in Wrotham, resided here in the reigns of queen Elizabeth and king James I. as appears by the parish register. Dr. Plot mentions in his natural history of Oxfordshire, some large teeth having been dug up here, one of which was seven inches round, and weighed five ounces and an eighth, but I can gain no further information of them.
THIS PLACE was given by queen Ediva, or as she is called by some Edgiva, the mother of king Edmund and Eadred, in the year 961, to Christ-church, in Canterbury, free from all secular service, excepting the repairing of bridges, and the building of castles; (fn. 1) and it continued in the possession of that church at the time of the taking the general survey of Domesday, in the year 1080, being the 15th of the Conqueror's reign, in which it is thus described, under the general title of Terra Monachorum Archiepi, or lands of Christ-church, in Canterbury.
The archbishop himself holds Ferlaga. It was taxed at six sulings. The arable land is 26 carucates. In demesne there are four, and 35 villeins, with 56 borderers, having 30 carucates. There is a church and three mills of twenty-seven shillings and eight pence. There are 8 servants, and 6 fisheries, of one thousand two hundred eels. There are 12 acres of pasture. Wood for the pannage of 115 hogs.
Of the land of this manor Godefrid held in fee half a suling, and has there two carucates, and seven villeins with 10 borderers having three carucates, and four servants, and one mill of twenty pence, and four acres of meadow, and wood for the pannage of 30 hogs.
The whole manor, in the time of king Edward the Confessor was worth sixteen pounds, and afterwards as much, and now twenty-two pounds. What Abel now holds is worth six pounds, what Godefrid nine pounds, what Richard in his lowy, four pounds.
In the time of king Edward I. the manor of East Farleigh, together with the estate belonging to Christchurch, in the neighbouring parish of Hunton, was valued at forty-two pounds per annum.
King Edward II. in his 10th year, confirmed to the prior of Christ-church free warren, in all the demesne lands which he possessed here in the time of his grandfather, or at any time since. (fn. 2) This manor continued part of the possessions of the priory, till its dissolution in the 31st year of king Henry VIII. when it was surrendered into the king's hands, who that year granted it, among other premises, to Sir Thomas Wyatt, and his heirs male, to hold in capite by knight's service, but his son, Sir Thomas Wyatt, having raised a rebellion in the 1st year of queen Mary was attainted, and his estates became forfeited to the crown, and were together with the reversion of them, assured to the queen and her heirs, by an act passed for that purpose. After which, though the queen made a grant of the scite and capital messuage of this manor, to Sir John Baker, as will be further mentioned hereafter, yet the manor itself continued in the crown, and remained so at the death of king Charles I. in 1648. After which the powers then in being, passed an ordinance to vest the royal estates in trustees, in order for sale, to supply the necessities of the state, when on a survey taken of this manor it appeared, that there were quit-rents due to the lord from freeholders, in free socage tenure in this parish, and within the townships of Linton and East Peckham, and from several dens in the Weald; that there were common fines from the borsholders of Stokenburie, in East Peckham, and of Badmonden, Stoberfield and Rocden, the produce of all which yearly, with the fines, profits, &c. of courts, coibus annis, amounted in the total to 56l. 7s. 7½d. That there was a court ba ron and court leet; that the freeholders paid a heriot on demise, or death of the best living thing of any such tenant, or in want of it, 3s. 4d. (fn. 3)
Soon after which this manor was sold by the state to colonel Robert Gibbon, with whom it continued till the restoration of king Charles II. when it again became part of the revenues of the crown.
The grant of it has been many years in the family of his Grace the duke of Leeds, who now holds it at the yearly fee farm rent of ten shillings.
BUT THE SCITE and capital messuage of the manor of East Farleigh, now called the COURT LODGE, with all the demesne lands of the manor, about two hundred acres, in East Farleigh and Linton, was granted, anno 1st and 2d Philip and Mary, to Sir John Baker, one of the queen's privy council, (fn. 4) to hold in capite by knights service. (fn. 5) He died in the 5th and 6th years of that reign, and by will devised it to his second son, Mr. John Baker, of London; whose son, Sir Richard Baker, the chronicler, about the latter end of queen Elizabeth's reign, alienated it to Sir Thomas Fane, of Burston, in Hunton; who died in 1606, without issue, and bequeathed this among the rest of his estates to Sir George Fane, second son of Sir Thomas Fane, of Badsell, by Mary his wife, baroness le Despenser; he was succeeded in 1640, by his eldest son, colonel Thomas Fane, of Burston, who in the reign of king Charles II. alienated it to Mr. John Amhurst, who then resided at the court lodge as tenant under him.
He was the grandson of Nicholas Amerst, for so he spelt his name, who was of East Farleigh, in 1616, to whom William Camden, clarencieux, in 1607, assigned this coat of arms, Gules, three tilting spears, two and one, erected in pale or, headed argent, who dying in 1692, was buried in this church, as were his several descendants. His eldest son, Nicholas Amherst, for so he wrote his name, became his heir, and resided as tenant at the Court lodge, and died in 1679.
John Amhurst, gent. his eldest son, resided at the Court lodge, which he afterwards purchased of Col. Fane above mentioned; he served the office of sheriff in 1699, and kept his shrievalty here; though married, he died in 1711, s. p. and by will gave this estate to his brother, captain Nicholas Amhurst, of Barnjet, who died in 1715.
He married Susannah Evering, by whom he had issue fifteen children; John, who resided at the Court lodge, and died in his life time, whose grandson, John Amhurst, esq. is now of Boxley abbey; and George, the second son, who was twice married, but left issue only by his second wife, Susan, the eldest of whose sons was John Amhurst, esq. late of Rochester. Nicholas, the next son, died in 1736, unmarried. Stephen, another of the sons, was of West Farleigh, and dying in 1760, was buried at West Farleigh, leaving three sons; John Amhurst, esq. now of Barnjet; Edward, who was of Barnjet, and died in 1762, aged 20, and was buried near his father; and Stephen Amhurst, esq. now of West Farleigh, and four daughters. Edward, another son, was of Barnjet, and died in 1756, without issue, and was buried at Barming.
Of the daughters, Susan married Edward Walsingham, of Callis court, in Ryarsh, who left by her two daughters; Susan, married to Sir Edw. Austen, bart. of Boxley abbey; and Mary, married to John Miller. Jane, married to James Allen, by whom she had two sons, James, now deceased; and William, devisees in the will of Sir Edward Austen; and a daughter, married to Nicholas Amhurst, father of John, of Boxley abbey.
George Amhurst, gent. above mentioned, the second but eldest surviving son of Nicholas, by Susan nah Evering, had the Court lodge by his father's will, who having neglected to cut off an entail of it, his three other sons, Nicholas, Stephen, and Edward, claimed their respective shares in it; the entire fee of which, after much dispute, partly by purchase, and partly by agreement, became vested in Edward Amhurst, gent. the youngest son, who died, s. p. in 1756, and devised it by will to his next elder brother, Stephen Amhurst, esq. gent. of West Farleigh; who, at his death, in 1760, gave it to his eldest son, John Amhurst, esq. now of Barnjet, the present possessor of the Court lodge, and the estate belonging to it.
The mansion of the court lodge is situated adjoining to the west side of the church yard; it has not been inhabited but by cottagers for many years; great part of it seems to have been pulled down, and the remains make but a very mean appearance.
GALLANT'S is a manor in this parish, which seems to have been in early times the estate of a branch of the eminent family of Colepeper, whose arms yet remain in the windows of this church, and in which there is an ancient arched tomb, under which one of them was buried.
By inquisition, taken after the death of Walter Colepeper, at Tunbridge, anno 1 Edward III. it was found that he held in gavelkind in fee, certain tenements in East Farleigh, of the prior of Christ church, by service, and making suit at the court of the prior of East Farleigh, that there were there one capital messuage, with lands, and rents in money and in hens, by which it appears to have been a manor, and that his sons, Thomas, Jeffry, and John, were his next heirs. The above premises seem very probably to have been what is now called the manor of Gallant's, which afterwards passed into the family of Roper, who held it for some length of time, this branch of them, who possessed this manor, being created by king James I. barons of Teynham, one of whom, John Roper, the third lord Teynham, died possessed of it in 1627, as appears by the inquisition then taken. His grandson, Christopher lord Teynham, gave it in marriage with his daughter Catharine, to Wm. Sheldon, esq. whose descendant, Richard Sheldon, esq. of Aldington, in Thurnham, gave it by will to his widow, who soon afterwards, in 1738, carried it in marriage to Wm. Jones, M. D. who died in 1780, leaving his two daughters his coheirs; Mary, married to Lock Rollinson, esq. of Oxfordshire, and Anne to Tho. Russel, esq. and they, in right of their wives, are at this time respectively entitled to this manor.
The manor house has an antient appearance, both within and without, the doors being arched, and as well as the windows, cased with ashlar stone, and much of the walls built with flint.
PIMPE'S-COURT is a manor and antient seat in this parish, the mansion of which is situated at the southern extremity of it next to Loose. It was formerly part of the possessions of the family of Pimpe, being one of the seats of their residence, whence it acquired their name in process of time, among other of their possessions in this neighbourhood and else where in this county. It appears to have been antiently held of the family of Clare, earls of Gloucester; of whom, as chief lords of the fee, it was again held by this eminent family of Pimpe, from whom though it acquired its name of Pimpe'scourt, yet their principal habitation seems to have been in the parish of Nettlested, not far distant. Rich. de Pimpe of Nettlested held it in the reigns of Edward I. and III. as did his descendant, Sir Philip de Pimpe, in the begining of that of Edward I. being at that time a man of great repute. His widow, Joane, married John de Coloigne, who together with her son, Thomas de Pimpe, paid aid for this manor in the 20th year of king Edward III. Philipott says, Margaret de Cobham, wife of Sir William de Pimpe, died in 1337, and was buried in this church. Her tomb is yet remaining, but the inscription, then visible, is gone. Wil liam, son of Thomas de Pimpe, of Nettlested, died in the time of his shrievalty, anno 49 Edward III. and his son, Reginald, who then resided here at East Farleigh, served out the remainder of the year. His descendant of the same name resided here at the time of his shrievalty, in the 10th year of king Henry IV. to whose son, John, two years afterwards, John de Fremingham, of Loose, gave by will his estate there and elsewhere, in this county, in tail mail, remainder to Roger Isle, as being of the nearest blood to him. His descendant, John Pimpe, esq. kept his shrievalty here in the 2d year of king Henry VII. whose only daughter and heir, Winifrid, carried this seat in marriage to Sir John Rainsford, who passed it away to Sir Henry Isley, who by the act of the 2d and 3d of king Edward VI. procured his lands in this county to be disgavelled.
Soon after which he seems to have settled this manor on his son, William Isley, esq. but being both concerned in the rebellion raised by Sir Thomas Wyatt, in the 1st year of queen Mary, they were then attainted, and Sir Henry was executed at Sevenoke, and the lands of both became forfeited to the crown; after which, queen Mary that year granted this manor, by the name of Lose, alias Pimpe's court, with its appurtenances, in Lose, East Farleigh, Linton, &c. to Sir John Baker, her attorney general, to hold in capite by knights service. (fn. 6) In his descendants the manor of Pimpe's court continued till Sir John Baker, bart, about of the end of king Charles I.'s reign, alienated it to Thomas Fsloyd, esq. of Gore court in Otham; one of whose descendants alienated it to Browne, in which name it remained till, by the daughter and heir of Tho. Browne, esq. it went in marriage to Holden; and their son, Richard Holden, of Coptford hall, in Essex, died without issue, in 1772, and by will gave it to his widow, whose maiden name was Anne Blackenbury; and after her decease, to his sister's daughter's son, a minor, by Mr. William Vechell, of Cambridgeshire.
The present house of this manor is a modern building; the ruins of the antient mansion are still to be seen about the present house; the south-west end is still remaining, and by tradition was called the Old chapel. Further towards the north is a room with a very large chimney, and an oven in it, no doubt the old kitchen. The gateway, with a room over it, was taken down within memory; by the remains, it seems as if the house and offices belonging to it, when intire, formed a quadrangle. There is a court baron held for this manor.
CHARITIES.
JOHN FRANCKELDEN, citizen of London, in 1610, left 100l. to build six cottages for poor people to live in, rent free, vested in the parish officers.
THE REV. ARTHUR HARRIS gave, by will, in 1727, 2l. 10s. per annum for ever, to be paid out of Half Yoke farm, to be distributed in linen.
THOMAS HARRIS, esq. who died in 1769, left 5l. per ann. for fifty years, to be given to the poor in bread, 2s. every Sunday, excepting Easter and Whitsunday, vested in the executors of John Mumford, esq.
Mr. THOMAS FOSTER, in 1776, gave by will 130l. the interest of it to be laid out in linen and woollen, and to be given to the poor who do not receive alms at Christmas; from which money, 225l. confol. 3 per cent. Bank ann. was bought in the name of trustees, now of the annual produce of 6l. 15s.
EAST FARLEIGH is within the ECCLESTASTICAL JURISDICTION of the diocese of Rochester, and being a peculiar of the archbishop, is as such within the deanry of Shoreham.
The church, which is a handsome building, with a spire steeple at the west end, stands at the east end of the village, and consists of two isles and two chancels; that on the south side belongs to Pimpe's-court. It was repaired in 1704, by Dr. Griffith Hatley, who had married the widow of Mr. Browne, and possessed that estate in her right. The whole was, through the laudable care of the late vicar, Mr. De la Douespe, new pewed and handsomely ornamented.
In the rector's chancel are several memorials of the family of Amhurst, and within the altar rails two of Goldsmith. On the north side of this chancel is a very antient altar tomb for one of the family of Colepeper, having their shield, a bend engrailed, at one corner of it, most probably for Sir T. Colepeper, who lived in the reign of king Edward III. and is reputed to have been the founder of this church. His arms, quartered with those of Joane Hadrreshull, his mother, Argent, a chevron gules between nine martlets, are still remaining in the east window of the south chancel, called Pimpe's chancel, in which is an antient plain altar tomb, probably for one of either that or of the Pimpe family. There seems once to have been a chapel dependent on this church, called in the Textus Roffensis, Liuituna capella Anfridi.
The patronage of the church of East Farleigh was part of the antient possessions of the crown, and remained so till it was given to the college or hospital for poor travellers, in Maidstone, founded by archbishop Boniface. Archbishop Walter Reynolds, about 1314, appropriated this church to the use and support of the hospital. In the 19th year of king Richard II. archbishop Courtney, on his making the church of Maidstone collegiate, obtained the king's licence to give and assign that hospital and its revenues, among which was the advowson and patronage of the church of Farleigh, among others appropriated to it, and then of the king's patronage, and held of the king in capite, to the master and chaplains of his new collegiate church, to hold in free, pure, and perpetual alms for ever, for their better maintenance; (fn. 7) to which appropriation Adam Mottrum, archdeacon of Canbury, gave his consent.
¶The collegiate church of Maidstone was dissolved by the act of the 1st of king Edward VI. anno 1546, and was surrendered into the king's hand accordingly with all its lands, possessions, &c. Since which the patronage and advowson of the vicarage of East Farleigh has remained in the hands of the crown; but the parsonage or great tithes was granted to one of the family of Vane, or Fane, in whom it continued down to John Fane, earl of Westmoreland, who at his death, in 1762, gave it by will, among the rest of his Kentish estates, to his nephew, Sir Francis Dashwood, lord Despencer; since which it has passed, in like manner as Mereworth and his other estates in this county, by the entail of the earl of Westmoreland's will, to Thomas Stapleton, lord Despencer, the present owner of it.
In the 15th year of king Edward I. the vicarage was valued at ten marcs; in the year 1589, it was estimated at 16l. 8s. yearly income. In the reign of king Richard II. the church of Ferleghe was valued at 13l. 16s. 8d. This vicarage is valued in the king's books at 6l. 16s. 8d. and the yearly tenths at 13s. 8d.
John, son of Sir Ralph de Fremingham, of Lose, 12 Henry IV. by his will gave certain lands therein mentioned to John Pympe, and his heirs male, to find a chaplain in this church, in the chapel of the Blessed Mary, newly built, to celebrate there, for twenty-four years, for the souls of himself, his wife, &c. and all of whom he then held lands, the said John Pympe, paying to the above chaplain the salary of ten marcs yearly, &c.
The vicar of East Farleigh is endowed with the tithes of corn growing on the lands belonging to the parsonage of East Farleigh, and of certain pieces of land, called garden spots, which lie dispersed in this parish. It is now of the clear yearly value of about one hundred and thirty guineas.
Maid of the Mist at Niagara Falls, Ontario on approach of the falls. The bird silhouettes, mist and b/w give this image a great sense of drama.
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look. we're finally almost there.
yeah. after only 3 days, walking across this baking sand.
good thing we brought the case of booze, eh?
may I remind you who carried it the whole way?
no need. and you can pour me a glass now.
anything else I can get you?
ice would be great.
yeah, I'll just run over to the store and get some.
really? thanks!
Información práctica sobre Trindade en mi blog: Destinos: Trindade.
Practical information on Trindade from my blog: Destination: Trindade.
-- Photo also available at high resolution
A few behind the scenes shots from todays location shoot at Moon beach resort wedding chapel and beach with our couple from HK and the US. Beautiful weather!!
Mainau Island is a "flowering island" notable for its parks and gardens. Frederick I, Grand Duke of Baden, created the island's arboretum, which now contains 500 species of deciduous and coniferous trees, many exotic and valuable, including fine specimens of Sequoiadendron giganteum (1864) and Metasequoia glyptostroboides (1952). The island also contains about 200 rhododendron and azalea varieties.
Due to the advantageous climate at the lake, palm trees and other Mediterranean plants can grow on the drop-shaped island. Because of its rich subtropical and partly even tropical vegetation, Mainau Island is also called "flowering island in the Lake Constance". Count Lennart Bernadotte, who died in 2004, liked to call his island "Blumenschiff" (engl. flower ship). He also described the famous destination as follows: "She is a coquettish little Lady, Mainau Island, who constantly demands much attention, even more love and ceaselessly new clothes." - Lennart Bernadotte. By "new clothes", he probably meant the blossoms, plants and flower-beds which are constantly renewed by the gardeners.
Apart from the historic buildings, the centerpiece of Mainau Island is the Arboretum with its 500 different types of rare and valuable broad-leaved trees and conifers, which was created in 1856 by grand duke Friedrich I. Among those is one of Germany's "oldest" dawn redwood trees (Metasequoia glyptostroboides). The tree, which originated from China, was planted on the island in 1952, when it was just 70 centimeters tall. Particularly mighty are some exemplars of the giant redwood (Sequoiadendron giganteum). Their seeds came from California in 1853 and were planted on the island in 1864, which makes them one of the oldest of their kind in Europe. You can find the above-mentioned giant redwoods as well as Cedars, Dawn Redwoods and Tulip Poplars on the island. The Arboretum expands towards the north-west of the island.
Spring marks the beginning of the "Blumenjahr" (eng. Flower Year) with an exhibition of orchids. From March to May you can see several types of flowers in full bloom, like Tulips, Daffodils, Primroses, Forget-Me-Nots and Hyacinths. To show the full beauty of all these flowers the so-called „Frühlingsallee“ (eng. Spring Alley) was opened, which is a path across the island surrounded by beds of these plants. From May to June over 200 kinds of Rhododendrons and Azaleas are in full bloom. To the west of the "Comturey-Keller" you can find an Italian rose garden commissioned by Friedrich I. This rose garden is strictly geometric and consists of pergolas, sculptures and fountains. In general, over 1200 kinds of roses can be found on the island.
„Frühlingsallee“ leads to „Mediterran-Terrassen“ (eng. Mediterranean Terrace) where exotic plants such as palm families, agaves, cacti and bougainvillea are presented in pails during summer. Lake Constance and its surroundings as well as the Alps can be seen in a panoramic view from here. In July the blossoms of brugmansia and hibiscus are blooming on Mainau Island and in August the blossoms of passion flowers bloom.
On the southern end you can find “Südgarten” (eng. South Garden) where in autumn fields of dahlia with approximately 20,000 dahlia bushes and 250 varieties gleam from September until October. Spring and summer flowers such as different kinds of fuchsia are growing on the affiliated shore garden to the eastern side of “Südgarten”.
The “Bodenseerelief” (eng. Relief of Lake Constance) is a very popular photo motive. It is a relief with the picture of a flower which is changed by season. A small harbor with a landing place is situated to the northern side of Mainau Island. Excursion boats lay in here and another entrance to “Frühlingsallee” can be found here.
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Bedingt durch das günstige Bodenseeklima wachsen auf der tropfenförmigen Insel[4] Palmen und andere mediterrane Pflanzen. Wegen ihrer reichen subtropischen, teilweise auch tropischen Vegetation wird die Mainau auch als „Blumeninsel im Bodensee“ bezeichnet. Der 2004 verstorbene Graf Lennart Bernadotte nannte seine Insel gerne das „Blumenschiff“.[4] Weiterhin beschrieb er das bekannte und für Besucher gegen Eintrittsgelder zugängliche Ausflugsziel mit folgenden Worten:
„Sie ist eine kokette kleine Dame, diese Mainau, die stets und ständig große Aufmerksamkeit fordert, noch mehr Liebe und vor allem unaufhörlich neue Kleider.“
– Lennart Bernadotte
Wobei er mit den „neuen Kleidern“ zuerst den immer wieder neu von Gärtnerhand gewebten Blütenüberwurf gemeint haben mag.[10]
Herzstück der „Blumeninsel“ ist neben den historischen Gebäuden das von Großherzog Friedrich I. ab 1856 angelegte parkähnliche Arboretum der Insel Mainau mit seinen 500 verschiedenen Arten von zum Teil seltenen und wertvollen Laub- und Nadelgehölzen. Darunter befindet sich einer der ältesten Urweltmammutbäume (Metasequoia glyptostroboides) Deutschlands. Der aus China stammende Baum war 1952 als 70 Zentimeter großes Bäumchen im Ufergarten ausgepflanzt worden.[11] Besonders mächtig sind einige Exemplare des Riesenmammutbaums (Sequoiadendron giganteum). Die Samen dieser Bäume kamen 1853 aus Kalifornien, und 1864 ließ Friedrich I. zahlreiche Bäume auf der Mainau pflanzen. Damit gehören sie zu den ältesten ihrer Art in Europa.[12] Neben den riesigen Mammutbäumen befinden sich Zedern, Metasequoien und Tulpenbäume. Das Arboretum dehnt sich nordwestlich vom Schloss auf der Hochfläche aus.
Im Frühjahr Ende März/Anfang April beginnt auf der Mainau das Blumenjahr im Palmenhaus mit einer großen Orchideenschau. Von Ende März bis Mitte Mai blühen auf der Mainau Tulpen, Narzissen und Hyazinthen. Hierzu wurden im östlichen Teil der Insel an der sogenannten „Frühlingsallee“ parallel zum Weg Tausende von Tulpen-, Narzissen- und Hyazinthenzwiebeln gepflanzt. Ebenfalls im Frühjahr gedeihen auf der Insel Stiefmütterchen, Vergissmeinnicht und Primeln.
In der Übergangszeit von Mai und Juni zeigen sich die Blüten der 200 Rhododendren- und Azaleensorten. Westlich des Comturey-Kellers kommt man zu dem ebenfalls durch Großherzog Friedrich I. im italienischen Stil angelegten Rosengarten.[13] Der sogenannte „italienische Rosengarten“ ist eine streng geometrische Anlage mit Pergolen, Skulpturen und Brunnen. Im Sommer betört der Duft der rund 500 verschiedenen Rosensorten[3], vor allem Beetrosen. Auf der ganzen Insel finden sich etwa 30.000 Rosenstöcke von 1200 Sorten. Eine Barocktreppe führt hinauf zur aussichtsreichen Schlossterrasse.
Die „Frühlingsallee“ führt zu den „Mediterran-Terrassen“ mit ihren exotischen Kübelpflanzen, wo im Sommer Palmengewächse, Agaven, Kakteen und Bougainvilleen gezeigt werden. Von hier hat man ein Panorama auf die Bodenseelandschaft. Im Juli zeigen sich auf der Mainau die Blüten der Engelstrompeten und des Hibiskus, im August die der Passionsblumen.
Südlich breitet sich der „Südgarten“ aus, wo im Herbst von September bis Oktober die Dahlienfelder mit etwa 20.000 Dahlienbüschen von 250 Sorten blühen. Im östlich anschließenden Ufergarten wachsen Frühlings- und Sommerblumen, darunter eine Sammlung verschiedener Fuchsienarten. Ein beliebtes Fotomotiv ist das Bodenseerelief, ein nach Jahreszeit unterschiedlich gestaltetes Blütenbild in Form des Bodensees.
An der Nordseite der Insel liegt der kleine Hafen mit Schiffsanlegestelle, wo die Ausflugsschiffe anlegen und es einen weiteren Eingang gibt.
Schmetterling mit transparenten Flügeln im Schmetterlingshaus
Im ganzjährig geöffneten Schmetterlingshaus auf der Insel, mit etwa 1000 Quadratmeter das zweitgrößte seiner Art in Deutschland,[14] können Besucher zwischen 25 °C und 30 °C Wärme und 80 bis 90 Prozent Luftfeuchtigkeit durch eine tropisch anmutende Umgebung mit Wasserfällen und exotischen Gewächsen gehen. Je nach Saison fliegen 700 bis 1000[3] bunte Falter bis zu 80 verschiedener Schmetterlingsarten, vor allem südamerikanischer Herkunft, frei zwischen den Besuchern. Rund ein Drittel der gezeigten Schmetterlingsarten vermehrt sich hier auf natürliche Weise. Doch ist es ganz unterschiedlich, wie viele Nachkommen es gibt. Aus diesen Gründen bekommt das Schmetterlingshaus wöchentliche Lieferungen von 400 Puppen von Züchtern aus Costa Rica, England und Holland. Rund 20.000 Euro beträgt das Budget im Jahr für neue Raupen.[15] Die Gartenanlage rund um das Schmetterlingshaus wurde als Lebensraum für heimische Schmetterlinge gestaltet. Angeschlossen ist ein Duftgarten mit mehr als 150 Duftpflanzenarten.
Außer den Park- und Gartenanlagen gibt es ein Pfauengehege, einen Streichelzoo mit Ziegen und Ponys sowie einige gastronomische Einrichtungen.
Für Kinder gibt es das rund 1100 Quadratmeter große Mainauer Kinderland „Wasserwelt“, einen Spielplatz mit einem 60 Zentimeter tiefen Wasserbecken, das von Flusssteinen mit einem Gesamtgewicht von rund 130 Tonnen eingefasst wird. In der Mitte des mit 170 Kubikmeter Wasser gefüllten Sees liegt eine Insel. Auf dem See können die Kinder mit Flößen umherfahren oder sich mit einer Holzfähre hinüberziehen. Rundherum stehen Holzhäuser als Klettergerüste, die laut Planern an die Zeit der Pfahlbauten erinnern sollen. Verbunden sind die Häuschen durch Hängebrücken und Kettenstege. Dazu gibt es Wasserrinnen und extra Matschtische.[16] Falls ein Kind beim Spielen allzu tief in die Wasserwelt eingetaucht sein sollte, haben die beiden Mainauplaner Matthias Wagner und Markus Zeiler auch vorgesorgt: Am Spielplatz wurde in einem Kiosk ein Wäschetrockner aufgestellt, in dem die Eltern nasse Kleidungsstücke selbst trocknen können.[17][18] Die Spiellandschaft wird wie alle anderen Spielplätze vom TÜV SÜD abgenommen und regelmäßig inspiziert
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(Photos by Karl Weisel)
The Star Trek machine touched down at the Frankfurt Messe for three days Feb. 21-23, 2014. Fans had a chance to get up close and personal with Star Trek stars including William Shatner, Brent Spiner, Michael Dorn, Levar Burton, Marina Sirtis, Gates McFadden and others.
Here is my virtual tour through the city - portfotolio.net/jup3nep/album/72157631887823501
The Hippodrome of Constantinople (Turkish: Sultanahmet Meydanı, At Meydanı, Turkish pronunciation: [sulˌtanahˈmet]) was a circus that was the sporting and social centre of Constantinople, capital of the Byzantine Empire. Today it is a square named Sultanahmet Meydanı (Sultan Ahmet Square) in the Turkish city of Istanbul, with a few fragments of the original structure surviving. It is sometimes also called Atmeydanı (Horse Square) in Turkish.
The word hippodrome comes from the Greek hippos ('ιππος), horse, and dromos (δρομος), path or way. Horse racing and chariot racing were popular pastimes in the ancient world and hippodromes were common features of Greek cities in the Hellenistic, Roman and Byzantine eras.
en.wikipedia.org/wiki/Hippodrome_of_Constantinople
Istanbul (Turkish: İstanbul) is the largest city in Turkey, constituting the country's economic, cultural, and historical heart. With a population of 13.5 million, the city forms one of the largest urban agglomerations in Europe[d] and is among the largest cities in the world by population within city limits. Istanbul's vast area of 5,343 square kilometers (2,063 sq mi) is coterminous with Istanbul Province, of which the city is the administrative capital. Istanbul is a transcontinental city, straddling the Bosphorus—one of the world's busiest waterways—in northwestern Turkey, between the Sea of Marmara and the Black Sea. Its commercial and historical center lies in Europe, while a third of its population lives in Asia.
Founded on the Sarayburnu promontory around 660 BC as Byzantium, the city now known as Istanbul developed to become one of the most significant cities in history. For nearly sixteen centuries following its reestablishment as Constantinople in 330 AD, it served as the capital of four empires: the Roman Empire (330–395), the Byzantine Empire (395–1204 and 1261–1453), the Latin Empire (1204–1261), and the Ottoman Empire (1453–1922). It was instrumental in the advancement of Christianity during Roman and Byzantine times, before the Ottomans conquered the city in 1453 and transformed it into an Islamic stronghold and the seat of the last caliphate. Although the Republic of Turkey established its capital in Ankara, palaces and imperial mosques still line Istanbul's hills as visible reminders of the city's previous central role.
Istanbul's strategic position along the historic Silk Road, rail networks to Europe and the Middle East, and the only sea route between the Black Sea and the Mediterranean have helped foster an eclectic populace, although less so since the establishment of the Republic in 1923. Overlooked for the new capital during the interwar period, the city has since regained much of its prominence. The population of the city has increased tenfold since the 1950s, as migrants from across Anatolia have flocked to the metropolis and city limits have expanded to accommodate them. Arts festivals were established at the end of the 20th century, while infrastructure improvements have produced a complex transportation network.
Seven million foreign visitors arrived in Istanbul in 2010, when it was named a European Capital of Culture, making the city the world's tenth-most-popular tourist destination. The city's biggest draw remains its historic center, partially listed as a UNESCO World Heritage Site, but its cultural and entertainment hub can be found across the city's natural harbor, the Golden Horn, in the Beyoğlu district. Considered a global city, Istanbul hosts the headquarters of many Turkish companies and media outlets and accounts for more than a quarter of the country's gross domestic product. Hoping to capitalize on its revitalization and rapid expansion, Istanbul is currently bidding for the 2020 Summer Olympics.
(Photos by Karl Weisel)
The Star Trek machine touched down at the Frankfurt Messe for three days Feb. 21-23, 2014. Fans had a chance to get up close and personal with Star Trek stars including William Shatner, Brent Spiner, Michael Dorn, Levar Burton, Marina Sirtis, Gates McFadden and others.
A view of Old town ( red roofs ) from Royal palace
Since the fall of the Iron Curtain, Prague has become one of Europe's (and the world's) most popular tourist destinations. It is the sixth most-visited European city after London, Paris, Rome, Madrid and Berlin.
I’ve been wanting to take a city break in summer, rather than in the cold months for a while, so rather than heading for the Lake District for a week of toil on the fells when Jayne could get a week off, we took off from Liverpool for Paris. Flight times were nice and sociable but it meant we were on the M62 car park at a busy time in both directions – it’s a shambles! I’ve stopped over in Paris a dozen times – on my way to cycling in the Etape du Tour in the Alps or Pyrenees – and had a few nights out there. Come to think about it and we’ve spent the day on the Champs Elysees watching the final day of the Tour de France with Mark Cavendish winning. We hadn’t been for a holiday there though and it was a bit of a spur of the moment decision. Six nights gave us five and a half days to explore Paris on foot. I had a good selection of (heavy) kit with me, not wanting to make the usual mistake of leaving something behind and regretting it. In the end I carried the kit in my backpack – an ordinary rucksack – to keep the weight down, for 103 miles, all recorded on the cycling Garmin – and took 3500 photos. The little Garmin is light and will do about 15 hours, it expired towards the end of a couple of 16 hour days but I had the info I wanted by then. This also keeps the phone battery free for research and route finding – I managed to flatten that once though.
What can I say – Paris was fantastic! The weather varied from OK to fantastic, windy for a few days, the dreaded grey white dullness for a while but I couldn’t complain really. We were out around 8.30 in shorts and tee shirt, which I would swap for a vest when it warmed up, hitting 30 degrees at times, we stayed out until around midnight most nights. It was a pretty full on trip. The security at some destinations could have been a problem as there is a bag size limit to save room in the lifts etc. I found the French to be very pragmatic about it, a bag search was a cursory glance, accepting that I was lugging camera gear, not bombs around, and they weren’t going to stop a paying customer from passing because his bag was a bit over size.
We didn’t have a plan, as usual we made it up as we went along, a loose itinerary for the day would always end up changing owing to discoveries along the way. Many times we would visit something a few times, weighing the crowds and light etc. up and deciding to come back later. I waited patiently to go up the Eiffel Tower, we arrived on Tuesday and finally went up on Friday evening. It was a late decision but the weather was good, the light was good and importantly I reckoned that we would get a sunset. Previous evenings the sun had just slid behind distant westerly clouds without any golden glory. It was a good choice. We went up the steps at 7.30 pm, short queue and cheaper – and just to say that we had. The steps are at an easy angle and were nowhere near as bad as expected, even with the heavy pack. We stayed up there, on a mad and busy Friday night, until 11.30, the light changed a lot and once we had stayed a couple of hours we decided to wait for the lights to come on. This was a downside to travelling at this time of year, to do any night photography we had to stay out late as it was light until 10.30. The Eiffel Tower is incredible and very well run, they are quite efficient at moving people around it from level to level. It was still buzzing at midnight with thousands of people around. The sunset on Saturday was probably better but we spent the evening around the base of the Tower, watching the light change, people watching and soaking the party atmosphere up.
Some days our first destination was five miles away, this is a lot of road junctions in a city, the roads in Paris are wide so you generally have to wait for the green man to cross. This made progress steady but when you are on holiday it doesn’t matter too much. Needless to say we walked through some dodgy places, with graffiti on anything that stays still long enough. We were ultra-cautious with our belongings having heard the pickpocket horror stories. At every Café/bar stop the bags were clipped to the table leg out of sight and never left alone. I carried the camera in my hand all day and everywhere I went, I only popped it in my bag to eat. I would guess that there were easier people to rob than us, some people were openly careless with phones and wallets.
We didn’t enter the big attractions, it was too nice to be in a museum or church and quite a few have a photography ban. These bans make me laugh, they are totally ignored by many ( Japanese particularly) people. Having travelled around the world to see something, no one is going to stop them getting their selfies. Selfies? Everywhere people pointed their cameras at their own face, walking around videoing – their self! I do like to have a few photos of us for posterity but these people are self-obsessed.
Paris has obviously got a problem with homeless (mostly) migrants. Walk a distance along the River Seine and you will find tented villages, there is a powerful smell of urine in every corner, with the no alcohol restrictions ignored, empty cans and bottles stacked around the bins as evidence. There are families, woman living on mattresses with as many as four small children, on the main boulevards. They beg by day and at midnight they are all huddled asleep on the pavement. The men in the tents seem to be selling plastic Eiffel Tower models to the tourists or bottled water – even bottles of wine. Love locks and selfy sticks were also top sellers. There must be millions of locks fastened to railings around the city, mostly brass, so removing them will be self-funding as brass is £2.20 a kilo.
As for the sights we saw, well if it was on the map we tried to walk to it. We crossed the Periphique ring road to get to the outer reaches of Paris. La Defense – the financial area with dozens of modern office blocks – was impressive, and still expanding. The Bois de Boulogne park, with the horse racing track and the Louis Vuitton Centre was part of a 20 mile loop that day. Another day saw us in the north east. We had the dome of the Sacre Couer to ourselves, with thousands of tourists wandering below us oblivious of the entrance and ticket office under the church. Again the light was fantastic for us. We read that Pere Lachaise Cemetery or Cimitiere du Pere Lachaise was one of the most visited destinations, a five mile walk but we went. It is massive, you need a map, but for me one massive tomb is much the same as another, it does have highlights but we didn’t stay long. Fortunately we were now closer to the Canal St Martin which would lead us to Parc de la Villette. This was a Sunday and everywhere was both buzzing and chilled at the same time. Where ever we went people were sat watching the world go by, socializing and picnicking, soaking the sun up. As ever I wanted to go up on the roof of anything I could as I love taking cityscapes. Most of these were expensive compared with many places we’ve been to before but up we went. The Tour Montparnasse, a single tower block with 59 floors, 690 foot high and extremely fast lifts has incredible views although it was a touch hazy on our ascent. The Arc de Triomphe was just up the road from our hotel, we went up it within hours of arriving, well worth the visit.
At the time of writing I have no idea how many images will make the cut but it will be a lot. If I have ten subtly different shots of something, I find it hard to consign nine to the dark depths of my hard drive never to be seen again – and I’m not very good at ruthless selection – so if the photo is OK it will get uploaded. My view is that it’s my photostream, I like to be able to browse my own work at my leisure at a later date, it’s more or less free and stats tell me these images will get looked at. I’m not aiming for single stunning shots, more of a comprehensive overview of an interesting place, presented to the best of my current capabilities. I am my own biggest critic, another reason for looking at my older stuff is to critique it and look to improve on previous mistakes. I do get regular requests from both individuals and organisations to use images and I’m obliging unless someone is taking the piss. I’m not bothered about work being published (with my permission) but it is reassuringly nice to be asked. The manipulation of Flickr favourites and views through adding thousands of contacts doesn’t interest me and I do sometimes question the whole point of the Flickr exercise. I do like having access to my own back catalogue though and it gives family and friends the chance to read about the trip and view the photos at their leisure so for the time being I’m sticking with it. I do have over 15 million views at the moment which is a far cry from showing a few people an album, let’s face it, there’s an oversupply of images, many of them superb but all being devalued by the sheer quantity available.
Don’t think that it was all walking and photography, we had a great break and spent plenty of time in pavement bistros having a glass of wine and people watching. I can certainly understand why Paris is top of the travellers list of destinations
(Photos by Karl Weisel)
The Star Trek machine touched down at the Frankfurt Messe for three days Feb. 21-23, 2014. Fans had a chance to get up close and personal with Star Trek stars including William Shatner, Brent Spiner, Michael Dorn, Levar Burton, Marina Sirtis, Gates McFadden and others.
"I made up my mind not to care so much about the destination, and simply enjoy the journey"
David Archuleta
Destinations Coaches, Lymington, Scania L94 Irizar Century W361 JBV is seen in Brighton this afternoon, 10th August, 2015. It was new to Redline, Penwortham, and retains the distinctive red and green livery applied by Seaview Services.
Different styles and types of destinations have been used on the Glenelg Trams during their 81 years in service on the metropolitan tramlines in Adelaide. Usually we just saw "City Glenelg" but there were others...
Screen Captures
Based closely on the Robert Heinlein novel, "Rocketship Galileo," this film was one of the first sci-fi productions to accurately portray, through detailed technical data, the process of space travel.
Starring John Archer, Warner Anderson, Tom Powers, Dick Wesson, Erin O'Brien Moore, Grace Stafford, and Irving Pichel. Directed by Irving Pichel.
Destination Moon Full Feature
Producer George Pal assembled an impressive roster of behind-the-camera talent -- including noted science fiction author Robert Heinlein and artist Chelsey Bonestell -- for this pioneering sci-fi adventure. Scientist Dr. Charles Cargraves (Warner Anderson), former Air Force General Thayer (Tom Powers), and industrial tycoon Jim Barnes (John Archer) believe that it's time that the U.S. blazed new trails and found new adventures. Convinced that exploration of space is the wave of the future (and that America's dominance in space is vitally important if they are to continue to dominate the Earth), the three men begin planning and constructing a spaceship called "Luna" in the Mojave Desert that will take the men to the moon and back. However, anti-American forces begin flooding the press with propaganda against the moon mission, and finally the men make their way to moon without the aid of the federal government. While the men are thrilled to succeed in their mission, it turns out that they miscalculated the amount of fuel needed to return -- and that the rocket needs to drop a lot of weight if it is to return to Earth. Destination Moon won an Academy Award for Best Special Effects of 1950; the film also features a brief appearance by cartoon favorite Woody Woodpecker, who helps explain how rockets work.
Destination Moon isn't technically a B-movie. It was in color and it won an Oscar. But it's a worthwhile starting point for a trek through 50s B movies because it was one of the first 50s science fiction flicks -- a topic which the B-movie industry jumped into with gusto. Unlike a lot of later movies, Destination Moon has no monsters or alien civilizations. Instead, it presents a fairly serious story of a manned expedition to the moon.
A rocket into space was not new to movie screens -- Flash Gordon had been rocketing around since the 1930s -- but Destination Moon was the "Star Wars" wow-movie that really touched off a decade of space-themed science fiction movies. Sure, the pacing is slow by modern tastes, and the special effects are hardly special by today's standards, but set all that modernist elitism aside. Destination Moon is fun to watch for knowing that it was the Star Wars of its day.
Synopsis
Private industry moguls decide that men must reach the moon as soon as possible. They build a rocket which does, indeed, make it to the moon. Due to landing trouble, the crew burn too much fuel to take off from the moon and return. After lightening the ship of all non-essentials, the ship is still 160 pounds overweight. One of the crew must stay behind. With some ingenuity and desperation, everyone does blast off for the return to earth.
Like a great many 50s sci-fi films, anxiety over the Soviets and nuclear war is woven into the plot. When several industrialists question the need to risk their millions on the outlandish moon project, the General Thayer character says: "We're not the only ones planning to go there. The race is on! And we'd better win it, because there is absolutely no way to stop an attack from outer space. The first country that can use the moon for the launching of missiles will control the earth."
Even though those sinister "others" are never mentioned again during the movie, the urgency driving the whole plot is the space race to beat the Soviets for national security reasons! -- ten years before that actual race really started.
Destination Moon is quite naive on what it really took to get men on the moon. (A dozen industrialists build a rocket within one year, and launch a crew to the moon on their first shot.) But in 1950, just five years after the end of WWII, audiences didn't know all that. Destination Moon showcases American optimism about the future in space. Some industrialists' deep pockets, a few clever engineers with slide rules and some talented aircraft workers can get the job done! You have to admire their spunk.