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This ring has created to be translucent, so it gives you the best interaction between the light and ring colours. This ring fit perfectly on the top of the hand.
Dutch Design Week - the making of...
in 2014 kon je op Sectie C zo te zien ook een kroon of gebit laten maken, heb ik maar niet gedaan ;-)
15IWO Design Evolution
Here are a number of versions I went through. There were a couple others, but this is what is left intact.
Even here there are around 700 units.
This is the entry photo for a talented person named Kellie in Design*Sponge's DIY contest. LOVE it. Gorgeous.
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“Soccer Ball” Six Interlocking Pentagonal Prisms + 10 Interlocking Irregular Hexagonal Prisms 270 units
5-fold view.
This is a model that I have wanted to design for many years- almost as long as I have been designing wireframes, but I have until the past year lacked both the ability to comprehend how the interior weaving might work, and also the physical tools to implement the design. Neither of those are nearly as much of a problem anymore.
This is a logical extension of prismatic series that Daniel Kwan began so many years ago. A quick look at the 3-fold orthogonal projections of a truncated icosahedron vs a regular icosahedron and dodecahedron (upon which Daniel’s first compounds of 10 triangular prisms and 6 pentagonal prisms are respectively based) will show you exactly why he stopped where he did with prisms. Opposite hexagonal faces are not rotated as an icosahedron’s triangles or a dodecahedron’s pentagons are. Without that rotation, weaving is much more challenging. What to do?
You can force the rotation into the frames themselves so that opposite faces are rotated. I did this in 6 Rhombic Prisms, then modeled the 4 point intersections. (You have to model the intersections because the distortion of twisting a prism works great on the ends of the prism, but as you get towards the middle, the rotation diminishes to nothing.) Or, you can force rotation with wrinkles, as I did in 15 Rhombic Prisms. Crude but effective.
Here, you have hexagonal prisms, which can be “divided” into 2 sets of points where each set represents the vertices of a triangular prism. We already know 10 triangular prisms weaves, so as long as the 2 “triangular prisms” are not the same size (because if they are the same size then they will occupy the same space within the construction, because the midpoint of each edge will be the same distance from the central origin), the compound is weavable. If the “triangular prisms” are not the same size, the consequence with the actual hexagonal prisms is that the faces are irregular because every other vertex is a different distance from the vector which defines the axis of orientation for the prism (ie. the very center of the hexagonal face).
The closer the hexagonal prism is to a triangular prism, the more comfortable the center edges sit, but then you lose the truncated icosahedron in the bargain. Therefore, the goal here was to make the hexagonal prisms as regular as possible to enhance the affect. To do that, I made the prism edges about as thin as I possibly could.
I describe a wireframe compound with more than one type of frame as a “Composition” (not to be confused with composition as the ordering of Euler rotations in 3D), and these are frequently somewhat tacky in my opinion, but I am beginning to see that there may actually be cases in which the use of multiple frame types complement each other. I used variable width edges here to highlight the truncated icosahedral nature, but I also decided to not make them solid so as to obscure the weaving within. I think the compromise was a pretty good one. An octahedral version of this should be possible as well.
Designed by me.
Folded out of copy paper.
I'm riding my whale through 2013! The blessings are in the fishies; family, faith, art, girlfriends, dogs...and the goals are in the waves (I may add some more...I'm thinking "Spread Love Everywhere!")
I was writing morning pages the other day and a funny sentence inexplicably popped up amidst my normal rantings about housework, losing weight, etc (all those things we download during morning pages). The sentence was: Whale rider, your big dream is just below the surface, unseen but waiting to breech. When it does, be ready to grab it by the tail and ride! So this is me...riding!
Concordia Design Hub
Location: Wroclaw, Slodowa Island
Built: 2018-2020
Architects: MVRDV + Q2 Studio
Investor: Pro Design
Main contractor: Demiurg & Wegner Group
Mixed-use building containing co-working spaces, an event venue, a food hall, a café, and a rooftop terrace
This photostream is a collection of my favorite pics If anyone wants to chat about interior design, you can reach me via my Houzz page - ift.tt/IrzZEF
1968 cover that I designed for the Midwest Modern Language Association. I ran this before but I wanted to show some interior pages along with it as well.
I learned so much about the beauty of elegant letterpress typography and printing from Kim Merker who taught the typographic laboratory class that I enrolled in at the University of Iowa. He was a teacher who truly inspired a student to have a vision of the very finest in printing.
Kim had just founded the university’s Windover Press, and It went on through the years to publish many magnificent books.
He was also involved with the Midwest Modern Language Association. He had a full schedule teaching classes and developing the new press so he turned the job of designing the 1969 MMLA bulletin over to me. It was not a letterpress publication but was printed offset by a commercial printing company off campus.
It was on this job that I realized that printers can’t necessarily print white on a rough dark paper stock and have it work visually. One more on-the-job learning experience.
Advance Design was the name GM gave to their trucks from '47 thru '54. They were extremely modern by '47 standards but by '54 they were looking quite dated. With only minor changes thru those years, this one is a 1950 or older because of the left side cowl vent.
I'm not 100% pleased with this one because I couldn't figure out what to do with the window area. Whatever I tried looked wrong so I just left it.
For the background, I did a very tight crop of the fender area and then re-sized it for a 'tan' texture and used that texture over the front view of the truck and then that became the texture I used over the side view of the truck. To which I erased it over the truck.
Truck was originally photographed at the Back to the Fifties car show in St Paul, MN
This is a creative, unique and beautiful t-shirt design image.
For order: bit.ly/2Ur7L8x
This is a creative, unique and beautiful t-shirt design.
Hey There,
I'm Anower. I'm a Professional Graphic Designer with Vector Art Specialist. Available for any kind of graphic design like logo design, Illustrations, vector tracing, Image vectorizing, photoshop editing, business card, flyer, brochure, t-shirt design, book cover and all kinds of stationery design. If you need a skilled and communicative designer, Please feel free to contact me Anytime! I ensure you provide the best service.
i'm using the same frame concept as my last SHIP but without as many technic bricks. I'm winging it as usual but I'm pushing for 3 decks and two shuttle bays. It's pretty straight now but we'll see what happens as i start skinning it.