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This photostream is a collection of my favorite pics If anyone wants to chat about interior design, you can reach me via my Houzz page - ift.tt/IrzZEF
Hi, my new tattoo avaliable in Hipster event.
maps.secondlife.com/secondlife/Pleasures%20Paradise/146/6...
Photoshopped colour into it ^-^ Deleting 'before' pic later.
Hope you guys like this drawing of Cloe! Please give me feedback and I might draw the other gals ^_^ Hope you like my fashion design, I know this isn't very good but I love Cloe so much :D
Dublin City Public Libraries worked with a team of professional designers and the City Architect to ask primary school children how they would design a library. Three libraries - Ballyfermot, Kevin Street and Raheny libraries were involved in the project. The aims were to inspire future local library design and to promote awareness of architecture and design and give children an opportunity to learn about, and become involved in the design process. Funded by Dublin City Council Social Inclusion Unit.
Design Together will be showcased during Open House Dublin 2011 – a festival run by the Irish Architecture Foundation.
Furniture Interior Design Ideas that includes modern designs of living rooms, bedrooms, kitchens, and dining rooms that will decorate your screen and provide you with interior design ideas to decorate your home.
Passion Hair Design
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The sanctuary windows were made locally in Adelaide By Thompson & Harvey and were donated by parents connected with the college: Sacred Heart being the gift of Mrs Fred Tennant, Our Blessed Lady that of Mr Taylor, and St Joseph, Mr P Flannagan. Ref: Stained Glass Australia.
Other chapel stained glass windows were designed by Franz Xaver Zettler of Munich, Germany.
Sacred Heart College Memorial Chapel
The Marist Brothers were favoured with beautiful, though rather warm weather, for the double ceremony which took place at the Sacred Heart College, Glenelg, on Sunday afternoon last, when his Grace the Archbishop blessed and opened the extensions to the College recently erected, and laid the foundation stone of the fine new chapel which is to be erected as a memorial of the jubilee of the Marist Brothers in Australia and of the students of the College who were killed in the late European war.
A crowd of some thousand persons, including many visitors from the city and suburbs, assembled in the grounds to witness the ceremony.
The Archbishop first blessed the extensions at the rear of the College, assisted by Rev Frs Gatzemeyer and Considine.
He then blessed the ground on which the memorial chapel is being erected on the eastern side of the College, and blessed and laid the foundation stone. For this purpose he was presented by Bro Joseph with a silver trowel, suitably inscribed, the gift of the architects (Messrs Garlick and Jackman).
Fifty years ago four Marist Brothers arrived in Sydney to take up the work at St Patrick's School in that city. They began with 117 scholars. Since then they had extended their operations from New Norcia, in the West, to Sydney, in the East, throughout the Commonwealth, in the Dominion of New Zealand, and the islands of the Pacific, and had nearly 300 brothers engaged in scholastic work, and something like 9000 scholars.
In order to signalise this jubilee a committee was formed. They were anxious to mark the occasion by some permanent memorial. The Marist Brothers had never made an appeal to the public for help during their 50 years' existence in Australia, and he thought that was a record for any of the Orders in Australia. The committee also desired to erect a memorial to the ex-students of the College who had fallen in the war, and it had been decided that the two objects could best be combined in the erection of a college chapel.
Bro. Joseph said it was his pleasant duty to introduce his Grace the Archbishop, who had kindly come down to perform the ceremony.
The one concern of the appeal committee was the erection of the chapel, which would cost between £9000 and £10,000, and which they all knew would be an architectural ornament, not only to the college, but to the district. The committee was not merely an ornamental body. It had done a large amount of work in the 12 months since its formation with his Grace's consent, and deserved their best thanks. It had £3300 in hand, of which the members had contributed £1200, over a third, out of their own pockets. They had shown themselves willing to back their enthusiasm with their cash.
In addition to being a memorial of the jubilee, the building would serve another purpose, rather by coincidence than by set design. His Grace would remember that he was present five years ago, when Sir Henry Galway unveiled a roll of honour to over 300 of their students who had enlisted. Some 70 or 80 went to the front afterwards, bringing the total up to nearly 400. Between 60 and 70 of these had made the supreme sacrifice. It was thought fitting to commemorate them by a jubilee and memorial chapel.
The visitors then inspected the building and extensions, and afternoon tea was served.
The style adopted for the new chapel is that known as the Romanesque, and the materials to be used, bluestone with cement dressings, will harmonize with the architectural treatment of the existing buildings. The foundations are of specially designed reinforced cement concrete. The walls will be built of Tapley's Hill bluestone, with cement quoins and dressings to all door and window openings. The trustees have obtained a lease of a quarry at Tapley's Hill, and only specially selected stone will be used.
All the window frames will be of steel, with subdued colour-stained glass leaded lights of simple design. The joinery will be of blackwood, specially chosen for beauty of grain, and polished. The whole of the walls internally will be finished in cement and brown sand, thus giving a permanent buff shade effect, and they will be jointed to represent stone. The ceiling will be panelled in wood and stained to harmonize with the cement-finish of the walls.
The roof is to be covered with Roman-pattern terra cotta tiles. The width of the chapel will be 28 feet, and the length 66 feet, with aisles on each side six feet wide. The sanctuary at the eastern end will be 18 feet wide and 21 feet long, semicircular and lighted by three stained glass windows placed above the altar.
The entrance porch will be 14 feet by 10 feet, with white Angaston marble steps leading from the carriage drive. At each side of the entrance porch will be a tower 12 feet square carried up to a height of 60 feet, the upper portion of which will be octagonal and surmounted with a copper dome and cross.
Provision will be made over the entrance porch for an organ chamber, and curved and panelled wooden gallery for the organ-passage ways leading from the sanctuary.
The whole of the floors will be of reinforced cement concrete, covered with wood parquetry flooring of specially selected blackwood and oak. Messrs Garlick and Jackman are the architects, and Messrs Dwyer and Warner the contractors.
[Ref: Southern Cross Friday 29-9-1922]
The blessing and opening of the magnificent Romanesque Memorial Chapel recently erected in the grounds of the Sacred Heart College, Glenelg, will take place on Sunday, March 30, at 3.15 pm. The ceremony will be performed by his Grace the Archbishop. The public are cordially invited to attend, especially the parents and friends of Marist Bros' old boys who fell in the war, of whom the chapel is a memorial. It also commemorates the centenary of the Marist Brothers in France in 1817 and the golden jubilee of their establishment in Australia in 1922.
The chapel, which was built at a cost of £11,000, is an imposing structure of Tapley Hill bluestone. In the porch two beautiful statues of Youth will serve as lights. The chapel has seating accommodation for 350 persons.
[Ref: Southern Cross Friday 14-3-1924]
Heatley & Warburton Station signal box by the Up Main line alongside Mill Lane level crossing. 1972
Heatley & Warburton Station signal box was a London & North Western Railway Company type 5 design that opened in 1907 replacing an earlier signal box located between the signal box and the level crossing. The signal box was extended at the non steps end in 1913 to accommodate a 35 lever London & North Western Railway Company Tappet frame and it was closed on 8th December 1974 when control of the level crossing passed to Lymm Lane Crossing signal by means of closed circuit television
The signal box carried a London Midland & Scottish Railway Company post-1935 design nameboard
Ref no SignalBox00405
This ring has created to be translucent, so it gives you the best interaction between the light and ring colours. This ring fit perfectly on the top of the hand.
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I'm riding my whale through 2013! The blessings are in the fishies; family, faith, art, girlfriends, dogs...and the goals are in the waves (I may add some more...I'm thinking "Spread Love Everywhere!")
I was writing morning pages the other day and a funny sentence inexplicably popped up amidst my normal rantings about housework, losing weight, etc (all those things we download during morning pages). The sentence was: Whale rider, your big dream is just below the surface, unseen but waiting to breech. When it does, be ready to grab it by the tail and ride! So this is me...riding!
For the ODT on the origami forum. Again, one square sheet, no cuts or glue (or any type of thing to hold it together besides folding).
Concordia Design Hub
Location: Wroclaw, Slodowa Island
Built: 2018-2020
Architects: MVRDV + Q2 Studio
Investor: Pro Design
Main contractor: Demiurg & Wegner Group
Mixed-use building containing co-working spaces, an event venue, a food hall, a café, and a rooftop terrace
This is for a Fashion Design Portfolio.
Model: Marinés + Ivia
Dress: Mari Lau by Marinés Padilla
MUA: Lian
Facebook Page // Website // Tumblr
This photostream is a collection of my favorite pics If anyone wants to chat about interior design, you can reach me via my Houzz page - ift.tt/IrzZEF
1968 cover that I designed for the Midwest Modern Language Association. I ran this before but I wanted to show some interior pages along with it as well.
I learned so much about the beauty of elegant letterpress typography and printing from Kim Merker who taught the typographic laboratory class that I enrolled in at the University of Iowa. He was a teacher who truly inspired a student to have a vision of the very finest in printing.
Kim had just founded the university’s Windover Press, and It went on through the years to publish many magnificent books.
He was also involved with the Midwest Modern Language Association. He had a full schedule teaching classes and developing the new press so he turned the job of designing the 1969 MMLA bulletin over to me. It was not a letterpress publication but was printed offset by a commercial printing company off campus.
It was on this job that I realized that printers can’t necessarily print white on a rough dark paper stock and have it work visually. One more on-the-job learning experience.