View allAll Photos Tagged Dedication
It's hard to know what to make of this curious wall art outside St Joseph RC Church in Nechells, Birmingham, England.
It has dedications to what I presume are deceased parishioners, with some strange additions such as the website address of a construction firm and what seems to be a wine goblet in a recess.
View large for the details.
iancrean.photodeck.com/-/galleries/encountered/-/medias/0...
I am finally over with this 'Dedications' series. Once again, I just want to thank all people for making Flickr so cool! I did think twice for each dedication, so please don't mind if you don't like what I have dedicated to you....hope you like yours :-)
and these dedications came up because while taking these pictures, I had you people in mind : ) or when I look at them,they remind me of you!! the picture for you,has a note over it with your name.....
I hope I've covered almost everyone for now..those I interact with, talk to....and if you believe you deserve a dedication and mistakenly I've missed you, all apologies..just don't mind : ))))
And there are a few people in my list for whom I could not come up with a worthy dedication, so I'll try n do that soon : )
Take care : ))
Earlier this summer we drove South of Edmonton to the town of Morinville where they were celebrating St. Jean Baptiste Day. This chrome bell was mounted on the front bumper of a fire truck ,dedicated to the brave men and women who serve on the Morinville volunteer fire department.
A demotivational poster (in the style of despair.com ), created using fd's flickr toys ( bighugelabs.com/flickr/motivator.php ).
It's been suggested I should have used a black background for it to be a proper demotivational poster. I picked the green because I thought it went well with the image!
Using my shot: www.flickr.com/photos/elwanderer/426622473/, which is itself a modified and improved version of a previous upload, which in turn I'd replaced in situ with a better version... the original capture has been heavily cropped and the colours altered a little to get to this point. Apologies if you feel like you seen this one too many times!
I'm really proud of the shot as I'd noticed the puddle (it was literally the only one on the pitch) before the match and was ready and waiting with the camera when the players dived into it after the ball.
A lone runner heating for the top on Pen-y-Pass on the road from Llanberis. Rather him than me!
Taken through the car windscreen, don't worry , my wife was driving.
A dedication from Rex Coley on the end papers of 'Cycling is Such Fun'. In the days when we used fountain pens!
Antelope Valley Fallen Heores Memorial Dedication, November 8th 2008, Michael T. Metro, Honor Guard, 1233 Ranco Vista BLVD Palmdale, CA 93551, Mall
The University of Central Arkansas' Health, Physical Educaiton and Recreation (HPER) Center was dedicated during a ceremony on Monday. The expansion includes a 10,000 square feet weight room, a new Olympic-sized swimming pool, racquetball courts and exercise rooms.
A fellow photographer on his chase for a decent shot. We are a strange kind of people, aren't we.
(He did not fall into the water...)
Dedication And Loyalty Regardless Of The Weather!
With Spain Losing To Switzerland By 1 Goal At The World Cup 2010 In South Africa, I thought A Little Of The Joyous Times From Years Past Would Console The Spanish Fans!
Spanish Football (Soccer) Fans Celebrate Spain's Victory over Germany to Win The Euro Cup, 2008, their first title since the 1964 tournament!
Iraq combat veteran Bill Stender and the Stender family's youngest grandson, Harry light the Eternal Flame at the Huntsville Veterans Memorial Dedication Nov. 17, 2012. Photo Credit Adoratia Purdy, AMC PAO — in Huntsville, AL.
253-300 AD, Rome.
Iovi Optimo Dolicheno d(onum) d(edit) // P(ublius) Egnatius Fructus
Now in the Capitoline Museum.
Museum of the Colosseum.
獻予阮的家後, 我牽汝的手七十五冬矣, 嘛亦無夠額.
In English:
"Dedicated to my wife:
75 years is not long enough
I'll never stop holding your hand."
With a two-stage rocket launch air-brushed on the trunk. I had dinner with the guy – he did his Ph.D in rocketry…
WIESBADEN, Germany – U.S. Army Europe Commander Lt. Gen. Donald M. Campbell Jr. addresses attendees during USAREUR’s headquarters building dedication ceremony here, Nov. 14. USAREUR paid tribute to former Seventh Army commander Lt. Gen. Geoffrey Keyes whose leadership contributed to the strategic and operational direction the U.S. Army took in establishing initial presence in Europe. (U.S. Army Europe photo by Spc. Joshua Leonard)
Photo Title: Dedication
Submitted by: Bobby Kristianto
Category: Amateur
Country: Indonesia
Organisation: Perdami Bali
COVID-19 Photo: No
Photo Caption: Young Ophthalmologist was examining streak retinoscopy for child
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Photo uploaded from the #HopeInSight Photo Competition on photocomp.iapb.org held for World Sight Day 2020.
People visiting with each other at Evergreen Cemetery following dedication ceremony. Jim Randolph in baseball cap, probably talking to Claire Janaro. Jack Colbert (back to camera) talking to Stephen Jones. John Cobb in far right. Photo courtesy Ron and Laura Kohl
Members of the Armed Forces participated in the George W. Bush Presidential Center Dedication Ceremony on April 25, 2013. Photo by Eric Draper
I know this poet-
he tangles with words
and sure enough,
we may never find closure.
but he would say:
close
sure.
(and those are his words, not mine.)
(for I use parenthesis)
Thesis?
We dance on clouds, we drift over each night
waiting for the day.
and when it does arrive-
it is empty and burdened.
Bird? End?
(small smile)
don't forget that night.
That day.
The sleepwalking dreams of the past.
For they brought us here
and we will always be
linked.
Geertgen tot Sint Jans
Around 1460/1465, after 1490, active in Haarlem
Fate of the earthly remains of John the Baptist, after 1484
In the background the separate burial of head and body after the beheading of John the Baptist under Herod; in the foreground the opening of the tomb and burning of the bones on the orders of the emperor Julian the Apostate in the year 362, in the middle distance the retrieval of the rescued remains in the 13th century. This scene is, however, relocated into the late 15th century, the members of the Haarlem St. John Convention having themselves represented in a group portrait - the earliest in the history of painting.
Geertgen tot Sint Jans
Alrededor de 1460/1465, después de 1490, activo en Haarlem
El destino de los restos terrenales de Juan el Bautista, despues de 1484
En el fondo el entierro por separado de la cabeza y el cuerpo después de la decapitación de Juan el Bautista bajo Herodes; en el primer plano la apertura de la tumba y la quema de los huesos por orden del emperador Juliano el Apóstata en el año 362; en el centro, la recuperación de los restos salvados en el siglo 13. Esta escena, sin embargo, se transfiere en los finales del siglo 15, los miembros del convento de Haarlem de los Caballeros de San Juan se haciendo representar en un retrato de grupo - el primero en la historia de la pintura.
Geertgen tot Sint Jans
Um 1460/1465, nach 1490, tätig in Haarlem
Schicksal der irdischen Überreste Johannes des Täufers, nach 1484
Im Hintergrund die getrennte Bestattung von Haupt und Leichnam nach der Enthauptung des Täufers unter Herodes; im Vordergrund die Öffnung des Grabes und Verbrennung der Gebeine auf Befehl Kaiser Julian Apostatas im Jahr 362; im Mittelgrund die Wiederauffindung der geretteten Überreste im 13. Jahrhundert. Diese Szene ist jedoch ins späte 15. Jahrhundert verlegt, wobei sich die Mitglieder des Haarlemer Johanniterkonvents in einem Gruppenporträt - dem frühesten der Malereigeschichte - darstellen ließen.
Austria Kunsthistorisches Museum
Federal Museum
Logo KHM
Regulatory authority (ies)/organs to the Federal Ministry for Education, Science and Culture
Founded 17 October 1891
Headquartered Castle Ring (Burgring), Vienna 1, Austria
Management Sabine Haag
www.khm.at website
Main building of the Kunsthistorisches Museum at Maria-Theresa-Square
The Kunsthistorisches Museum (KHM abbreviated) is an art museum in Vienna. It is one of the largest and most important museums in the world. It was opened in 1891 and 2012 visited of 1.351.940 million people.
The museum
The Kunsthistorisches Museum is with its opposite sister building, the Natural History Museum (Naturhistorisches Museum), the most important historicist large buildings of the Ringstrasse time. Together they stand around the Maria Theresa square, on which also the Maria Theresa monument stands. This course spans the former glacis between today's ring road and 2-line, and is forming a historical landmark that also belongs to World Heritage Site Historic Centre of Vienna.
History
Archduke Leopold Wilhelm in his Gallery
The Museum came from the collections of the Habsburgs, especially from the portrait and armor collections of Ferdinand of Tyrol, the collection of Emperor Rudolf II (most of which, however scattered) and the art collection of Archduke Leopold Wilhelm into existence. Already In 1833 asked Joseph Arneth, curator (and later director) of the Imperial Coins and Antiquities Cabinet, bringing together all the imperial collections in a single building.
Architectural History
The contract to build the museum in the city had been given in 1858 by Emperor Franz Joseph. Subsequently, many designs were submitted for the ring road zone. Plans by August Sicard von Sicardsburg and Eduard van der Null planned to build two museum buildings in the immediate aftermath of the Imperial Palace on the left and right of the Heroes' Square (Heldenplatz). The architect Ludwig Förster planned museum buildings between the Schwarzenberg Square and the City Park, Martin Ritter von Kink favored buildings at the corner Währinger street/Scots ring (Schottenring), Peter Joseph, the area Bellariastraße, Moritz von Loehr the south side of the Opera ring, and Ludwig Zettl the southeast side of the Grain market (Getreidemarkt).
From 1867, a competition was announced for the museums, and thereby set their current position - at the request of the Emperor, the museum should not be too close to the Imperial Palace, but arise beyond the ring road. The architect Carl von Hasenauer participated in this competition and was able the at that time in Zürich operating Gottfried Semper to encourage to work together. The two museum buildings should be built here in the sense of the style of the Italian Renaissance. The plans got the benevolence of the imperial family. In April 1869, there was an audience of Joseph Semper with the Emperor Franz Joseph and an oral contract was concluded, in July 1870 was issued the written order to Semper and Hasenauer.
Crucial for the success of Semper and Hasenauer against the projects of other architects were among others Semper's vision of a large building complex called "Imperial Forum", in which the museums would have been a part of. Not least by the death of Semper in 1879 came the Imperial Forum not as planned for execution, the two museums were built, however.
Construction of the two museums began without ceremony on 27 November 1871 instead. Semper subsequently moved to Vienna. From the beginning on, there were considerable personal differences between him and Hasenauer, who finally in 1877 took over sole construction management. 1874, the scaffolds were placed up to the attic and the first floor completed, in 1878, the first windows installed, in 1879, the Attica and the balustrade finished, and from 1880 to 1881 the dome and the Tabernacle built. The dome is topped with a bronze statue of Pallas Athena by Johannes Benk.
The lighting and air conditioning concept with double glazing of the ceilings made the renunciation of artificial light (especially at that time, as gas light) possible, but this resulted due to seasonal variations depending on daylight to different opening times.
Dome hall
Entrance (by clicking on the link at the end of the side you can see all the pictures here indicated!)
Grand staircase
Hall
Empire
The Kunsthistorisches Museum was on 17 October 1891 officially opened by Emperor Franz Joseph I. Since 22 October 1891, the museum is accessible to the public. Two years earlier, on 3 November 1889, the collection of arms, Arms and Armour today, had their doors open. On 1 January 1890 the library service resumed its operations. The merger and listing of other collections of the Highest Imperial Family from the Upper and Lower Belvedere, the Hofburg Palace and Ambras in Tyrol needs another two years.
1891, the Court museum was organized in seven collections with three directorates:
Directorate of coins, medals and antiquities collection
The Egyptian Collection
The Antique Collection
The coins and medals collection
Management of the collection of weapons, art and industrial objects
Weapons collection
Collection of industrial art objects
Directorate of Art Gallery and Restaurieranstalt (Restoration Office)
Collection of watercolors, drawings, sketches, etc.
Restoration Office
Library
Very soon the room the Court Museum (Hofmuseum) for the imperial collections was offering became too narrow. To provide temporary help, an exhibition of ancient artifacts from Ephesus in the Theseus Temple was designed. However, additional space had to be rented in the Lower Belvedere.
1914, after the assassination of Franz Ferdinand, heir to the throne, his "Estensische Sammlung (Collection)" passed to the administration of the Court Museum. This collection, which emerged from the art collection of the house of d'Este and world travel collection of Franz Ferdinand, was placed in the New Imperial Palace since 1908. For these stocks, the present collection of old musical instruments and the Museum of Ethnology emerged.
The First World War went by, apart from the oppressive economic situation without loss. The Court museum remained during the five years of war regularly open to the public.
Until 1919 the K.K. Art Historical Court Museum was under the authority of the Oberstkämmereramt (head chamberlain office) and belonged to the House of Habsburg-Lorraine. The officials and employees were part of the royal household.
First Republic
The transition from monarchy to republic, in the museum took place in complete tranquility. On 19 November 1918 the two imperial museums on Maria Theresa Square were placed under the state protection of the young Republic of German Austria. Threatening to the stocks of the museum were the claims raised in the following weeks and months of the "successor states" of the monarchy as well as Italy and Belgium on Austrian art collection. In fact, it came on 12th February 1919 to the violent removal of 62 paintings by armed Italian units. This "art theft" left a long time trauma among curators and art historians.
It was not until the Treaty of Saint-Germain on 10 September 1919, providing in Article 195 and 196 the settlement of rights in the cultural field by negotiations. The claims of Belgium, Czechoslovakia, and Italy again could mostly being averted in this way. Only Hungary, which presented the greatest demands by far, was met by more than ten years of negotiation in 147 cases.
On 3 April 1919 was the expropriation of the House of Habsburg-Lorraine by law and the acquisition of its property, including the "Collections of the Imperial House", by the Republic. On 18 June 1920 the then provisional administration of the former imperial museums and collections of Este and the secular and clergy treasury passed to the State Office of Internal Affairs and Education, since 10 November 1920, the Federal Ministry of the Interior and Education. A few days later it was renamed the Art History Court Museum in the "Kunsthistorisches Museum, Vienna State", 1921 "Kunsthistorisches Museum" . Of 1st January 1921 the employees of the museum staff passed to the state of the Republic.
Through the acquisition of the former imperial collections owned by the state, the museum found itself in a complete new situation. In order to meet the changed circumstances in the museum area, designed Hans Tietze in 1919 the "Vienna Museum program". It provided a close cooperation between the individual museums to focus at different houses on main collections. So dominated exchange, sales and equalizing the acquisition policy in the interwar period. Thus resulting until today still valid collection trends. Also pointing the way was the relocation of the weapons collection from 1934 in its present premises in the New Castle, where since 1916 the collection of ancient musical instruments was placed.
With the change of the imperial collections in the ownership of the Republic the reorganization of the internal organization went hand in hand, too. Thus the museum was divided in 1919 into the
Egyptian and Near Eastern Collection (with the Oriental coins)
Collection of Classical Antiquities
Collection of Ancient Coins
Collection of modern Coins and Medals
Weapons collection
Collection of Sculptures and Crafts with the Collection of Ancient Musical Instruments
Picture gallery
The Museum 1938-1945
Count Philipp Ludwig Wenzel Sinzendorf according to Rigaud. Clarisse 1948 by Baroness de Rothschildt "dedicated" to the memory of Baron Alphonse de Rothschildt; restituted to the Rothschilds in 1999, and in 1999 donated by Bettina Looram Rothschild, the last Austrian heiress.
With the "Anschluss" of Austria to the German Reich all Jewish art collections such as the Rothschilds were forcibly "Aryanised". Collections were either "paid" or simply distributed by the Gestapo at the museums. This resulted in a significant increase in stocks. But the KHM was not the only museum that benefited from the linearization. Systematically looted Jewish property was sold to museums, collections or in pawnshops throughout the German Reich.
After the war, the museum struggled to reimburse the "Aryanised" art to the owners or their heirs. They forced the Rothschild family to leave the most important part of their own collection to the museum and called this "dedications", or "donations". As a reason, was the export law stated, which does not allow owners to bring certain works of art out of the country. Similar methods were used with other former owners. Only on the basis of international diplomatic and media pressure, to a large extent from the United States, the Austrian government decided to make a change in the law (Art Restitution Act of 1998, the so-called Lex Rothschild). The art objects were the Rothschild family refunded only in the 1990s.
The Kunsthistorisches Museum operates on the basis of the federal law on the restitution of art objects from the 4th December 1998 (Federal Law Gazette I, 181 /1998) extensive provenance research. Even before this decree was carried out in-house provenance research at the initiative of the then archive director Herbert Haupt. To this end was submitted in 1998 by him in collaboration with Lydia Grobl a comprehensive presentation of the facts about the changes in the inventory levels of the Kunsthistorisches Museum during the Nazi era and in the years leading up to the State Treaty of 1955, an important basis for further research provenance.
The two historians Susanne Hehenberger and Monika Löscher are since 1st April 2009 as provenance researchers at the Kunsthistorisches Museum on behalf of the Commission for Provenance Research operating and they deal with the investigation period from 1933 to the recent past.
The museum today
Today the museum is as a federal museum, with 1st January 1999 released to the full legal capacity - it was thus the first of the state museums of Austria, implementing the far-reaching self-financing. It is by far the most visited museum in Austria with 1.3 million visitors (2007).
The Kunsthistorisches Museum is under the name Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum with company number 182081t since 11 June 1999 as a research institution under public law of the Federal virtue of the Federal Museums Act, Federal Law Gazette I/115/1998 and the Museum of Procedure of the Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum, 3 January 2001, BGBl II 2/ 2001, in force since 1 January 2001, registered.
In fiscal 2008, the turnover was 37.185 million EUR and total assets amounted to EUR 22.204 million. In 2008 an average of 410 workers were employed.
Management
1919-1923: Gustav Glück as the first chairman of the College of science officials
1924-1933: Hermann Julius Hermann 1924-1925 as the first chairman of the College of the scientific officers in 1925 as first director
1933: Arpad Weixlgärtner first director
1934-1938: Alfred Stix first director
1938-1945: Fritz Dworschak 1938 as acting head, from 1938 as a chief, in 1941 as first director
1945-1949: August von Loehr 1945-1948 as executive director of the State Art Collections, in 1949 as general director of the historical collections of the Federation
1945-1949: Alfred Stix 1945-1948 as executive director of the State Art Collections, in 1949 as general director of art historical collections of the Federation
1949-1950: Hans Demel as administrative director
1950: Karl Wisoko-Meytsky as general director of art and historical collections of the Federation
1951-1952: Fritz Eichler as administrative director
1953-1954: Ernst H. Buschbeck as administrative director
1955-1966: Vincent Oberhammer 1955-1959 as administrative director, from 1959 as first director
1967: Edward Holzmair as managing director
1968-1972: Erwin Auer first director
1973-1981: Friderike Klauner first director
1982-1990: Hermann Fillitz first director
1990: George Kugler as interim first director
1990-2008: Wilfried Seipel as general director
Since 2009: Sabine Haag as general director
Collections
To the Kunsthistorisches Museum also belon the collections of the New Castle, the Austrian Theatre Museum in Palais Lobkowitz, the Museum of Ethnology and the Wagenburg (wagon fortress) in an outbuilding of Schönbrunn Palace. A branch office is also Ambras in Innsbruck.
Kunsthistorisches Museum (main building)
Picture Gallery
Egyptian and Near Eastern Collection
Collection of Classical Antiquities
Vienna Chamber of Art
Numismatic Collection
Library
New Castle
Ephesus Museum
Collection of Ancient Musical Instruments
Arms and Armour
Archive
Hofburg
The imperial crown in the Treasury
Imperial Treasury of Vienna
Insignia of the Austrian Hereditary Homage
Insignia of imperial Austria
Insignia of the Holy Roman Empire
Burgundian Inheritance and the Order of the Golden Fleece
Habsburg-Lorraine Household Treasure
Ecclesiastical Treasury
Schönbrunn Palace
Imperial Carriage Museum Vienna
Armory in Ambras Castle
Ambras Castle
Collections of Ambras Castle
Major exhibits
Among the most important exhibits of the Art Gallery rank inter alia:
Jan van Eyck: Cardinal Niccolò Albergati, 1438
Martin Schongauer: Holy Family, 1475-80
Albrecht Dürer : Trinity Altar, 1509-16
Portrait Johann Kleeberger, 1526
Parmigianino: Self Portrait in Convex Mirror, 1523/24
Giuseppe Arcimboldo: Summer 1563
Michelangelo Merisi da Caravaggio: Madonna of the Rosary 1606/ 07
Caravaggio: Madonna of the Rosary (1606-1607)
Titian: Nymph and Shepherd to 1570-75
Portrait of Jacopo de Strada, 1567/68
Raffaello Santi: Madonna of the Meadow, 1505 /06
Lorenzo Lotto: Portrait of a young man against white curtain, 1508
Peter Paul Rubens: The altar of St. Ildefonso, 1630-32
The Little Fur, about 1638
Jan Vermeer: The Art of Painting, 1665/66
Pieter Bruegel the Elder: Fight between Carnival and Lent, 1559
Kids, 1560
Tower of Babel, 1563
Christ Carrying the Cross, 1564
Gloomy Day (Early Spring), 1565
Return of the Herd (Autumn), 1565
Hunters in the Snow (Winter) 1565
Bauer and bird thief, 1568
Peasant Wedding, 1568/69
Peasant Dance, 1568/69
Paul's conversion (Conversion of St Paul), 1567
Cabinet of Curiosities:
Saliera from Benvenuto Cellini 1539-1543
Egyptian-Oriental Collection:
Mastaba of Ka Ni Nisut
Collection of Classical Antiquities:
Gemma Augustea
Treasure of Nagyszentmiklós
Gallery: Major exhibits
The new Scottsburg Bridge provides a wider roadway and adjusting the curves on both ends of the bridge. On May 25, 2022, Oregon 38 traffic was shifted from the old bridge to the new bridge.
EPCOT Center truly is my favorite WDW park. Ever since I was a little kid, the first time I rode Spaceship Earth is one memory of Disney I'll never forget. I also remember doing the stationary bikes through Disneyland in the now dormant Wonders of Life. From those memories to now, when every time I see Illuminations: Reflections of Earth and get choked up, EPCOT Center has a special place in my heart. Thanks for lookin', and have a great weekend!
This friday opens the Michael Jackson Dedication Night at Watt Rotterdam, with a nice group exhibition of 16 artists who made a Michael inspirerd piece of art. The artists are : Almost Modern, Baschz, Bitches In Control, Bobby Pola, Bruce Tsai, Collin van der Sluijs, Daniël Rozendaal, Gino Hoiting, Kiki Storm, Linda van der Vleuten, Loes Stoop, Marthe Nagengast, Mathieu Winkel, Peter Winkel, Ready2Rumbl en Rutger Termohlen. Flyer design by Bruce Tsai. www.watt-rotterdam.nl/18-Programma
Collection Name: Second State Capitol Commission Collection
Photographer/Studio: Unknown
Description: Panoramic View of crowds at Dedication of State Capitol building.
Coverage: United States – Missouri – Cole County – Jefferson City
Date: October 6, 1924
Rights: Copyright is in the public domain.
Credit: Courtesy of Missouri State Archives
Image Number: MS0316_134_12_067
Institution: Missouri State Archives
I got it into my head that I failed to finish my shots, so had long planned a return. So, with the weather expected to be grim on Monday, I switched from orchids to churches.
I think this is right, the dedication is after two Roman gladiators, and is one shared with Challock, although Blean has Cosmas spelt differently, just add some confusion.
Blean is on the main road north out of Canterbury, but set back, in what was the site of a Roman villa.
It was hooping it down when I arrived, so I scampered as fast as my fat little legs could carry me to the south side of the church and saw the fine "church open" sign, welcoming me.
Again, I could not find the light switches, so the building remained in semi-darkness.
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How wonderful to find an unlocked isolated church in an area where many are kept closed! This charming flint building stands on a well-used public footpath (the former Roman Salt Road) that runs across a dry valley outside Canterbury. Its tree-shaded churchyard contains venerable yews and the church itself, dedicated to Ss Cosmas and Damian (see also Challock) is welcoming indeed. The nave and chancel are thirteenth century - see the typical lancet windows - but the huge north aisle, doubling the church in size, dates from the 1860s. Its arcade, however, is a good copy of thirteenth century work with huge cylindrical piers and an easternmost arch that stops short of the floor as if to allow space for a Rood Screen. The interior is light and spacious with much emphasis on the rustic medieval roof timbers. The twin-lancet east window contains some good mid-Victorian glass by Henry Holiday. The altar rails are seventeenth century whilst tucked behind the main door is a huge early eighteenth century memorial. As part of their millennium celebrations the locals reordered the church to great effect, moving the clumsy organ to the back and replacing it by the pulpit. These works have improved the interior no end.
www.kentchurches.info/church.asp?p=Blean
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BLEANE,
OR Cosmus Bleane, stiled in all judicial proceedings St. Cosmus and Damian in the Blean, is the next parish southward from Swaycliffe, which latter name it took from the two saints, to whom the church of it is dedicated, and from its having been situated within the district which was once the king's antient forest of Bleane.
IT IS situated in a wild country, enveloped with woods, having much rough and poor land in it, and the inhabitants are in general like the soil, equally poor and rough. The turnpike road from Canterbury to Whitstaple, runs along the western side of it. It reaches as far as the half-way house on that road; and from Denstroud common, the houses of which only are within it, as far as the brook next to St. Stephen's parish eastward, in breadth about three miles. The soil in general consists of an unsertile stiff clay, and a cold loam, both very wet and miry. There is no village in it, but there are about forty houses dispersed throughout the whole of it. There are three commons or small heaths in it; two, over which the Whitstaple road runs, called Hoad common, and Bleane common; on the eastern side of the former is Hoad-court, great part of which has been pulled down within these few years, and the remainder has been converted into a farm-house; the third, in the eastern part of it, is called Tyler-hill common. On the east side of Bleane common, on the knoll of the hill, is a good brick house, formerly of better note, though now only a farm-house, called Amery-court. It was antiently called Le Ambry, alias Le Amery-court, being a corruption for the almonry court, from its being given in alms to St. Sepulchere's nunnery. It was lately the property of the Rev. Mr. Boucherie, who died in 1789, and now of his widow. The northern part of this parish is all coppice wood, among which is a considerable part of the great tract called Clowes wood, belonging jointly to Sir Edward Dering and Sir Rowland Wynne, barts. It was antiently called Cluse, and was formerly a manor, and was, in Edward III.'s reign, in the possession of a family of its own name. It afterwards passed to the Ropers, of St. Dunstan's, and thence in like manner as that of Boteler's-court before-described, to the present possessors of it. On the west side of the parish is the manor of Goodmans, which formerly belonged to Sir John Rough, of Brenley, and afterwards to the Farewells, of Boughton, of whom it was purchased in 1741, by the Rev. Julius Deedes, whose grandson William Deedes, esq. of St. Stephen's sold it in 1796, to Mr. William Cantis, of Canterbury, the present owner of it.
There are within the bounds of this parish, four several districts of land, which are reputed to be within the liberty and ville of Christ-church, in Canterbury, and have been so time out of mind, and their christenings are entered as such in this parish register. The inheritance of them belongs to the dean and chapter of Canterbury.
THE MANOR OF BLEANE, called in Domesday, Blehem, was at the time of taking that survey, part of the possessions of Hamo de Crevequer, usually stiled in the records of that time, Hamo Vicecomes, which name he acquired from his having been appointed Vicecomes, or sheriff of this county, soon after his coming over hither with the Conqueror, and holding the office till his death, which was not till Henry I.'s reign. According it is thus entered in the above survey, under the general title of Terra Hamonis Vicecomitis:
In the lath of Borowart, in Witestaple hundred, Haimo himself holds Blehem. Norman held it of king Ed ward, and then, and now, it was taxed at one suling. The arable land is four carucates, and twelve villeins having three carucates. In demesne there is one carucate. There is a church, and two acres of meadow, and pannage for sixty hogs. There is one fishery. In the time of king Edward the Confessor, it was worth eight pounds, and afterwards, and now, it was and is worth six pounds.
Hamo de Crevequer, a descendant of Hamo abovementioned, possessed this manor in king Richard I.'s reign, from whence he is stiled in some antient deeds relating to it, Sir Hamo del Blen. (fn. 1) He died anno 47 king Henry III. Leaving Robert his grandson his heir, who held it by knight's service; but taking part with the discontented barons, this manor was most probably seized among the rest of his estates, which remained in the crown till it was granted to one of the family of Badlesmere, and Bartholomew de Badlesmere, usually stiled the rich lord Badlesmere of Ledes, possessed it in king Edward II.'s reign, in the 9th year of which, he obtained a special charter of freewarren in all his demesne lands within it. He afterwards associated himself with the rebellious barons, but being taken prisoner, he was converyed to Canterbury, and executed in the 16th year of that reign, at the gallows of Blean, within this manor, to make the ignominy of his death the more conspicuous. By the inquisition, which was not taken till anno 2 king Edward III. at which time the process and judgment against him was reversed, it was sound that he died possessed of the manor of Blean, among others, which were then restored to his son Giles de Badlesmere, who died s. p. in the 12th year of king Edward III. anno 1337, (fn. 2) so that his four sisters became his coheirs, and upon a partition of their inheritance, it sell to the share of Margerie, wife of William, lord Roos, of Hamlake. She survived her husband, and afterwards possessed this manor for her life, and in the 32d year of the above reign, granted her interest in it to Thomas de Wolton and Robert de Denton; which was confirmed by her only surviving son Thomas, lord Roos, of Hamlake, who the next year granted the inheritance of it to the same Thos. de Wolton, master of the hospital of St. Thomas the Martyr, of Eastbridge, in Canterbury, and his successors, in Support of the charities and alms made in it, at which time the hospital was possessed of much other land in this parish by the gift of several other persons. (fn. 3) After which this manor, with the other premises abovementioned, remained with the hospital, which escaped the suppression of such foundations in the reigns of king Henry VIII. and king Edward VI. and it remains with the other lands given to it at different times, now part of the possessions of the above-mentioned hospital.
A court leet and court baron is held for this manor of Bleane and Hothe-court, at which a borshoulders is chosen for the borough of Bleane.
If there ever was a court-lodge or manston to the manor of Blean, it has been demolished time out of mind; for that of Hoad-court hereafter described, has deyond memory been the only one belonging to both these manors, which indeed seem to have been long since united, if ever they were two, and now are but one and the same manor, and should be more properly stiled the manor of Bleane, alias Hothe-court.
HOTHE, or HOADE COURT, so called from its situation, close to the hothe, or common here, is a manor, lying in the south east part of this parish, which was once the estate of Sir John de la Lee, who in the year 1360, anno 35 king Edward III. gave it, to Thomas de Wolton and his successors, masters of the hospital of Eastbregge, towards certain acts of piety in it. (fn. 4) After which it remained in the possession of the hospital till the latter and of queen Elizabeth's reign, when Dr. Lause, prebendary of Canterbury, and the archbishop's commissary, then master of it, with the privity of archbishop Whitgift, (fn. 5) made a benesicial lease of this manor, at which it seems he then resided, with divers other lands, at the reserved rent of forty-eight pounds, for his own use and benefit, to his brother Fermyn Lause, for threre lives. He died in 1594, and by his will devised his interest in the above lease to John Boys, esq. and Robert Grove, of Eastry. In consequence of which, Fermyn Lause, above-mentioned, then of Aylsham, in Norfolk, conveyed the lease to them, the sole interest in which became vested in John Boys, esq. above-mentioned, afterwards knighted, and of St. Gregory's priory, in Canterbury, a man of much note in his profession of the law. He was steward to five archbishops, recorder of Canterbury, and then of Sandwich, judge of the chancery court of the five ports, and M. P. for Sandwich, and for Canterbury, and founder of Jesus or Boys's hospital, in Northgate, Canterbury. He was fifth and youngest son of William Boys, esq. of Nonington, by his wife Mary, sister and heir of Sir Edward Ringsley, and bore for his arms, Or, a griffin, segreant, sable, within a bordure, gules, being those borne by his ancestors. He resided at times here at Hoadcourt, which he died possessed of in 1612, without surviving issue, though he had been twice married, and was buried in the north isle of Canterbury cathedral, where his monument, with his effigies on it, still remains, having by his will devised his interest in the lease of this manor to his nephew Thomas Boys, of Canterbury, with remainder to John his son. (fn. 6)
Thomas Boys, esq. above mentioned, was afterwards of Hoad court, as was John Boys, his eldest son, who succeeded him here, by the limitation in Sir John Boys's will, and resided at Hoad-court, as did his descendants down to colonel John Boys, who died here in 1748, and was buried with his ancestors in this church, leaving by his wife Elizabeth, daughter of Thomas Dalyson, esq. two daughters his coheirs, Elizabeth, married to the Rev. Charles Wake, and Anne to the Rev. Osmund Beauvoir, who respectively, in right of their wives, became jointly entitled to the lease of this manor, with the seat and lands belonging to it; but after some years intervening, on a partition made, it was wholly allotted to the former, who held it for three lives, from the master of the hospital of Eastbridge; since whose death in 1796, his interest in it is become vested in the Rev. John Honywood, his son-in-law, the present possessor of it.
The Rev. C. Wake above-mentioned, LL. D. was prebendary of Westminster, and rector of East Knoyle and Fonthill, in Wiltshire. He was first married to Eliz. Boys, by whom he had Charles, vicar of Shoreham, and Elizabeth, who married the Rev. J. Honywood above-mentioned. He married 2dly the daughter of Mr. Beckford, by whom he had several children. Dr. Beauvoir was formerly head master of the king's school, in Canterbury, and married Anne Boys, as above-mentioned, who died in 1762, and was buried in Bleane church, by whom he had three sons, Osmund, William, and Cholmondeley, who survived to maturity, but all died unmarried; and two daughters, Elizabeth, married to William Hammond, esq. of St. Albans, in this county, and Isabella, married to the Rev. Richard Blackett Dechair, vicar of Shebbertswell, and of Postling, in this county. Dr. Beauvoir married secondly Mary, only daughter and heir of Fane William Sharpe, esq. (Since re-married to Dr. Douglas) but by whom he had no issue; he died in 1789, and was buried in the nave of the cathedral at Bath. He bore for his arms, Argent, a chevron between three cinquefoils, gules, quartered with those of Compton, of Guernsey.
In the rentals of the manor of Blean, there is mention made of the payment of gate silver (a custom not often met with). It seems to be a payment made by the tenants of the manor, for the repair of the gates leading to and from the Blean, to prevent their cattle from straying and being lost.
WELL-COURT, now usually called Wild-court, is a manor, situated near the northern bounds of this parish, the house of it being partly in it and partly in that of St. Stephen's. It is stiled in antient records, Ebolestone, alias Well-court, and was once part of the possessions of the family of At-Lese, one of whom, Sir Richard At-Lese, died s. p. possessed of it in 1394. Upon which it descended to his two nieces, daughters and coheirs likewise of his brother Marcellus At-Lese, of whom Lucy the eldest, married first to John Norton, esq. and secondly to William Langley, esq. of Knolton, (fn. 7) had this manor as part of her inheritance, and accordingly entitled both her husbands in succession to it. She had issue by both of them, who after their deaths shared this manor between them. In which state it continued for many years, till Thomas Langley, son of John, alienated his part of it, in the IIth year of king Henry VIII. to his relation Sir John Norton, the possessor of the other moiety, who then became owner of the whole of it, of which he died possessed in the 34th year of that reign, and was Succeeded in it by his natural son Thomas Green, usually stiled Norton, alias Green, whose two grandsons Thomas and George Green, in the 7th year of James I. alienated it to John Best, in which name the fee of it continued till the latter end of the last century, though in king Charles II.'s reign, it had come by means of mortgage, or some other such assignment, into the possession of Lovelace, then of Wild, and afterwards of William Rooke, esq. of St. Laurence, afterwards knighted, when it was passed away to Thomas Fleet, yeoman, who then lived in it. He died in the possession of it in 1712, s. p. and by his will devised it to his cousin Thomas Fleet, son of John Fleet, of Bleane, since which, by the limitations in the above will, it is now come to Mr. Thomas Fleet, who is the present owner, and resides in it.
BOTELERS,alias Botelers court, is a manor, nearly in the centre of this parish, which, in the 20th year of king Edward III. was, with the manors of Chesfield and Cluse, now called Clowes, held by knight's service by the same owners. Soon after which, it became the property and residence of the family of Boteler, whence it gained the name of Botelers-court, and continued in it till it was at length sold to one of the Ropers, of St. Dunstans, near Canterbury; in whose posterity it continued down to Edward Roper, esq. of Eltham, who died possessed of it in 1723, s. p. since which it has passed in like manner as that of Chestfield, in Swaycliffe, heretofore described, down to Sir Edward Dering and Sir Rowland Wynne, barts. and they are at this time the joint proprietors of it.
There are no parochial charities.
THIS PARISH is within the ECCLESTICAL JURISDICTION of the diocese of Canterbury, and deanry of Westbere.
The church, which is dedicated to St. Cosmus and Damianus, is but small and mean. It consists of only one isle and a chancel, having a low pointed turret at the west end, in which hangs one bell. In the chancel is a memorial for John Boys, esq. of Hoad-court, eldest son of John Boys, esq. of that place, obt. 1660; and a mural monument for John Boys, esq. of Hode, who married Jane, daughter of Sir Richard Head, bart. obt. 1710; arms, quarterly, Boys, Phalop, Alday, and Ringsley, impaling Head. Besides which, there are several other memorials of less account.
The church was antiently an appendage to the manor, and remained so till Hamo de Crevequer, called in the charter, Hamo de Blen, son of Etardus de Crevequer, the lord of it, gave this church, with all its appurtenances, to the master and brethren of the hospital of Eastbridge; and by another deed he granted to them, that is to the rector of this church, and the brethren of that hospital, the parsonage-house, with its appurtenances, late belonging to the rectory of it, and one acre of ground, and certain annual rent in this parish, to hold in free, pure and perpetual alms; all which was confirmed by archbishop Langton, by which means the rectory and parsonage of it became appropriated, and confirmed to the hospital, and the master or keeper became parson of it; but archbishop Sudbury afterwards, in 1375, converted the rectory or parsonage so appropriated, into a perpetual vicarage, which he then founded and endowed; but on account of the inconveniences arising to the parishioners, especially those who were infirm, from the distance they were at from the priest who had the cure of souls, who usually lived at the hospital, which was a mile or more distant from them, whom they were obliged with much trouble to seek after there; by which means the duties of this church, as well as the parishioners, were either neglected or wholly omitted. Therefore, weighing these inconveniences, and being desirous to remedy them as far as was in his power, he decreed, that there should be in this church in future, a perpetual vicar, having within the parish of the same, the mansion which the master of the hospital had erected for the same; and that the vicar should have likewise the tithes and oblations under-mentioned, amounting, as was supposed, to 10l. and upwards, for the supporting of himself in food, and the under-mentioned burthens; and that the presentation of the vicar on each vacancy, should belong to the keeper of the hospital for ever. Moreover, that the vicar should have, in part of the said sum, for his endowment, all predial tithes at Natynden, due to the hospital of old time, which were worth five marcs or thereabout yearly, and also all predial tithes through this whole parish; excepting of the demesne lands and estates of the hospital within the parish, whilst in tillage; and excepting all manner of predial tithes, and others whatsoever, arising from the lands, and beasts feeding on them, and their young folded on them, lying on the south part of the course of water running in this parish, called Vischmannysbourne, between the church and the court of the hospital at le Hothe, of which tithes he should not claim any thing, in any shape whatever. Moreover, that the vicar should have, towards the making up the sum of the aforesaid 10l. all tithes of calves, lambs, geese, flax, wool, milk, milkmeats, cheese, hay, herbage, silva cedua, and all titheable things within the parish, except only as before excepted. The vicar, therefore, should have all oblations in the church, and parish without the court of the hospital at la Hoth; and as the vicar himself, as if rector of the place, would possess such emoluments within it, he should support the undermentioned burthens from them, that is, he should amend and repair the chancel of the church at his own cost, and should support the mansion already built for him, and should find wine and bread and lights in the church, necessary for the celebrations, at his own expence, and should undergo all other burthens to be imposed in future on the church, which were not then taxed to the payment of the tenths, and should acknowledge them duly, and pay them; that he should be obliged to make a continual residence within the parish, as the other vicars of churches were obliged by law to do; and that he should obey the keeper of the hospital in all lawful and honest matters, the archbishop reserving to himself and his successors, the power of correcting, augmenting, and diminishing this his decree, as often as it should be expeding to him and them so to do.
According to which endowment, the vicarage of this church still continues, the vicar, as if rector of the parish, receiving all the tithes, both great and small, within it, except as is therein excepted, and of the portion of lands in Nackington; and from the time before-mentioned, the keeper, or master, as he is now called, of Eastbridge hospital, has continued, and is, the present patron of it.
¶The vicarage is valued in the king's books at 10l. and the yearly tenths at one pound. In 1537 here were thirty families, and ninety-four communicants. In 1588 it was valued at 40l. communicants 129. In 1640 it was valued at 65l. the like number of communicants. It was lately certified to be of the clear yearly value of 73l. 14s. 6d. but it is now worth near double that sum. The portion of tithes, in the parish of Nackington, &c. consists of those arising from 116 acres of land, or thereabout, lying in various detached pieces, belonging to different owners, and is worth about 44l. annual value.
There are near two acres of glebe land belonging to it.
Members of the EDGE Residential College faculty and students in that college were on hand to dedicate a labyrinth behind State Hall on Thursday. The labyrinth was a service project that was suggested by the students as an improvement behind the hall as well as an area of meditation and reflection. To uphold ages-old tradition, the labyrinth was dedicated by song as the performer walked the labyrinth.
I originally took this meaning to be my picture a day and a part of my picture a month from the same location:
www.flickr.com/photos/martin_hickman/sets/72157629269039657/
The dedication refers to Brian, the volunteer gardener who I have met many times over the last couple of years. That's his van in the picture, I had thought of repositioning myself to keep it out of the picture, but I'm glad I left it in.