View allAll Photos Tagged Cross_Processing,
nikon FA
fujichrome sensia 100 RA-687, rated at 200 iso, cross-processed normally at box speed
April, 12th. 2015.
processed and scanned at Nation Photo, Paris
nikkor AI-s 18mm f/3.5
After loading this film into my development cannister, just before I was about to pour the B&W Ilfosol3 developer in, I noiticed the empty film cartridge lying in the waste basket - it *finally* registered in my thick brain that this was a roll of Ektar 100.- a COLOUR film. Oops. I spent a little while reading various sources to determine what my options were. It seems one can develop colour film quite nicely with B&W developer. The negatives might be awkward to scan depending on your scanner but otherwise they are just fine.
This image is proof of the technique. I've done this several times over the years since and always with good results.
Cross processed Fuji NPS 160 - a film I never could get good colours from. Processed in E6. Weird colours. The Scanner does not even know whats going on.
I think I remember a couple fooling around in the grass in the distance.
Feel free to press L
After loading this film into my development cannister, just before I was about to pour the B&W Ilfosol3 developer in, I noiticed the empty film cartridge lying in the waste basket - it *finally* registered in my thick brain that this was a roll of Ektar 100.- a COLOUR film. Oops. I spent a little while reading various sources to determine what my options were. It seems one can develop colour film quite nicely with B&W developer. The negatives might be awkward to scan depending on your scanner but otherwise they are just fine.
This image is proof of the technique. I've done this several times over the years since and always with good results.
I think I've been a bit lucky with my first cross processing experiments.
I had 3 films processed, this film was decidedly biased to these kind of shades, whilst the other film, loves the blues.
Am looking forward to seeing what happens next.
Got a few different types of film, some of which expired in '96... (the same year I did).
After loading this film into my development cannister, just before I was about to pour the B&W Ilfosol3 developer in, I noiticed the empty film cartridge lying in the waste basket - it *finally* registered in my thick brain that this was a roll of Ektar 100.- a COLOUR film. Oops. I spent a little while reading various sources to determine what my options were. It seems one can develop colour film quite nicely with B&W developer. The negatives might be awkward to scan depending on your scanner but otherwise they are just fine.
This image is proof of the technique. I've done this several times over the years since and always with good results.
Cross processed in PS, thanks to my friend "Ian_Boys" techniques......!!!
Thanks to all my contacts / friends / visitors...!!!
[Made to Flickr "Explore"]
Tail lights are a source of interest with lines, light and reflections aplenty. Fast forward to Photoshop where I cross Processed my shot and here's the result.
Cross processing is an effect that was achieved when there were film cameras. Inaccurate use of acids used to process the film could give an effect which later came to be known as cross process. It is easy to do. The tutorial is here : photoshopper27.blogspot.in/#!http://photoshopper27.blogsp...
Now available to buy at Getty Images
Thought I'd go for a bit of the cross-processed vintage look for this one. I quite like all the clutter going on, hopefully it's not too distracting. Location is All Saints Church in Annesley not far from the offices where I work. It's a lovely little spot, but unfortunately its grounds are usually closed to the public during the week so you can't get very close.
Camera: Fujifilm X10
Lens: Fujinon Aspherical 7.1-28.4mm ƒ/2-2.8 @ 7.1mm
Exif: ƒ/2 | ISO 100 @ 1/680th sec
Comments and criticism welcome.