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I'm holding one of the amazing figures created by Nele Azevedo as part of the Minimum Monumnet art installation Custom House steps, Belfast - 20 Oct 2012 as I place it it begins to melt and part of the water dripping down the steps making this art installation purely transitory as it brings ot mind the victims of Titanic who died after the ship hit an ice berg !
Painting lines in the newly re-surfaced carpark at Hengistbury Head, Dorset, UK.
Kite Aerial Photograph
19 June 2012
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for further photos see: www.flickr.com/photos/hamishfenton/7514961706/ and the comment below the linked photograph
I don't know why.. but lately I have been looking at food in a whole new light.
Canon 5D Mark II
Canon 50mm f1.4
Creating 3D displays for federal government venture
Synsation recently designed three customised 3D exhibition booths for NEHTA’s Model Healthcare Community launch. This exciting and accessible live demonstration is showing key federal government members and local medical communities the potential power of its solution.
The booths had to be easily transported and flexible, travelling from major capitals to rural areas, from exhibition centres to local libraries. The flowing design, bold visuals and graphic displays made it easy for NEHTA staff to simulate the technology and explain clearly what could otherwise be a complex idea. In the words of a NEHTA staff member, “everyone loved it!”
created for the World Fair Exhibition of 1867, lots of tree species, ever green garden, unlike other gardens here no dust, lots of paths (5 kms) to walk up and down
créé en 1867 pour l'Exposition Universelle on y retrouve toutes sortes d'arbres, vert toute l'année, pas de poussière, très sportif, nombreuses allées (5 kms) pour monter et descendre
Learn the basics of what is required to make and create biodiesel. Learn how to make it from leftover oil from restaurants or from scratch at home. Find out how to save money on running your lawnmower, boat, car, truck and anything else that uses diesel. Read the full version at www.federalenergyincentives.org
SampleBoard.com presents a new and innovative way to create and present your ideas and vision by using the web-based interactive editor. It enables designers from different design disciplines (graphic, web, interiors, landscape, fashion and wedding planning) and backgrounds to collaborate on design projects, share their creative portfolio online and get exposure for business opportunities through the public design directory.
The web editor allows you to quickly and easily pull together design trends, colour schemes, textures and products via a convenient drag-and-drop function, using the rich editing toolset with over 30,000 product images from the library or your own images uploaded onto the system from your personal profile.
Ajay S. Banga, President and Chief Executive Officer, Mastercard, USA at the India Economic Summit 2017 in New Delhi, India, Copyright by World Economic Forum / Benedikt von Loebell
Creating the Future: Media, Culture, & the Arts
L-R:
Stephanie Fierman — Global Chief Marketing Officer, MediaCom
YK Hong—Artist and Emerging Fashion Designer
Kaori Fujii — Award-winning Flutist
Analisa Balares — CEO & Founder, Womensphere, Womensphere Foundation
Alicia Stewart — Senior Producer, CNN
Christine Cuoco — Director, Brand and Agency Strategy, Twitter
Diane Brady — Business Editor, Bloomberg
Lisa Cortes — Director & Producer, Cortes Films
5th Annual Womensphere Emerging Leaders Global Summit 2014
THE NEXT GENERATION OF WOMEN LEADERS & INNOVATORS CREATING THE FUTURE
Main Summit Day - January 15,2014 @ Columbia University
Immersion & Exploration Days - January 14 and January 16 @ Multiple Venues in New York City
(Credit Suisse, BBDO, New York Stock Exchange, Diane von Furstenberg, Tutor.com/IAC, Yahoo, Paley Center for Media, CNN)
*** Join in & continue the conversation:
#WomensphereSummit and #EmergingLeaders and #CreateOurFuture
Twitter: @womensphere @analisabalares
Partner Twitter: @accenture @mfhi @americanair @nielsen @siegelgale @scholastic @goldmansachs @eynews @hudsonhotels @Columbia @CUSEAS
Academic Delegations: @Columbia @CUSEAS @MIT @McMasterU @mountholyoke @citytechnews @nyuniversity @wakeforest1834 @yale
Summit Website:
womensphere.org/emergingleadersglobalsummit2014/
Organization Websites:
Like us on Facebook:
My friend Bill Westerman, along with his super kind wife Ilana, run this cool company in California called Create with Context;.
They work in helping other companies to improve, innovate and evolve in terms of technology according to people's specific needs.
They have worked with important clients such as Adobe, Yahoo, Amway, Panasonic, Ebay, IBM among others.
They ask me to illustrate their 2010 bussiness calendar. The topic, of course, people.
Different people=different aproach to technology.
So, ¡¡here are the images!!!!
Mi amigo Bill Westerman, junto con su muy amable esposa Ilana, tienen esta empresa en California llamada Create with Context. Ellos ayudan a otras empresas a innovar, mejorar y evolucionar en términos tecnológicos de acuerdo a las especificidades del contexto humano.
Ellos han trabajado con clientes importantes como Adobe, Panasonic, Ebay, Yahoo entre otros.
Ellos me pidieron ilustrar su calendario 2010; el tema por supuesto, la gente.
Diferentes personas=Diferentes acercamientos a la tecnología.
Así que: ¡¡Aquí están las imágenes!!!
Costumes for the live visuals for Got to Keep On for The Chemical Brothers, 2019
By Kate Tabor
The visuals for The Chemical Brothers' live shows are created by designers Smith & Lyall. Together, Adam Smith, an award winning filmmaker and Marcus Lyall, artist and director have been show directing the Chemical Brothers' live experience for the last 10 years.
Working with a regular team of creative collaborators they direct and design the visuals, lights, lasers and props and practical effects. Inspired by the music, looks are created for each song which take the audience on a multi-sensory, immersive journey. Initially visualised in 3D software, the concept was transformed with custom-made geometrically-themed costumes and real performers. The dancers were shot in a studio using large-scale film lighting to create a striking high fashion look.
[Design Museum]
Electronic: From Kraftwerk to The Chemical Brothers
(July – February 2021)
Evoking the experience of being in a club, the exhibition will transport you through the people, art, design, technology and photography that have been shaping the electronic music landscape.
Celebrate 50 years of legendary group Kraftwerk with their 3D show. Step into the visual world of The Chemical Brothers for one of their legendary live shows, as visuals and lights interact to create a new three-dimensional experience by Smith & Lyall.
Travel to dance floors from Detroit to Chicago, Paris, Berlin and the UK’s thriving scene; featuring over 400 objects and the likes of Detroit techno legends Kevin Saunderson, Juan Atkins, Jeff Mills and Richie Hawtin, "Godfather of House Music" Frankie Knuckles, Haçienda designer Ben Kelly and the extreme visual world created by Weirdcore for Aphex Twin’s ‘Collapse’.
Discover early pioneers Daphne Oram and the seminal BBC Radiophonic Workshop. Indulge your senses with large scale images of rave culture by Andreas Gursky, iconic DJ masks and fashion, a genre-spanning soundtrack by French DJ and producer Laurent Garnier, a sound reactive visual installation created specifically for the exhibition by 1024 architecture, graphics from Peter Saville CBE, history-making labels and club nights.
[Design Museum]
Airbus A380-841
MSN 148
G-XLEE
British Airways
BAW BA
Copyright © 2015 A380spotter. All rights reserved.
From the Avalanche Tracks viewpoint in the Kananaskis mountains. Fresh April snow overnight, and now some wind to sculpt it...
VLOB if you like...
3D red/cyan anaglyph created from two non-matching glass plates at the Library of Congress. This is a new cropped version with increased depth over my 2019 posting; I've reworked some of the shadows and other shading to attempt a better match between the left and right images. The two images were taken maybe an hour or so apart from the same camera location, but due to all the street activity, etc., they do not match up well, and were never intended to be utilized as a stereoscopic pair.
This image was restored and used as the right side image: "Old Ford's Theatre, 10th St. N.W., Washington D.C. (where Lincoln was shot)": www.loc.gov/pictures/item/2017897854/
This image was restored and editing done in Photoshop (e.g. people or objects added, removed, or moved about, etc.) to make a matching left side image: "Ford's Theatre, Wash., D.C.": www.loc.gov/pictures/item/2017897853/
Date: From reviewing D.C. city directories for the addresses in the photo, the likely date range is 1872 - 1876. Property deeds indicate that Otto Kosack had just purchased this property in 1871 and so he would need time to construct this brick building and fit-out his shop. By the time the 1877 directory is compiled (late 1876?) and published, 517 10th St. is no longer the Philadelphia Dye House - it's listed as a Florist shop and greenhouse.
Photographer: Mathew B. Brady (1823 - 1896)
Notes: This is the shop of Otto Kosack, Union Civil War veteran, at 521 10th St., NW, three doors above Ford’s Theatre, which by 1872, was home to the Record and Pension Division and Army Medical Museum. On the store front window of Otto's shop are depictions of two artificial legs, each surrounded by lettering, which can be partially made out as: “O. Kosack _????_ of Jewett’s Patent Legs.” As indicated above, this brick building did not exist at the time of Lincoln's assassination, and close inspection of 1865 photographs show that the lot was then occupied by a wooden structure, similar to the one at the extreme left. Note, however, that the two buildings between Otto's shop and Ford's theatre were here on April 14, 1865, and seven or so years later, appear virtually unchanged. The Philadelphia Dye House, just to the left of Ford's, was the Greenback Saloon in 1865, and often visited by John Wilkes Booth.
Otto Kosack was born in Prussia on August 10, 1837, and around age twenty-one, he immigrated to the U.S., along with his mother, two sisters, and three brothers, sometime in 1858 (according to his brother Leo's obituary). NARA index cards indicate that three of the four brothers, Otto, Edward, and Frederick, enlisted in the Union army, all three in Co. K, 2nd Maryland Infantry. According to his compiled service record, Otto enlisted at Camp Carroll on August 24, 1861, and was mustered into service as sergeant on September 18, 1861, to serve 3 years. He is described by his papers as being 5 feet 6 inches tall, with light complexion, grey eyes, and blonde hair.
One year and three months later, on December 13, 1862, at the Battle of Fredericksburg, Otto's left leg was struck by an artillery shell, and within 10 minutes the lower half was amputated, presumably in a near-by field hospital. Otto was transported to Douglas Hospital in Washington, D.C., for treatment, where infection would set in; see the Civil War era watercolor illustrating his condition, and the medical report regarding his case, in my next Flickr posting.
Just a couple weeks before Otto was wounded, the N.Y. Times of November 29, 1862, carried an article stating that, “a board of surgeons has recommended to the Medical Department the use, for the mutilated soldiers, of the artificial legs manufactured by the different makers, PALMER, JEWETT, HUDSON, SELPHO and BLY.” According to the article, the Surgeon General then issued instructions as to which manufacturer was to be used in which city, and the specific hospital where the legs were to be made available. The article further states that, “the price paid to the manufacturers for these limbs is $50 each.” In Washington, D.C., the manufacturer selected was B.W. Jewett, and the hospital selected was St. Elizabeth's Hospital.
Otto survived his ordeal at Douglas Hospital, and on May 4, 1863, was transferred to St. Elizabeth’s Hospital where he would obtain an artificial leg. According to the medical report, "This man was seen several months after walking with great ease on his artificial leg." On June 16, 1864, at Washington, D.C., Otto was discharged from service, with a surgeon's "Certificate of Disability for Discharge," a copy of which can be seen online at NARA's website.
After the war, D.C. city directories indicate that Otto was engaged in cabinet making, and eventually, he and two brothers in the making of Jewett’s artificial legs. Otto purchased the property at 521 10th St., in January 1871, where he constructed this shop. The Boyd's D.C. directory for 1872 is the first one with a full advertisement showing Otto as open for business at this location. The advertisement in Boyd's 1872 D.C Directory: "Otto Kosack, Manufacturer of Jewett's Patent Leg, 521 10th st., bet. E and F nw, Near Medical Museum, Washington D.C. Artificial legs of the most approved pattern, combining strength, lightness and perfect finish, furnished on short notice."
By 1877, Boyd's Directory lists the three brothers as all residing or working at 521 10th Street - but time was running out for Otto Kosack, and after six years at this address, he died later that year. I've not yet been able to find his cause of death. From his obituary in the National Republican of October 2, 1877: "On Monday morning, October 1, at 8:30 o'clock, Otto Kosack, born in Prussia, August 10, 1837, aged forty-one years, one month and twenty-one days....funeral will take place at his brother's residence...." Note, there seems to be an arithmetic issue here, as Otto would have been only 40 years of age based on those dates. After Otto's death, his brother Edward took over the artificial limb business, which remained at this location until around the turn of the century.
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Link to 1863 watercolor of Otto's leg and the 1864 report on his medical case: www.flickr.com/photos/110677094@N05/53788679093/in/photos...
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Red/Cyan (not red/blue) glasses of the proper density must be used to view 3D effect without ghosting. Anaglyph prepared using red cyan glasses from The Center For Civil War Photography / Civil War Trust.
~TITLE OF ARTWORK~
~ JUSTIN AERNI'S FAMOUS SHOES ~
ARTWORK CREATED ON: Converse Shoes
APPROXIMATE SIZE: Mens size 11.
Media: Acrylics, Pen & Ink , Watercolors
Signed And Dated
Artwork Created in April 2009.
~ABOUT THIS~
"JUSTIN AERNI'S FAMOUS SHOES"
~ Original Mixed Media Painting on Shoes by raw artist Justin Aerni.
Created in April 2009.
THESE ARE ACTUALLY MY SHOES THAT I'VE HAD FOR AROUND THREE YEARS ! I HAVE MADE THESE SHOES INTO A MASTERPIECE OF ART ! THE LUCKY WINNER OF THESE FAMOUS ART SHOES WILL ENJOY THE EXTREME APPRECIATION VALUE IN THE NEAR FUTURE.
From the seafront at Weston-super-Mare it is often possible to see a line of yellowish smog, presumably created by one of the South Wales industrial plants. Today it was more noticeable than usual. Steepholm island is centre of shot, 13/4/2015