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And God Created Woman (French: Et Dieu... créa la femme) is a 1956 French romantic drama film directed by Roger Vadim in his directorial debut and starring Brigitte Bardot. Though not her first film, it is widely recognized as the vehicle that launched Bardot into the public spotlight and immediately created her "sex kitten" persona, making her an overnight sensation.

 

When the film was released in the United States by Kingsley-International Pictures in 1957, it pushed the boundaries of the representation of sexuality in American cinema, and most available prints of the film were heavily edited to conform with the Hays Code censorial standards.[citation needed] Filmmaker Peter Bogdanovich credited it for "breaking French cinema out of U.S. art houses and into the mainstream and thereby inadvertently also paving the way for the takeover in France of the New Wave filmmakers."[5]

 

A poorly-received English-language remake, also titled And God Created Woman, was directed by Vadim and released in 1988.

 

Plot

Juliette is an 18-year-old orphan in Saint-Tropez, France,[6][7] with a high level of sexual energy. She makes no effort to restrain her natural sensuality – lying nude in her yard, habitually kicking her shoes off and stalking about barefoot, and disregarding many societal conventions and the opinions of others. This behavior causes a stir and attracts the attention of most of the men around her.

 

Her first suitor is the much older and wealthy Eric Carradine. He wants to build a new casino in Saint-Tropez, but his plans are blocked by a small shipyard on the stretch of land which he needs for the development; the shipyard is owned by the Tardieu family.

 

Antoine, the eldest of the three Tardieu brothers, returns home for the weekend to hear Carradine's proposal and Juliette is waiting for him to take her away with him. His intentions are short-term, and he spurns her by leaving Saint-Tropez without her.

  

U.S theatrical advertisement, 9 April 1958

Tiring of her outrageous behavior, Juliette's guardians threaten to send her back to the orphanage, which will confine her until she is 21. To keep her in town, Carradine pleads unsuccessfully with Antoine to marry her. His infatuated and naive younger brother Michel sees his opportunity and proposes marriage to Juliette. Despite her love for Antoine, she accepts.

 

When Antoine is contracted to return home and work for Carradine, Juliette's behavior becomes increasingly disrespectful of her husband. In a huff, she takes one of the family's boats. When it develops engine trouble, she has to be saved by Antoine. While they are washed up together on a wild beach, she seduces him.

 

Juliette begins acting bizarrely. She takes to her bed, claiming to have a fever. She tells Christian, the youngest Tardieu brother, that she had sex with Antoine on the beach. When Madame Tardieu, mother of the three boys, hears about it, she tells Michel that he has to dump Juliette promptly. Michel goes to their room to talk with Juliette, but she has gone off to the Bar des Amis to drink and dance.

 

Michel tries to go looking for her, but Antoine locks him inside, telling him to forget her. Michel fights his brother for the key and heads out after Juliette.

 

Eric has been alerted that Juliette is making a spectacle of herself and comes to the bar to collect her. Juliette refuses to leave with him. Michel arrives but Juliette refuses to talk with him and continues her improvised and sexually suggestive dancing. When she ignores Michel's order to stop, Michel shoots at her. Eric steps in and is slightly wounded. Antoine offers to drive Eric to a doctor and they leave. Michel angrily slaps Juliette four times. She only smiles at him with satisfaction that she has provoked him to this behavior. En route to the doctor, Eric tells Antoine that he is going to reassign him to work elsewhere to put some distance between him and Michel and Juliette. He says: "That girl was made to destroy men". In the final scene, Michel and Juliette walk home together, hand in hand.

 

Cast

Brigitte Bardot as Juliette Hardy

Curd Jürgens as Éric Carradine

Jean-Louis Trintignant as Michel Tardieu

Marie Glory as Mme. Tardieu

Georges Poujouly as Christian Tardieu

Christian Marquand as Antoine Tardieu

Jane Marken as Madame Morin

Jean Tissier as M. Vigier-Lefranc

Isabelle Corey as Lucienne

Jacqueline Ventura as Mme Vigier-Lefranc

Jacques Ciron as The Secretary of Éric

Paul Faivre as M. Morin

Jany Mourey as The Orphanage Representative

Philippe Grenier as Perri

Jean Lefebvre as The Man who wanted to dance

Leopoldo Francés as The Dancer

Jean Toscano as René

Production

By the mid-1950s Roger Vadim was an established screenwriter and had written several movies starring his then wife Brigitte Bardot. Producer Raoul Levy wanted Vadim to write and direct a film starring Bardot, and suggested he adapt the book The Little Genius by Maurice Garçon. Vadim disliked the book and came up with a new story, one based on a trial of a woman who had been the mistress of three different brothers, and who killed one of them. Vadim was particularly taken with the attitude of the woman towards her lovers, the jury and the police. Levy liked Vadim's idea and obtained finance.[8]

 

Levy succeeded in raising finance from Columbia, who would provide color and CinemaScope provided Curd Jurgens was given a role. The parts of the brothers had already been cast so Vadim rewrote the script in two days to expand the part of an arms dealer so it could be offered to Jurgens.[8]

 

Reception

Box office

The film was a big hit in France, one of the ten most popular films at the British box-office in its year of release[9] and the biggest foreign-language film ever in the United States at the time.[10] The film earned $4 million in the U.S. (grossing $12 million), and a further $21 million around the globe.[2][3]

 

The film was extremely popular in Kansas City, where it played for a year at the Kimo Theatre, grossing over $100,000, a record for Kansas City at the time.[11] In Europe, this movie smashed attendance records from Norway to the Middle East.[12] It earned for France over $8 million, more than France's biggest export — "the Renault Dauphine".[13]

 

In the United States the film was released by Kingsley-International, a subsidiary of Columbia Pictures as Columbia was forbidden to release a film with nudity and adult themes. The Catholic Legion of Decency gave it a "C" for "Condemned" rating. A Columbia spokesman stated that the film would have received twice as many bookings with a less restrictive "B" rating, but would only have done half the business.[14] Variety reported that in spite of the rating, the film broke "local records at the Paris Theatre, N.Y., and at other houses where it has played", and noted that "In Fitchburg, Mass., it actually outgrossed Ten Commandments."[15]

 

Author Peter Lev describes the film's impact in America:

 

And God Created Woman's impact on the film industry was significant. New Bardot films were eagerly snapped up by distributors, and old Bardot films were released or re-released. Prices for distribution rights to foreign films escalated overall.[16]

 

Critical response

When the film was released in the United States, Bosley Crowther, the film critic for The New York Times, found Brigitte Bardot attractive but the film lacking and was not able to recommend it. He wrote: "Bardot moves herself in a fashion that fully accentuates her charms. She is undeniably a creation of superlative craftsmanship. But that's the extent of the transcendence, for there is nothing sublime about the script of this completely single-minded little picture. ...We can't recommend this little item as a sample of the best in Gallic films. It is clumsily put together and rather bizarrely played. There is nothing more than sultry fervor in the performance of Mlle. Bardot, and Christian Marquand and Jean-Louis Trintignant are mainly heavy-breathers as her men".[17]

en.wikipedia.org/wiki/And_God_Created_Woman_(1956_film)

 

Film critic Dennis Schwartz wrote: "The breezy erotic drama was laced with some thinly textured sad moments that hardly resonated as serious drama. But as slight as the story was it was always lively and easy to take on the eyes, adding up to hardly anything more than a bunch of snapshots of Bardot posturing as a sex kitten in various stages of undress. The public loved it and it became a big box-office smash, and paved the way for a spate of sexy films to follow. What was more disturbing than its dullish dialogue and flaunting of Bardot as a sex object, was that underneath its call for liberation was a reactionary and sexist view of sex."[18]

 

Rotten Tomatoes reports a 69% approval rating based on 13 reviews, with an average rating of 6.4/10.[19]

 

Censorship

When released in the United States, the film was condemned by the National Legion of Decency.[20]

 

Police made attempts to suppress its screening in the U.S.[21][22]

 

Saint-Tropez (/ˌsæn troʊˈpeɪ, - trəˈ-/ SAN troh-PAY, - trə-,[4][5] French: [sɛ̃ tʁɔpe]; Provençal: Sant Tropetz [san(t) tʀuˈpes]) is a commune in the Var department and the region of Provence-Alpes-Côte d'Azur, Southern France. It is 68 kilometres (42 miles) west of Nice and 100 kilometres (62 miles) east of Marseille, on the French Riviera, of which it is one of the best-known towns. In 2018, Saint-Tropez had a population of 4,103. The adjacent narrow body of water is the Gulf of Saint-Tropez (French: Golfe de Saint-Tropez), stretching to Sainte-Maxime to the north under the Massif des Maures.

 

Saint-Tropez was a military stronghold and fishing village until the beginning of the 20th century. It was the first town on its coast to be liberated during World War II as part of Operation Dragoon. After the war, it became an internationally known seaside resort, renowned principally because of the influx of artists of the French New Wave in cinema and the Yé-yé movement in music. It later became a resort for the European and American jet set and tourists.

 

History

 

Aerial view of Saint-Tropez, with Pampelonne beach in background and the citadel and the port in the foreground

 

Citadel of Saint-Tropez

 

Map of Saint-Tropez (c. 1680)

In 599 BC, the Phocaeans from Ionia founded Massilia (present-day Marseille) and established other coastal mooring sites in the area. Through the writings of Roman historian and military commander Pliny the Elder, it was found that Saint-Tropez was known in ancient times as Athenopolis and that it belonged to the Massilians.[6] In 31 BC, the Romans invaded the region. Their citizens built many opulent villas in the area, including one known as the "Villa des Platanes" (Villa of the Plane Trees). The closest settlement to Saint-Tropez in antiquity is attested as Heraclea-Caccabaria, today Cavalaire-sur-Mer, situated on the southern end of the peninsula, while the gulf of Saint-Tropez was called sinus Sambracitanus, which likely survives in the settlement name of Les Issambres.[7]

 

The town owes its current name to the early Christian martyr Saint Torpes. Legend tells of his decapitation at Pisa during Nero's reign, with his body placed in a rotten boat along with a rooster and a dog. The body purportedly landed at the present-day location of the town of Saint-Tropez.[8][9][10]

 

Toward the end of the ninth century, long after the fall of the Roman Empire in the West, pirates and privateers began a hundred years of attacks and sackings. In the tenth century, the village of La Garde-Freinet was founded 15 km (9 mi) to the north of Saint-Tropez. From 890 to 972, Saint-Tropez and its surroundings became an Arab Muslim colony dominated by the nearby Saracenic settlement of Fraxinet;[11][12] in 940, Saint-Tropez was controlled by Nasr ibn Ahmad.[12] From 961 to 963, Adalbert, son of Berengar, the pretender to the throne of Lombardy who was pursued by Otto I, hid at Saint-Tropez.[12] In 972, the Muslims of Saint-Tropez held Maïeul, the abbot of Cluny, for ransom.[12]

 

In 976, William I, Count of Provence, Lord of Grimaud, began attacking the Muslims, and in 980 he built a tower where the Suffren tower now stands. In 1079 and 1218, Papal bulls mentioned the existence of a manor at Saint-Tropez.

  

Saint-Tropez "le vieux port" (the old port)

From 1436, Count René I (the "good King René") tried to repopulate Provence. He created the Barony of Grimaud and appealed to the Genoan Raphael de Garezzio, a wealthy gentleman who had sent a fleet of caravels carrying 60 Genoese families to the area. In return, Count René promised to exempt the citizens from taxation. On 14 February 1470, Jean de Cossa, Baron of Grimaud and Grand Seneschal of Provence, agreed that the Genoan could build city walls and two large towers, which still stand: one tower is at the end of the Grand Môle and the other is at the entrance to the Ponche.

 

The city became a small republic with its own fleet and army and was administered by two consuls and 12 elected councillors. In 1558, the city's captain Honorat Coste was empowered to protect the city. The captain led a militia and mercenaries who successfully resisted attacks by the Turks and Spanish, succored Fréjus and Antibes and helped the Archbishop of Bordeaux regain control of the Lérins Islands.

 

In 1577, the daughter of the Marquis Lord of Castellane, Genevieve de Castilla, married Jean-Baptiste de Suffren, Marquis de Saint-Cannet, Baron de La Môle, and advisor to the parliament of Provence. The lordship of Saint-Tropez became the prerogative of the De Suffren family. One of the most notable members of this family was the later vice-admiral Pierre André de Suffren de Saint-Tropez (1729–1788), veteran of the War of the Austrian Succession, the Seven Years' War and the American Revolutionary War.

 

In September 1615, Saint-Tropez was visited by a delegation led by the Japanese samurai Hasekura Tsunenaga that was on its way to Rome but was forced by weather to stop in the town. This may have been the first contact between the French and the Japanese.

  

Bust of Saint-Tropez during the Bravades

The local noblemen were responsible for raising an army that repulsed a fleet of Spanish galleons on 15 June 1637; Les Bravades des Espagnols, a local religious and military celebration, commemorates this victory of the Tropezian militia.[13] Count René's promise in 1436 to not tax the citizens of Saint-Tropez was honored until 1672, when Louis XIV abrogated it as he imposed French control.

 

The Gulf of Saint-Tropez was known as the Gulf of Grimaud until the end of the 19th century.

 

During the 1920s, Saint-Tropez attracted famous figures from the fashion world such as Coco Chanel and Elsa Schiaparelli. During World War II, the landing on 15 August 1944 began the Allied invasion of southern France, Operation Dragoon. In the 1950s, Saint-Tropez became internationally renowned as the setting for such films as And God Created Woman, which starred French actress Brigitte Bardot.

 

In May 1965, an Aérospatiale Super Frelon pre-production aircraft crashed in the gulf, killing its pilot.

 

On 4 March 1970, the French submarine Eurydice, with its home port as Saint-Tropez, disappeared in the Mediterranean with 57 crew aboard after a mysterious explosion.

 

The motto of Saint-Tropez is Ad usque fidelis, Latin for "faithful to the end". After the Dark Age of plundering the French Riviera, Raphaël de Garesio landed in Saint-Tropez on 14 February 1470, with 22 men, simple peasants or sailors who had left the overcrowded Italian Riviera. They rebuilt and repopulated the area, and in exchange were granted by a representative of the "good king", Jean de Cossa, Baron of Grimaud and Seneschal of Provence, various privileges, including some previously reserved exclusively for lords, such as exemptions from taxes status and the right to bear arms. About ten years later, a great wall with towers stood watch to protect the new houses from sea and land attack; some 60 families formed the new community. On 19 July 1479, the new Home Act was signed, "the rebirth charter of Saint-Tropez".[14]

 

Climate

Saint-Tropez has a hot-summer mediterranean climate with mild winters and hot summers, although daytime temperatures are somewhat moderated by its coastal position.

 

Climate data for Saint-Tropez

MonthJanFebMarAprMayJunJulAugSepOctNovDecYear

Mean daily maximum °C (°F)12.1

(53.8)12.6

(54.7)14.3

(57.7)16.5

(61.7)19.7

(67.5)23.4

(74.1)27.0

(80.6)27.3

(81.1)24.3

(75.7)20.2

(68.4)15.6

(60.1)13.0

(55.4)18.8

(65.8)

Daily mean °C (°F)9.3

(48.7)9.6

(49.3)11.0

(51.8)13.2

(55.8)16.3

(61.3)20.0

(68.0)23.3

(73.9)23.4

(74.1)20.8

(69.4)17.1

(62.8)12.8

(55.0)10.3

(50.5)15.6

(60.1)

Mean daily minimum °C (°F)6.5

(43.7)6.6

(43.9)7.8

(46.0)9.8

(49.6)13.0

(55.4)16.5

(61.7)19.5

(67.1)17.3

(63.1)14.1

(57.4)9.9

(49.8)7.5

(45.5)6.0

(42.8)12.3

(54.1)

Average precipitation mm (inches)82.4

(3.24)82.8

(3.26)64.7

(2.55)53.2

(2.09)40.1

(1.58)25.7

(1.01)15.5

(0.61)27.8

(1.09)57.0

(2.24)104.9

(4.13)85.7

(3.37)72.2

(2.84)711.8

(28.02)

Mean monthly sunshine hours147.8148.9203.2252.1234.9280.6310.3355.5319.5247.0201.5145.52,748.1

Source: Climatologie mensuelle à la station de Cap Camarat.[15]

Economy

 

The Hôtel Byblos is a Grand Hotel built in the mid-1960s.

The main economic resource of Saint-Tropez is tourism. The city is well known for the Hôtel Byblos and for Les Caves du Roy, a member of the Leading Hotels of the World; its 1967 inauguration featuring Brigitte Bardot and Gunter Sachs was an international event.

 

Beaches

 

Tropezian Tahiti beach in 2011

Tropezian beaches are located along the coast in the Baie de Pampelonne, which lies south of Saint-Tropez and east of Ramatuelle. Pampelonne offers a collection of beaches along its five-kilometre shore. Each beach is around 30 metres wide with its own beach hut and private or public tanning area.

 

Many of the beaches offer windsurfing, sailing and canoeing equipment for rent, while others offer motorized water sports, such as power boats, jet bikes, water skiing and scuba diving. Some of the beaches are naturist beaches. There are also many exclusive beach clubs that are popular among wealthy people from around the world.

 

Toplessness and nudity

Saint-Tropez's Tahiti Beach, which had been popularised in the film And God Created Woman featuring Brigitte Bardot, emerged as a clothing-optional destination,[16] but the mayor of Saint-Tropez ordered police to ban toplessness and to watch over the beach via helicopter.[17] The "clothing fights" between the gendarmerie and nudists become the main topic of a famous French comedy film series, Le gendarme de Saint-Tropez (The Troops of St. Tropez) featuring Louis de Funès. In the end, the nudist side prevailed.[18] Topless sunbathing is now the norm for both men and women from Pampelonne beaches to yachts in the centre of Saint-Tropez port.[19] The Tahiti beach is now clothing-optional, but nudists often head to private nudist beaches, such as that in Cap d'Agde.[20]

 

Port

 

Saint Tropez Port view

 

Aerial view of Saint-Tropez

The port was widely used during the 18th century; in 1789 it was visited by 80 ships. Saint-Tropez's shipyards built tartanes and three-masted ships that could carry 1,000 to 12,200 barrels. The town was the site of various associated trades, including fishing, cork, wine and wood. The town had a school of hydrography. In 1860, the flagship of the merchant navy, named The Queen of the Angels (La Reine des Anges, a three-masted ship of 740 barrels capacity), was built at Saint-Tropez.

 

Its role as a commercial port declined, and it is now primarily a tourist spot and a base for many well-known sail regattas. There is fast boat transportation with Les Bateaux Verts to Sainte-Maxime on the other side of the bay and to Port Grimaud, Marines de Cogolin, Les Issambres and St-Aygulf.

 

Events

Les Bravades de Saint-Tropez

Les Bravades de Saint-Tropez is an annual celebration held in the middle of May when people of the town celebrate their patron saint, Torpes of Pisa, and their military achievements. One of the oldest traditions of Provence, it has been held for more than 450 years since the citizens of Saint-Tropez were first given special permission to form a militia to protect the town from the Barbary pirates. During the three-day celebration, the various militias in costumes of the time fire their muskets into the air at traditional stops, march to the sound of bands and parade St. Torpes's bust. The townspeople also attend a mass wearing traditional Provençal costume.

 

Les Voiles de Saint-Tropez

 

Les Voiles de Saint-Tropez

Each year, at the end of September, a regatta is held in the bay of Saint-Tropez (Les Voiles de Saint-Tropez). Many yachts are entered, some as long as 50 metres. Many tourists come to the location for this event, or as a stop on their trip to Cannes, Marseille or Nice.

 

Traditional dishes

The Tarte tropézienne is a traditional cake invented by a Polish confectioner who had set up shop in Saint-Tropez in the mid-1950s, and made famous by actress Brigitte Bardot.[21]

 

Demographics

Historical population

YearPop.±% p.a.

17933,629—

18003,156−1.98%

18063,319+0.84%

18213,360+0.08%

18313,736+1.07%

18363,637−0.54%

18413,538−0.55%

18463,647+0.61%

18513,595−0.29%

18563,640+0.25%

18613,558−0.45%

18663,739+1.00%

18723,532−0.94%

18763,531−0.01%

18813,545+0.08%

18863,636+0.51%

18913,533−0.57%

18963,599+0.37%

YearPop.±% p.a.

19013,704+0.58%

19063,708+0.02%

19113,704−0.02%

19213,842+0.37%

19264,324+2.39%

19314,589+1.20%

19364,102−2.22%

19464,161+0.14%

19544,925+2.13%

19625,668+1.77%

19686,130+1.31%

19755,427−1.73%

19826,213+1.95%

19905,754−0.95%

19995,444−0.61%

20075,640+0.44%

20124,452−4.62%

20174,352−0.45%

 

Graphs are unavailable due to technical issues. Updates on reimplementing the Graph extension, which will be known as the Chart extension, can be found on Phabricator and on MediaWiki.org.

Source: EHESS[22] and INSEE[23]

Infrastructure

Transport to and from Saint-Tropez

By sea

  

Saint-Tropez marina

The 800-berth port with two marinas hosts boats, including ferries. In the summer season, there is a ferry service between St-Tropez and Nice, Sainte-Maxime, Cannes, Saint-Raphaël.[24] Private yachts may also be chartered.

 

By air

 

There is no airport in Saint-Tropez, but there is a charter service to and from clubs, the town and Tropezian beaches by helicopter.[25] The nearest airport is La Môle – Saint-Tropez Airport located in La Môle, 15 km (9 mi) (8 NM) southwest of Saint-Tropez.[26] Other main airports are Nice Côte d'Azur Airport located approximately 95 kilometers and Toulon–Hyères Airport located approximately 52 kilomters from Saint-Tropez.[27] Marseille Provence Airport is located approximately 158 kilometres from Saint-Tropez.[28]

 

By land

 

There is no rail station in Saint-Tropez. The nearest station is Saint-Raphaël-Valescure, located in Saint-Raphaël (39 km (24 mi) from Saint-Tropez), which also offers a boat service to Saint-Tropez.[29] There is also direct bus service to Saint-Tropez, and the rail station is connected with bus station.[30][31]

 

There is a bus station in Saint-Tropez called the Gare routière de Saint-Tropez, located in Place Blanqui.[32] It is operated by Var department transport division Varlib [fr], which employs other transport companies to operate routes.

 

There are taxi services, including from Nice airport to Saint-Tropez, but they are expensive because of the long distances and the area's wealth.[31]

 

In the tourist season, traffic problems may be expected on roads to Saint-Tropez,[33] so the fastest way to travel is by scooter or bike. There is no direct highway to the village. There are three main roads to Saint-Tropez:

 

Via the A8 (E80) with the sign "Draguignan, Le Muy-Golfe de Saint-Tropez" – RD 25 Sainte-Maxime, 19 km (12 mi) -> on the former RN 98 – 12 km (7 mi).

A57 with the sign "The Cannet des Maures" -> DR 558, 24 km (15 mi) Grimaud until then by the RD 61 – 9 km (6 mi) through the famous intersection of La Foux.

Near the sea, the former RN 98 connects to Toulon-La Valette-du-Var, Saint-Raphaël, Cannes, Nice, Monaco, DR 93, called "Beach Road", with destinations to Pampelonne, Ramatuelle and La Croix – Valmer.

Town transport

Public transport in Saint-Tropez includes minibuses, providing shuttle service between town and Pampelonne beaches.[27]

 

Other means of transport include scooters, cars, bicycles and taxis.[34] There are also helicopter services[35] and boat trips.[36]

 

Because of traffic and short distances, walking is an obvious choice for trips around town and to the Tropezian beaches.[37]

 

Culture, education and sport

 

Paul Signac, Leaving the port of Saint-Tropez, 1901

 

A panoramic view of Saint-Tropez by Paul Leduc [fr] (1876–1943)

 

Paintings Galerie Ivan

The town has health facilities, a cinema, a library, an outdoor center and a recreation center for youth.[38]

 

Schools include: École maternelle (kindergarten – preschool) – l'Escouleto, écoles primaires (primary schools – primary education): Louis Blanc and Les Lauriers, collège d'enseignement secondaire (secondary school, high school – secondary education) – Moulin Blanc.[39][40]

 

There are more than 1,000 students distributed among kindergartens, primary schools and one high school.[41] In 2011, there were 275 students in high school and 51 people employed there, of whom 23 were teachers.[42]

 

Art

Saint-Tropez plays a major role in the history of modern art. Paul Signac discovered this light-filled place that inspired painters such as Matisse, Pierre Bonnard and Albert Marquet to come to Saint-Tropez. The painting styles of pointillism and fauvism emerged in Saint-Tropez. Saint-Tropez was also attractive for the next generation of painters: Bernard Buffet, David Hockney, Massimo Campigli and Donald Sultan lived and worked there. Today, Stefan Szczesny continues this tradition.

 

The contemporary artist Philippe Shangti imagined the design of Le Quai and L'Opera, restaurants located on the port of Saint-Tropez where he also exhibits his art collections. Centered on a specific theme, he always denounces different problems affecting society with provocative artworks.[43]

 

International relations

See also: List of twin towns and sister cities in France

Saint-Tropez is twinned with:

 

Vittoriosa, Malta[44][45]

Famous persons connected with Saint-Tropez

Saint Torpes of Pisa

Saint Torpes of Pisa

 

Portrait of Hasekura Tsunenaga

Portrait of Hasekura Tsunenaga

 

Statue of Admiral de Suffren de Saint-Tropez

Statue of Admiral de Suffren de Saint-Tropez

 

Brigitte Bardot at Saint-Tropez, 1963

Brigitte Bardot at Saint-Tropez, 1963

 

Louis de Funès during filming

Louis de Funès during filming

The most famous persons connected with Saint-Tropez include the semi-legendary martyr who gave his name to the town, Saint Torpes of Pisa; Hasekura Tsunenaga, probably the first Japanese in Europe, who landed in Saint-Tropez in 1615; a hero of the American Revolutionary War, Admiral Pierre André de Suffren de Saint-Tropez; the icon of modern Saint-Tropez, Brigitte Bardot, who started the clothes-optional revolution and still lives in the Saint-Tropez area;[46] Louis de Funès, who played the character of the gendarme (police officer) in the French comedy film series Le Gendarme de Saint-Tropez and also helped establish the international image of Saint-Tropez as both a quiet town and a modern jet-set holiday target.[47]

 

In popular culture

The English rock band Pink Floyd wrote a song "San Tropez" after the town. Saint-Tropez was also mentioned in David Gates's 1978 hit "Took the Last Train", Kraftwerk's "Tour de France", Aerosmith's "Permanent Vacation", Taylor Swift's "The Man", and Beyoncé's "Energy". Rappers including Diddy, Jay-Z, 50 Cent, J. Cole, and Post Malone refer to the city in some of their songs as a favorite vacation destination, usually reached by yacht. DJ Antoine wrote a song "Welcome to St. Tropez". The Tony Award-winning Broadway musical La Cage aux Folles is set in a drag night club in St. Tropez. Furthermore, Bulgarian singer azis wrote a song named "Сен Тропе"(Sen Trope). Also, Romanian singer Florin Salam wrote the song (Saint Tropez). Saint Tropez was also mentioned in Army of Lovers' song "My Army of Lovers." Their song "La Plage De Saint Tropez" was also dedicated to this town.

 

Gallery

Aerial view of the Cital of Saint-Tropez, France

Aerial view of the Cital of Saint-Tropez, France

 

Cannons of the Citadel

Cannons of the Citadel

 

Tour Jarlier

Tour Jarlier

 

Aerial view of the old town and the old port of Saint-Tropez, France

Aerial view of the old town and the old port of Saint-Tropez, France

 

Luxury boats

Luxury boats

 

Sailboats

Sailboats

 

Aerial view of Pampelonne Beach, Saint-Tropez

Aerial view of Pampelonne Beach, Saint-Tropez

 

Harbour promenade with cafes

Harbour promenade with cafes

 

Aerial view of vineyards in Saint-Tropez, France

Aerial view of vineyards in Saint-Tropez, France

 

Old gendarmerie station; popular spot for photographs[48] (cf. Le Gendarme de Saint-Tropez)

Old gendarmerie station; popular spot for photographs[48] (cf. Le Gendarme de Saint-Tropez)

 

Aerial view of the old town of Saint-Tropez, France

Aerial view of the old town of Saint-Tropez, France

 

Tarte tropézienne (tropezian pie)

Tarte tropézienne (tropezian pie)

 

The main gate to Citadel

The main gate to Citadel

 

Top-down aerial of the old town of Saint-Tropez, France

Top-down aerial of the old town of Saint-Tropez, France

 

Aerial view of the cemetery of Saint-Tropez, France

Aerial view of the cemetery of Saint-Tropez, France

List of media connected with Saint-Tropez

Non-exhaustive filmography

 

Saint-Tropez, devoir de vacances [fr] (short film, 1952)

Et Dieu... créa la femme (1956)

Bonjour Tristesse (1958)

Une fille pour l'été [fr] (1960)

Saint-Tropez Blues [fr] (1960)

Le Gendarme de Saint-Tropez (1964) and its sequels Le Gendarme à New York (1965), Le Gendarme se marie (1968), Le Gendarme en balade (1970), Le Gendarme et les Extra-terrestres (1979) and finally Le Gendarme et les Gendarmettes (1982)[49][50]

La Collectionneuse (1967)

La Chamade (1968)

Les Biches (1968)

La Piscine (1969)

Le Viager (1972)

La Cage aux Folles (1978)

Le Coup du parapluie (1980)

Le Beau Monde [fr] (1981)

en.wikipedia.org/wiki/Saint-Tropez

While creating violin scroll...

Coloring contest entry by Jennifer, using metallic and variegated threads.

"CREATE" (originally "CREATE HOPE") buffed over by the forces of anti-creativity. This is next to the park where fnnch did his first stenciling.

 

(This photo was very popular on the Hipstamatic site and made their "Top Nine" of the week.)

A fun new way to store and display your collection of MOO, available at the Splatgirl Creates Etsy Shop

20 satin or silk or cotton double layer open front smocked with hand embroidery on the 2nd layer frame with lace on outer layer

contact Terese 0427820744 for orders

As I recuperate after surgery, I am back to creating things for the Blythe girls.

 

You can create your own elephant art or wall art using these wooden printing blocks carved from India. Here at Colouricious we have been block printing to make progress on our elephant designed quilt. To see more on these wooden printing blocks for textile printing go to www.colouricious.com/shop/craft-ideas-elephants

Created with Leonardo.Ai

 

Pic by Adrian

Stamped with several brilliance inks

Stamps used:

HA Pattern Butterflies LP110

HA Designer Flourirshes LL221

HA Treasure the moment CL156

The panel Natarajan Chandrasekaran, Chief Executive Officer and Managing Director, Tata Consultancy Services, India, David Taylor, Chairman of the Board, President and Chief Executive Officer, Procter & Gamble, USA, Hamdi Ulukaya, Founder and Chief Executive Officer, Chobani, USA, Mark Weinberger, Global Chairman and Chief Executive Officer, EY, USA, Alix Zwane, Chief Executive Officer, Global Innovation Fund, United Kingdom, Moderated by Randall Lane, Editor, Forbes Magazine, USA speaking during the session: Creating Profit through Purpose at the Annual Meeting 2017 of the World Economic Forum in Davos, January 19, 2017

Copyright by World Economic Forum / Ciaran McCrickard

Created This Image Using A Polarizer Filter..!

Taken At Raa Angolhitheem Previously Known As The Island Of Slaves...!

The Island Of Rasgetheem Is Visible In The Background...! Known As The Island Of The King...!

Created in 1863 as a memorial to Edmund William Johnson Bardin by Melbourne stained glass manufacturer Ferguson and Urie, the Holy Family stained glass window may be found at the north end of the nave, to the right of the ornate baptismal font. The window has a pair on the left. The window depicts the Holy Family. In the foreground, Mary holds Jesus in her lap. To the right stands Mary's pot with the letter M monogrammed upon it, from which springs the Annunciation lily, which represents Mary's purity. Behind them in the mid ground, Joseph sits in prayer looking sombre, perhaps as a result of his dream where an angel told him to flee to Egypt with his family to protect Jesus from King Herod's murderous plans.

 

Edmund William Johnson Bardin died on the 17th of August 1863 according to the beautiful brass plaque below the Holy Family window dedicated to him. Interestingly enough, whilst he died in Brunswick, he appears not to have been a member of the congregation. Records from the Londonderry Sentinel indicate that he was from Emerald Downs in Queenland. Edmund Bardin was the youngest son of the Reverend Charles Bardin (who was for many years the Rector of Derryloran, Cookstown, Diocese of Armagh in Ireland) and his wife Julia Helena Hodgkinson. His brother Alfred Thackeray Purdon Bardin has a memorial window next to him of the presentation of Jesus at the Temple on the opposite side of the baptismal font in Christ Church, Brunswick.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

Crocheted and knitted (knooked) bodice and bamboo fleece skirt. Pattern made up as i went along. Attemps to shape the knitting were quite imperfect. The ribbed band was a pain in the neck. Still -- not bad for a first go! CRT.Crochet2013.04

Created by Isometric Paper and Adobe Fresco apps.

Thanks to Heiko Etzold.

Sculpture created by gay artist Malcolm Lidbury.

 

My youtube channel: www.youtube.com/thepinkpasty

My Sculpture blog: www.malenudesculpture.blogspot.com

My Gay equality blog: www.pinkpasty.blogspot.com

My Wikimedia Contributions of my Art: commons.wikimedia.org/wiki/Category:Malcolm_Lidbury

 

All the Cornish sculptures featured here and created by Malcolm Lidbury in Cornwall (UK) are banned from display and/or exhibition at Cornwall 'gay' Pride 2011 by Neil Hawke, chairperson.

 

The gay artist has received hate mail & even death threats from some members of the Cornwall Pride committee & their supporters. These were reported to police…who did nothing but threaten & intimidate the complaintent.

 

There is a sinister problem in Cornwall (UK) in that some LGBT groups are being prejudicial & discriminatory against some gay persons simply to appease the likes of Cornwall police. Cornwall police have a long history of homophobic attitudes and practises against depiction of male nudity in art by gay artists. This prejudice towards gay artists & male nudity in art is sadly supported by the Cornwall Pride sponsors.

 

Another organisation ‘Intercom Trust’ has attempted to have the art of Henry Scott Tuke RA, a Cornwall based artist of the C20th, eradicated from local LGBT history. See video:- www.youtube.com/watch?v=se7uBHikzWI

 

Created and folded by seo won seon (20cm x20mc)

 

I prepare Mongolia scene diorama with whitepaper.

If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com

Marv Wolfman (elderly gentleman on the right) created the character "Blade" many years ago. Mr. Wolfman went up and introduced himself to MorpheusBlade and asked to take his photo because he really liked the costume.

 

MorpheusBlade was more than a little flabbergasted. He asked that I take a couple of extra photos in case his didn't turn out. Here ya go, man!

Created on my iPad with Inkpad, Doodle Kids, and Frame It apps.

Created by Antonio and Julia Smith-Plata (family project) from Payson, AZ

Title: Arizona Centennial Celebration

Participants: Antonio Smith-Plata (age 9) and Julia Smith-Plata (age 6) designed and created the panel – I am their Nana (Pamela Smith) -- I provided the supplies for the project, contacted Sue Coccia for permission to use her art and paid the fee.

Dream Theme: Conservation (Nature, animals, etc)

Materials and Techniques Used:

With permission from Sue Coccia -- colored some of her art panels with watercolor pencils. Scanned them into the computer and printed them onto fabric. Used steam a seam 2 to fuse the pictures onto a background fabric. Added a border. Quilted the project. Bound the edge with yarn fibers.

What is your artwork about?

We are Antonio (age 9) and Julia (age (6). We made a quilt panel with our cousins and our Nana two years ago. Now that we are older we wanted to try to do one by ourselves – next year is the Arizona centennial – wit permission we used Sue Coccia art pages with a southwest theme for our quilt. The border is a specially designed Arizona centennial fabric. We hope our quilt is chosen to be shown in Phoenix as we live there. We have done some sewing before and wanted to try a quilt. It was fun and we like how it turned out. We plan to do another one for ourselves.

   

Print a Dream Rocket Flyer:

docs.google.com/viewer?a=v&pid=explorer&chrome=tr...

 

Subscribe: www.feedblitz.com/f/?Sub=757612

 

Learn how to participate at: www.thedreamrocket.com

 

The United Nations Regional Informational Centre (UNRIC) for Western Europe organized a Europe-wide UN competition calling for advertisements that say “NO to Violence against Women.” The competition received more than 2,700 entries from 40 countries and generated media interest across Europe. The featured advertisement was created by Vladimir Zokic.

 

Photo: UN/DPI

 

Nine Mile Canyon is a canyon, approximately 40 miles (60 km) long, located in the counties of Carbon and Duchesne in eastern Utah, in the Western United States. Promoted as "the world’s longest art gallery", the canyon is known for its extensive rock art, most of it created by the Fremont culture and the Ute people. The rock art, shelters, and granaries left behind by the Fremont make Nine Mile Canyon a destination for archaeologists and tourists alike.

 

There are at least an estimated 1,000 rock art sites in the canyon, with more than 10,000 individual images. The true figures may be ten times as high, but there is no question that rock art is more concentrated here than anywhere else in North America. Much is in the form of pecked petroglyphs, and there are many painted pictographs as well. Researchers have also identified hundreds of pit-houses, rock shelters, and granaries, although only a limited amount of excavation has been carried out. Many of these structures are located high above the canyon floor on cliff ledges, pinnacles, and mesas. They were built by the Fremont, whose presence in Nine Mile has been dated at AD 950–1250. Indeed, Nine Mile Canyon was one of the locations most heavily occupied by the Fremont. In contrast to the purely hunter-gatherer cultures that surrounded them, the Fremont practiced agriculture, growing corn and squash along the canyon bottom. Compared to other Fremont areas, relatively little pottery is found in Nine Mile, suggesting that beans, which must be boiled for hours to become edible, were not an important part of the local diet. The Fremont left irrigation ditches and earthen lodges on the canyon floor that could be seen as late as the 1930s, but are no longer visible after generations of modern cultivation.

 

By the 16th century the ancestral Utes were in the canyon. They added to the rock art already on the walls, but in styles of their own. Many scenes, for example, depict Ute hunters on horseback and date to the 1800s. Despite the number of Ute artifacts found in Nine Mile, there is no archaeological evidence of any Ute camps or residences.

 

In 2009, 63 archaeological sites in the canyon were listed on the U.S. National Register of Historic Places, 36 in Carbon County and 27 in Duchesne County. Most are named in the National Register listing only by their archaeological site codes, but there were three named sites in Carbon County: Cottonwood Village, Drop-Dead Ruin, and First Canyon Site. The named ones in Duchesne County are Centennial House, Fool's Pinnacle, Karen's Cist, Maxies Pad, Nordell's Fort, Redman Village, Sunstone Village, and Taylor's City. The locations and details of these sites are not disclosed by the National Register. The 63 sites include 40 Fremont constructions, 19 rock art sites, and 4 sets of historical-era dwellings. A further 165 sites were added on September 12, 2012, all of them designated by codes only. Of these listings, 158 are in Carbon County and 7 in Duchesne County.

 

The canyon became a main transport corridor in the region during the 1880s. Settlers established a number of ranches in Nine Mile, and even a short-lived town named Harper. No longer heavily traveled, the rugged canyon road was used mostly for recreation and tourism through the end of the 20th century. The discovery of rich deposits of natural gas deep beneath the Tavaputs Plateau has brought an influx of industrial truck traffic since 2002. The large amounts of fugitive dust produced by the trucks' passage may be damaging the rock art. Public debate is ongoing about how best to balance energy development in the canyon against the preservation of its cultural resources.

 

en.wikipedia.org/wiki/Nine_Mile_Canyon,_Utah

 

en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...

Created with Leonardo.Ai

 

Pic by Adrian

Chesterfield County Science Teacher and High Bridge Trail State Park volunteer, Michael Stange explains plant life along the trail

jlw

Page created with Bee Tree Studios' Fishy papers and a template from Digital Scrapbook Ingredients. I used my own cork alphas and elements on this as well.

I created the design for these cat frames (look closely) and sent them to Shapeways for 3D printing in sparkly alumide.

 

The pendant visualises EEG attention (red) and meditation (green) data and visualises it on this LED matrix in real time. Using a Mindwave Mobile, Bluetooth dongle and Shrimp microcontroller.

 

I've built this for use in excruciating social situations such at conferences, networking, bars, etc. I'm interested in extending our emotive state by displaying if we're paying attention to whom we're speaking to or if our thoughts / attention is drifting off to the canapes or our to-do list. It's a mischievous device, read more about it here rainycatz.wordpress.com/2013/05/27/eeg-data-visualising-p...

 

www.create-learning.com

Michael spent the day with University of Rochester. Outcomes from our time

• Increased team work

• Developed a process to strengthen communication within and between departments

• Developed a process to strengthen collaboration (information sharing, best practices) within and between departments.

• Respect for the experience, diversity and talents of team members and departments

• Fun and build the team.

Looking for ‪team building‬ & ‪ Leadership‬? Contact mike@create-learning.com - Call 1.716.629.3678

Author : @Audrey LP

Wedding Day K And M

 

Mariage de Kiri et Miguel

I'm holding one of the amazing figures created by Nele Azevedo as part of the Minimum Monumnet art installation Custom House steps, Belfast - 20 Oct 2012 as I place it it begins to melt and part of the water dripping down the steps making this art installation purely transitory as it brings ot mind the victims of Titanic who died after the ship hit an ice berg !

Created this journal cover by layering a pressed dill seed head between wax paper and tissue papers etc. I then did hand and machine free motion stitching to make it all stay intact. To finish I added a illustration board cover with a frame cutout.

The city of Eindhoven traditionally organises a november light event called Glow. Ten thousands of people are walking in darkness from one attraction to the next. Among them are thousands of photographers, often armed with impressive tripods. Having so many photographers at work, it's hard to create something original.

 

If you like to see the whole sequence full screen on black, try this link...

Created for HonestReporting.com on Oct. 19, 2014.

Please credit as "CC BY-SA HonestReporting.com" (without quote marks) and link back to this page for attribution.

Original article: The New York Times’ Double Standards.

Create by my Samsung Note4

 

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a bubble for me... please?

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