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Students of color, the LGBTQ community and female students convened in Reeve Union Ballroom April 2 to hone their networking skills with professionals at Creating Connections: Empowering through Networking, a Social Justice Week event hosted by University of Wisconsin Oshkosh Career Services.
Created by Auro Kumar Sahoo Shoot with Nikon and processed with Darktable and GIMP under licence CC-by-sa-4.0/ Creative Commons- Attribute-Share Alike
Created this Stiletto cake as a surprise for a 40th birthday. The cake was a total surprise and she sent me the nicest letter afterward. She loves cherries and that's the reason for the cherries all over the shoe and the large oversized cherry on the side which is RTK. The cake itself was chocolate with peanut butter icing.
Created for HonestReporting.com on Aug. 23, 2012. Image Credits: Wikipedia
Please credit as "CC BY-SA HonestReporting.com, wikipedia" (without quote marks) and link back to this page for attribution.
Original article: Norwegian Media: Distorting the News.
My business is to create. It doesn't even matter what it is. All I know is if you don't figure out that something, you'll just stay ordinary. And it doesn't matter if its a work of art, or a taco, or a pair of socks. Just create something new and there it is, and it's you, out in the world, outside of you. And you can look at it, or hear it, or read it, or feel it, and you know a little bit more about you. A little more than anyone else does.
-P.S. I love you.
All of you flikr users can probably understand why this quote stood out to me. I was watching the movie for the millionth time and I stopped and thought about it, paused the DVD, and went and wrote it down. It inspired me. :)
Okay, you know how on the internet you can see those crazy awesome pictures of professionals who do amazing chalk drawings on random streets? Maybe that's just me. I don't know, but lets give those people a round of applause because in my opinion chalk is evil. I don't know, just the feeling of the chalk scraping against the sidewalk is the worst. Plus it is all powdery so the wind kept blowing away my drawings. grr. But after much frustration and a little blood (I sorta scraped my knuckle on the concrete instead of the chalk. ouch), I finally got this shot. I love it. It's probably not even that good but I don't care. You know when you work really hard on something and no matter what it looks like you just love it? I don't know, I guess since I went through so much frustration and chalk to get this, not to mention the fact that I was actually inspired for once, I'm just really happy with it. So don't judge me. =P
It is a BEAUTIFUL day!:) I can't stand not being outside right now. I hope all of you have a great day!!
A bunch more in comments, btw.
p.s. I went to the orthodontist today and got the obnoxious blue off of my braces! Now they are slightly less unattractive. :)
The Havelock statue, constructed in 1861, is located on Building Hill at the south of the park and commemorates Sir Henry Havelock, a celebrated military general born in Bishopwearmouth. Either side of the statue are cannons, named Joshua and Caleb, replicas of those captured from the Russians during the Crimean war. The originals were melted down for metal during the Second World War.
The over life-sized bronze figure of Havelock in military uniform and a sword in his hand is on a high stepped based and a tall, square, granite plinth and faces toward his birthplace. The figure is signed 1861 by Behnes and the founder's mark on the rear of plinth reads: "The Statue Foundry, Pimlico, London". The inscription on the front of the plinth reads: "Born 5 April 1775 at Ford Hall, Bishopwearmouth. Died 24 November 1857 at Dil Koosha, Lucknow". There is a statue of Havelock by the same sculptor in Trafalgar Square, London.
Mowbray Park is a municipal park in the centre of Sunderland, Tyne and Wear, England, located a few hundred yards from the busy thoroughfares of Holmeside and Fawcett Street and bordered by Sunderland Museum and Winter Gardens to the north, Burdon Road to the west, Toward Road to the east and Park Road to the south. The park was voted best in Britain in 2008.
Mowbray Park is one of the oldest municipal parks in North East England.
The roots of Mowbray Park date back to the 1830s, when a health inspector recommended building a leafy area in the town after Sunderland recorded the first cholera epidemic in 1831. A grant of £750 was provided by the Government to buy a £2,000 plot of land from the Mowbray family for a new park.
Work on Mowbray Park – then known as The People's Park – began in the mid-1850s, incorporating a former limestone quarry set within what was known as Building Hill. It appears that spoil heaps were shaped and mounded to create distinctive paths amongst steep sided hummocks. The effect was to afford the Victorian user plenty of opportunity to perambulate within a relatively small green area.
The park was opened by John Candlish, Lord Mayor MP of Sunderland on 21 May 1857.
On the day of the park's opening on 12 May 1857, shops closed early as thousands of people flocked to attend the ceremony. An extension to Mowbray Park, from the railway cutting to Borough Road, was opened on 11 July 1866.
It was opened in 1857 in response to a demand for more open spaces in the town. The land was purchased from the Mowbray family, and named after them in recognition. The park was extended in 1866 to include a lake and a terrace, and in 1879 the Winter Gardens, museum and art gallery were added along the Borough Road side.
The Second World War affected the park; It was hit with numerous German bombs, the iron structures – most notably the Winter Gardens, a cast iron bridge, and the bandstand – were taken away to be melted down for weapons, and the open spaces were converted into vegetable patches.
Following the war, the park fell into neglect. Sunderland Civic Centre was built on the west portion of the park. The area became known for anti-social and abusive behaviour, and was considered generally unsafe. In August 1993, over £13,000 worth of damage was caused, and a survey by the Sunderland Echo showed that locals were too scared to use the park.
Following a public campaign, in 1994 work began on restoring the park to its Victorian glory, funded by a £3.3 million grant from the Heritage Lottery Fund, described as: "The jewel in the crown of the city centre regeneration". The Sunderland Museum and Winter Gardens were rebuilt, the lake was restored, the bandstand was rebuilt, and the park was re-shaped and adorned with new artworks. A large adventure play area for children was built, to an "Alice Through The Looking Glass Theme" featuring a distorted giant chequer board and giant chess pieces. The park officially re-opened in 2000.
In the first year following re-opening, the park received over 800,000 visitors, making it the most visited attraction outside London.
A session on how virtual reality has opened the door to new mediums of creating and experiencing stories in the media and entertainment industry.
As artist in residence Bob Wood has recorded the people and places of Kent Ohio for more than 4 decades. His works hang in public and university buildings throughout town as mirror and witness to this hub of learning and commerce. From a cell phone photo, retouched by Kent Master photographer James Vaughan. This pic shows Bob's intensity while sketching.
A fun new way to store and display your collection of MOO, available at the Splatgirl Creates Etsy Shop
Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, the Saint Bartholomew stained glass window may be found in Lady Chapel in the eastern transept of Christ Church Brunswick.
Saint Bartholomew was one of the twelve apostles of Jesus. He is purported too have taken two missions; one to India and the other to Armenia. It was in the latter that Saint Bartholomew was executed. According to popular hagiography, the apostle was flayed alive and beheaded. According to other accounts he was crucified upside down with his head downward like Saint Peter. He is often depicted holding a knife, however it seems that Victorian middle-class morals stepped in when the window as made, and rather than holding something so gruesome, he is shown simply holding a partially opened book.
This window was erected by James Grice, eldest son of pastoralist, businessman, philanthropist and churchman Richard Grice. Richard was born on October the 30th 1813 in Cumberland, England. The son of William Grice and his wife Sarah, née Parke. he was born into a family who ran a private family bank in Cumberland, built on generations of his family who had begun as farmers in the area before becoming successful businessmen in Cumberland. Richard attended Walker's School in Whitehaven, and gained farming experience on one of his family's properties. However, in his mid twenties, Richard felt that his future did not lie in England, so he set sail to Australia in 1839. He arrived at Adelaide in September 1839 with shepherds and a business partner named Benjamin Heape. They did not stay in Adelaide, and journeyed east to Melbourne where Richard and Benjamin set up an importing and exporting business. Richard decided to explore the idea of pastoral opportunities in the Western District where he successfully raised and bred sheep, going on to become one of the most successful pastoralists in Australia. He expanded his pastoral holdings into Queensland. In 1844 Richard married the daughter of James Hibberson, Anne Lavinia. In 1847 they did a Grand Tour of Europe and then settled in the affluent Melbourne suburb of Fitzroy. They had twelve children. Benjamin returned to England in 1852, so Richard entered into a partnership with Mr. T. J. Sumner, who had worked as a clerk within the original firm. Mr. Sumner's eldest daughter married Richard's son James, and the firm became known as Grice, Sumner & Co. The business flourished and by the mid 1870s the firm held vast grazing properties in Victoria, New South Wales, South Australia and Queensland. Richard died at his home in Fitzroy on November the 4th 1882, survived by his wife and by three sons and four daughters.
Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.
Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.
Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.
Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.
Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.
The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.
"CREATE" (originally "CREATE HOPE") buffed over by the forces of anti-creativity. This is next to the park where fnnch did his first stenciling.
(This photo was very popular on the Hipstamatic site and made their "Top Nine" of the week.)
Created with fd's Flickr Toys.
An old friend of mine invited me to see a movie, always a good idea. We went to see Frost/Nixon and were stunned. This is a huge film. Simple as it may seem from the outside (talkshowhost sets out to interview Richard Nixon) the story is intriging from the start and developes slowly but surely into a psychological thriller. I found myself glued to the screen and absolutely fascinated.
Frank Langella (Nixon) creates his character with great debt. Although in the film there is hardly any doubt about the great dammage Nixon brought on his country (obstruction of justice, abuse of power, acting outside and above the law) the character of Nixon is amiable and sympathetic and in the end very tragic.
The panel Natarajan Chandrasekaran, Chief Executive Officer and Managing Director, Tata Consultancy Services, India, David Taylor, Chairman of the Board, President and Chief Executive Officer, Procter & Gamble, USA, Hamdi Ulukaya, Founder and Chief Executive Officer, Chobani, USA, Mark Weinberger, Global Chairman and Chief Executive Officer, EY, USA, Alix Zwane, Chief Executive Officer, Global Innovation Fund, United Kingdom, Moderated by Randall Lane, Editor, Forbes Magazine, USA speaking during the session: Creating Profit through Purpose at the Annual Meeting 2017 of the World Economic Forum in Davos, January 19, 2017
Copyright by World Economic Forum / Ciaran McCrickard
My lucky clover.
+ Canon EOS 650D with EF 50mm f/1.8 II (+4 macro filters)
+ Maribor, Slovenia
Visit my Deviantart
Created from an artwork by the late Hong Kong Artist Ah Chung (1933-2018).
To learn more of the artist or purchase a Giclee print of the artwork, please visit www.ahchung.com.hk
Sculpture created by gay artist Malcolm Lidbury.
My youtube channel: www.youtube.com/thepinkpasty
My Sculpture blog: www.malenudesculpture.blogspot.com
My Gay equality blog: www.pinkpasty.blogspot.com
My Wikimedia Contributions of my Art: commons.wikimedia.org/wiki/Category:Malcolm_Lidbury
All the Cornish sculptures featured here and created by Malcolm Lidbury in Cornwall (UK) are banned from display and/or exhibition at Cornwall 'gay' Pride 2011 by Neil Hawke, chairperson.
The gay artist has received hate mail & even death threats from some members of the Cornwall Pride committee & their supporters. These were reported to police…who did nothing but threaten & intimidate the complaintent.
There is a sinister problem in Cornwall (UK) in that some LGBT groups are being prejudicial & discriminatory against some gay persons simply to appease the likes of Cornwall police. Cornwall police have a long history of homophobic attitudes and practises against depiction of male nudity in art by gay artists. This prejudice towards gay artists & male nudity in art is sadly supported by the Cornwall Pride sponsors.
Another organisation ‘Intercom Trust’ has attempted to have the art of Henry Scott Tuke RA, a Cornwall based artist of the C20th, eradicated from local LGBT history. See video:- www.youtube.com/watch?v=se7uBHikzWI
Stunning lab created opal and white sapphire ring in sterling silver. The ring is inlaid with 3 pieces of bright blue-green lab created opal The synthetic opal is mostly blue with big bold flashes of greens and lighter blues. The trillion (triangle) cut white sapphire is nice and bright and weighs 1 carat.