View allAll Photos Tagged Composition

Today, I wanted to eat dried fruits, but, I don't understand, that didn't work !

 

My 52 project - Week 9/52.

RGB composition

9:9:9x300"=R:G:BX300" bin2x2.

 

T: GSO - RC8" @1624mm

M: Astrophysics Mach1 GTO

C: QSI 690ws-g8

G: Lodestar X2

F: Astronomik RGB

Foc: PrimaLuceLab Esatto

CPU: PrimaLuceLab Eagle3

 

Sw: Sequence Generator Pro - PHD2 - Pixinsight 1.8.8-5

 

Autosave-File vom d-lab2/3 der AgfaPhoto GmbH

Rebecca Trescher Quartett / DE

Spielboden Dornbirn / A

12.Feb. 2026 / Part 3

Rebecca Trescher präsentierte ihr neues Album

"Changing Perspektives"

Unripe Toyon berries, and seeds within contain dangerous levels of a poisonous cyanide-forming compound, which if eaten can sicken or kill the consumer of the berries, whether human, bird, or other animals. … Eat a handful of ripe Toyon berries and you may get sick; eat a pound and you may die! Native Americans would cook the berries which neutralized the poisons and would make a beverage from them.

Floral Composition; Pepsico Gardens, Purchase New York; (c) Diana Lee Photo Designs

acrylique surtoile, 46x38 cm, 2021

www.augmentedrealityimages.co.uk

Sunrise over Portknockie on Scotland's Moray Firth. Now that we have passed the shortest day of the year, I am really noticing how quickly the change in the light is happening. Its only been 2 weeks and already I am needing to be out the door at least a half an hour earlier to find a composition and catch the sunrise.

Image created 04/10/10.

I ran tonight until I saw a cow. It was a long run. 12 miles.

 

Dont judge me.

abstract composition PC

I'm still churning through my archives. On a personal note, my elbow is healing quickly, so I should be out taking photos again very, very soon. I'm really excited about that.

 

Anyway, this was taken this spring. I know I've said this to the point of cliche, but shooting here was fairly challenging. It can be really, really difficult to find good compositions when you're shooting landscape astrophotography, mostly because the primary foreground object and the primary sky object are immovable, unless you have the luxury of a forklift or the ability to wait 12 hours for the sky to move to a better position, neither of which happened to be available to me in this case. Or ever.

 

I was shooting uphill from this car, but I still wanted to get a substantial amount of the sky in my shot, all while shooting in landscape format. This required me to shoot two exposures, one that was mostly sky and a little bit of the horizon, and the other which pretty much had the foreground you see here. I then combined the exposures in PS, resulting in a final photo that's a little bit taller than the 2:3 aspect ratio I usually use, although it wouldn't take much of a crop to get it to 2:3.

 

I'm sure I probably blew my focus on those wildflowers in the foreground anyway, since I was shooting at 24mm and they were right in front of my face (and I had to get low because my foreground object was downhill from me), but the 25-mph winds and the fact that this was a 20-second exposure at high ISO certainly did nothing to unblur the flowers. But, honestly, they weren't really a part of my vision for this photo anyway.

  

Dried Weeds Composition - Another view of the grasses and weeds in the San Rafael Valley, near Patagonia, Arizona.

NIKON F6

NIIKKOR AF-S 24-70MM F2.8G

KODAK TX400

beauty comes with nice composition.

Sawhill Ponds Wildlife Preserve ~ Boulder, Colorado

 

Nikon D7500, Sigma 18-300, ISO 200, f/11.0, 18mm, 1/400s

North Beach, San Francisco, California, USA

Nikon D600 / NIKKOR 28-300mm

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