View allAll Photos Tagged Composition
Inspired by Led Zeppelins song.
Composition material fromUnsplash.com:
Thanks to
Fue Yang
Blueberry-Nights
deogyeon-hwang
eddie-chang
ghaith-harstany
joshua-newton
nicolas-hans
taniab
This male Dark-eyed Junco of the Oregon form paused among Western Cedar foliage with a trove of food to nourish its young, which were in a nest on the ground (hidden to me). I observed repeated feeding trips from a boardwalk on the Forbidden Plateau. That high elevation area is in Strathcona Provincial Park on Vancouver Island, British Columbia, Canada.
Kinder sind die Opfer der Laster der Erwachsenen
Mihail Chemiakin (Bildhauer)
sculptural composition
Children are victims of adult vices
Mihail Chemiakin (sculptor)
Camera: Rolleiflex 3.5B TLR Zenar 75mm f3.5 1954
Film: Ilford SFX 200 Black and White 120
Scanned by Walkens House of Film, Melbourne, Australia
The Rolleiflex TLR camera is exceptionally good for close shots, but I wanted to see how it would handle a landscape. An immediate issue in composition is the 6x6 square format. As you can see here there is a lot of negative space (though I would argue those clouds are an important element in the picture). Whereas I would definitely need an orange filter to bring out the definition in the clouds with 35mm, the medium format film handles this situation without difficulty. If you enlarge this photograph you'll even see a duck swimming in the North Esk River.
(Press z to zoom)
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COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
The architect's design is well expressed with this type of light causing impressive reflections and shadows. Welcomed to complement my series L&P: surprising compositions in the everyday, a special view of buildings, interiors ... lines made abstract.
Both composition nr 21 and nr 22 are part of the series as well.
See: Lines and planes.
More items of this library in Library Roermond
This impressionist painting beautifully captures the charm of a street scene in Siena, Italy. The composition emphasizes the tall, warm-toned buildings, which exude a sense of history and character. The earthy reds and ochres of the brickwork contrast with the softer stone tones of the neighboring structures, creating a harmonious interplay of textures and colors. The narrow street is slightly curved, drawing the viewer’s eye deeper into the image, as if inviting them to explore.
The tree in the middle ground, with its sparse yet vivid green foliage, serves as a gentle focal point amidst the architectural forms. Its delicate presence adds life and movement to the scene, softening the angularity of the buildings. The soft, diffused light, typical of the impressionist style, imbues the scene with a tranquil and nostalgic atmosphere, as if time has momentarily slowed down. The brushstrokes are dynamic and layered, giving the painting a textured, almost tactile quality.
In the foreground, two figures walk together, adding a touch of humanity to the quiet street. One wears a bright red coat, creating a striking contrast against the muted tones of the surroundings, while the other’s darker attire blends more subtly with the scene. Their inclusion not only adds depth and perspective but also evokes a sense of intimacy and everyday life in this historic setting. The painting captures both the grandeur of Siena’s architectural legacy and the quiet, poetic moments of its streets.
RX_00857_20240422_Siena