View allAll Photos Tagged Composition
Suprematist Composition: White on White (1918) is an abstract oil-on-canvas painting by Kazimir Malevich. It is one of the more well-known examples of the Russian Suprematism movement.
This is my white on white take on today's We're Here challenge.
We're here visiting Whispery White Wednesday
A dead shell was floating. Ripples were formed in the wind. I thought it would be a nice composition!
A photo from my old album.
This is such a special place to me, it just had a view like no other and a lot of movies have been shot there! This photo is part of my Los Angeles book. If you are interested in coming to my book signing on the 25th here are all the infos: business.facebook.com/events/284179825660018/
Camera: Minolta X-300S
Lens: Minolta 500mm F8
Film: Ilford Delta 3200 (Shot at 1600ISO)
Processing and Scanning: Gulabi Photo Lab, Glasgow
Post Processing: Photoscape X
Balance in art is one of the basic principles of design, along with the composition to create visual equilibrium.
www.facebook.com/pages/RapidHeartMovement/197889343621747
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Changing our clocks forward by 1 hour probably seemed like a good idea many years ago. Times have changed for sure but I question whether it is still as relevant today. All I know is we pay a price in the morning.
My coffee is required to be an extra large to help compensate for this hour difference,
Even as the smoke clears and adjustments are made, I still feel cheated by time!
Half Dome From Snow Creek, Sunset. Yosemite, California. Peter was a consumate professional, and I was in awe of someone who was making his living working as a photographer, always busy, always travelling. He seemed so self assured, and seemed to bounce from heel to heel ready to start the next project. It was all film then, no digital, no instant feedback. He solved exposure and composition problems like it was the easiest thing, while I, trying to become serious about my photography, struggled to figure out why some things came out good and others so wrong. He was so patient giving me answers, advice, and critique...and there were endless war stories of his job as a commercial photographer. Looking at my work from then, I don't know how, but I guess he saw some promise in me. When an opportunity came for a firm who needed some landscape work, he pushed me out there to be recognized as a photographer. For that I am eternally grateful. We'd instantly start in on equipment and techniques and artists whenever we met up, and I would sometimes bring him some of my prints, hoping to get feedback. He instinctively knew exactly what I had been drawn to in any photograph, and would sweep his hand over that part of an image like a magnet. It was always such a confirmation, so selflessly given. We both loved black and white, and of course we both loved Ansel...what photographers don't eventually beat that conversation to death? He told me more than once of a cherished trip he took to California; his awe, like mine, of Yosemite, and his quest for an original Adams print. I mostly do color work, but from the first time I timidly brought him a monochrome print to give me suggestions, his eyes lit up and his smile said it all. I floated off the floor getting that reaction from him. A couple of years ago, he got sick. I brought a black & white print to him in rehab, and watched his eyes light up, even though his words wouldn't come as easy as before. I did good. When I left, I sat in my car and cried, sad for my friend. A couple of weeks ago I ran into his son. I said I'd go up and bring him another print, because it had been awhile, and I had been remiss in not visiting. But of course I delayed, and I need say no more. There will be no replacing his swagger, his stories, his way of making you feel like you were the most important person for him to talk to. There is no replacing his inspiration. This is for Peter. You didn't know it was coming, and I'm sorry it's late.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
Modern abstract art speaks to the contemporary spirit. The shapes and forms of abstract art vary from artist to artist, who each share their unique inner vision. The vast variety of techniques, styles and approaches that you can use when creating your own abstract art!
You can naturally gravitate towards bustling, busy paintings with lots of colors and details.