View allAll Photos Tagged Composition

6x10 inches | collage, acrylic, & ink on paper.

The Austin new Music Co-op's performance of Paragraph 5 of Cornelius Cardew's "The Great Learning" -- on 15 May 2010 at the Mexican-American Cultural Center in Austin, Texas

COMPOSITION: Good composition with single subject filling frame. (Note the bee on the flower!)

 

Photographer: Sherry Elliott

Petit mélange de renoncules, jacynthe, jacynthe sauvage, narcisse, feuillage divers.

Like Anita's tutorial alot.

São Paulo, Brazil. March 2017

I applied the leading lines with my eye focusing on the cue ball leading to the orange billiard ball and the side pocket.

 

En montant à Bessans, au détour d'une route : une maisonnée, adossée à la pente, un espoir de repos, d'un peu de chaleur, d'humanité. J'imagine ce qu'étaient les pensées des voyageurs en des temps reculés ou la voiture n'existait pas, ou l'on voyageait grâce à de gros souliers, de bonnes jambes et de bons pieds. Une mule parfois pour porter un chargement à convoyer vers une autre vallée, vers l'Italie, en passant par des cols enneigés et balayés par les vents.

Processed with VSCO with b5 preset

Tree composition. Photo taken every 10 steps.

chicago skyline seen through the strange reflective monument at the millenium park

Again i used the trees as the frame around the person.

Nikon D700 + Tamron 28-75/2.8

Ci sono due pesci che nuotano e a un certo punto incontrano un pesce anziano che va nella direzione opposta, fa un cenno di saluto e dice: "Salve, ragazzi. Com'è l'acqua?" I due pesci giovani nuotano un altro po', poi uno guarda l'altro e fa "Che cavolo è l'acqua?"

I'm returning to the self-imposed limits of drawing within a box. It helps me to focus and aids the process of composing when the edges of the box let you form negative shapes.

...with her eyes cleaned up

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