View allAll Photos Tagged Composition
These are some quick agriculture-inspired collages to use as starting points for logo designs.
I used a variety of textured materials and papers in different colours and kept them relaxed and simple.
DoITPoMS, University of Cambridge
This is a transmission electron micrograph taken at 200 kV, from a thin foil sample of "302AA" austenitic stainless steel. The sample was cold-deformed by rolling and then annealed at 704°C for one hour. The image shows a beautiful picture of annealing twins. Notice how the ends of annealing twins are flat, the shape being determined by a minimisation of interfacial energy. Mechanical twins, by contrast, are lenticular (lens like) with sharply pointed ends to minimise the strain energy due to the twinning shear. Annealing twins do not cause any deformation so strain energy minimisation is not an issue. This is also the reason why there is no strain field contrast visible at the tips of the annealing twins. Source: http://www.msm.cam.ac.uk/phase-trans/abstracts/annealing.twin.html.
System
Fe-C-X
Composition
Stainless steel
Reaction
Processing
The sample was cold-deformed by rolling and then annealed at 704°C for one hour.
Applications
Sample preparation
Technique
Transmission electron microscopy (TEM)
Contributor
Prof H K D H Bhadeshia
Organisation
Department of Materials Science and Metallurgy, University of Cambridge
Auguste Herbin French 1882-1960
Composition 1940
Oil on canvas
Gift of Lady George Weidenfeld 1972 -125 -1
From the Placard: Philiadelphia Museum of Art.
l'automne prend possession des lieux , affichant ses couleurs aux abords de mon bassin tandis qu'un papillon fait sa récolte de nectar : la poésie en images
I could not get quite as close as I wanted but I was happy with the end result as the crowd have helped the composition
Monday 9th December 2013 - Friday 13th December 2013
LOD, Ghent
During the first workshop in December 2013, the composers worked with the four highly experienced singers of VOCAALLAB (high soprano, mezzo/alto, low tenor, baritone) and Eva Reiter (viola da gamba, Paetzold bass recorder) on these pieces. The singers also presented topics from older and contemporary repertoire, in order to study and compare this material, to share their experiences, and show them different ways of singing and writing for the voice, including topics like the use of text, the different styles of vocalization (from bel canto to traditional or popular voices, world music, noises and new sounds made possible by amplification, the voice as pure instrument, speaking and transitioning from speaking to singing).
This workshop included a lecture by Wouter Snoei, regarding the question of how to use electronics in relation to voice.
Photos - Kurt Van der Elst ©
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