Imagine this is the overlay you see when framing a shot -- it is good to place your subject along any one of these lines, and especially in the Hot Spots at the intersections.

I made this for a sermon I did for middle schoolers and for future use in perhaps a series for youth ministry. I wanted it to look harsh and grab the eye of a young person and also to show the concept of "deeper" which was through the arrow and the nucleus like explosion.

Golden Mean

Time: Late afternoon

Quality: Hard

Mid shutter speed & Mid aperture

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repetition

Vigelandsparken, Oslo, Norway

I was absolutely impressed with myself.. with this one

Sony alpha 330

Used one speedlight

F/11 1/200 35mm

I pity the poor immigrant that picked the wrong pot of paint.

zenit 11

early 1920s

As one of the first photographs I took this semester for the rules of composition, I love the way this one turned out. The only edit I made was to crop out some of the background that I noticed was past the orange background. I love the slight reflection as I used the orange mini fridge in my office as the background. This photograph was taken to provide negative space.

Fill the frame

Simple beauty 11

Compositionally Challenged: Week 14 Know Your Camera

In-camera multiple exposure of marsh water and marsh boardwalk.

Point Pelee National Park

No post-processing.

Repetition

generative design - compositions

based on geometric forms and small patterns

Mon site officiel : emart-emmanuellebaudry.e-monsite.com/

3x3 - line variations, with certain limits.

3 black works - scraping technique (in dried ink).

Dance Composition 4/25

Macro/Close Up

"The Last Composition" -- An artwork by David Paul Mesler. Pianist, Vocalist, Composer, Songwriter. Seattle, Washington USA. 2012.

SITES: www.davidpaulmesler.com, www.ihearamericasing.com

ALBUMS: www.cdbaby.com/artist/davidpaulmesler

PHOTOS: www.flickr.com/photos/davidpaulmesler

VIDEOS: www.youtube.com/doublepianomaniac

ALL FOR THE GLORY OF GOD.

modern art contemporary postmodern moody surreal abstract expressionism impressionism colorful picture photo graphic photographer animation cell image fantasy film cinematic artwork painting photoshop manipulation illustration male portrait man masculine face “close up” close-up detailed interesting dutch scandinavian christian spiritual representational american “united states” holland netherlands norwegian swedish “modern art” “expressionist portrait” drawing watercolor “abstract painting” “abstract art” “on black” digital texture color colors “photo art” photoart landscape arte “vivid colors” photomanipulation “digital art” light dark moment lumiere couleurs day night surrealism saturation photomorphing best artistic tone colorgrading fullcolor techniques multicolor technicolor “generative art” contrast sketch artista artiste portraiture illusion effect virtual fun abstrait cg figurative self me “david paul mesler” “david paul” “david mesler” david paul mesler jazz classical music “singer songwriter” instrument musical musician composer artist singer pianist songwriter vocalist bluecentaur “blue centaur” doublepianomaniac “double piano maniac”

Pictures somehow showcasing separation of main subject with color, contrast, focus, texture or pattern, and any combination of those.

M25Nov24-11gmt, Sussex Gardens this is the "breakfast composition". I didn't compose it myself - it was composed by Mr McDonald. It covers two tables and makes a good breakfast. Left table was from an earlier eater. The right table was my breakfast - egg 'n sausage muffin, big tea, METRO, diary and pen for notes. This is often my start to the day.

Mon site officiel : emart-emmanuellebaudry.e-monsite.com/

I had an image in my head for how I wanted to compose this shot but it just didn't work out. Bosco is trained to offer attention to Martin so getting him to look straight ahead was surprisingly challenging. I needed a third handler which I didn't have. Martin ended up throwing a snowball to get Bosco to look straight ahead but then he also had to quickly get the bow into position. The result is that Bosco looks good in this shot but the arrow is knocked too high. This really bugs Martin. :)

Martin has resolved this issue by teaching Bosco to look straight ahead on a "Look" cue. I just need to get around to retaking this shot.

on a 90 x 100 cm black board