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Monday 9th December 2013 - Friday 13th December 2013
LOD, Ghent
During the first workshop in December 2013, the composers worked with the four highly experienced singers of VOCAALLAB (high soprano, mezzo/alto, low tenor, baritone) and Eva Reiter (viola da gamba, Paetzold bass recorder) on these pieces. The singers also presented topics from older and contemporary repertoire, in order to study and compare this material, to share their experiences, and show them different ways of singing and writing for the voice, including topics like the use of text, the different styles of vocalization (from bel canto to traditional or popular voices, world music, noises and new sounds made possible by amplification, the voice as pure instrument, speaking and transitioning from speaking to singing).
This workshop included a lecture by Wouter Snoei, regarding the question of how to use electronics in relation to voice.
Photos - Kurt Van der Elst ©
Le puy de Sancy est un sommet des monts Dore situé dans le département du Puy-de-Dôme, à 35 kilomètres au sud-ouest de Clermont-Ferrand. C'est, avec ses 1 885 mètres d'altitude, le point culminant du Massif central et le plus haut volcan en France métropolitaine.
Music for Healing or What You Need # 1
Corey Fogel and friends: (Shelley Burgon: harp) (Scott Cazan: electronics)
January 22, 10pm-midnight
Baik Art
Please join us Friday, January 22 for an evening with Corey Fogel (and friends). Themes of catharsis and cleansing will lead into a sonic space to prepare us to dream and, ideally, to heal. Between 10pm-midnight, Corey Fogel (and friends) will activate the space of Baik Art.
An intrepid group will spend the night following Fogel’s performance in the ancient Greek tradition of ‘incubation’. Your dreams will be interpreted the following morning by a professional. Please email Matt Wardell at shonufwardell@hotmail.com to reserve your spot. BYOB (Bring Your Own Bedding). Details of the overnight stay will follow. Space is very limited!!
Corey Fogel is a drummer and performance artist currently living in Los Angeles. Corey performs and composes in many rock, jazz, noise, folk, and chamber music capacities. His solo work as a composer and performance artist is based around spontaneous encounters with sounds, objects, personalities, textiles, foods, spanning video, dance, and installation. In addition to touring and recording nationally and abroad, Corey has been a member of groups: Julia Holter, Missincinatti, The Mae Shi, Gowns, Cryptacize, Barbez, Monstro, The Curtains, Learning Music, Nowcloud, Dominique Leone, 18 Squared. Corey has presented his own work with Machine Project, LACMA, Human Resources, The Wulf, The Hammer Museum, and REDCAT. Corey was recently awarded The California Community Foundation 2014 Fellowship in Visual Arts.
Fogel’s current practice evolved from integrating performance with my earliest creative impulses- adolescent experiments with androgyny, color, fashion, rebellion, and humor. Previously compartmentalized personal expression, craft, and music, now co-exist to explore the sublime.
‘Synesthesia, sensuality, and spirituality have always led me to work instinctually with subjects that naturally attract me. I am inspired by abstract characters that exist between mediums. I create site-specific performances by transposing linear and minimalist musical structures into vibrant, multi-layered compositions of fabric, object, sound, gesture, and organic material. Many works are improvisational, and site-specific. A familiar, inviting, perhaps tongue-in-cheek trope provides a platform for more abstract manipulations, often developing into a surreal myth or ritual. Using materiality, physicality, temporality and corporeality, I engage various media to accomplish newly discovered tasks. I try to intuit the most authentic role for each subject, often uncovering innately sexual, visceral relationships that mirror my behaviors as a percussionist. My recent goals are to stage and distill sculptural, video, and photographic pieces that preserve or pause rich ephemeral moments, to collapse boundaries between disciplines.’
Rule #7
When organizing a pose, be certain that background tree limbs don't appear to be growing out of the subject's head.
The donor composition with the two monks to the right and left of the enthroned Virgin with the child . The importance of the figure to the right of the Virgin is underlined by his size and his elder age. Probably he can be identified as the monk Savvas, referred in the donor inscription. Despite his important personality, the model of the church is being offered by the younger monk, perhaps the monk Iakovos from the donor inscription.
An audience member reads up on things, like this fact: in 2014 alone, members of United Way Speakers Bureau gave over 900 speeches—stories of courage and accomplishment, and what your support means to people in our community. Songs of the City featured three of these storytellers, whose stories were also delivered as original compositions by some of Canada’s finest singers and songwriters.
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The assignment for this fortnight in Studio 26 is triangles in composition. Part of that is analysis of photos we've already taken, or take for the assignment.
The original post for each of these assessments is linked in the comments, with all photos also in the set.
The composition consists include zz Eustoma, roses, hydrangeas with green trimmings. This is a very beautiful and elegant valentine flower arrangement . Everyone will appreciate their beauty! Is attached to the composition note that along with flowers convey wishes.