View allAll Photos Tagged Composition

Cim de Montparnasse

North End, Boston, MA

This is my best example of Simplicity. I really like this photo because the pottery guy in right in the center and the quality of this photo is very clear. To create contrast in my image I had my exposure at -0.76, contrast at -12, and highlight at -49. Also, i put the temp color at 5043k, tint at +7, and saturation at +12. The mood I was trying to create was funny but some people could also find this image creepy.

Composition A (1923) by Piet Mondrian, a classic De Stijl painting.

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Observed by art critic Liz.

Bois de tilleul, lisianthus, fougères, pittosporum panaché.

still some dead space to fill. form needs to lock up tight fas it will run on a platen.

This is my best example of simplicity. I really like the mood that this photo gives. To create contrast in my image I increased the highlights, shadows, and whites. I decreased the blacks, changed the point curve, increased the texture, and made the vignette darker. I was trying to create a dark and mysterious mood.

This is the first composition of my son George (2yrs) who carefully selected and arranged the cubes and stones by himself and then,even better, he mounted them on the top of the armchair rest

Our thoughts become deeper in the night...

There's something about this composition that I really like and I am not entirely sure what it is.

 

Muted down the greens and yellow since I wasn't too pleased with them and this is the result.

 

Monday 9th December 2013 - Friday 13th December 2013

LOD, Ghent

 

During the first workshop in December 2013, the composers worked with the four highly experienced singers of VOCAALLAB (high soprano, mezzo/alto, low tenor, baritone) and Eva Reiter (viola da gamba, Paetzold bass recorder) on these pieces. The singers also presented topics from older and contemporary repertoire, in order to study and compare this material, to share their experiences, and show them different ways of singing and writing for the voice, including topics like the use of text, the different styles of vocalization (from bel canto to traditional or popular voices, world music, noises and new sounds made possible by amplification, the voice as pure instrument, speaking and transitioning from speaking to singing).

 

This workshop included a lecture by Wouter Snoei, regarding the question of how to use electronics in relation to voice.

 

Photos - Kurt Van der Elst ©

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