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Storm light is the best light.
More of the never-ending compositions at the Peoples Gas Pavilion in Lincoln Park.
The Wolverhampton Art Gallery on Lichfield Street in Wolverhampton. It is next to St Peter's Gardens (part of which is a war memorial garden).
The art gallery building is Grade II* listed.
Art Gallery and Museum, Wolverhampton
WOLVERHAMPTON
SO9198NW LICHFIELD STREET
895-1/11/257 (North side)
12/02/75 Art Gallery and Museum
GV II*
Art gallery. 1883-5. By J.A.Chatwin of Birmingham. Ashlar with
some polished granite; slate roof. Italianate style.
Symmetrical composition: 2 storeys with basement, centrepiece
has 3 ground-floor windows to each side and end terminal
features. Dressed stone basement; plinth, channelled
rustication and cornice to ground floor; plinth, entablature
and balustraded parapet to 1st floor. Basement has sashed
windows; ground floor has segmental-headed plate-glass windows
with architraves; 1st floor has panels with relief friezes of
famous men of science and art. Centrepiece has porch with
paired granite Doric columns, paired also in depth, and
balustraded parapet; round-headed entrance; 1st floor has
Venetian window with rosettes to archivolt, console keystone
and foliate spandrels; flanking paired granite Ionic columns
with forward break in entablature support panel with paired
pilasters and open pediment, cartouche and foliage. Terminals
break forward, niches with segmental pediments to ground
floor, paired Ionic columns above support forward break in
entablature. Balustrade to area. Bowed angle bay has window as
to centrepiece but with blind side lights, and similar niche
above. Facade facing churchyard is similar, with 3-bay
centrepiece flanked by 6 windows, and terminal features
flanking centrepiece and to ends: Centrepiece has entrance
with flanking paired Doric columns, side bays have
segmental-headed windows to ground floor, those above
round-headed, similar to centre window. Rear is plain, gabled
range to right has large 1st floor windows.
INTERIOR has stair with wrought-iron balustrade and panelled
walls; top-lit 1st floor galleries. Built for the
Wolverhampton Exhibition.
(The Buildings of England: Pevsner N: Staffordshire: London:
1974-: P.317).
Listing NGR: SO9149098786
This text is a legacy record and has not been updated since the building was originally listed. Details of the building may have changed in the intervening time. You should not rely on this listing as an accurate description of the building.
Source: English Heritage
Listed building text is © Crown Copyright. Reproduced under licence.
Sculpture relief's seen from St Peter's Walk and St Peter's Gardens.
1. Varan, Komodo (Indonésie), 1994
2. Teinturiers, Dhamanka, Gujarat (Inde), 1998
3. Statues de Bouddha dans une grotte, environs de Mukdahan, (Thailande), 1998
4. Séchage des gâteaux de riz, Luang Prabang (Laos), 1995
5 On suppose que ça se mange, quartier chinois, Bangkok (Thailande), 2004
6. Huppe, Haa (Bhoutan), 2004
7. Séchage du poisson, Kannur, Kerala (Inde), 2003
8. Paysage, Namika La, Ladakh (Inde), 2004
9. Gamins, Kashgar, Xinkiang, (Chine), 1994
10. Nénuphars, environs de Konarak, Orissa (Inde), 1993
11. Bas-relief, temple de Borobudur, Java (Indonésie), 2003
12. Bénédiction par l'éléphant du temple, Srirangam, Tamil Nadu (Inde), 2003
13. Friture de sauterelles, marché de Chatuchak, Bangkok (Thailande), 1995
14. Nasses à poissons, marché de Shapin, Yunnan (Chine), 1994
15. Images de la déesse Durga, quartier des potiers de Kumartuli, Calcutta, West Bengal (Inde), 2003
16. Cages à criquets, Kunming, Yunnan (Chine), 1999
17. Hong Kong by night, 1994
18. "Oeufs de cent ans", conservés dans la chaux et la paille, Xi'an, Shaanxi (Chine), 1999
19. Main du Bouddha du Wat Si Chum, Sukhotai (Thailande), 1998
20. Ganesh, décoration au-dessus d'une porte, Bénarès, Uttar Pradesh (Inde), 1999
21. Chapeaux, marché de Hsipaw, pays shan, Birmanie, 2003
22. Légumes non identifiés, marché de Kalaw, pays shan (Birmanie), 2003
23. Séchage du poisson, Senkang, Sulawesi (Indonésie), 1994
24. Bas-relief, temple de Borobudur, Java (Indonésie), 2003
25. Crocodile dans les Sundarbans, détail, Bagerhat (Bangladesh), 2004
Order from chaos, viewed from above.
A ferry deck is never short on activity, but the challenge is turning movement, machinery, lorries, water, and infrastructure into something legible. Lines lead, blocks stack, colours separate, and the eye finds its way through the frame.
Graphic composition is about editing in real time. Choosing what stays, what aligns, and what carries the weight of the image.
composition
I wore bright pink nail polish to a week-long Zen advanced training to keep a part of myself throughout the training. As the days went on, I was embarrassed to have it when I was supposed to blend in with everyone else. I also noticed as the days went on, the polish was slowly coming off. It symbolized what the training is all about - cutting away our ego. Not only did my semi-long nails break, but this was all that was left of the polish when I returned home.