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Travelled down to Chico, California to tour the Paul Components headquarters and document the fabulous work they do.
PictionID:44025899 - Title:Atlas Component - Catalog:14_009131 - Filename:14_009131.TIF - - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
92016 WFBC DOLLANDSM 890B241D01 F WEMBLEYYD N
In September 2017 the transformer of 92016 was found to have been cracked and the locomotive dragged away for storage. When working from the overhead wires the 25 kV AC power must be converted to 1370 volt AC so that it can be used by a class 92 locomotives traction motors. This is done by the transformer which is positioned underneath the locomotive towards the cab 2 end of the common zone but much of it is obscured by the batteries and transformer tank filled with oil used for cooling and insulation.
boston, massachusetts
1960s
teradyne automatic test equipment
unidentified component
teradyne was founded in 1960 by alex d'arbeloff and nick dewolf. more information available here: en.wikipedia.org/wiki/Teradyne
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
I think this one in particular really does look like ceramic. But nope, it's pure polymer clay.
Copyright © 2013 by Ginger Davis Allman The Blue Bottle Tree, all rights reserved.
The Japan component of the 2015 Forestry Asia Trade Mission consisted of 37 executives from B.C.’s leading forest companies and associations. The delegates are pictured at the Hanahata Asuaken Midply site project. The five-storey future elderly care facility will be Japan’s largest building from 2x4 wood frame construction once completed.
Learn more: news.gov.bc.ca/stories/2015-forestry-trade-mission-to-asia
n this video, we are talking about the basic components of an HVAC Filter System.
Know more about HVAC Filter System - www.parknonwoven.com/hvac-air-filter-media/
#n95facemask #textile #fabrics #nonwoven #meltblown #medical #Automobile #N95 #Board #EPP #MaskMedia #insulation #Pharma #fiberglass #ParkIndustries #ParkNonWoven #vocalforlocal #fightagainstcorona #spunbond #manufacturer #polymers #apparel #innovation #fashion #fashion #automotive #design #india #packaging #production #ParkNonWoven #nonwoven #nonwovenmachinery #nonwovenglobalexpo #hygiene #geotextiles #meltblown #nonwovenfabric #nonwovenpackaging #masterbatch #spunbond #diaper #mask #ppekit #wipes #disposables #medicaltextile #nonwovenindustrymagazine #nonwovennews #hygienetextile
ex Lockheed F-16 Royal Netherlands Air Force (gateguard in front of the Allied Air Component Command Headquarters Ramstein)
The Avalanche Detection System at Bear Pass, on Hwy 37A, gathers data about moving snow and ice masses on large expanses of avalanche terrain, up to five kilometres away.
When there’s movement, the radar recognizes that as an algorithm matching avalanche activity, captures the information and triggers a real-time alert which is sent to our Bear Pass avalanche team. The message contains critical information such as location, size and frontal speed of the event, that the team can immediately analyze, to determine the response required and any risks set off by the movement.
Traditionally, one aspect of avalanche monitoring is on-site observation, which restricts the team’s ability to collect data on avalanche activity to daylight hours and good weather. The AADS helps our avalanche experts to continuously monitor avalanche activity day or night, in any weather condition, from their mobile device.
Jon Ippolito provides guide to redesigning popular websites using browser plugins Firebug and Greasemonkey, during Still Water: What Networks Need to Thrive at the School of Cinematic Arts Gallery, University of Southern California.
Part of Redesigning Reality, a series sponsored by USC's Visions and Voices [web-app.usc.edu/ws/eo2/calendar/113/event/893758].], Media Arts and Practice PhD program [imap.usc.edu/]. and Institute for Multimedia Literacy [iml.usc.edu].
This image is excerpted from a U.S. GAO report:
www.gao.gov/products/GAO-14-688
DHS TRAINING: Improved Documentation, Resource Tracking, and Performance Measurement Could Strengthen Efforts
10000+ Components with Layout, Stencil Services, All Under 1 Roof! goo.gl/hhfzvv #AeroCircuitBoard #DefensePCB #PCBLayout #PowerStencils #PCBSolution #7segment #Soldering #Electronics #PCB #Technology #Prototype #ElectronicEngineering #ElectronicEngineer #SingleLayerPCB #DoubleLayerPCB #MultiLayerPCB
Kleine Brogel, Belgium
17 July 2007
Belgian Air Component
Belgian Air Force, 11sml,
MT-35, CM-170 Fouga
Sadly the flight was good for this pass.
Because you asked, here's a description of the making of Helium Head.
Though I was giddy and lightheaded with this idea, getting in the air required more than inhaling some helium. My first attempt had me hanging by my hands from a tree branch I could reach by jumping. My camera was mounted to my tripod which was laying on the ground with the camera head angled up. Even with my lens zoomed out to 18mm, I couldn't get my whole body into the frame. I had to get higher, so using a ladder was the answer.
To keep from breaking any limbs (mine, not tree limbs), I set my ladder next to a tree and lashed it to the trunk so that when I was at the top, the ladder wouldn't tip over and put me on my head. After about 4-5 attempts of pushing the shutter button set on a 10 second timer, scrambling up the ladder and turning to sit sideways on the top step (try hanging onto a ladder with just your butt) I was able to get a shot I was happy with. (I suspect I entertained, or perhaps worried my neighbors with all this activity as well) In post production, I used a layer mask and black brush set to about 80% edge hardness to remove the background from around my body.
Next shot was to get a separate photo of my head against a blue sky so I wouldn't have to do any work cutting out around my hair. I moved to a new location, making sure I was still facing into the sun. I added a strobe to the camera to reduce the shadows under my brow, nose, chin, and in my mouth, then held back my collar so that it wouldn't be included in the enlarged head photo. In post-production I used a layer mask to cut-out my head and place it into the body image, then used the warp tool to reduce the size of my neck to fit into my smaller collar opening.
I shot the top branches of a tree to add to the bottom of the photo to help with the illusion that I was rising above the ground. I blurred the tree branches to give them the appearance in the final image of being farther away and not the main focus of the image. Blurring the branches made my feet appear extra sharply focused and helped separate them from the background.
Lastly, I pulled a photo of clouds from my stock "Clouds" folder (I often shoot pictures of just clouds to keep for later use) and composed them into the shot for a little extra detail. Color adjustment, contrast, and spot sharpening was done to the overall image and wallah - 4 hours later I was done!
Everything you need to create a CircaPDA, except for the punch: Punched cards, discs, and the front and back covers. In this example, I used "Rollabind" discs, which are nearly identical to the same ones Levenger sells. Levenger has far superior customer service to the Rollabind people, though. A few craft stores carry Rollabind discs, but you will likely need to go online to buy them.
My whole house mediacenter solution:
Family Room
47” 1080p Vizia LCD
Main Mediacenter (Vista X86)
Theater Room
Xbox 360 (Gaming)
MCE05 (Still using MCE due to videocard and sound decoding issues)
Panasonic AE900U 720p LCD projector (140” screen)
Gallo Reference Mains and center
Gallo Micro rears
4 AE IB 15’s subwoofers located in the ceiling
Bedroom
50” 720p Vizia Plasma
Linksys DMA2100
Extra Bedroom/Workout room
Old Toshiba 36” tube tv
Xbox 360
Home Automation is controlled by Mcontrol
80% of my lights are zwave switches.
TZ 16 Zwave Thermostat
EzRain Irrigation controller
Elan Z630 pre-amp for multizoned audio(house is divided up into 3 zones)
In September 2017 the transformer of 92016 was found to have been cracked and the locomotive dragged away for storage. When working from the overhead wires the 25 kV AC power must be converted to 1370 volt AC so that it can be used by a class 92 locomotives traction motors. This is done by the transformer which is positioned underneath the locomotive towards the cab 2 end of the common zone but much of it is obscured by the batteries and transformer tank filled with oil used for cooling and insulation.
Paraluna by: Christopher Schardt from: Oakland, CA year: 2018
Paraluna combines kinetic sculpture, LEDs and music. Its main component is a disc 10m in diameter with 17,280 LEDs. A computer controls the LEDs while rotating, raising, lowering, and tilting the disc.
Some of the LED patterns work with the rotation of the disk, creating spirals. Others use persistence-of-vision, making an image hover in space above the spinning LEDs. Spokes demonstrates both of these styles: photos.app.goo.gl/DcP9IauNTjRHENUh2
Surrounding the disc are several high-quality speakers that play classical music at comfortable, yet immersive volume, creating a comfortable, peaceful place to be. Patterns are chosen to complement each musical piece, as with Firmament:
Swee Lan's sleeve, Tim Kelley, Harit Talwar, Bill Chapin, Bhaskar Menon, Marcela & Roberto Alonso, Nancy Goodman, Ron Zettel, Ronaldo Freitas, Phee Boon Kang, Norma Freitas, Jack Berger Marie Zettel, Lilly Zeller, Vicky DeMeo, Mary Jo & Dick Kovacevich, Jeanine Farhi, Art Zeller, Alain Farhi (partly obscured)
The AmeriFlux measurement component (AMC) supplements the eddy correlation (ECOR) flux measurement and surface energy balance (SEBS) systems with additional measurements needed for interpretation of methane flux measurements. It includes soil measurements (temperature, water content) and upwelling/downwelling photosynthetically active radiation (PAR) measurements.
Terms of Use: Our images are freely and publicly available for use with the credit line, “Image courtesy of the U.S. Department of Energy Atmospheric Radiation Measurement (ARM) user facility.”
A closer look on my final piece painting in real life.
Description:
Component 2 Final Piece –
“Why?”
At first glance, it would look like two princesses in fancy dresses and jewellery, posing for a decent photograph. But at a closer look, this painting has a few deep meanings behind it, where the painting prioritizes three meanings symbolized by the gestures and stains of blood; the sad expression of their faces and their eyes, representing sadness and regret, their hands gripping tightly onto each other, representing hope and struggle, and the blood stains on Princess Anastasia of Russia’s dress and Empress Elisabeth of Bavaria’s corset, representing the history of their murders itself.
The title “Why?” summarizes the whole meaning of the painting, where the princesses, bound unknown to their fate, with a million questions on their minds only visible through their teary eyes and painfully sad expressions.
The strong grip of their hands together symbolizes their struggles as the princesses went through their depressing journeys of pressure and tears, leading to the blood stains on their corset and dress, showing the history of their murder, where Anastasia was executed with her family with her body parts dismembered, along with her family’s, showing the large amount of blood stains on her dress, while Empress Elisabeth was murdered with a direct stab to her heart by an Italian man who only had the reason of “doing the deed” or need to kill a royal family.
Another meaning, however is shown also from the grip of their hands; bond. They are both princesses, both ending in cruel fate and both showing regret as I had visualised them. Anastasia did not get to spend any more time with her sisters, mother or literally an older figure of a woman, while Empress Elisabeth never got to spend time with her children, whom some had lost their lives earlier than she had.
The feeling of regret brought tears to their eyes, for their fate, loss of time, and history led to a million questions starting with “why?” on their face expressions, supported by the strong grip of struggle, a bit of hope and bond. I have also concentrated on the details of this painting, including the jewellery, the crowns and the veil, showing themselves as indeed, the royal-blooded princesses from two different countries, sharing the same bond of fate.
The faint shades of golden yellow on their dresses also symbolises their shining figure as royalty, and I have chosen her coronation dress for Empress Elisabeth because all of her depressing journey to her end began right after the coronation and wedding day, and a court gown for Princess Anastasia, for which both symbolizes the purity and innocence of the two.
The dark black with faint golden background also represents engulfing darkness into their lives, even with only a little bit of happiness they had experienced, it had slowly faded along into the overall misty, uncomfortable dark aura that had surrounded and destroyed their lives.
Articles in Englisch language: extraenergy.org/main.php?language=en&category=extraen...
Articles in German language: extraenergy.org/main.php?language=de&category=extraen...
Articles in Chinese language: extraenergy.org/main.php?language=cn&category=extraen...
EUROBIKE, 28 August 2014. Lectures on LEV Components within the LEV Components Special Exhibition.
Read the article: extraenergy.org/main.php?language=en&category=&su...