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Many people (mostly women) are looking for the best skin lightening cream. Some of them wanted to whiten their whole body, while others are only concerned about a small dark area that needs to be lightened. There are several brands of skin brightening cream and skin lightening lotion that are popular in the market today. All of those products contain various chemical components that can whiten, lighten and brighten the skin.
Skin creams reviews
Many women are also obsessed about whitening products like bleaching cream and underarm whitening cream. It is because most women are conscious about having fair and even complexion. They are always on the lookout for product reviews about the best whitening cream for the face and body.
Bleaching cream prices may vary depending on the brand. Some whitening cream and lotion brands may be more effective than others. Effectiveness may also depend on your skin type and the whitening components of the product.
If you are in the midst of an extensive selection of whitening products, you may become even more confused in choosing the best bleaching cream for face, body or underarm. To help you in choosing the right one, you must know what to look for in a whitening product.
The following are key ingredients that are found in whitening creams:
Vitamin C
Vitamin C is a kind of antioxidant. Many brands of whitening face cream contain vitamin C. It is effective in lessening the formation of melanin (a pigment that darkens the skin). It also gives the skin a healthier glow.
Kojic Acid
Kojic Acid is an effective skin lightening agent. It comes in several forms, such as creams, soaps, lotions and serums. It has two kinds: kojic acid dipalmitate and kojic acid. Kojic acid is more effective than kojic acid dipalmitate. The only downside is that kojic acid oxidizes easily. Oxidizing happens in all kinds of whitening products. It is the process when the product changes in color and loses its effectiveness. Kojic acid soap does not oxidize like kojic acid lotions and creams.
Vitamin B3
Vitamin B3 is also known as niacinamide. It is effective in addressing skin inflammations due to pimples and acne. It is perfect for underarm whitening. It is also effective in whitening other dark areas, such as lower butt, bikini area and inner thighs.
Glycolic Acid
Glycolic acid is a type of alpha hydroxy acid. It is an effective skin exfoliant. It can help in brightening the skin.
Lactic Acid
Lactic acid is another kind of whitening agent. It can help in lightening sensitive skin.
Alpha Arbutin
Alpha arbutin is considered as the safest and most effective skin whitening agent. It gives a more natural whitening effect. It gives a brighter and suppler skin. It has two kinds: alpha and beta. Alpha arbutin is more effective than beta arbutin.
The following are types or forms of skin whitening products:
Cream
Whitening creams are good for dry and combination skin types. It has a rich consistency and it keeps the skin moisturized.
Serum
Whitening serums are lightweight and thinner than creams. It is perfect for oily skin. It can also be layered with other skin care products.
Ointment
Whitening ointment is greasier than other forms of whitening products. It is more effective and penetrates the skin much better than creams.
Now that you are well informed about the different components and forms of whitening products, here are some examples of natural ingredients that you can use in making your own natural skin lightening cream.
Orange
Oranges contain vitamin C that can help in reducing melanin formation. It has bleaching properties that can lighten the skin. Mix together a pinch of turmeric and 2 tablespoons of orange juice. Apply the mixture onto your skin and let it stay for 30 minutes before washing it off.
Yogurt
Yogurt is derived from milk. So, it contains lactic acid that can gently lighten the skin. It can be used for all skin types. Simply apply yogurt on your skin and let it stay for a few minutes before rinsing with lukewarm water.
Honey
Honey is a natural moisturizing and bleaching agent. It also has antibacterial properties that can help in fading acne scars and age spots. You can apply pure honey for moisturizing. But you can also mix a teaspoon of honey with other ingredients like milk (one tablespoon), almond oil (half teaspoon) and lemon juice (one teaspoon). Apply the mixture onto the skin and leave it on for 15 minutes before rinsing with cold water.
Gram Flour
Gram flour can help in absorbing the skin’s excess oil. It can also keep the skin’s natural moisture. It can also help in lightening the skin. Mix a small amount of gram flour with some rose water or water to create a thick paste. Apply it onto your skin and leave on until it dries. Then, rinse it with water.
To get the best results, you must make sure that you follow a good skin care regimen. Aside from the regular cleanse-tone-moisturize routine, you must also do the following:
Exfoliate
Exfoliate your skin every other day or twice a week. It will help in removing the top layer of dead skin cells on your skin. It will also allow the whitening product to penetrate your skin much easier.
Apply Sunscreen
Regular application of sunscreen is the key to keeping your skin protected from harmful UV rays. Make sure to apply 30 minutes before sun exposure and reapply every 2 to 3 hours. All of your effort will be put to waste if you do not apply sun protection.
Natural skincare tips
The post What You Need To Know About Bleaching Cream appeared first on Find The Best Skin Lightening Cream.
skinlighteningcreams.net/what-you-need-to-know-about-blea...
Gua sha is a very old Chinese process that is considered to support the flow of “chi” or energy in the complexion. Gua sha literally means "to scrape sand," which refers to the light, marked bruising on the skin after therapy. To know more, watch the complete video.
Learn about Gua Sha Facial Massage: www.drscottdenny.com/blog/263067-5-things-you-should-know...
For more information, give us a call or schedule an appointment.
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23/817 Rfm
A. MAHAN
Rifle Brigade
Died 21 July 1923
Aged 34[sic]
Old plaque states:
“beloved husband of Nellie MAHAN”[5]
Arthur MAHAN
Block 37 Plot 298
Aged 33 years
Born: NZ
Occupation at death: Photographer
Complexion: fair; hair: brown; height: 5ft 5.5 in; eyes: blue.
Cause of death: Atrophic Cirrhosis of Liver – death due to war service
Service number: 23/817
First known rank: Bugler
Previously served in Oamaru Rifles for 4 years
Occupation at enlist: Photographer, Mahan and Sons, Oamaru
Next of Kin: Robert MAHAN, father, Wansbeck Road, Oamaru
C Company , 1st Battalion, Trentham Regiment
Total service: 3 years 288 days
Theatres of Operation: Egyptian 1915-16; Egyptian E.F. 1916; Western Euro 1916
Address at enlistment: Wansbeck Street, Oamaru
15 Sep 1916: Wounded in France – gun shot wound right arm, face and mouth
27 Sep 1916: Admitted to NZ General Hospital, Brockenhurst
15 Nov 1916: Admitted to Convalescent Camp, Hornchurch
6 Jan 1917: Admitted to No. 2 General Hospital, Walton
16 Jan 1917: Admitted to Convalescent Camp, Hornchurch
10 March 1917: Marched into Codford
26 April 1917: Admitted to No. 2 General Hospital, Walton
4 Sept 1917: Admitted to NZ General Hospital, Hornchurch
6 Nov 1917: Marched into Camp, Brocton
3 Dec 1918: Embarked for NZ per Tahiti, Liverpool.
9 Feb 1919: Discharged no longer fit for war service – gunshot wound to upper jaw
His Cenotaph database record:
muse.aucklandmuseum.com/databases/Cenotaph/32520.detail?O...
FAMILY INFORMATION:
Robert MAHAN – Arthur’s father, also had military connections
“Major Robert Mahan, who is on the staff of No. 3 Battalion, Otago Rifles, has had a long experience as a volunteer. He served five years in the Timaru Artillery Cadets, and joined the Oamaru Rifles as a private in 1882, on his arrival in the district. Shortly afterwards he gained the rank of sergeant. At the time of the Russian scare Mr. Mahan transferred to the Naval Artillery, and was soon afterwards elected sublieutenant. Two years later he became lieutenant-commanding, and afterwards had charge of the corps. He is a son of Mr. A. Mahan, schoolmaster, Geraldine, and was born in 1862, in County Longford, Ireland. After completing his elementary education he learned the business of a photographer, and has been well-known in Oamaru since 1886. He is referred to in another article in connection with the firm of Mahan and Muir, photographers.”[1]
Councillor Robert Mahan , of the Oamaru Borough Council, has been in business for some years as a photographer, and is senior partner of the firm of Mahan and Muir. He is further referred to in connection with his firm, and as a volunteer officer.[2]
Photographers.
Mahan And Muir (Robert Mahan and Frederick Bailey Muir), Photographers, Thames Street, Oamaru, There is a branch at Timaru, where Mr. Muir, who joined the firm in 1903, is in charge, Mr. Mahan, who founded the business, still has the active management in Oamaru, where he established himself a good many years ago. He is referred to elsewhere in this volume in connection with the volunteers and the Oamaru Borough Council, of which he is a member.[3]
Archibald MAHAN – father of Robert and grandfather of Arthur
Mr. Archibald Mahan, Old Colonist, was born in Carigallan, County Leitrim, Ireland, in 1834. He was educated in Dublin, and brought up in the teaching profession. After his college course he went to County Longford, where he taught for fifteen years. While there he married Miss Cody. Mr. and Mrs Mahan arrived at Lyttelton, by the first trip of the “Duke of Edinburgh,” in 1874. After teaching for a short time in the Main School, in Timaru, Mr. Mahan went to Waitohi Flat, where he opened the local public school. He was teaching in South Canterbury for twenty-five years, within a radius of twenty-five miles from Timaru. Mr. and Mrs Mahan had fourteen children, eight sons and six daughters, eleven of whom are living. Mr. Mahan retired from the teaching profession in 1899 and started farming on the Rangitata, where he remained until his death in April, 1901.[4]
SOURCES:
Christchurch City Council cemeteries database
heritage.christchurchcitylibraries.com/Cemeteries/interme...
Military records:
ndhadeliver.natlib.govt.nz/delivery/DeliveryManagerServle...
[1]
nzetc.victoria.ac.nz/tm/scholarly/tei-Cyc04Cycl-t1-body1-...
[2]
nzetc.victoria.ac.nz//tm/scholarly/tei-Cyc04Cycl-t1-body1...
[3]
nzetc.victoria.ac.nz//tm/scholarly/tei-Cyc04Cycl-t1-body1...
[4]
nzetc.victoria.ac.nz//tm/scholarly/tei-Cyc03Cycl-t1-body1...
with portraits of Archibald and his wife.
[5]
NZ Dept Internal Affairs Historic BDM Indexes. Nellie Edna nee TREASURE marriage registration 1922/8104
A few months back, I was told about the ruined church in Sittingbourne, but due to COVID I did nothing about it. But as we would be in the area to revisit Borden, I sought out All Saints and noted its position and even used GSV to scout it out, or the area as it was hidden behind trees.
We arrived in the area, driving through a industrial estate/retail park; a network of wide roads criss-crossing with lorries parked up, litter piled up at the sides of warehouses and so on.
It seemed the most unlikely area to find a Medieval church.
And the area really didn't change that much until we came to a roundabout, and to the right was the part I had seen on GSV.
We parked beside the road, and through the gate which had been demolished by a stolen car, I guess, there was the church, or what was left of it, a single side chapel, all boarded up and looking forlorn.
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Sited on the Murston side near the banks of Milton Creek stands this little historic gem set in a green oasis of calm and serenity.
The Murston Heart project is the working title for the innovative project to preserve, restore and secure the future of the beautiful 14th Century Chancel of Murston Old Church and its grounds.
Murston All Saints Trust (MAST) the holding charity’s vision is to bring back this scheduled monument to the heart of the community by creating a creative community hub on the site. This will include exhibition space in the chancel and a new building in the corner of the churchyard containing studios, a café and wcs.
2020 update: We now have planning permission and scheduled building consent and funding in place to undertake both the building work and a programme of activities with a couple of local schools. Covid-19 permitting we hope to commence work on site in October
historicswale.org.uk/murston-old-church
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MURSTON.
THE next parish westward from Tong is Murston, usually called Muston, which takes its name from its vicinity to the marshes.
The PARISH is almost all of it situated on the north side of the high Dover road, to the left of the hill next beyond Sittingborne, a very small part of it only extending southward of the road, where, near the boundaries of the parish is the parsonage, with the glebe belonging to it, and the only small wood within it. It extends northward across the marshes and salts, as far as the waters of the Swale, which separates the main land from the Isle of Shepey. The village is situated midway between the London road and the marshes, and the church and court-lodge at no great distance from it. The parish contains about one thousand acres of land, of which about thirty are wood. Its situation is most unpleasant as well as unhealthy, even in the highest grounds of it, but the greatest part lying so exceeding low and watry, enveloped by creeks, marshes and salts, the air is very gross, and much subject to fogs, which smell very offensive, and in winter it is scarce ever free from them, and when most so, they yet remain hovering over the lands for three or four feet or more in height, which, with the badness of the water, occasions severe agues, which the inhabitants are very rarely without, whose complexions from those distempers become of a dingy yellow colour, and if they survive, are generally afflicted with them till summer, and often for several years, so that it is not unusual to see a poor man, his wife, and whole family of five or six children, hovering over their fire in their hovel, shaking with an ague all at the same time; and Dr. Plot remarks, that seldom any, though born here, continuing in it, have lived to the age of twenty-one years. This character of unhealthiness extends to the neighbouring parishes on the northern side of the road, which, however, is not peculiar to this county, as all other parts of the kingdom in a like situation, are subject to the same satality. The lands in this parish, like those of Tong and Bapchild before-described, are very rich and fertile for corn, and there is some good hop-ground in it; was it not for this prospect of gain, and high wages given for the hazard of life itself, these situa tions would probably be nearly deserted of inhabitants, but this temptation draws them hither in preference to the healthy country among the poor and barren hills, but a few miles distance from them.
In Frid wood, southward of Murston parsonage, and likewise in the neighbourhood of Faversham, there are several hollow caves dug in the ground, much like those at Crayford, mentioned in the second volume of this history, p. 266, which seem to have been hiding places in the time of the Saxons, where the inhabitants secured their wives, children and effects, from the ravages and cruelty of their enemies.
A small part of this parish, consisting of some acres of arable and wood, lies at some distance from the rest of it, entirely surrounded by the parish of Luddenham, several other parishes intervening; it seems formerly to have been of some account, and in antient records to have been mentioned by the name of the manor of Herst-hall, in Herst; part of it in Bizing wood belongs to the glebe of this rectory.
The MANOR, after William the Conqueror had seized on the bishop of Baieux, his half-brother, for his seditious and turbulent behaviour, in the year 1084, with his other estates became confiscated to the crown, after which the king granted this manor to Hugh de Port, who held it of the king in capite by barony, as of the castle of Dover, by the tenure of castle guard for the defence of it, of him and of his descendants, the St. John's, this manor was again held by a family which took their name from their residence at it.
Bartholomew de Murston is in the list of those Kentish gentlemen, who assisted king Richard I. at the siege of Acon, in Palestine; and his descendant John de Murston held it in the reign of king Edward III. in the 20th year of which he paid aid for it, as one knight's fee.
But before the end of the next reign of Richard II. this family was become extinct here, when Walter, lord Fitzwalter, was become the possessor of it, whose descendant Walter, lord Fitzwalter, likewise possessed it in the reign of king Henry VI. bearing for his arms, Or, a fess between two chevrons, gules.
He seems to have alienated this manor to Sir William Cromer, lord mayor in the years 1413 and 1423, and he died possessed of it anno 1433. After which this manor continued in his descendants in like manner as Tunstall before-described, till it came with that manor, by a female coheir, in marriage to John, eldest son of Sir Edward Hales, of Tenterden, knight and baronet. In whose descendants this manor continued down to Sir Edward Hales, bart. of St. Stephen's, near Canterbury, (fn. 1) who sold it some few years since to Rebecca, the widow of Sir Roger Twisden, bart. of Bardbourn, and she is the present possessor of it. (fn. 2)
East-HALL is an estate in this parish, which was once accounted a manor. It was in early times possessed by a family which assumed its surname from it; one of whom, Joane de Easthall, is recorded in the leiger book of Davington priory, as having been a good benefactor to the nuns there, in the reign of king Henry III. After this name was extinct here, it came into the possession of the De la Pines, who bore for their arms, Sable, three pine apples, or. One of whom, James de la Pine, was sheriff of Kent in the 26th, and part of the 27th years of king Edward III. and died possessed of this manor in the 37th year of that reign, then holding it of the king in capite, by the tenth part of one knight's fee.
His son and heir Thomas de la Pine, about the beginning of king Richard II.'s reign, conveyed this manor to Thomas St. Leger, second son of Sir Ralph St. Leger, of Ulcomb, who resided at Otterden. He left a daughter Joane, who marrying Henry Aucher, esq. of Newenden, entitled her to the possession of it. She survived him, and afterwards married Robert Capys, to whom Henry Aucher, esq. her only son and heir by her first husband, in the 19th year of Henry VI. confirmed a life-estate in East-hall and other places.
From him it passed into the name of Eveas; for Humphry Eveas was found by inquisition to die possessed of the manor of Esthall in the 32d year of king Henry VI. as did his son John Eveas in the 4th year of king Henry VII. and was buried with his wife in the north chancel of this church. His wife Mildred, daughter of Bartholomew Bourne, seems to have survived him, and afterwards to have married Lewis Clifford, esq. of Bobbing. She died in the 20th year of king Henry VII. possessed of this manor with its appurtenances, in the parishes of Murston, Tong, Bapchild, and Elmele, held in capite by knight's service. At length her grandson, Humphry Eveas, dying in the 27th year of Henry VIII. leaving four daughters his coheirs, one of them Alicia, carried it in marriage to Thomas Hales, whose son Christopher Hales, in the 5th year of Edward VI. alienated it to Sir Anthony Aucher, of Otterden, who the next year passed it away by sale to Thomas Gardyner, and he, in the 10th year of queen Elizabeth, transmitted it by sale to Mr. John Norden, who in the 17th year of that reign, levied a fine of it; and afterwards alienated it to William Pordage, esq. of Rodmersham, in whose descendants it continued till it was at length sold to Iles, by a daughter of which name it went in marriage to Hazard, from which name it passed into that of shard, and thence again to Seath, in which it still continues, Rich. Seath, esq. being the present owner, who resides in it.
MERE-COURT is an estate in this parish, once esteemed a capital mansion, and seems to have been so named from its low watery situation, near the marshes; for it does not appear to have had any owners of that surname.
Thomas Abelyn held this manor in the reign of Edward I. in the 4th year of which he died, holding it of the king in capite. His grandson Thomas Abelyn, at length succeeded to it, and left his widow Isolda surviving, who, in the 21st year of that reign, married Henry de Apulderfield, which being without the king's leave, he paid his fine, and had then possession of his wife's land here and elsewhere.
¶This manor afterwards came into the possession of the family of Savage, of Bobbing, one of whom, Sir Arnold Savage, of Bobbing, died possessed of it in the 49th year of king Edward III. anno 1374. His grandson of the same name dying s. p. his sister Eleanor became his heir, she married William Clifford, esq. and entitled him to this estate, among the rest of her inheritance, and in his descendants it probably continued till it was alienated to Crosts, whose descendant Mr. Daniel Crofts died in the 22d year of queen Elizabeth, leaving one son John, and two daughters, Helen and Margaret, and they, upon the death of their brother, who was an ideot, becoming joint heirs to this estate, sold it, in the 42d year of that reign, to Mr. Stephen Hulks, (fn. 3) whose descendant Mr. Nathaniel Hulks dying without issue male, devised it by will to his two daughters and coheirs, Mary and Anne; the former of whom carried her part of this estate in marriage to Mr. John Austen, of St. Martin's hill, near Canterbury, who died possessed of it in 1770. She survived her husband, and again became entitled to this share of Mere-court in her own right, and afterwards, by the death of her sister Anne, who died unmarried, to her share of it likewise, of both which she died possessed in 1781, since which it has been sold by her heirs to Mr. John Lemmey, the present owner, who now resides in it.
Charities.
WILLIAM HOUSSON, gent. gave by will in 1783, for the instruction of poor children of this parish, Tong, and Bapchild, the interest to be equally divided between them in money, 200l. vested in the 4 per cent. consolidated annuities, trustees the incumbents of the three parishes, now of the annual product of 10l. 13s. 6d.
The number of poor constantly relieved are about eighteen; casually about fifteen.
MURSTON is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sittingborne.
The church, dedicated to All Saints, is a large building, of three isles and three chancels, having a square tower, with a wooden turret, in which are three bells.
The advowson of Murston was always an appendage to the manor, and as such continued in the same owners, till Sir Edward Hales, bart. sold it to Thomas Leigh, clerk, rector of this parish, whose son the Rev. Egerton Leigh, likewise rector, died possessed of it in 1788, and his heirs are now entitled to it.
It is valued in the king's books at 10l. 14s. 2d. the yearly tenths of which are 1l. 1s. The value of it is now computed to be about two hundred and sixty pounds per annum. In 1578 there were forty-two communicants, and ten houses in this parish.
There are about forty acres of glebe land, the greatest part of which lie in Bizing-wood, near Ospringe, entirely surrounded by Luddenham.
The monument has a distinctive plan of a square surrounded by an octagonal wall.
External detail of the mausoleum. A private cemetery of historical interest in St Margarets/ Isleworth. A full history and description is included in the set. This mausoleum which is now a grade II* listed building, was originally commissioned by the notorious eccentric of his day, the 2nd Earl of Kilmorey (also nicknamed as 'Black Jack’ Needham due to his dark complexion at times), .
The monument was built in 1854 for his mistress, Priscilla Hoste, who had originally been his ward of court.
They suddenly eloped abroad and then eventually returned to Twickenham, where she had a son called Charles in 1844. Unfortunately, Priscilla then became seriously ill in 1851 with a terminal heart condition, with the Earl deciding to set about constructing a suitable memorial for her in 1853.
She eventually died in October 1854, and was interred in secret, with no-one knowing about it for years afterwards.
A noted Victorian architect of his time, Henry Edward Kendall was employed to design the mausoleum, which he did in the popular and fashionable Egyptian revival style. This Egyptian design is believed to have been derived from a plate in a French book ‘Description de I'Eqypte ’ published in 1809. The shape of the building relates to the shrines at the heart of Egyptian Temples - the place where a treasured image of a god was installed.
Inside the Mausoleum is a fine white marble carved relief of the death bed scene of Priscilla, with the young son Charles and the Earl in attendance. It was carved in Rome by portrait sculptor Lawrence Macdonald, using more than one artistic style.
It is thought that the pink and grey granite Egyptian style mausoleum cost around £30,000? (a very large sum of money in the 1850’s!) not including the subsequent moving costs.
The Mausoleum was originally erected on a plot that the Earl had secured at the Brompton Cemetery in London, then subsequently dismantled, moved and re-built twice.
First when the Earl moved to Woburn Park Chertsey in 1862, and being of unconventional nature and restless as well; six years later he was on the move again. The next time, it was moved to its present site at Twickenham in 1868, where he lived in Gordon House; eventually to be part of the Brunel University complex which has subsequently been re-developed.
In his day, Lord Kilmorey owned all the land between the mausoleum site and Gordon House. According to some rumours and fact, and being the true Victorian eccentric; some tunnels were built, the main one apparently having a tramway between Gordon House and the Mausoleum. This ensured his privacy could be maintained, and would not have to leave his own property when the time came for him to join Priscilla in the Mausoleum. It is said that ‘when in the mood’ he would summon his servants, and in secret, dress in ‘white garb’ and proceed through the tunnel to the mausoleum, where he would lie in his coffin. He lived to the grand age of 92, and in 1880 on his death, his final wishes were carried out.
Since then the mausoleum has had a chequered history, and the site passed eventually to Hounslow Borough Council on condition that access would be maintained, although it was not for some time that anyone entered this hidden burial site.
In an extremely neglected condition, responsibility for the site was passed to Richmond Council, and the maintenance of the grounds to The Environment Trust for Richmond upon Thames, where volunteers have worked exceptionally hard over several years, to get the gardens into the condition you see them today.
The Postcard
A postcard bearing no publisher's name that was posted in Shrewsbury on Thursday the 17th. September 1903 to:
Mr. N. Bailey,
2, Lumley Road,
Chester.
Although the card has a divided back, the message was written on the front of the card:
"17 Sep 1903
Hope this will reach you.
I am giving it a boy to
post @ Shrewsbury
Station.
Kind regards to all.
Hurry up to get well".
There is also an unreadable signature.
Welsh National Dress
The popular image of Welsh national dress, i.e. that of a woman wearing a tall black hat with a red cloak over a decorative checked apron, is one which largely developed in the 19th. century as part of a conscious revival of Welsh culture during a period when traditional Welsh values were under threat.
Dolores Costello
So what else happened on the day that the card was posted?
Well, the 17th. September 1903 marked the birth in Pittsburgh, Pennsylvania of Dolores Costello
Dolores Costello was an American film actress who achieved her greatest success during the era of silent movies. She was nicknamed "The Goddess of the Silent Screen" by her first husband, the actor John Barrymore.
She was the mother of John Drew Barrymore and the grandmother of Drew Barrymore.
Dolores Costello - The Early Years
Dolores Costello was the daughter of actors Maurice Costello and Mae Costello (née Altschuk). She was of Irish and German descent.
Dolores had a younger sister, Helene, and the two made their first film appearances in the years 1909–1915 as child actresses for the Vitagraph Film Company.
They played supporting roles in several films starring their father, who was a popular matinee idol at the time. Dolores Costello's earliest listed credit is in the role of a fairy in a 1909 adaptation of Shakespeare's A Midsummer Night's Dream.
Dolores Costello's Acting Career
The two sisters appeared on Broadway together as chorines, and their success resulted in contracts with Warner Bros. Pictures.
In 1926, following small parts in feature films, Dolores Costello was selected by John Barrymore to star opposite him in The Sea Beast, a loose adaptation of Herman Melville's Moby-Dick, after which Warner soon began starring her in her own vehicles. Meanwhile, she and Barrymore became romantically involved, and married in 1928.
Within a few years of achieving stardom, Costello had become a film personality in her own right. As a young adult her career developed to the degree that in 1926, she was named a WAMPAS (Western Association of Motion Picture Advertisers) Baby Star, and had acquired the nickname "The Goddess of the Silver Screen".
Warners alternated Costello between films with contemporary settings and elaborate costume dramas. In 1927, she was re-teamed with John Barrymore in When a Man Loves, an adaptation of Manon Lescaut. In 1928, she co-starred with George O'Brien in Noah's Ark, a part-talkie epic directed by Michael Curtiz.
Costello spoke with a lisp, and found it difficult to make the transition to talking pictures, but after two years of voice coaching she was happy to speak before a microphone. One of her early sound film appearances was with her sister Helene in Warner Bros. all-star extravaganza, The Show of Shows (1929).
Dolores Costello as a Mother
Dolores' acting career became less a priority for her following the birth of her first child, Dolores Ethel Mae "DeeDee" Barrymore, on the 8th. April 1930, and she retired from the screen in 1931 to devote time to her family.
Her second child, John Drew Barrymore, was born on the 4th. June 1932, but the marriage proved difficult due to her husband's increasing alcoholism, and they divorced in 1935.
Dolores Costello - The Later Years
Dolores resumed her career a year later and achieved some successes, most notably in Little Lord Fauntleroy (1936), and The Magnificent Ambersons (1942). She retired permanently from acting following her appearance in This is the Army (1943), again under the direction of Michael Curtiz.
Making a rare radio appearance, Costello appeared as the Danish Countess Elsa on the radio program Suspense with an air date of the 28th. August 1943. The title of the episode is The King's Birthday, written by Corporal Leonard Pellitier of the US Army.
In 1939, Dolores married Dr. John Vruwink, an obstetrician who was her physician during her pregnancies, but they divorced in 1950. Costello spent the remaining years of her life in semi-seclusion, managing an avocado farm.
Her film career was largely ruined by the destructive effects of early film makeup, which ravaged her complexion too severely to camouflage.
In the 1970's her house was inundated in a flash flood which caused a good deal of damage to her property and memorabilia from her movie career and life with John Barrymore.
The Death of Dolores Costello
Shortly before her death, Dolores was interviewed for the documentary series Hollywood discussing her film career.
Dolores died at the age of 75 from emphysema in Fallbrook, California, on the 1st. March 1979, and was laid to rest in Calvary Cemetery, East Los Angeles.
Dolores Costello has a star on the Hollywood Walk of Fame for her contributions to Motion Pictures, at 1645 Vine Street.
Edwin Hughes, (1830-1927).
Birth & early life
Born at Wrexham, Denbighshire, on the 12th of December 1830.
Enlistment
Enlisted at Liverpool on the 1st of November 1852.
Age: 21 years 11 months.
Height: 5' 8”.
Trade: Shoemaker.
Features: Fresh complexion. Hazel eyes. Sandy hair.
Service, discharge & pension
His horse was said to have been shot under him during the Charge and in falling was trapped under it, injuring his leg.
Sent to Scutari on the 11th of December 1854, was a "Cook" at the General Depot from the 29th of December and on being returned to the regiment on the 11th of May 1855, was sent to England on the 29th of May.
From Private to Corporal: 20th of May 1858.
Corporal to Sergeant: 1st of May 1863.
Re-engaged for 12 years further service on the 3rd of November 1864.
Appointed to Troop Sgt. Major on the 1st of March 1871.
Discharged from Colchester on the 24th of November 1873, "Free, at own request after 21 years service." His fellow N.C.O’s of the regiment presented him with a marble clock.
Served 21 years 24 days. In Turkey and the Crimea, 2 years. Canada, 2 years 11 months.
Conduct: "very good." Would, had he not been promoted, now be in the possession of four Good Conduct badges.
Never entered in the Regimental Defaulter's book. Never tried by Court-martial.
Aged 42 years 11 months on discharge.
Awarded a pension of 2/- per day.
He is shown on the Regtl." Married roll" from the 21st of February 1859. He and his wife Hannah (Ann) had four children by the 30th of April 1868.
He was enrolled in the Worcestershire Yeomanry as a Sgt. Instructor on the 10th of December 1873, Regtl. No. 69. He later became Drill Instructor on the 18th of October 1882 and remained in that post until the 9th of December 1885, when he was discharged, "on account of old age", having served a total of 33 years 66 days in the service, on the 5th of January 1886.
At the time of his going into the Yeomanry he was living at Hartlebury, Stourport, Worcestershire and after his discharge from the Yeomanry he went to live at Park Cottages, Alcester Road, Moreton, Birmingham.
Medals & commemorations
Documents confirm the award of the Crimean, Turkish, and the L.S & G.C. medal with a gratuity.
Entitled to the Crimean medal with clasps for Alma, Balaclava, Inkerman, Sebastopol and the Turkish medal.
A supplementary roll (undated) signed by Major Henry Holden shows him as being issued with the Crimean medal (with clasps for Alma, Balaclava and Inkerman) on the 7th of October 1855.
Awarded the Long Service & Good Conduct medal on the 19th of July 1871, with a gratuity of £5.
He was in receipt of 1d. per day allowance for "good shooting" during his service.
Was present at the Fleet Street offices of Mr. T.H. Roberts in June of 1897 for the Jubilee celebrations held there and signed the testimonial given to Mr. Roberts for his efforts on behalf of the veterans on that occasion.
Member of the Balaclava Commemoration Society in 1879.
Attended the Annual Dinners in 1895-1910-12 and 1913. He also received help from the "Robert's "Fund and in 1915 was granted a pension from the Royal Patriotic Fund. This fund ran out about 1925, but a special grant from the War Office enabled him to receive a pension until his death.
Medals placed in the market in March 2005 at DNW by one unmarried brother (of 4 elderly) in the Birmingham area. Agreement could not be reached over the medals ultimate disposal once one of the brothers had passed on, so it was agreed to sell them at auction. This from Susan Hughes and Michael Ball, a descendant in Weston super mare area.
Life after service
To live at Dod Oak, Worcestershire after discharge.
From an unknown newspaper report: "The sole survivor of the famous Charge of the Light Brigade at Balaclava celebrated his 96th birthday yesterday and is still in fairly good health. Sgt. Major Hughes, who was presented to the Duke of Connaught at a recent military banquet as the last survivor of the Charge (according to the official records) joined the 13th L.D in 1854 (sic) when he was despatched with his regiment to the Crimea and was soon thrown into the thick of the fighting. "I had my horse shot under me," he said in an interview recently. "But fortunately I was able to capture another horse, mount it and return to our lines. I was lucky, because I was terribly crushed in the fall I had." Later he fought at Inkerman, Alma and Sebastopol. After further service in India (sic) and Canada, Sgt. Major Hughes acted as Instructor to the Worcestershire Yeomanry when he retired on pension. During the last war a number of his grandsons carried on his fighting tradition, one being killed in action and another was seriously wounded whilst serving in the Queen Alexandra's Yorkshire Regiment as an officer. The Sgt. Major is spending the day quietly with his daughter at Blackpool.”
Death & burial
Becoming rather deaf towards the end of his life, Hughes died on the 18th of May 1927 at No. 64 Egerton Road, Blackpool, Lancashire, aged 96 years, and was buried on the 23rd of May in Blackpool Cemetery with full military honours. The cause of death was "Senectus". His daughter, Mary E., was present at and the informant of his death.
His grave, which in 1980 was partly overgrown, has a stone with the following inscription:
"In loving memory of Edwin Hughes. Died May 18th 1927 in his 97th year. The last survivor of the Charge of the Light Brigade at Balaclava, Oct. 25th 1854. Also of Hannah, wife of the above. Died February 8th 1899, aged 65 years. At Rest."
EJB: Their un-married daughter, Mary Gertrude, is also buried in the same grave-space.
JAMES SALT Photo details:
Age: 30
Date of Offence: 24th September 1862
Offence: Stealing three sheets the property of Edward Fuller at Sandy on the 19th Sept. 1862
Sentence: 4 Years Penal Servitude
Type of trial: Bedfordshire Quarter Sessions
Personal details
Height: 5 ft 3 inches
Hair colour: Light Brown
Eye colour: Grey
Visage: Oval
Complexion: Sallow
Identifying marks: Large scar on legs and hips, one on abdomen, small marks about the shoulders.
Trade or occupation: Labourer
Education: Neither
Marriage status: Married
Number of children: Unknown
Residence details
Birth town: Sutton
Birth country: England
Residence town: Potton
Residence county: Bedfordshire
Residence country: England
Copyright: All the above information found and supply by (with thanks) vcp.e2bn.org/
VICTORIAN CRIME and PUNISHMENT
You can also found at the above web-site more crime committed by James Salt:
Name: James Salt
Age: 19
Date of Offence: 9th January 1851
Offence: On 17th Dec.1850 at Sutton unlawfully using a snare for the purpose of taking Game
Sentence: 21 Days Hard Labour or pay 10 shilling fine 7 shillings and sixpence costs
Type of trial: Summarily Convicted
Personal details
Height: 5 ft 2 ½ inches
Hair colour: Brown
Eye colour: Hazel
Visage: Round
Complexion: Sallow
Identifying marks: Scar on the nose
Trade or occupation: Labourer
Education: Neither
Marriage status: Single
Number of children: Unknown
Residence details
Birth town: Sutton
Residence town: Sutton
Residence county: Bedfordshire.
Name: James Salt
Age: 20
Date of Offence: 17th December 1851
Offence: On 14th Dec.1851 at Sutton assaulting and beating William Warden Barrington
Sentence: 1 Calendar Month imprisonment Gaol or pay 20 shilling fine 6 shilling and sixpence costs
Type of trial: Summarily Convicted
Personal details
Height: 5 ft 3 inches
Hair colour: Brown
Eye colour: Hazel
Visage: Round
Complexion: Sallow
Identifying marks:
Trade or occupation: Labourer
Education: Neither
Residence details
Birth town: Sutton
Residence town: Sutton
Residence county: Bedfordshire
Name: James Salt
Age: 25
Date of Offence: 23rd January 1856
Offence: Stealing on the 31st December 1855 at Sutton one bushel of barley value 4 shillings and sixpence the property of Frederick Clark
Sentence: 3 Calendar Months Hard Labour
Type of trial: Summarily Convicted
Personal details
Height: 5 ft 3 ½ inches
Hair colour: Light
Eye colour: Grey
Visage: Oval
Complexion: Fair
Identifying marks: Cut across bridge of nose, the nail of forefinger of left hand disfigured from a cut, scar on left shin and two outside left leg
Trade or occupation: Labourer
Education: Neither
Marriage status: Married
Number of children: 1
Residence details
Birth town: Luton
Residence town: Potton
Residence county: Bedfordshire
Name: James Salt
Age: 28
Date of Offence: 12th December 1861
Offence: Stealing beef and mutton
Sentence: 12 Months Hard Labour
Type of trial: Bedfordshire Quarter Sessions
Copyright: All the above information found and supply by (with thanks) vcp.e2bn.org/
VICTORIAN CRIME and PUNISHMENT
You can also found at the above web-site more crime committed by James Salt Silblings:
Name: William Salt (Brother).
Age: 22
Date of Offence: 28th November 1842
Offence: Misbehaviour in Service
Sentence: 1 Calendar Month Hard Labour
Personal details
Height: 5 ft 4 ½ inches
Hair colour: Dark Brown
Eye colour: Grey
Complexion: Fresh
Identifying marks: Slender, scar over the left eye
Trade or occupation: Labourer
Occupation category: Mill
Marriage status: Single
Number of children: Unknown
Residence details
Birth town: Luton
Residence town: Luton
Residence county: Bedfordshire.
Name: Sarah Salt (Sister)..
Age: 25
Date of Offence: 7th December 1842
Offence: Stealing a post of a dead fence
Sentence: 14 Days Hard Labour
Personal details
Height: 5 ft 0 inches
Hair colour: Dark Brown
Eye colour: Hazel
Complexion: Fair
Identifying marks: Stout, scar on two fingers of the left hand
Trade or occupation: Plaiter
Occupation category: Mending Prison linen
Marriage status: Single
Number of children: Unknown
Residence details
Birth town: Wrestlingworth
Residence town: Sutton
Residence county: Bedfordshire.
Name: Richard Salt (Brother)..
Age: 14
Date of Offence: 21st December 1842
Offence: Damaging trees
Sentence: 14 Days Hard Labour
Personal details
Height: 5 ft 3 inches
Hair colour: Brown
Eye colour: Grey
Complexion: Fair
Identifying marks: Stout, scar on the left thumb
Trade or occupation: Labourer
Occupation category: Mill
Residence details
Birth town: Sutton
Residence town: Sutton
Residence county: Bedfordshire..
Name: Mercy Salt (Sister)..
Age: 21
Date of Offence: 15th November 1855
Offence: Vagrancy deserting her illegitimate child
Sentence: 1 Calendar Month Hard Labour
Type of trial: Summarily Convicted
Personal details
Height: 5 ft 3 inches
Hair colour: Brown
Eye colour: Hazel
Visage: Oval
Complexion: Fair
Identifying marks: Stout made
Trade or occupation: Plaiter
Education: Neither
Marriage status: Single
Number of children: 2
Residence details
Birth town: Sutton
Residence town: Biggleswade
Residence county: Bedfordshire
Name: Eliza Salt (Wife),,
Age: 25
Date of Offence: 23rd October 1861
Offence: Misbehavious in Union (breaking a window)
Sentence: 1 Calendar Month Hard Labour
Type of trial: summarily convicted..
Copyright: All the above information found and supply by (with thanks) vcp.e2bn.org/
VICTORIAN CRIME and PUNISHMENT
JAMES Salt 1829-1915, son of Thomas and Mercy was christen on the 27th September 1829 at Sutton in Bedfordshire.
Thomas 1795-1838 married Mercy Chesham or Chessum, on the 5th November 1815 at Wrestlingworth in Bedfordshire. Their had eight children between 1817-1834. Thomas who was christen on the 24th June 1795, at Wrestlingworth in Bedfordshire, was the son of Thomas and Susannah nee Conder, who married on the 8th November 1787. Thomas died in September 1838, when his youngest daughter was only 4 years-old. His burial took place at All Saints Church, Sutton in Bedfordshire, on the 29th September 1838.
Siblings of James Salt 1829-1915 are:
SARAH, christen 2nd February 1817 at Wrestlingworth. After the death of her father, she had at lease, three illegitimate children, before she Married William Papworth on the 30th July 1848 at the Wesleyan chapel, Biggleswade in Bedfordshire.
Hertford Mercury and Reformer.
Saturday 26th November 1842
Wm. Brown, Thomas Salt, and Richard Salt, were fined 5s., each, for damaging a tree at Sutton.
Sarah Salt, of Sutton was fined 10s., for breaking a hurdle. (Sarah didn't pay her fine, so).
Cambridge Independent Press.
10th December 1842
Committed, Sarah Salt, of Sutton, for 14 days, for breaking a hurdle, belonging to Thomas Masters, of Sutton. (Post of a dead fence.)..
Sarah moved to Australia with her family in the 1850's..
WILLIAM, christen on the 10th June 1821, at Sutton in Bedfordshire. I don't know what was going on in November 1842, but it looks like half the Salt family, had been charged with one crime or another. William received 1 Calendar Month Hard Labour 28th November 1842, for Misbehaviour in Service?..
I believe William died in 1852..
THOMAS 1823-1844, christen on the 9th March 1823, at Sutton. Along with his younger brother Richard was fined 5s., for damaging an Elm Tree in November 1842. Thomas paid his fined. Richard didn't and was sentenced to 14 days hard labour in December 1842. Thomas died in 1844 aged 21 his burial took place on the 9th March 1844 at All Saints Church, Sutton in Bedfordshire.
RICHARD 1825-1898, christen on the 10th April 1825, at Sutton. He Married Caroline Daseley on the 3rd September 1844 at Sutton in Bedfordshire.
It look like Sarah, Thomas, and Richard where only after wood to burn, for the cold weather.
SUSANNAH, christen 5th August 1827, at Sutton, No more info at this time.
SAMUEL 1832-1834, christen 29th April 1832, burial 25th October 1834 at All Saints Church, Sutton in Bedfordshire.
MERCY CHESHAM, christen 22nd June 1834 at Sutton. Like her big sister Mercy had two, illegitimate children, Thomas Salt was christen on the 4th January 1852 at Sutton, and George Salt christen 17th November 1854 at Biggleswade, in Bedfordshire.
On the 15th November 1855, she was sentence to 1 Calendar Month Hard Labour, for vagrancy and deserting her illegitimate child.
Mercy married Richard Howard on the 14th June 1859, at Biggleswade.
Bedfordshire Times and Independent
Saturday 24th August 1861
Mercy Howard and Sarah Austin were charged by George Dalton gardener, with stealing half a peck of potatoes, growing in his field, on the 17th inst.
Fined, including costs, 10s., each, or in default 14 days' imprisonment. Allowed a fortnight.
A son Jesse Howard was born in 1862, who was christen on the 30th April 1864, at Biggleswade, Mercy died on the 11th December 1864.
Bedfordshire Times and Independent
Saturday 17th December 1864
BIGGLESWADE
On Monday an inquest was held in the town by Mr. Whyley, deputy-coroner for the county, on the body of Mercy Howard, a young married woman. It appeared from the evidence that the deceased had been in poor health some time and was near her confinement. On Sunday evening her husband was from home a little time. On his way home two men were fighting near his house. On one of the men falling to the ground he went and picked him up, and got set upon for his interference. About the same time his wife, who was subject to spasms, was taken ill and died almost immediately.
Mr. Sutton, the medical witness, could not exactly state the cause of death but thought it might have been occasioned by fright.
Verdict: Natural causes.
Richard remarried, and in 1870, he had a daughter, who he named Mercy. She married Ernest Saunders Howard on the 5th November 1888 at St. Mary's Church Hitchin, in Hertfordshire. George Salt, Mercy Salt's illegitimate son, was one the witnesses.
JAMES SALT, Married, Eliza Giddings daughter of William at Sutton in Bedfordshire on the 1st May 1854. James and Eliza had nine children between 1854-1877.
William Charles Salt 1854-1874 Sutton Bedfordshire. Christen 25th January 1865 at Biggleswade.
Thomas Salt 1857 Potton Bedfordshire. Christen 28th February 1864 at Biggleswade.
Emma Louisa Salt 1860 ?, Sutton. Christen 28th February 1864 at Biggleswade.
Mary Ann Salt 1862 Sutton Bedfordshire. Christen 28th February 1864 at Biggleswade.
Charles (Cornelius) Salt 1867-1877 Biggleswade Christen 24th March 1876 at Biggleswade.
Mercy Salt 1869. Christen 24th March 1876 at Biggleswade.
John Salt Christen 2nd October 1871. Death 7th October 1871, at Biggleswade.
James Salt 1873 Biggleswade, Bedfordshire.
Sarah Jane Salt 1877. Christen 16th February 1877 at Biggleswade, Bedfordshire.
Eliza died in 1880 aged 45. James died on the 2nd November 1915.
Biggleswade Chronicle
Friday 05th November 1915
OCTOGENARIAN'S DEATH
We regret to record the death of Mr. James Salt of 19 Cowfairlands, which took place on Tuesday Morning at the great age of 85 years, he was for many years a well-known chimney sweep in the town, and latterly has enjoyed the old-age pension. He has been cared for by his youngest daughter, who kept his house.
Biggleswade Chronicle
Friday 12th November 1915
FUNERAL
The Rev. G.H. Strange, M.A. Officiated on Saturday afternaoon at the funeral of the late Mr. James Salt, of Cowfairlands.
The mourners were Miss S. Salt (daughter), Mr. James Salt (son), Mr. and Mrs. A. Woods (son-in-law and daughter), Miss Florence Salt (grand-daughter), and Mrs. Frank Jones.
Floral tributes were sent by the daughters, son and grand-daughters of the deceased, Mrs. Wm. Albone, Mrs. F. Jones, Mrs. Sarah Pates and Miss. M. Warner.
Deceased was 85 years of age. Mr. Geo Styles was the undertaker.
Front cover:
Shafqat (~~ `Nostalgia' ~~), Diya (-diya-), Samia (neelgolapi) - three strikes. So, I am out.
Here I go
Prologue (when tagged by Nishi)
1.I am pot-belly, short, dark complexion, bald, old.
2.I have a very week memory for everything that I should remember.
3.I like to read books, any book – grammar to p***. Do not get time though!
4.I do not like to do any thing other than reading books and writing a few lines occasionally. I am a very lazy person.
5.I miss very much – my acting days. Last played – about 20 years ago. The drama team we formed more than 30 years ago, PATHASENA is still doing a wonderful job. I can not believe now-a-days that there were days when I worked under the direction of people like Paran Bandyppadhyay and Badal Sircar! Gone are those days!
6.I enjoy most now-a-days: Going through the wonderful posts of those who leave comments in my posts in flickr and putting a few words in their comment boxes just to share my enjoyment.
7.The most enchanting thing in life I found, even before I could sense it properly and still immersed in it – poetry.
8.I hate – thoughts of suffocation. I am claustrophobic!
9.Crushes – plenty. Can’t count! Got cured (please don’t push on it) after I had the last one! :)
10.I am a Gemini – a real one. Unbelievable opposite acts are very routine for me. It’s very tough to deal with me.
11.My most favorite quote "You talkin' to me?" delivered by the taxi driver Travis Bickle, played by Robert De Niro in the 1976 movie Taxi Driver.
12.Once again - I have always enjoyed the love and affection of women, always, all my life. Without them I could not be what I have been today – a completely spoiled and mostly happy person! Done!
Epilogue
Was I supposed to talk something about my photography? My photography – what’s there to talk about? Nothing, I say.
Back cover:
I tag –
…well, in my next post
(smile until it hurts :).
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FIRST ASIAN AMERICAN STAR!
Written by PHILIP LEIBFRIED
Her complexion was described as "a rose blushing through old ivory;" she was beautiful, tall (5'7"), slender, and Chinese-American. The last fact kept her from attaining the highest echelon among Hollywood's pantheon of stars, but it did not affect her popularity, nor keep her from becoming a household name. She was Anna May Wong, nee Wong Liu Tsong, a name which translates to "Frosted Yellow Willows," and she was born, appropriately enough, on Flower Street in Los Angeles' Chinatown on 3 January 1905, above her father's laundry. Anna May Wong's contribution to show business is a unique one; she was the first Asian female to become a star, achieving that stardom at a time when bias against her race was crushing. With determination and talent allied to her exotic beauty, she remained the only Asian female star throughout her forty-year career, never fully overcoming all prejudices in maintaining that position. Perhaps the rediscovery of her art will elevate her star to the pantheon of great performers and serve as a guiding light to Asian performers who still struggle to find their rightful place. Anna May Wong's life and career is something that is important for all who value greatly the Asian / Asian Pacific American communities' many artists and what we can all contribute!
Excerpt from : That Old Feeling: Anna May Wong
Part II of Richard Corliss' tribute to the pioneer Chinese-American star.
Daughter of the Dragon. Paramount 1931.
Based on a Fu Manchu novel by Sax Rohmer.
Daughter of the Dragon extended the curse sworn by Dr. Fu on the Petrie family to the next generation. Fu Manchu (Warner Oland), long ago injured and exiled in an attempt on Petrie Sr., returns to London and confronts the father: "In the 20 years I have fought to live," he says in his florid maleficence, "the thought of killing you and your son has been my dearest nurse." He kills the father, is mortally wounded himself and, on his deathbed, reveals his identity to his daughter Ling Moy (Wong) and elicits her vow that she will "cancel the debt" to the Fu family honor and murder the son, Ronald (Bramwell Fletcher)... who, dash it all, is madly infatuated with Ling Moy. Ronald has seen "Princess Ling Moy Celebrated Oriental Dancer" perform, and the vision has made him woozy. "I wish I could find a word to describe her," this calf-man effuses. "Exotic that's the word! And she's intriguing, if you know what I mean." In a near-clinch, Ling Moy wonders if a Chinese woman can appeal to a British toff. When he begs her to "chuck everything and stay," she asks him, "If I stayed, would my hair ever become golden curls, and my skin ivory, like Ronald's?" But the lure of the exotic is hard to shake. "Strange," he says, "I prefer yours. I shall never forget your hair and your eyes." They almost kiss ... when an off-camera scream shakes him out of his dream. It is from his girlfriend Joan (Frances Dade), and the societal message is as clear and shrill: white woman alerting white man to treachery of yellow woman. Ling Moy, a nice girl, previously unaware of her lineage, might be expected to struggle, at least briefly, with the shock of her identity and the dreadful deed her father obliges her to perform. But Wong makes an instant transformation, hissing, "The blood is mine. The hatred is mine. The vengeance shall be mine." Just before his death, Fu mourns that he has no son to kill Ronald. But, in a good full-throated reading, Wong vows: "Father, father, I will be your son. I will be your son!" The audience then has the fun of watching her stoke Ronald's ardor while plotting his death. When she is with him, pleading and salesmanship radiate from her bigeyes. But when an ally asks her why she keeps encouraging the lad, she sneers and says, "I am giving him a beautiful illusion. Which I shall crush." As a villainess, she is just getting started. Revealing her mission to Ronald, she tells him she plans to kill Joan "Because you must have a thousand bitter tastes of death before you die." (The ripe dialogue is by Hollywood neophyte Sidney Buchman, whose distinguished list of credits would include Mr. Smith Goes to Washington, Here Comes Mr Jordan and The Talk of the Town.) She soon ascends on a geyser of madness as she decides on a new torture: "My vengeance is inspired tonight. You will first have the torture of seeing her beauty eaten slowly away by this hungry acid." An aide holds a hose gadget over Joan's soon-to-be-corroded face, and Ronald cries for Ling Moy to stop. Very well she says. "Ling Moy is merciful." She barks at Ronald: "Kill her!" He must decide if his favorite white girl is to be etched with acid or stabbed to death. Great stuff! Melodrama is the art of knowing how precisely too far to goThe film is a triangle: not so much of Ling Moy, Ronald and Joan as of Ling Moy, Ronald and a Chinese detective, Ah Kee, played by Sessue Hayakawa, the Japanese actor who in the teens was Hollywood's first Asian male star. He's not plausibly Chinese here, and he is in a constant, losing battle with spoken English. But he is a part of movie history, in the only studio film of the Golden Age to star two ethnically Asian actors. And he gives his emotive all to such lines as "It is the triumph of irony that the only woman I have ever deeply loved should be born of the blood that I loathe." And in the inevitable double-death finale neither the villainess nor the noble detective can survive the machinations of Hollywood justice he gently caresses the long hair of the lady he would love to have loved. "Flower Ling Moy," he says, a moment before expiring. "A flower need not love, but only be loved. As Ah Kee loved you."
The Personal Anna May Wong
This 5'7 beauty loved to study and could speak in an English accent, as well as being fluent in German and French with more than a passing knowledge of other tongues including Italian and Yiddish. For exercise she rode horses, played golf, and tennis. She liked to cook and regaled her guests with succulent Chinese dishes at frequent dinner parties. She preferred casual clothes, wearing slacks and sweaters at home, but cultivated an oriental motif in her very smart formal wardrobe. She studied singing with Welsh tenor Parry Jones before she participated in the film Limehouse Blues as George Raft's mistress. Anna loved to dance to contemporary music. Anna was quoted as saying, "I think I got my first chance because they thought I was peculiar. But, now I like to believe that the public are fond of me because they think I'm nice."
The story of Anna May Wong’s life traced the arc of triumph and tragedy that marked so many of her films. Wong's youthful ambition and screen appeal got her farther than anyone else of her race. But her race, or rather Hollywood's and America's fear of giving Chinese and other non-whites the same chance as European Americans, kept her from reaching the Golden Mountaintop. We can be startled and impressed by the success she, alone, attained. And still weask: Who knows what Anna May Wong could have been allowed to achieve if she
had been Anna May White?
Anna May Wong passed away on Feb. 3rd 1961 she was 56 years old.
Filmography:
The Red Lantern. Metro 1919. The First Born. Robertson Cole 1921.
Shame. Fox 1921. Bits of Life. Assoc. First National 1921.
The First Born. Robertson Cole 1921. Thundering Dawn. Universal 1923
The Toll of the Sea. Metro 1922 Drifting. Universal 1923 Fifth Avenue. PRC 1926.
Lillies of the Field. Assoc. First National 1924. The Thief of Bagdad. United Artists 1924
The Fortieth Door. Pathé serial 1924. The Alaskan. Paramount 1924.
Peter Pan. Paramount 1924. Forty Winks. Paramount 1925.
The Silk Bouquet/The Dragon Horse. Hi Mark Prod. 1926 The Desert's Toll. MGM 1926.
A Trip to Chinatown. Fox 1926. The Chinese Parrot. Universal. 1927.
Driven from Home. Chadwick 1927. Mr. Wu. MGM 1927.
Old San Francisco. Warner Bros. 1927. Why Girls Love Sailors. Pathé short 1927.
The Devil Dancer. United Artists 1927. Streets of Shanghai. Tiffany 1927.
Across to Singapore. MGM 1928. Pavement Butterfly (aka City Butterfly).
The City Butterfly. German 1929. Across to Singapore. MGM 1928.
The Crimson City. Warner Bros. 1928. Song. German 1928
Chinatown Charlie. First National 1928. Piccadilly, British International 1929.
Elstree Calling. British International 1930. The Flame of Love. British International 1930.
Hay Tang. German 1930. L'Amour Maitre Des Choses. French 1930.
Daughter of the Dragon. Paramount 1931. Shanghai Express. Paramount 1932.
A Study in Scarlet. World Wide 1933. Tiger Bay. Associated British 1933.
Chu Chin Chow. Gaumont 1934. Java Head. Associated British 1934.
Limehouse Blues. Paramount 1934. Daughter of Shanghai. Paramount 1937.
Hollywood Party. MGM short subject 1937. Dangerous to Know. Paramount 1938.
The Toll of the Sea. Metro 1922. The Thief of Bagdad 1924
Shanghai Express 1932
Wearing V.Jhon
She is quite beautiful once you undress her and put her in colors that suit her complexion. Another unique looking Poppy. Just love her.
1ST N.Z.E.F.
23/2540 Sergeant
A[xel] ASKENBECK
Rifle Brigade
Died 16 September 1939
Aged 59 year[sic]
Block 3B RSA Plot 23
Born: 14 July 1880, Totara flat*
Occupation at death: Lawyer [this is probably 'sawyer' and is error on cemetery database].
Occupation at enlistment: Timber yardman for Butler Bros., Ruatapu
Next of Kin: Mrs Minnie ASKENBECK [wife], Ahaura P.O., Greymouth.
5ft 8 ¼ inches; 157 pds; Brown hair; hazel eyes; healthy complexion
“Linear scar about 3 inches long situated ion right side of chest. This is the result of an operation for empysemia[sic] five years ago.” [attack of pleurisy followed by Empysemia [sic].
No teeth: “Recruit is quite willing to be supplied with dentures at his own expense.”
Embarkation date: 1 April 1916
15 July 1916 charged with drunkenness and fined.
Foreign service: 3 yrs 176 days
Total service: 3 yrs 347 days
Discharged: 21 October 1919 discharged no longer medically fit for war service
Decorations:
British War Medal
[Victory medal crossed out with “deleted” written beside]
Awarded the MSM [Meritorious Service Medal] in 1919:
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
“in recognition of valuable services rendered in connection with the war”
Axel passed the Junior Civil Service Examination in 1893
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
Appointed deputy registrar of Grey district [West Coast] in 1911 [1]
Grey River Argus , 3 April 1913, Page 4
At the Magistrate's Court yesterday before Mr. Felix Campbell, Justice of the Peace, Axel Askenbeck was charged that on or about the 10th day of October, 1912, at Greymouth, then being second clerk in the Magistrate's and Warden's Court at Greymouth aforesaid, then having in his possession as an officer of the New Zealand Government, the sum of £5 1 s in money received from Stratford, Blair and Company Ltd., did unlawfully steal the same contrary to the form of the Statute in such case made and proved Mr. F. Kitchingham appeared for accused. Detective Sergeant Campbell applied for a remand till Wednesday, the 9th inst. Which was granted. Accused was allowed bail himself in one surety of £100 and two others of £50 each.[2]
On the application of Inspector Phair, a remand was granted to 10.30 a.m. tomorrow (Friday) by which time, it is anticipated, the Government Auditor will be in Greymouth should his evidence be required. Dr. J. McBrearty, Senr., was the presiding justice.[3]
Grey River Argus , 12 April 1913, Page 3
Court official charged
Various sums stolen
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
It appears he got 9 months imprisonment:
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
* birth registration 1875/4325 so age discrepancy on headstone. Parents John and Sarah ASKENBECK. John died 17 July 1918 at the Grey River Hospital, native of Sweden and late of Orwell Creek. Aged 81 years.[4]
John and Sarah had other issue:
Gustaf Charles born 28 Jan 1872, also served in WW1
ndhadeliver.natlib.govt.nz/delivery/DeliveryManagerServle...
Samuel Henry Coates born c1892
Lucretia [Lucy] born c1887 who married in September 1912 to John MCCAULEY, Storekeeper of Orwell Creek
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&d=GR...
Axel married Minnie JAMES on 29th April 1901 at Ahaura by Rev, A. W. C. STACE
Minnie was the “daughter of Henry John JAMES and Sarah BERKETT, born in 1878 in Invercargill, Southland, New Zealand. and died in 1927 in Ahaura”[unverified 5]. She died c1926 aged 49.
3 Children on enlistment papers:
Pearl Sarah Gwendoline born 13 December 1901, Reefton
Eric John Coates born 17 June 1903, Reefton
Ettie Edith Coral born 20 August 1914, Ahaura
SOURCES:
Cemetery database
Military records
ndhadeliver.natlib.govt.nz/delivery/DeliveryManagerServle...
[1]
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
[2]
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
[3]
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
[4]
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
[5]
freepages.genealogy.rootsweb.ancestry.com/~kiwiadams/2/43...
I love the middle picture. If you read the copy it seems as though he's inspecting her for "faults in her complexion."
Vintage image of two brunette bathing beauties admiring their mirror complexions. Nice abstract image from the rear view. This found photograph is from the private collection of an unknown and/or unknowing art collector. It’s always a thrill when it’s from Vinnie DeVille!
My glasses!!!! Finally! I've been sleeping and functioning with my contacts in 24/7 for three and a half weeks... and it was getting quite painful. The logical thing to do is just to take them out at night and put them back in for the morning... But my eyesight is so bad that without them, I can't see whether or not they'd be going in correctly... or if I drop one.. all is lost. But, I'll be wearing these five year-old babies for a few days. The lenses are five years old, the frames are three... I think I need new glasses...
Also, I'm feeling a wee bit better after fighting off a plague for several days, even missed one class.... GASP! Well, just kidding, it was canceled.
And it looks pretty good that I'll be working in Florida this summer! I think the change of scenery will be good for me... And if I get to see my dad and my brother every day, it's enough for me to want to be there. I'll be working at South Seas Island Resort on Captiva Island. I'll be working recreation programs as well as buzzing around a front desk. I'm also excited because I'll be on a beach, and I haven't set foot NEAR one in almost five years... I'll be wearing a bikini top and boyshorts majority of my summer and down time, and wearing some nice, light clothes while working with kids, rec programs, and helping people... and that's exciting to me! I'll also be living at the resort, because they provide studio apartments for their employees (score!) and I will have full access to a fitness center, AND I can maybe start cycling and mountain biking again!!!!!
...... Is it summer yet?
This is one old picture of a pretty class mate of mine taken long time ago in my highschool day. Well, she was not a professional model by any chance,rather a naturally sweet girl who had lots of fan and she still makes me nostalic. I remember her shyness. He wore nice ornamented Kameez and that looked nice in fair smoth complexion. I often desire if I had few more good pictures of her.
"Gypsy Madonna"
Despite the closed triangle of the group of figures, the "Gypsy Madonna" (probably so called due to her dark complexion) gives the impression of relaxed naturalness. Unlike his teacher Giovanni Bellini, Titian moulds the body not by means of wrapped robes and veils but rather by use of sparing white highlights and subdued shadows. The painter therey shows himself to be of a younger generation for whom the world has become more sensual und tangible. This devotional picture is one of the oldest works of the painter still preserved.
Trotz der geschlossenen Dreiecksform der Figurengruppe gibt die (wohl nach ihrem dunklen Teint benannte) "Zigeunermadonna" den Eindruck entspannter Natürlichkeit. Anders als sein Lehrer Givanni Bellini modelliert Tizian die Körper nicht durch rundgeführte Gewänder und Schleier sondern durch sparsame Weisshöhungen und dezente Schattenpartien. Darin erweist er sich als Maler einer jüngeren Generation, deren Welt sinnlicher, konkreter geworden ist. Das Andachtsbild gehört zu den ältesten erhaltenen Werken des Malers.
Austria Kunsthistorisches Museum
Federal Museum
Logo KHM
Regulatory authority (ies)/organs to the Federal Ministry for Education, Science and Culture
Founded 17 October 1891
Headquartered Castle Ring (Burgring), Vienna 1, Austria
Management Sabine Haag
www.khm.at website
Main building of the Kunsthistorisches Museum at Maria-Theresa-Square
The Kunsthistorisches Museum (KHM abbreviated) is an art museum in Vienna. It is one of the largest and most important museums in the world. It was opened in 1891 and 2012 visited of 1.351.940 million people.
The museum
The Kunsthistorisches Museum is with its opposite sister building, the Natural History Museum (Naturhistorisches Museum), the most important historicist large buildings of the Ringstrasse time. Together they stand around the Maria Theresa square, on which also the Maria Theresa monument stands. This course spans the former glacis between today's ring road and 2-line, and is forming a historical landmark that also belongs to World Heritage Site Historic Centre of Vienna.
History
Archduke Leopold Wilhelm in his Gallery
The Museum came from the collections of the Habsburgs, especially from the portrait and armor collections of Ferdinand of Tyrol, the collection of Emperor Rudolf II (most of which, however scattered) and the art collection of Archduke Leopold Wilhelm into existence. Already In 1833 asked Joseph Arneth, curator (and later director) of the Imperial Coins and Antiquities Cabinet, bringing together all the imperial collections in a single building .
Architectural History
The contract to build the museum in the city had been given in 1858 by Emperor Franz Joseph. Subsequently, many designs were submitted for the ring road zone. Plans by August Sicard von Sicardsburg and Eduard van der Null planned to build two museum buildings in the immediate aftermath of the Imperial Palace on the left and right of the Heroes' Square (Heldenplatz). The architect Ludwig Förster planned museum buildings between the Schwarzenberg Square and the City Park, Martin Ritter von Kink favored buildings at the corner Währingerstraße/ Scots ring (Schottenring), Peter Joseph, the area Bellariastraße, Moritz von Loehr the south side of the opera ring, and Ludwig Zettl the southeast side of the grain market (Getreidemarkt).
From 1867, a competition was announced for the museums, and thereby set their current position - at the request of the Emperor, the museum should not be too close to the Imperial Palace, but arise beyond the ring road. The architect Carl von Hasenauer participated in this competition and was able the at that time in Zürich operating Gottfried Semper to encourage to work together. The two museum buildings should be built here in the sense of the style of the Italian Renaissance. The plans got the benevolence of the imperial family. In April 1869, there was an audience with of Joseph Semper at the Emperor Franz Joseph and an oral contract was concluded, in July 1870 was issued the written order to Semper and Hasenauer.
Crucial for the success of Semper and Hasenauer against the projects of other architects were among others Semper's vision of a large building complex called "Imperial Forum", in which the museums would have been a part of. Not least by the death of Semper in 1879 came the Imperial Forum not as planned for execution, the two museums were built, however.
Construction of the two museums began without ceremony on 27 November 1871 instead. Semper moved to Vienna in the sequence. From the beginning, there were considerable personal differences between him and Hasenauer, who finally in 1877 took over sole construction management. 1874, the scaffolds were placed up to the attic and the first floor completed, built in 1878, the first windows installed in 1879, the Attica and the balustrade from 1880 to 1881 and built the dome and the Tabernacle. The dome is topped with a bronze statue of Pallas Athena by Johannes Benk.
The lighting and air conditioning concept with double glazing of the ceilings made the renunciation of artificial light (especially at that time, as gas light) possible, but this resulted due to seasonal variations depending on daylight to different opening times .
Kuppelhalle
Entrance (by clicking the link at the end of the side you can see all the pictures here indicated!)
Grand staircase
Hall
Empire
The Kunsthistorisches Museum was on 17 October 1891 officially opened by Emperor Franz Joseph I. Since 22 October 1891 , the museum is accessible to the public. Two years earlier, on 3 November 1889, the collection of arms, Arms and Armour today, had their doors open. On 1 January 1890 the library service resumed its operations. The merger and listing of other collections of the Highest Imperial Family from the Upper and Lower Belvedere, the Hofburg Palace and Ambras in Tyrol will need another two years.
189, the farm museum was organized in seven collections with three directorates:
Directorate of coins, medals and antiquities collection
The Egyptian Collection
The Antique Collection
The coins and medals collection
Management of the collection of weapons, art and industrial objects
Weapons collection
Collection of industrial art objects
Directorate of Art Gallery and Restaurieranstalt (Restoration Office)
Collection of watercolors, drawings, sketches, etc.
Restoration Office
Library
Very soon the room the Court Museum (Hofmuseum) for the imperial collections was offering became too narrow. To provide temporary help, an exhibition of ancient artifacts from Ephesus in the Theseus Temple was designed. However, additional space had to be rented in the Lower Belvedere.
1914, after the assassination of Franz Ferdinand, heir to the throne, his " Estonian Forensic Collection " passed to the administration of the Court Museum. This collection, which emerged from the art collection of the house of d' Este and world travel collection of Franz Ferdinand, was placed in the New Imperial Palace since 1908. For these stocks, the present collection of old musical instruments and the Museum of Ethnology emerged.
The First World War went by, apart from the oppressive economic situation without loss. The farm museum remained during the five years of war regularly open to the public.
Until 1919 the K.K. Art Historical Court Museum was under the authority of the Oberstkämmereramt (head chamberlain office) and belonged to the House of Habsburg-Lorraine. The officials and employees were part of the royal household.
First Republic
The transition from monarchy to republic, in the museum took place in complete tranquility. On 19 November 1918 the two imperial museums on Maria Theresa Square were placed under the state protection of the young Republic of German Austria. Threatening to the stocks of the museum were the claims raised in the following weeks and months of the "successor states" of the monarchy as well as Italy and Belgium on Austrian art collection. In fact, it came on 12th February 1919 to the violent removal of 62 paintings by armed Italian units. This "art theft" left a long time trauma among curators and art historians.
It was not until the Treaty of Saint-Germain of 10 September 1919, providing in Article 195 and 196 the settlement of rights in the cultural field by negotiations. The claims of Belgium, Czechoslovakia, and Italy again could mostly being averted in this way. Only Hungary, which presented the greatest demands by far, was met by more than ten years of negotiation in 147 cases.
On 3 April 1919 was the expropriation of the House of Habsburg-Lorraine by law and the acquisition of its property, including the "Collections of the Imperial House" , by the Republic. Of 18 June 1920 the then provisional administration of the former imperial museums and collections of Este and the secular and clergy treasury passed to the State Office of Internal Affairs and Education, since 10 November 1920, the Federal Ministry of the Interior and Education. A few days later it was renamed the Art History Court Museum in the "Kunsthistorisches Museum, Vienna State", 1921 "Kunsthistorisches Museum" . Of 1st January 1921 the employees of the museum staff passed to the state of the Republic.
Through the acquisition of the former imperial collections owned by the state, the museum found itself in a complete new situation. In order to meet the changed circumstances in the museum area, designed Hans Tietze in 1919 the "Vienna Museum program". It provided a close cooperation between the individual museums to focus at different houses on main collections. So dominated exchange, sales and equalizing the acquisition policy in the interwar period. Thus resulting until today still valid collection trends. Also pointing the way was the relocation of the weapons collection from 1934 in its present premises in the New Castle, where since 1916 the collection of ancient musical instruments was placed.
With the change of the imperial collections in the ownership of the Republic the reorganization of the internal organization went hand in hand, too. Thus the museum was divided in 1919 into the
Egyptian and Near Eastern Collection (with the Oriental coins)
Collection of Classical Antiquities
Collection of ancient coins
Collection of modern coins and medals
Weapons collection
Collection of sculptures and crafts with the Collection of Ancient Musical Instruments
Picture Gallery
The Museum 1938-1945
Count Philipp Ludwig Wenzel Sinzendorf according to Rigaud. Clarisse 1948 by Baroness de Rothschildt "dedicated" to the memory of Baron Alphonse de Rothschildt; restituted to the Rothschilds in 1999, and in 1999 donated by Bettina Looram Rothschild, the last Austrian heiress.
With the "Anschluss" of Austria to the German Reich all Jewish art collections such as the Rothschilds were forcibly "Aryanised". Collections were either "paid" or simply distributed by the Gestapo at the museums. This resulted in a significant increase in stocks. But the KHM was not the only museum that benefited from the linearization. Systematically looted Jewish property was sold to museums, collections or in pawnshops throughout the empire.
After the war, the museum struggled to reimburse the "Aryanised" art to the owners or their heirs. They forced the Rothschild family to leave the most important part of their own collection to the museum and called this "dedications", or "donations". As a reason, was the export law stated, which does not allow owners to perform certain works of art out of the country. Similar methods were used with other former owners. Only on the basis of international diplomatic and media pressure, to a large extent from the United States, the Austrian government decided to make a change in the law (Art Restitution Act of 1998, the so-called Lex Rothschild). The art objects were the Rothschild family refunded only in the 1990s.
The Kunsthistorisches Museum operates on the basis of the federal law on the restitution of art objects from the 4th December 1998 (Federal Law Gazette I, 181 /1998) extensive provenance research. Even before this decree was carried out in-house provenance research at the initiative of the then archive director Herbert Haupt. This was submitted in 1998 by him in collaboration with Lydia Grobl a comprehensive presentation of the facts about the changes in the inventory levels of the Kunsthistorisches Museum during the Nazi era and in the years leading up to the State Treaty of 1955, an important basis for further research provenance.
The two historians Susanne Hehenberger and Monika Löscher are since 1st April 2009 as provenance researchers at the Kunsthistorisches Museum on behalf of the Commission for Provenance Research operating and they deal with the investigation period from 1933 to the recent past.
The museum today
Today the museum is as a federal museum, with 1st January 1999 released to the full legal capacity - it was thus the first of the state museums of Austria, implementing the far-reaching self-financing. It is by far the most visited museum in Austria with 1.3 million visitors (2007).
The Kunsthistorisches Museum is under the name Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum with company number 182081t since 11 June 1999 as a research institution under public law of the Federal virtue of the Federal Museums Act, Federal Law Gazette I/115/1998 and the Museum of Procedure of the Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum, 3 January 2001, BGBl II 2/ 2001, in force since 1 January 2001, registered.
In fiscal 2008, the turnover was 37.185 million EUR and total assets amounted to EUR 22.204 million. In 2008 an average of 410 workers were employed.
Management
1919-1923: Gustav Glück as the first chairman of the College of science officials
1924-1933: Hermann Julius Hermann 1924-1925 as the first chairman of the College of the scientific officers in 1925 as first director
1933: Arpad Weixlgärtner first director
1934-1938: Alfred Stix first director
1938-1945: Fritz Dworschak 1938 as acting head, from 1938 as a chief in 1941 as first director
1945-1949: August von Loehr 1945-1948 as executive director of the State Art Collections in 1949 as general director of the historical collections of the Federation
1945-1949: Alfred Stix 1945-1948 as executive director of the State Art Collections in 1949 as general director of art historical collections of the Federation
1949-1950: Hans Demel as administrative director
1950: Karl Wisoko-Meytsky as general director of art and historical collections of the Federation
1951-1952: Fritz Eichler as administrative director
1953-1954: Ernst H. Buschbeck as administrative director
1955-1966: Vincent Oberhammer 1955-1959 as administrative director, from 1959 as first director
1967: Edward Holzmair as managing director
1968-1972: Erwin Auer first director
1973-1981: Friderike Klauner first director
1982-1990: Hermann Fillitz first director
1990: George Kugler as interim first director
1990-2008: Wilfried Seipel as general director
Since 2009: Sabine Haag as general director
Collections
To the Kunsthistorisches Museum are also belonging the collections of the New Castle, the Austrian Theatre Museum in Palais Lobkowitz, the Museum of Ethnology and the Wagenburg (wagon fortress) in an outbuilding of Schönbrunn Palace. A branch office is also Ambras in Innsbruck.
Kunsthistorisches Museum (main building)
Picture Gallery
Egyptian and Near Eastern Collection
Collection of Classical Antiquities
Vienna Chamber of Art
Numismatic Collection
Library
New Castle
Ephesus Museum
Collection of Ancient Musical Instruments
Arms and Armour
Archive
Hofburg
The imperial crown in the Treasury
Imperial Treasury of Vienna
Insignia of the Austrian Hereditary Homage
Insignia of imperial Austria
Insignia of the Holy Roman Empire
Burgundian Inheritance and the Order of the Golden Fleece
Habsburg-Lorraine Household Treasure
Ecclesiastical Treasury
Schönbrunn Palace
Imperial Carriage Museum Vienna
Armory in Ambras Castle
Ambras Castle
Collections of Ambras Castle
Major exhibits
Among the most important exhibits of the Art Gallery rank inter alia:
Jan van Eyck: Cardinal Niccolò Albergati, 1438
Martin Schongauer: Holy Family, 1475-80
Albrecht Dürer : Trinity Altar, 1509-16
Portrait Johann Kleeberger, 1526
Parmigianino: Self Portrait in Convex Mirror, 1523/24
Giuseppe Arcimboldo: Summer 1563
Michelangelo Merisi da Caravaggio: Madonna of the Rosary 1606/ 07
Caravaggio: Madonna of the Rosary (1606-1607)
Titian: Nymph and Shepherd to 1570-75
Portrait of Jacopo de Strada, 1567/68
Raffaello Santi: Madonna of the Meadow, 1505 /06
Lorenzo Lotto: Portrait of a young man against white curtain, 1508
Peter Paul Rubens: The altar of St. Ildefonso, 1630-32
The Little Fur, about 1638
Jan Vermeer: The Art of Painting, 1665/66
Pieter Bruegel the Elder: Fight between Carnival and Lent, 1559
Kids, 1560
Tower of Babel, 1563
Christ Carrying the Cross, 1564
Gloomy Day (Early Spring), 1565
Return of the Herd (Autumn), 1565
Hunters in the Snow (Winter) 1565
Bauer and bird thief, 1568
Peasant Wedding, 1568/69
Peasant Dance, 1568/69
Paul's conversion (Conversion of St Paul), 1567
Cabinet of Curiosities:
Saliera from Benvenuto Cellini 1539-1543
Egyptian-Oriental Collection:
Mastaba of Ka Ni Nisut
Collection of Classical Antiquities:
Gemma Augustea
Treasure of Nagyszentmiklós
Gallery: Major exhibits
On the seventh night we celebrate Kalaratri Devi. This form of Durga has a complexion dark as night which symbolises infinity. Goddess Kalaratri is the Devi that accepts everything from the Devotee, not only the good, but all the negative qualities. She just absorbs them.
On this night we offered rose water and oil to the feet of the Divine Mother. Gurudev spoke about Kalaratri Devi as the destroyer of our egoistic qualities.
Mrs. Douglas Gian can compete with her daughter's "Little Girl Look"
She keeps her complexion young looking with pure,mild Ivory
photography by Scavullo
This beautiful diamond halo engagement ring is set in 18k rose gold. A tone which tends to compliment the Irish complexion. The band has a row of scallop set diamonds which lead upward towards a 0.65 carat round cut GIA certified centre diamond. The total carat weight comes to a sizable 1.00 carats.
To view this ring and the rest of the Commins & Co Halo Collections please click on the link provided or visit the family run store located in the prestigious Powerscourt Town House, Dublin, Ireland.
Link: goo.gl/AL3pc1
File name: 10_03_001265a
Binder label: Medical
Title: Carter's Iron Pills for the blood, nerves and complexion. Donât rise - I know how you feel - weak back, trembling, palpitation, headache. - I've had all - but thanks to Carter's Iron Pills I am fully restored and can guarantee they'll do as much for you. (front)
Date issued: 1870-1900 (approximate)
Physical description: 1 print : lithograph ; 11 x 8 cm.
Subject: Women; Patent medicines
Notes: Title from item.
Statement of responsibility: Carter Medicine Co.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
1. Salima Lanquaye (affectionately known as Sal?
2. ...................Mixy, Black, other if the goverments asking
3. Politically I am Black as it It affects me as such.
Although ethnically I find the white community have and maybe always will see me as black as they dont dont identify with my looks.
The Black African and Caribbean community seem to always state what colour my complexion is closest too by the visual. I often feel quite objectified by this as its always said so bluntly, as if I needed to be told again what colour my skin is.
Many asian and arab communities recognise that I am of mixed or claim me as a product of their native country. Because I am a Muslim many people then assume that I must be from Asia and immediately ask where my father is from.CI
I often feel aware of my racial surroundings and make a conscious stand to still be and behave as I always would and not feel the need to adopt my accent or body language, like many do depending on their enviroment.
This sometimes draws attention to myself and I wonder if I'm imagining it or are the people staring at me just giving me a dirty look, after all I do live in London or are they working out where to place me.
I often get people asking me randomly' where I'm from 'and so I am prepared to answer questions, I act like I am ready to explain who I am so everyone els feels comfortable
4. On holiday in Turkey with 4 other girls friends of mine we were approached by a few men, native to tha area we staying at.
These men then proceeded heckle us, chocolate ladies, cocolate babies, dark angels.
We all found this highly offensive.
But then they proceeded to individually categorize all of us whilst literally chasing us.
I remember being called non chocolate, 'she is like caramel.
Even during this awful scenario I fel tmarginalised further and bizarely wanted to be a felloow dark angel.
All my friends were chocolate, but I was caramel.
A sexist and racist remark all in one aimed as a compliment.
I felt seperate by that statement
5. The age old argument of women wanting to work and then to further argue of equal pay is not just a womens issue when your a women of colour.
Tell me when a black women hasn't had to work, that not our cause.
Show me a black women who complains at not being able to 'have it all'.
We we're doing that when the slave masters were raping us and waiting for us to get back to the plantaytion field.
Black women got the right to vote 50 years after their white counterparts and furthermore the feminist movement needs to identify with all its members, especially us women of colour as true equality can only happen when the most under represented are victorious and that is we!
I feel I am constantly stereotped as the mouthy angry black women.
The big black women from Tom and Jerry who's foot you only saw.
The animalistic women from Destiny's child ' Im a Survivor video crawling from the sea, like Darwin states we originally came, but like Darwin am dipicted as intellictually inferior and closer to other less intelligent animals than the intelligent mammals.
I am never seen as a women. but a black women, as if the black ditates a different type of women.
Just put me on a shelf on a shelf in Tesco, on offer
6. Politically yes because declaring that I am Black says where I stand politically and how I understand the rulling powers and system.
But when I have to fill out a goverment survey or application form for a job i fell categorized, where's my box.
If your not listed then am I part of some random race that is too weird to mention.
Does it matter if I'm not BlACK British Africanor Caribbean but Black european, well yes as that option is not there.
Can you have a Black European?
I dont know if I will ever be comfortable with naming my ethnicity as its such a fluid thing, I'm a human, not pieces of groups of humans.
7. There is a problem grouping all women together when analysing the issues we all face as when there is a progressive move forward like more women in executive positions, the public believe thats a clear picture for all women but its not.
Who are these women executives, what colour are they, are their disabillities known, if so would the bard still of promoted them.
Are these women mothers, are they openly lesbian and if so have they noticed visible prejudice regarding promotion.
Are they britsh etc.
If we are going to collate all this data on who works where then why are we not understanding the routes certain groups are taking whilst in employment, education etc.
I really wonder if all women, all sistahs really consider the plight of a female assylum seeker when they reach the UK.
What they've gone through and how their coping and how they themselves can help them as part of the sisterhood.
Loads of women do in single and collective ways but until all women start thinking in this way as standard, seeing womens experiences as their own and therfore fighting against those injustices in all their form, cateogorizing is neither here nor there.
8. The term women of colour is just another way of saying other. We need a woird that says our shared experience is similar and we speak with this voice.
Many would argue that the term Black does this.
We as women of colour need to decide what we want to call ourselves. our mums and daughters and lead with that decision and demand the respect of that name and movement from those of who we ask for change. Which must always start with ourselves.
Anas - KHI
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On the seventh night we celebrate Kalaratri Devi. This form of Durga has a complexion dark as night which symbolises infinity. Goddess Kalaratri is the Devi that accepts everything from the Devotee, not only the good, but all the negative qualities. She just absorbs them.
On this night we offered rose water and oil to the feet of the Divine Mother. Gurudev spoke about Kalaratri Devi as the destroyer of our egoistic qualities.
05-18-2020 - Art Philosophy watercolors (Complexion & Odyssey palettes). Inspiration was an Adriana Duque photo, Maria 27, as seen on Pinterest.
Nowadays, more and more people discuss about detoxification. Do you know that the accumulation of toxins will result in dull skin complexion and superfluous tummy? Despite the increasing of exercises, you still can't get rid of your stubborn belly fat. Reason being that we are just discharging cortex fat through our perspiration system and there are still waste and residue in large intestine being accumulated in our body organs. Hence, how can we practice smart diet and detoxification?
Many human diseases are caused by the buildup of toxins in our body. According to health experts, detoxification is vital. In order to have a healthy body, our body must free of harmful substances, waste and excessive nutrients. Beside that, we have to maintain a strong personal hygiene and cleanliness.
Detoxification is a necessary course in our daily lives. So, how can we prevent the accumulation of toxins in our body? We hereby strongly recommend you BEAUTY SOLUTION that contains of 11 types of detoxification formula and is able to transform you to a wonderful life!
Benefits
Detoxification
Prevent Constipation
Promote Digestive Function
Stimulate bowel movement
Enhance Immune Function
Antioxidant
Anti-Ageing
Prevent Cancer
Improve Blood Circulation
Supply Complete Nutrients
Increase Metabolism
Maintain Optimum Blood Pressure Level
Lowers Blood Sugar & Cholesterol Level
Anti-Inflammatory
The Consequences Of Toxins
Migraine
Belly Fat
Obesity
Abdominal Distension
Acne
Dull Skin Complexion
Hair-Loss
Dandruff
Psoriasis
Easily Tired
Sleep Deprivation
Low Resistance
Cancers
Menstrual Pain
After Detoxification
Fair and Radiant Skin
Hair Strengthening
No More Dandruff
Quality Sleep
Improvement on Acidic Body Type
Restore Skin Elasticity
Fine Skin Complexion
Anti-aging
Energetic
Attractive Body Shape
Ingredients
Blackcurrant Powder
Roselle Powder
Oil Palm Fiber
Oat Fiber
Fibersol (Corn Soluble Fiber)
Oligo
Apple Fiber
Spirulina
Aloe Vera Powder
Vegetable Powder
Guar Gum
Direction
Mix 1 sachet with 200ml of plain water, shake well. Drink some water after consumed if necessary. Take 1 sachet 15 minutes before dinner daily.
Formulated In US.
15 Sachet Per Box
Nutrition Fact
Serving Size : 12g
Servings Per Package : 15
Per 12g Per 100g
Energy43 kcal 361 kcal
Fat 0g 0g
Carbohydrate 10.2g 84.9g
Protein 0.6g 5.4g
Calsium 28.8mg 240mg
CAUTION :- A Wonderful Life range are NOT meal replacements nor low calorie drinks. Proper meals are encouraged though food should be taken in moderate quantity.
产品成份
产品名称: Beauty Solution
份量 : 12 g
功效:
1. 排毒
2. 预防便秘
3. 提高消化能力
4. 促进大肠蠕动
5. 增强免疫能力
6. 抗氧化
7. 预防癌症
8. 增进血液循环
9. 提供营养
10.促进新陈代谢
11.维持健康血压
12.降低血糖和胆固醇
13.预防发炎
成份：
1. 黑加仑粉
2. 洛神花粉
3. 棕油榈纤维
燕麦纤维
玉米可溶解纤维
果寡糖
苹果纤维
螺旋藻
芦荟粉
疏菜粉
瓜尔胶
黑加仑粉
黑加仑含有丰富的营养价值, 抗氧化, 维生素, 脂肪酸和矿物质. 黑加仑也含有莓子里的天然成分,花青素.它可用于治疗心血管疾病, 预防心机能不全与血管阻塞, 它可提高抵抗微血管易碎, 减低血管压力. 还有, 提高更年期血液循环, 清理血液毒素及胆固醇. 黑加仑还可帮助抗发炎与高抗氧化.
洛神花
洛神花含有丰富的蛋白质、有机酸、维生素C、多种氨基酸、大量的天然色素及多种对人体有益的矿物质。研究报告显示洛神花主要功能是抗氧化. 花青素, 给予洛神花深红色素, 这代表着洛神花含有高抗氧化. 抗氧化主要功能是帮助降低某种癌症的风险. 此外, 它也含有维生素C, 钙质和铁质. 68名轻微高血压病患做临床实验, 证明洛神花有效降低血压. 维持血压健康水平是可预防心血管阻塞和心脏病.
玉米纤维
玉米纤维(prebiotic fibre)它能帮助缓解偶然性的便秘，帮助维持健康的血清甘油三酸指数及降低血液中的胆固醇指数，这样就能降低心脏病的风险。除此之外，它还能减少餐后血糖和胰岛素的提升，维持正常人的水平。
寡糖
寡糖是天然的营养糖精，从淀粉提炼出来.它是良菌食品，也被称为异麦芽低聚糖。良菌食品容纳良菌细菌在肠胃的生长和对抗对人体有害的细菌。良菌是有利于人体的细菌，比如双歧杆菌和乳酸菌。双歧杆菌被证实可以帮助调制肠胃微生物及帮助平衡小肠的细菌。此外，寡糖也可以当作天然的溶化性纤维，可以帮助提神消化的规律性。
油棕纤维
油棕优越的营养品质使它成为大众食物的首选原料。维他命E在油棕里扮演抗氧化剂的功效，它在健康和食品工业中扮演抗老化和抗癌效用。油棕纤维容易被消化， 吸收和在新陈代谢过程中使用。它的好处于可以降低血液中胆固醇指数，维持正常的血糖支书，维持健康的消化系统，防止大肠癌。
苹果纤维
苹果帮助减低癌症的风险，例如大肠癌，前列腺癌和肺癌。如同一般水果一样，苹果含丰富的维生素C和抗氧化剂。实际上，维生素C也是抗氧化剂的一种。抗氧化剂是一种能帮助捕获并中和自由基，从而去除自由基对人体损害的一类物质。
燕麦纤维
燕麦Avena sativa是一种优质的膳食纤维，低甜味、低热量、无异味，安定性高，能有效限制消化道内脂肪的吸收，促进类脂化合物的排泄，增加饱腹感，减少进食量，抑制增血糖素分泌，促使葡萄糖吸收减慢，从而降低餐后血糖水平，降低血脂，预防肥胖症。此外，许多研究发现燕麦能够有效的降低血清胆固醇。
芦荟粉
芦荟 (Aloe) 对细胞组织的保护作用和受损细胞的赋活再生作用。除此之外，芦荟含有芦荟素、芦荟咪酊等有效成份起着增进食欲和大肠缓泻的作用，也具有健胃、缓泻、增强精力和健康的作用。芦荟能增强身体的抵抗力，抗炎及杀菌。此外，它的功能也包括增强内脏功能、稳定和促进内分泌系统、强心、促进血液循环、软化血管、降低胆固醇值和扩张毛细血管。
螺旋藻
螺旋藻（Spirulina）能提高淋巴细胞活性，增强人体免疫力，因此对胃肠疾病及肝病患者康复具有特殊意义。其中维生素及矿物质含量极为丰富，包括维生素B1、维生素B2、维生素B6、维生素B12、维生素E、维生素K, 维生素A, 维生素D等.
螺旋藻用于抗氧化, 抗菌, 帮助减肥和降低血脂与胆固醇. 螺旋藻还可以帮助提高免疫力以及减低敏感度.
瓜尔豆胶
瓜尔豆胶(Cyamposis tetragonolobus)能将肠道内的多余废物吸附在瓜尔胶分子上面，形成粪便排泄出体外。它能增加大便体积带走体内多余水分，从而达到减肥的目的。
疏菜粉
疏菜低脂肪和卡路里, 是膳食纤维的主要来源, 还提供高能量. 这样可以帮助有效的控制体重. 高纤维, 低能量可帮助维持饱感, 避免摄取多余卡路里. 蔬菜含有很多维生素提供给人体足够的营养去提升肌肉细胞的能量. 这样可提供充沛的力量去帮助燃烧更多能量.
Shall i compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of may,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature's changing course untrimm'd;
But thy eternal summer shall not fade
Nor lose possession of that fair thou owest;
Nor shall death brag thou wander'st in his shade,
When in eternal lines to time thou growest:
So long as men can breathe or eyes can see,
So long lives this and this gives life to thee.
Sonnet 18 by W. Shakespeare
© Use without permission is illegal
Hassas Cilt Bakımı Nasıl Yapılır ?
[caption id="attachment_24318" align="aligncenter" width="700"] Hassas Cilt Kaynak
Garza real
Ardea cinerea
Familia: Ardeidos – Ardeidae
Aspecto: Garza grande, de complexión robusta, predominantemente de color gris, con un pico recto, fuerte, en forma de daga. Las garzas pueden diferenciarse de las grullas durante el vuelo, y a menudo también cuando están de pie, por la forma en que encorvan su cuello.
Tamaño: Largo 84-102 cm, envergadura alar 155-175 cm, peso 930-1.150 g.
Nido: Una gran pila desarreglada de ramas, generalmente construido muy alto en un abeto o pino. Las aves pueden usar el mismo nido durante muchos años.
Reproducción: Pone 6 huevos en mayo, incubados de forma alternada por los padres, en 4 a 6 períodos, durante 25 a 28 días. Las aves jóvenes aprenden a volar aproximadamente a los 50 días. Muchas garzas reales anidan en colonias.
Distribución: Ave migratoria de verano que se reproduce poco en Finlandia (solo hay alrededor de 100 parejas). En los últimos años, los avistamientos de invierno se han vuelto más comunes.
Migración: Pasa el invierno en el oeste y sur de Europa. La migración de otoño puede tener lugar entre mediados de agosto y principios de noviembre, y las aves regresan de marzo a mayo.
Alimentación: Acecha inmóvil a lo largo de costas, lista para emboscar, en espera de que peces y animales acuáticos pequeños estén a su alcance.
Sonidos: Un chillido fuerte, molesto, similar al llamado de la pagaza piquirroja.
La garza real tiene partes superiores de color gris claro, y partes inferiores de color blanco grisáceo. Su cabeza es mayormente blanca, excepto por una raya negra que se extiende desde encima de sus ojos hasta la parte posterior de su cuello, donde algunas de sus plumas se alargan para formar una cresta. Los adultos con plumaje de apareamiento pueden tener un color rosáceo a los lados del cuello, y algunas filas de rayas oscuras en el cuello y el pecho. La garza real tiene el pico de color amarillo o naranja amarillento, patas de color marrón opaco e iris amarillo.
Las aves inmaduras generalmente se parecen a las adultas, pero su capuchón y su cuello son más grises (y el cuello no tiene color rosáceo). Su pico es más pardusco y el iris es blanco.
File name: 10_03_001071a
Binder label: Medical
Title: Ayer's Recamier Cream and Ayers Recamier Balm for the complexion. (front)
Created/Published: N. Y. ; Boston : Giles Lith Co.
Date issued: 1870-1900 (approximate)
Physical description: 1 print : chromolithograph ; 13 x 8 cm.
Genre: Advertising cards
Subject: Women; Patent medicines
Notes: Title from item.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.