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Done for the make it interesting group.
Original Image: www.flickr.com/photos/rubyblossom/
Texture: sxc
Three very short 9.5mm films I dug out of my mother's loft. Around 45 - 50 years old. Copied using an equally old projector to back-project the film and recorded it using EOS7D
This Video include 20 tracks of Various Artists. Every day a new compilation of Christmas songs! Subscribe for free to stay connected to our channel and easily access our video updates! goo.gl/CLdGjC Tip: click on the time and listen your favorite song Track list: Santas Countdown to Christmas 12 Days of music --------------------------------- 1 | 00:00 | Louis Armstrong - Zat You Santa Claus 2 | 02:48 | Domenico Savino & The Rome Festival Orchestra - Winter Wonderland 3 | 05:07 | Red Foley & The Anita Kerr Singers - The Gentle Carpenter of Bethlehem 4 | 07:47 | Ella Fitzgerald - What Are You Doing New Year's Eve 5 | 11:20 | Patti LaBelle - Auld Lang Syne 6 | 13:45 | Percy Faith - The First Noel 7 | 17:19 | Eileen Farrell - Snow In The Street 8 | 19:07 | Elio Baldi Cantu - White Christmas 9 | 23:02 | Carmen McRae - The Christmas Song (Chestnuts Roasting On an Open Fire) 10 | 26:58 | The Mormon Tabernacle Choir - Silent Night, Holy Night 11 | 30:09 | The Mormon Tabernacle Choir - Brother John's Noel 12 | 31:14 | The Chipmunks - Up On the House-Top 13 | 32:48 | Perry Como & Mitchell Ayres - There Is No Christmas Like a Home Christmas 14 | 36:06 | Johnny Preston - A New Baby for Christmas 15 | 38:31 | The Ramsey Lewis Trio - The Sound Of Christmas 16 | 40:53 | Eddy Arnold - Santa Claus Is Coming To Town 17 | 42:48 | June Christy - The Merriest 18 | 44:58 | Muriel Smith - Sweet Little Jesus Boy 19 | 48:44 | David Willcocks - Torches 20 | 50:16 | De Castro Sisters & Skip Martin - Christmas Is a - Comin' (May God Bless You) --------------------------------- Playlist Santa's Countdown to Christmas: goo.gl/cxNuUf --------------------------------- Subscribe Channel We cant wait for Christmas, and so we have made this the biggest and best Christmas Music Advent calendar used to count the days of Advent in anticipation of Christmas Channel for the sharing of best Christmas songs in the world. Ride your playlist and get touched with these beautiful songs about the best and blessed time of year. Happy Christmas! Subscribe for free to stay connected to our channel and easily access our video updates! Facebook: goo.gl/4cTAQs Twitter: twitter.com/Santa_ClausXmas Instagram: goo.gl/MqnnxT Tumblr: goo.gl/BgVQhr Pinterest: goo.gl/9KzAgQ Flickr: goo.gl/V4QCMr Wordpress Blog: goo.gl/6Zvoxk Blogger: goo.gl/8Uh53Z --------------------------------- ® 2017 Santa Claus Xmas Songs youtu.be/XI-d54nxX5s
*Juxtaposing tv news footage*
Micheal Moore loves to create strong juxtapositions in his films, for maximum effect. A typical juxtaposition he creates in Fahrenheit 911 is the shot of an Iraqi woman crying about the people she lost in her bombed house and Britney Spears entertaining young people as her contribution to an effort to find new recruits for the war.
Some reviewers consider this not fair to Spears, but Moore thinks that if she gets involved in recruiting he is free to use her image of youth and happiness to emphasise the sorrow of the Iraqi woman [find REF interview, make precise]. Other reviews claim Moore is doing nothing else than documentary filmmakers have been doing for ever: bring his perspective into the films he makes [REF The New Yorker].
Filmmakers like Moore follow Shub and Eisenstein in their openness about the constructive aspects of the films they make, and the collisions they setup to let the audience create meaning. This is not necessarily propaganda; it is how films work, also documentary films. The biggest accomplishment of Fahrenheit 911 is perhaps that is has reminded many audiences, not in the last place in the United States, that documentaries are different from journalism and that they are supposed to have an opinion.
At many instances in the film, footage that originally was meant to be neutral or favourable to George Bush turns against him through the rhetoric that Moore builds with his narration and juxtapositioning of images. Waugh (in Nichols (ed.) Movies and methods II, University of California Press, Berkeley and Los Angeles) calls this recontextualisation “democratic didacticism” because it allows the viewer to read the film on at least two levels: the intended meaning of the footage and the perspective added by reconstituting the material. A dialectic between these two levels emerges and forces viewers to develop their own opinions. Compiling research material like this is useful for design research too, if it is supposed to fuel discussion rather than present user requirements.
View the trailer.
DVD available on Amazon
Lipstick Tutorial Compilation March 2017 💋 Part 3 💋 Lipstick Tutorial Compilation March 2017 💋 Part 3 💋 #lips #lipstik #makeup #beauty #trend #compilation #lip #lipsart www.youtube.com/attribution_link?a=26hyjY8ox6I&u=%2Fw...
Novelty postcard of 56 images produced by the Lyall Commercial Printing Co. Ltd., Winnipeg. The selection and content of images suggests a date around 1913. The images are miniaturized versions of full-size Lyall postcards.
This postcard also serves as an index to Lyall's images and allows us to make a rough estimate of how many he might have produced in his initial years in the city (roughly 1911-1912), as I currently have about 35 Lyall images in this time period of which six (as best I can tell) appear on this one. Therefore, on the assumption that what I have obtained is a random sample, one could very roughly estimate that his total output during this time was somewhere between 4 to 8 times the number of images that appear on this postcard, viz. somewhere in the range of 225 to 450 different postcards.
Using levels and a vice, the uprights are at the same angle, z height, and spread. You don't need a level floor to build, but I bet it would be a lot easier.
*Juxtaposing newsreels with home movies*
Esfir Shub applies what Sergei Eisenstein calls ‘intellectual montage’ to newsreels and home movies. Intellectual montage is based on the idea of creating meaning out of the ‘collision’ of film shots: “two film pieces of any kind, placed together, inevitably combine into a new concept, a new quality, arising out of that juxtaposition” (Eisenstein in Jay Leyda (ed.), Film Sense, Faber and Faber, London, 1986 (1943), p.14) This stands opposite the idea that montage connects shots of film to create continuity, as for instance the classical Hollywood system does.
By the mid 1920s Shub is a skilled editor and experiments with diverse found footage material. As an editor, she sees opportunities for the use of existing film material to tell the story of the 1917 revolution ten years after the event. Very little film material on the actual revolutionairy events is available but Shub finds ways to use what was then considered ‘counter-revolutionairy’ film like home movies of Tsar Nikolai II. Combining this material with old footage from newsreels, she makes The Fall of the Romanovs (1927). Her story of the revolution creates meaning that is contrary to the originally intended meaning of the footage. A technique she develops in this film is the juxtaposition of images to give them a new, often opposing meaning. She follows Eisensteins idea of intellectual montage and expands it to creating inversed meanings out of the collision of shots from newsreels and home movies.
This description of a scene from the film is a good example of this technique:
A crowd of elegant idlers are dancing [a mazurka on the awninged deck of a yacht].
The dancing tires some of them. They drink wine.
Title: ‘It made me sweat.’
And again they dance.
Title: ‘...sweat.’
A peasant, exhausted by his work, ploughs a furrow...
(Weisfeld quoted in Leyda, Films Beget Films, Allen & Unwin, London, 1964, p. 28).
Juxtapositions like this might seem simple and straightforward today, but as Leyda says, “it took [Shub] imagination to dig them from her raw material” (Leyda, 1964, p. 27). Our familiarity today with these kind of oppositions in editing shows how well accepted this technique, which was invented for propaganda, has become in features, documentaries and commercials.
I did not find a copy of this film on tape or DVD.