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New hairdo:)) No make-up (as always)
I have to trim my eyebrows...;P
BTW, before I changed films, I touched inside the film compartment trying to take off paper scaraps in the camera (but couldn't) , took a photo of myself, and then the outcome was the left pic...
Though not popular or particularly outstanding, I really like late 1950's Taron rangefinders. To me their design evokes the era in which they were made. Which also happens to be the era in which I was made. Brothers of very different mothers, perhaps.
This one is equipped with a 45mm f/2.8 Taronar lens. The camera is a recent eBay purchase that arrived with a few small mechanical surprises; some repairable, others . . . .
As I've said before, one of my goals in photographing birds was to get this particular resident species, the Oak Titmouse. (Second on the list was the White-crowned Sparrow in breeding plumage.) My first two cameras didn't have the range for avian photography of any kind ... well, with the first exception when an Oak Titmouse popped up on a newly planted five foot orange tree right in front of me.
Still, I persisted, and I think I have 15 pretty good images of this titmouse. One in particular was my prize and was the first image I hung on my wall. (flic.kr/p/ufUbT1) That's not the reason that I never posted this image. The reason for that was that I wasn't on SmugMug or later Flickr, and so I just printed this, put it in an album, and there it stayed until this morning.
I was in the archives again, and I must say I really like this shot. The way the tail just clears and follows the curve of the piece of rotten oak which was also used as a granary for Acorn Woodpeckers (which is why I was there taking pictures that day in March). More than that, there appeared to me that there was movement in this pose. He actually had just landed, and was already about to take off again. 1/640th was my go to prep speed, and it worked very well here. The light was good, too. And that's why I'm starting off the week for you (I can look at it any time) with one 3 gram Oak titmouse on a Live Oak (that's the name, not the description).
I've described this bird many times. Let's just let it go with this: The Oak titmouse (Baeolophus inornatus) is a passerine bird in the tit family Paridae. The American Ornithologists' Union split the plain titmouse into the oak titmouse and the juniper titmouse in 1996, due to distinct differences in song, preferred habitat, and genetic makeup. It sleeps in deep cavities, and what better place than a woodpecker hole in an oak or yucca. We are surrounded by thousands of acres of three of the twenty species of oak in California: valley oak, interior live oak, or blue oak. The Valley Oak is the largest oak in the state, and we have 30+ heritage oaks within a quarter mile of my front door. (Heritage oaks are huge, some with canopies 100 feet or more across, 70 feet tall, and with trunks about 25 feet in diameter. How can you tell if one is a "heritage oak?" Easy: every heritage oak is numbered with a metal tag about 8 feet off the ground ... and that's all I'll say. They are also between 200 and 350 years old. And every one has an Oak titmouse in it! I just made that up, but it's where I'd start to photograph these little flitters.)
MX Camera
signs and symbols
-
"CAMERA MX"
Appic Labs GmbH – a MAGIX AG company
Mit Camera MX kannst du live und in Echtzeit spannende Effekte und Rahmen kombinieren – und alle auch individuell anpassen . Verpass deinen Bildern tolle Looks, z. B. Lomo, Tilt-Shift, HDR, Sepia oder Schwarz/Weiß. Für perfekte Schnappschüsse gibt’s die QuickLaunch-Funktion, so verpasst du nie den richtigen Moment. Oder dreh einfach schnell ein Video. Und mit Zoom, Blitz und Selbstauslöser kommen auch die klassischen Kamerafunktionen nicht zu kurz.
tags
Eagle1Effi_Art_ 2018
MX Camera
Art
Effiart
2018
...
by
smartphone Samsung S5
Flash: Fired
Make: Samsung
ISO: 8000
Shoot the Past
Your picture is shaky or you pushed the button a bit too late? No problem: Simply rewind your Live Shot, save single photos and never miss the right moment again! Perfect for your fast-paced life.
Read more: www.magix.com/int/apps/cameramx/
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Live Effects
Make your photos and videos even more beautiful! Find your style and try out new filters and effects! Switch over live, while you've already started recording, or edit your Live Shots after the fact.
Read more: www.magix.com/int/apps/cameramx/
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This was for a logo I designed. Check out the website of Photographer Leah LaRiccia. She takes some amazing and fun photographs!
Appears to be a derivative of an early 1960's Yashica film camera. The look is very similar to the Yashica "J" of 1961.
I do not know much about this camera other than that. Very little information is available on the web.
This papercraft is a simple Olympus OM-D E-M10 Mark II, a digital mirrorless system camera announced by Olympus Corporation, the paper model is created by Olympus Corporation.
You can download this paper model template here: Olympus OM-D E-M10 Mark II Digital Camera Free Papercraft Download
www.papercraftsquare.com/olympus-om-d-e-m10-mark-ii-digit...
yes, i do have a collection of cameras. ten so far. i love them :)
i've used 5 of them and got the others recently. i need to find some cheap 120 film for some of them... anyone giving some away? ;) nahh hahah i'll probably buy some off of ebay.
ten facts (tagged by samcahh, take my breath, ian, and hannah lee baby)
1. see the first person to comment? i love her... and i'm getting her hair cut ;)
2. i love my older siblings and my sibling in law. so much.
3. i do have tumblr (http://graciecannell.tumblr.com/) and i love it. it's probably my favourite website before flickr.
4. while we are talking about websites... i have to say. i dislike facebook. BUT i do like stalking people... so i have this love/hate relationship here
5. i... hm... CANNOT WAIT TILL SCHOOL IS OVER AND THE STARTS AGAIN. i get to go to college heh
6. i'm starting to dislike sweet things.
7. i love my flickr friends. :) yes that is YOU.
8. uploading pictures on flickr is my favorite pass time... how lame am i?
9. i'm pretty happy right now. i just have a weigh on my heart.
10. i can't wait to go to NYC. i really want to go to SVA.
have a nice day!
Explored Ninth: May 15, 2010 #442
MY BABIES.
I've had this idea in my head for a while, but couldn't really do it without two DLSR bodies (one to actually take the picture and one to hold). However since my D5100 broke (it was faulty) Amazon sent me a new one this morning, so now I have have two! I have to send back the broken one soon so didn't have long to get this shoot done.
The camera I'm holding is the broken one (so tragic).
It's pretty much what I pictured in my mind so I'm pleased.
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اضبط إعداداتك بـ (اكتشاف ذاتك) ووجه عدستك بـ (تحديد أهدافك) واقتنص الفرصة بـ (سرعة إنجازك) فالإجازة لا تعوض
باتي وَ توفي
صورة عفاف
I get a decent number of questions asking me what I shoot with, do I use X or Y or whatever... so to make it easier I recently just took a photo of what's in my camera case, and then dumped it out so folks could get an idea of what tools I use (admittedly some more than other's).
If you dump out my camera case... this is what falls out. Too see what it looks like packed inside see this photo.
Camera Bodies:
Canon 5DMkII
Canon 5D
Canon 50D
Canon 20D
Canon Elan 7
Lenses:
Canon 15mm f/2.8 fisheye
Canon 35mm f/1.4L
Canon 50mm f/1.4
Canon 85mm f/1.2L MkII
Canon 100mm f/2.8 macro
Canon 135mm f/2L
Canon 16-35mm f/2.8 MkII
Canon 24-70mm f/2.8L
Canon 70-200mm f/2.8L IS
Lensbaby Composer (w/ lens diaphram set)
Flash / Lighting Stuff:
Canon 580EXII x3 (w/ foot stands)
Pocket Wizard Plus II x4
Sekonic L-358 (w/ Pocket Wizard Trigger Module)
Canon Remote Shutter Release Cable (to trigger camera via Pocket Wizards)
Pocket Wizard Mini to PC Sync Cables x4
Canon CP-E4 Camera Battery Pack (filled with Maha Powerex 2700mAh batteries)
Canon ST-E2 Wireless Trasmitter
Film / Memory Cards:
SanDisk Ultra II 2GB x 9
SanDisk Ultra II 4GB x 1
SanDisk Extreme III 8GB x 2
Fuji Pro400H and NeoPan Film
Gepe Cardsafe Extreme Cases x3
Accessories:
Lastolite White/Grey Card
x-rite Colorchecker Passport w/ no case (recieved it as a beta tester for the product)
Canon RS-80N3 Remote Switch
Business cards, Canon CPS Calendar, Pen
Large and Regular Sized PhotoClear Cleaning Cloth
LensPen, Giottos Cleaning Brush
Hot Shoe Level
Extra Battery for Canon 5DMkII and for the ST-E2 Transmitter
Battery Chargers for Canon Camera's
Hoya CP Filter
Case:
Pelican 1614 Hardshell case w/ rollers and adjustable dividers
Pelican 1609 Lid Oranizer for 1600 Case
Pelican Silica Gel Pack (for removing moisture, able to be used over and over)
Tech Details: If your curious how one takes a photograph of all of one's photo gear the answer is you borrow a friends camera from down the street (a Rebel XT/350D with a Canon 24-70mm f/2.8L lens).
Lighting provided by one White Lighting X1600 to camera right difused through a large softbox, with Westcott 42" Silver reflector to camera right to just bring in some fill light. A short roll of White Savage Seamless just hanging off the knuckle arm of an Avenger C-Stand (easier and quicker than getting out a big background stand). Triggered by a good ole-fashioned sync cable connected to a Nikon AS-15 on the hot shoe since the RebelXT/350D lacks a PC Sync connector.
NOTE: This photo made it into Flickr's 'Explore" as one of the top five hundred most interesting photos on a particular day. You can see all of my photo's that have made it into the Flickr Explore pages here.
A tripod is a must, a remote shutter switch is also good, or using the camera's timed shutter release will work, on 2 sec. or 10 sec. delay. This avoids any chance of camera shake ruining the macro shot.
I use a Canon 100mm macro lens, with three extension tubes, 13mm, 21mm and 33mm.
An LED light ring is attached to the end of the lens, with the controller for that light attached to the hot shoe on the camera.
This is a fairly heavy setup, but having the camera pointing straight down helps stability.
This enables me to shoot very small things, positioned within a couple of inches (5-6 cm) of the snowflakes.
I catch snowflakes on a sheet of glass salvaged from an old window, (taped edges) held above a colored shirt by a couple of blocks of wood, on a patio table outdoors.
More expired film. Ohh yeahhh.
My new to me Polaroid One-Step land camera.
It takes SX-70 film but the shop here only carries 600. >.>
how dare they.
Yes, I know you can use it but its too slow/fast (i forget which one) for these cameras and you need a filter.
Too much of my time to waste. haha.
I realllllllly want to use it. >.>
Also! I got Filters! So now I can actually have clouds and such! ( i am using it here.)
Heck yeahh.
GrainyMcGrainGrain.
You likey, No?
Poor crop skills.
You'd think i'd be better at this already. :P
Film
Olympus OM-G
Expired NPS Professional 160
bottom cameras for shooting through-the-viewfinder clockwise from top left: Brownie Reflex Synchro; Brownie Hawkeye; Anscoflex; Graflex Crown Graphic 4x5; Graflex 22; Agfa D-6 Cadet; Imperial Reflex; No. 3-A Kodak Jr.; and in the center, Argus Seventy-five
All images made with the Argus Seventy-five except its ownself, shot with the Anscoflex. The Argus was the first and most used. The Imperial Reflex and the Crown are probaly my favorites. Each yields a different result so the choice for the bottom depends on the subject matter.
I also had a Duaflex and loaned it to a coworker who subsequently managed to "misplace" it. And I had a Starflex that I managed to lose.
Shutter dead, focus stuck, some leather on the front missing, evidence of a failed repair attempt. This guy's had a rough life. I bought it anyway. Call it a rescue mission. I'll probably replace the leather and call it good. The Samoca will rest on my shelves warm, dry and comfortable until my heirs eventually donate it to somewhere.
UPDATE: 12/9/14, more damage than I thought, camera disassembled for parts.
The light on the wall is an attenuated camera obscura created by a tube in the accordion blind.
IMG_7182
The Flickr Lounge-Tools Of The Trade
I wouldn't be able to take photos without a camera and I have to say the Nikon technology is fabulous!
En train de prendre des photos dans la Cupola. Une bonne photo, c'est d'abord beaucoup de préparation et ça commence en général par notre logiciel de navigation. Il permet de repérer ses cibles dans un catalogue assez limité (j’ai préparé beaucoup des miennes avant la mission). Il montre aussi les zones jour/nuit, une image de la couverture nuageuse plus ou moins à jour, et surtout la trace au sol des orbites futures... et puis c’est à peu près tout. Contrairement à ce que les gens croient parfois, c'est très compliqué de photographier une zone sur commande. Tout d’abord, la rotation de la terre et la précession du plan de notre orbite font qu’on ne survole qu’épisodiquement et parfois un peu aléatoirement les différentes zones du globe. Ensuite, il se peut que la zone soit survolée certes, mais en pleine nuit… ce qui laisse peu de possibilité de photo (à part les villes très éclairées). La lumière n’est en général pas non plus suffisante en matinée et en soirée (d’où les couleurs plus pastels qu’ont parfois mes photos). Les nuages se mettent aussi souvent en travers de la vue 😤 Dernière complication et pas des moindres : la plupart du temps, les bons passages au-dessus des bonnes cibles ont lieu… pendant notre journée de travail ! Pas question de s’absenter au milieu d’un expérience même pour un passage à la verticale de Paris ou du Mont Saint Michel 🙈 Au final, il y a certains lieux (villes, montagnes, îles, etc.) qui ne m’offriront qu’un seul passage adéquat en 6 mois de mission… Et bien sûr, une fois qu’on se met à la fenêtre au bon endroit et au bon moment avec la bonne météo, reste à identifier sa cible à l’œil nu (à 400km…) et à prendre une photo techniquement correcte. Avant de me reprocher de n’avoir pas pris en photo votre lieu préféré, pensez-y :)
Taking pictures in Cupola. Good planning for a picture is half the job, and for us it starts with our navigation software. It allows us to catalogue our targets (although I prepared many in advance before I left Earth). The software shows us where it is day and night and even cloud cover predictions, but most importantly it shows us the future orbits, and that is about it. Many people think that we can take a picture of a specific place on Earth on command, but it is much harder than that. First of all our orbits mean we only fly over specific areas periodically. Secondly even if we do fly over an area of interest it might be during night-time so there will be nothing to see unless it is a city with bright streetlights. The lighting in the morning or evening is generally not good enough either (this is why some of the pictures have more pastel colours). Then there are clouds that can get in the way 😒. Lastly, and not the least, often we pass over areas… when we are working. We cannot drop everything we are doing at 14:35 for example just because we really want to take a picture of a city or a mountain or other marvel of Earth. Even if the stars align and we have the time, the orbits and the weather is in our favour… we still need to spot the target from 400 km above and setup the camera settings correctly!
Credits: ESA/NASA
541C1631