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Canon T2i with eyepiece extender, battery grip (with two batteries inside), Canon 50MM 1.8 lens and lens hood.
You'll notice that the battery grip is ever so slightly different in color than the camera body. That's because it's not a Canon part. The Canon grip is $199, but this no-name brand from Amazon was $69 and comes with two batteries!
THIS IS AN OLD PHOTO: To see what things look like in this case now Click Here much has changed.
This was my camera case in 2007 that holds my cameras, lenses and other supporting accessories. There is a lot in this case and it's pretty darn heavy... The case is a Pelican 1614 which thankfully has wheels on it.
Items include:
Camera:
Canon 5DMkII w/ Grip
Canon 5D w/ Grip
Canon 50D w/ Grip
Lenses:
Canon 16-35mm f/2.8L MkII
Canon 24-70mm f/2.8L
Canon 70-200mm f/2.8L IS
Canon 15mm f/2.8 Fisheye
Canon 35mm f/1.4L
Canon 50mm f/1.4
Canon 85mm f/1.2 MkII
Canon 100mm f/2.8 Macro
Canon 135mm f/2L
Lensbaby Composer
- All lenses run naked, no filters... I use a Hoya CP filter if I really need to but other than that nothing... no UV filters thank you very much.
Flash/Trigger/Exposure Stuff:
3 x Canon 580EXII (with STO-FEN OmniBounce)
Canon ST-E2 Wireless Transmitter
4 x Pocket Wizard Plus II (w/ elastic clips to mount to light stands, w/ cords)
Sekonic L-358 Lightmeter
Lastolite White/Grey Card
Memory and Film:
San Disk Ultra II and Extreme III CF cards (12x 2GB Ultra's, 1x 4GB Ultra, 3x 8GB Extreme)
3 x Gepe CardSafe Extreme's
Fuji Pro400H and NeoPan Film
Misc:
Cleaning Stuff - Rocket Blower, Sensor Swabs, Eclipse Cleaning Fluid, LensPen, lens cleaning cloths and solution.
Batteries - 24 x Maha/Powerex 2700mAh AA NiMiH recharables, extra camera batteries for the Canon Digital SLR's and Camcorder as well as the ST-E2 Wireless Transmitter.
Canon Remote Shutter Release Cable (use it for macro's and night shots, that's about it).
Pelican Silica Gel recharable pack (remove humidity).
Midland GMRS 25mile radios (w/ weather channel).
OpTech Classic Neoprene Straps with Pro-Loops.
Business cards, pens, pad of paper, etc.
NOTE: This photo made it into Flickr's 'Explore" as one of the top five hundred most interesting photos on a particular day, which makes me somewhat sad as the actual resulting photos didn't make it, ha! You can see all of my photo's that have made it into the Flickr Explore pages here.
My Camera Kit.
Canon EOS 60D,with cover.
Canon 70-200mm L IS f2.8 lens with 1.4 extender+ Hoya Pro1 Digital MC UV filter+ cover.
Canon 24-105mm L IS f 4 lens with UV filter.
Canon Speedlite 430EX II.
I also have a small Canon IXUS 510 HS for times when I cannot have all my gear with me.
Its taken me many years to get kit this good.
I bought my dad the EE100 he's posing with as a Christmas present, and he was taking pictures of me with it, so I decided to return the favour using my 600SE. It was also decided that the photographs should be EXTREMELY serious.
I don't usually take pictures of people, but I'm very very pleased with this. Worth lugging the giant 600SE to the South of France :)
This is my camera bag and its contents when I'm shooting film.
Yes, the Mamiya fits snugly in the bag if I move the divider.
This is my Bender 4x5 with a Fuji 150mm lens. My wife got me the Bender kit back in 1996, and it's given me great service ever since. It's not the most rigid 4x5 in the world, but with care and attention, it produces really nice pictures. My favorite B&W to date, Cliff Palace at Mesa Verde, was done with this camera on Kodak TMX 100 film.
If you've never looked at a 4x5 negative, it's well worth the time. A typical 35mm negative enlarged to 24x36" will have to be enlarged 24x linearly, so unless you're shooting a remarkably fine-grained film, the film grain will be visible in the final print. To enlarge a 4x5 negative to the same size print is only a 6x enlargement. Even with that print size, you don't see the film grain. With decent optics the negative should hold enough detail for even larger prints without loss of detail.
I'm planning to make a new lens board for my Bender so I can mount a micro servo next to the shutter and operate it remotely. This will allow the camera to be operated remotely, and means it can be used for kite aerial photography. I have yet to choose a subject, or to come up with a safe way to mount a Picavet suspension on it, but that will come next.
Time to get more film!
Kodak Brownie 127 - Mk 1, second variant, 1956-1959.
One of the most popular Kodak cameras ever made :
www.brownie-camera.com/6.shtml
I used Gratispool back in the day - the developed film came back complete with a set of prints, free replacement film and paper negatives.....
A few months back, I decided I needed a challenge. I had found a PDF of plans online for a cardboard pinhole camera, so I set about making one. It involved a lot of modification, fine tuning etc., but it's now at the stage where it's ready to test.
Being a packaging designer has it's advantages. Also having access to this little programme helped no end.
This (obviously) is the internal view. I have also made a mask and brackets to support 35mm film.
Will post photos when I've figure this sucker out. :) (By the way, it uses medium format film.)
Edit: More info in my Blog.
i forgot to do my 52 week picture :( so this will have to do. i keep getting asked about what lens i use im my work so here is a full list of my whole camera kit :D see notes for details :D
including my feet which take me everywhere
I never took a picture of this one like I did my other cameras. I got this for Christmas from my boyfriend. Now I want a Chaika 2! I like that this one has a meter but it doesn't have a B setting. It is still very cute and since it's small I like to take it to the store and bug my boyfriend by taking pictures of him. I enjoy buying wrapping paper and I found this paper underneath my bed the other day so I decided I would use it for pictures. I used my strobe and umbrella with this. I can't wait to get another one!
Camera: Sony IPELA SNC-CH260
Output resolution: 1920x1080
all 30 minutes via SMTP
all 30 seconds via FTP
wide angle pinehole camera. Hasselblad 12 back, 30mm focal length, prontor press shutter (from and old microscope setup), 200 µm pinhole (f 150).... and lots of light leaks.
Well almost…I've had this Piccolette Contessa-Nettel (1919???) folding camera for ages. Its been a great piece of photo history sitting on my shelf. Was curious if it could make pictures again, so I hacked it onto my 5D. Here are the results. WOW!!! IT'S ALIVE!!!
Quick shot of the bag 'fully loaded'...everything shown here easily fits inside the bag and there is still tons of room for all the other camera bits and pieces that are currently scattered around my house.
It may have been easier to tag had I lined things up :)
they all have timeshares for my bag.
nikon d40 +24mm nikkor-n auto ai'd something or other
I'll need to compose a better shot of all these cameras together.
With the world's last supply of Polaroids in jeopardy. Photographers around the world have turned into brutal savages, dividing into tribes to pillage ebay listings. It is utter madness. In this polaroid wasteland only one man can unite them all. The Roid Warrior; from the land of the Impossible.
Concord, California
Polaroid 600se
Expired 669 Film (Bleached)
I love my cameras.
(the links are either photos of the camera or examples of photos I've taken with the camera.)
1. An old polaroid camera that I found at the church fete.
3. Centon K200. Gift.
4. Canon EOS 500 N, belonged to a family friend.
5. Fisheye lomography camera. Gift.
6. Fujifilm Fotonex 265ix zoom. Church Fete.
7. Sony Cybershot. Birthday present.
taken with my canon 400d.
shit shot though......
life is exhausting at the moment.
so, i've been being very careful with money lately, trying to clear up debts and not make impulse buys -- but when i did my taxes & discovered I'd be getting a larger-than-expected refund (not including the alleged economic stimulus package checks we'll be getting), i broke down and bought a manual Hasselblad
I'd actually fallen hopelessly in love with Nick's 203fe, but really couldn't afford one -- but the 500c/m was manageable, & I even could get an extra lens! and they all arrived today: camera body, film back, 80mm and 120mm "makro" lens. I'm SO excited (although of course my light meter is at home!)
Sharing high honors among American 35mm cameras with the Argus C44, the Kodak Signet 80 is the last 35mm camera to be made in the USA with interchangeable lenses. The body of the camera is made of Bakelite plastic (like many earlier Kodak and Argus models), but workmanship and finish are first rate. Shutter speeds run from 1/4 to 1/250, the view/rangefinder is exceptionally good, it features rapid spool-less loading and a two-stroke rapid wind, plus a built in uncoupled EV system light meter. Lenses available were a 35mm wide, 50/2.8 triplet normal, and 90mm telephoto in a slick bayonet mount reminiscent of some Bell & Howell movie cameras.