LEICA M6+Fuji X-TRA 400

Leica summilux 50mm f1.4 ii E43

Tokyo japan

D700 with UWH 12/5.6 works fine.

Not perfect but good enogh.

F2A with 40/2 was not needed for photograph at Osaka.

But they were came from Kenjiro.

I had to bring by another reason.

Ilford Sprite 35-II - not sure about fantastic but definitely plastic !

It's an entry level plastic camera which is not designed to be repaired. 😂 Serial #210802

From Ilford websites:

Since inception in 1879, ILFORD has been a name associated with photography. Whilst the company has evolved over the years, the drive to provide our customers with world-class products is as strong as it was over 140 years ago.

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The Ilford Sprite 35-II a fun and affordable way to jump into analogue photography!

There are plenty of good reasons why some love the authentic look and feel of film-generated photographs; there’s also the discipline of having only 24 or 36 exposures to work with, and the anticipation of having a roll developed. Then there’s the desire to slow down from the relentless pace of digital technology and instant gratification

Back in the 1960s, few cameras were easier to use and more affordable than the Sprite 35. Forget shutter speeds, aperture, or light meters – just load a roll of film, hit the shutter button, and press the film lever. It was an attractive camera for people who wanted to capture a few snaps without fussing about the right settings.

The Ilford Sprite 35-II continues that heritage and will meet the needs of people experimenting with 35mm film and looking for a camera that’s ‘no frills’ simple. It’s a step up from disposable cameras, and being re-usable, it won’t create extra waste.

The camera has a fixed shutter speed (1/120s) with a 31mm, single element f9 fixed-focus wide-angle lens, perfect for capturing most well-focused daylight scenes, and also features a built-in flash with a 15-second recycle time for night time shooting.

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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission.

© VanveenJF Photography

Vintage Polaroid 350

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OLYMPUS DIGITAL CAMERA

This is a result that is not good enough at all. I would have to say it's the upper edge of best for this canon XSI, but there is a real reason for the 40D and Nikon's D300 series camera's. If you're not using your camera to the fullest, please send it to me so I can test it to find the upper edge.

BTW, I get to keep the camera. :-)

Kirlian photo (no camera). Measuring spoon has a very high AC voltage applied (9V input to tesla coil assembly). Spoon rests on emulsion side of Shanghai 100 film, which rests on a grounded metal plate. Exposure 40s.

Very random... my grandfather decides to show up at my house today, and he brought an old camera with him. It appears to be a Kodak Retina I (type 010?). He told a little story about how he bought it in Germany in something like 1948-49, for 150 DEM ($100?). He had a little external Sekonic light meter with it. The camera itself is in really great shape. He said he didn't really use it much when it moved to the US, and now he passed it on to me. He also said he tried to take pictures of girls on the street back in Germany...

As a side story... he said he also had a friend in Germany that was really into cameras. My grandfather said he had a Leica, and I was surprised to hear he knew and remembered the name (though my grandfather's memory is astoundingly, disturbingly sharp). This friend of his also moved to the US, and passed away last year... apparently this fellow wanted to sell his collection of four cameras, but never did so. Now, to see if I can get to this Leica...

Jevnaker, Norway

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From left: Nikkormat FT2 with Nikkor 50mm f1.4 non-AI. Its "grandchild", the Nikon FM with 50mm f1.8 AI. Nikkormat EL with Nikkor 105mm f2.5 non-AI. Its "great grandchild" the Nikon FE2 with Nikkor 28mm f3.5 AI and MD-11 motor drive.

I know...Subtle.

Fuji GW690III

Fuji Neopan 400 pushed to ISO 1600

HC-110 - Dilution B - 12 minutes @ 68° F

Aster

ramakan

edit Aviary

crop

crop

°°°

Camera Panasonic DMC-TZ41

ISO Speed 160

mode iA, Szenen Vollautomatik

Exposure 0.002 sec (1/500)

Aperture f/3.3

Focal Length 4.3 mm - 24 mm analog äquiv.

stats:

over 14,166 views today on my stream

Rio, Darlisa's wonderful dog, was constantly in the scene as we shot the scenes at Trillium. I'm loving this one and she held still enough for me to capture her during a long exposure.

Trillium Lake in Oregon

The famous Konica C35 AF and a "copy", the Flash Fujica AF Date (there exists also a non-date version). They have more features in common than differences, first of all the Visitronic autofocus system by Honeywell, the specs of the lens, they still have a manual film transport.

The Fujica has at least one improvement. Both camera sports the AF system by Honywell, on the Konica it is passive, the Fujica has an active AF-light. It is the red thing beside the lens. If the flash light is switched on and the shutter button is half-pressed, this light literally illuminates the scene.

The Konica shows the fokus distance with an index beside the lens, the Fujica has one in the viewer.

Shutter speeds: Konica 1/60-1/250 s, Fujica 1/8-1/500 s

Film speeds: Konica 25-400 ASA, Fujica 50-400 ASA

I don't know about you, but when I'm buying a new camera I'm alway curious about how it's going to look with my existing lenses. And pictures of a camera with anything other than the kit lens always seem to be frustratingly difficult to come by! So here are some photos of my new E-M10 with all my existing M4/3 lenses. (I think the Panasonic 25mm f/1.4 will be my next lens.)

This is the original 17mm f/2.8 pancake lens... one of the first lenses in the Olympus m4/3 system. This is a much maligned lens, but I have to say I really like it... it was one of my most used lenses before I got the 9-18mm zoom. It's so small and convenient... and while most people seem to critisise it's image quality, I'm no pixel peeper and it meets my modest requirements for a snapshot lens!

The Yashica Mat 124 is probably the best known of Japanese TLRs. Largely a copy of the Rolleiflex Automats, it does not match the Rollei in ruggedness and build quality but its built-in coupled light meter is a better job than anything Rollei had ever done.

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A wire wool experience at Moore Camera Club tonight, many thanks Dave Potter.

Manufactured by: Zeiss Ikon, Dresden, Germany

Model: 1935, Zeiss catalog no.520, Produced between 1932-1938

Folding film camera, film 120 roll, picture size 6x4.5 cm , 16 frames

Lens: Novar - Anastigmat f: 3,5 / 7 cm, serial no.1310428

Aperture: f/3.5 - f/16, no click stops,

setting by a pointer and dial on the front lower side of the lens-shutter barrel

Focusing: manual front focusing, guess the distance,

Focus range: 1.2 -10m, +inf.

Shutter: Compur leaf shutter, speeds: 1-1/300 +T, B, no click stops,

setting: dial and ring on the lens-shutter barrel

T and B not cock via the shutter lever, they works only via pressing shutter release

Shutter cocking lever: on the shutter

Shutter release lever: on the shutter

Cable release screw: a separate screw on the top of the shutter

Winding knob: on the right of the bottom plate

Viewfinder: folding optical finder, self-erecting, on the top plate

Landscape shot: when the camera on vertical position (reverse due to the frame size)

Portrait shot: when the camera on horizontal position (reverse due to the frame size)

Viewfinder release button: on the top plate, beside the finder

Bellows release: Automatic opening, by a button on the top plate, right side of the finder

Bellows closing: by pressing two small silver handles on top of the struts

Flash PC socket: none

Back cover: Hinged, opens by a latch on the right side of the camera

Engravingson the back cover leatherette: Zeiss Ikon logo and 520

Red windows: Two, due to the old, not standardized numbering of the 120 roll films, at that time no numbers for half frames, so with two windows you can use 6x9 numbering: To start, the film is wound until the numeral "1" is seen in the first window. After the exposure, the same numeral is advanced to the second window for the second exposure. You must do some exercise for not winding past the mark as the film is traveling a very short lateral distance.

Hand strap: leather, w/ strap lugs

Tripod socket: old type 3/8''

Body: metal, Weight: 442g, Dimensions: 11.5x8.5x3.5cm (folded)

Serial no. 1229521 (on the shutter)

Ikonta A catalog number 520, the 4.5 x 6cm format not receiving a suffix to it's number.

The first of the Ikonta cameras were the 520 series. They were available as 520 (4.5 x 6cm), 520/2 (6 x 9cm), 520/14 (5 x 7.5cm), 520/15 (6.5 x 11cm), 520/16 (6 x 6cm) and 520/18 (3 x 4cm). Ikonta 520 is the smallest Ikonta camera, and the letter designation to its size is A.

Photos by the camera

Two different single use cameras with promotion for the Dutch fairy tale theme park "Efteling" . Made in France and Hungary , with expiration dates 2000 and 2002 .

Enschede Weather Report: Temperature: 6.83°C Humidity: 99% Pressure: Rain: false

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Please do not use, copy or share without permission thank you.

Saw this 1979 Olympus om 10 and thought no more than to purchase it for old times sake. A little bit of history still going strong. This will give me hours of film image fun and learning.

Model - Joanna. Shot with only one flash. One Ellinchrom strobe to camera left shot through umbrella.

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Leica R Summilux 80 f1.4 Lens

Fuji GFX 100s Camera.

Select

40 ans de photographie

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Camera 14MP-9PC