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By: Alan Jenkins with Kaitlyn Jenkins

Cover by: Kandi Evans

Book: Faber and Faber: Eighty Years of Book Cover Design

Author: Joseph Connolly

Publisher: Faber and Faber

Year: 2009

Blog

 

Panel Discussion about book design in St. Gallen

cf. p. 81, layout sketch

  

Giovanni and Martino Mardersteig.

Book and Type Designers and Printers in Verona/Italy.

Exhibition celebrating 60 Years of the Printing House ‘Stamperia Valdonega’

 

– at Museum für Druckkunst Leipzig

Learn more about VFS's one-year Digital Design program at www.vfs.com/digitaldesign.

Faces in the Crowd is an autobiographical coffee table book design we created for our client, Donald Sandford. Taking a different approach to the self-written account of his life, Don shares life lessons learned through the people that have influenced him the most throughout the years. This book pays tribute in pictures and stories, to the friends and family he cherishes, while also weaving in the story of his family heritage and upbringing.

 

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The Wolf Book, designed in 1990

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In first grade, our teacher assigned us a project. Each student was assigned an animal, and our task was to research that animal. We compiled our research into a short, ten page book. The animal I chose was the Mongolian wild horse, and the experience was a blast. I absolutely loved the process of researching, drawing pictures and maps, and ending up with a designed object.

 

A few months later, during the summer of 1990, I decided to make another book about one of my favorite animals, the wolf. I spent several weeks photocopying pages from National Geographic World magazine, redrawing maps and diagrams, filling pages with some very bizarre editorial drawings, and typing paragraphs on an ancient word processor. The finished pages were then comb-bound at my father's office.

 

While designing my recent book, Forgetting Oildorado, I recalled the process of making The Wolf Book. I travelled to my parents house where the book resided, and flipped through it for the first time in well over a decade. It's fascinating to revisit something that was once so cherished, and to see the striking parallels between something that was designed at the age of 7 and the work that I'm currently producing.

 

When I made this book, I had no idea that I'd end up a graphic designer. But it seems that from a very early age, I was -- unknowingly -- well on my way.

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www.andropolis.org

We created a small publication called 'The Little Black Book' for the Rose Street Artist Market, showcasing Artists and craft available at the markets.

A Land Development brochure for the coastal area of Costa Allegre.

Lucas Films' "The Making of Star Wars"; 2007. Book Design by Tolleson.

Guests gifts on the reception dinner tables. Book of childhood photos of the bride and groom.

Book: Faber and Faber: Eighty Years of Book Cover Design

Author: Joseph Connolly

Publisher: Faber and Faber

Year: 2009

Blog

 

"Deconstructing Cute" is the process book to "Design Benign", my senior thesis project. This book contains the graphics I made during my research, my sketches and thought process.

 

Design Benign is an ongoing research project about the role of cuteness in product design. You can read excerpts from it, as well as new material, at design-benign.blogspot.com

 

Nicole Peterson 2008.

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The Wolf Book, designed in 1990

____

 

In first grade, our teacher assigned us a project. Each student was assigned an animal, and our task was to research that animal. We compiled our research into a short, ten page book. The animal I chose was the Mongolian wild horse, and the experience was a blast. I absolutely loved the process of researching, drawing pictures and maps, and ending up with a designed object.

 

A few months later, during the summer of 1990, I decided to make another book about one of my favorite animals, the wolf. I spent several weeks photocopying pages from National Geographic World magazine, redrawing maps and diagrams, filling pages with some very bizarre editorial drawings, and typing paragraphs on an ancient word processor. The finished pages were then comb-bound at my father's office.

 

While designing my recent book, Forgetting Oildorado, I recalled the process of making The Wolf Book. I travelled to my parents house where the book resided, and flipped through it for the first time in well over a decade. It's fascinating to revisit something that was once so cherished, and to see the striking parallels between something that was designed at the age of 7 and the work that I'm currently producing.

 

When I made this book, I had no idea that I'd end up a graphic designer. But it seems that from a very early age, I was -- unknowingly -- well on my way.

____

 

www.andropolis.org

We’ve been fortunate to work with Tugboat Branding on several projects, including this branding proposal, 36-page presentation piece.

AIGA/NY International Perspective series. Irma Boom in conversation with Debbie Millman.

1/29/2014

Tishman Auditorium, Parsons

Photos by Karen Vanderbilt

Book: Faber and Faber: Eighty Years of Book Cover Design

Author: Joseph Connolly

Publisher: Faber and Faber

Year: 2009

Blog

 

My redesign of Rabbit Hill for my book design project Cover to Cover Read more about this cover here.

Book cover: Venuto al mondo / Twice Born / Ponovo rodjen / Margaret Mazzantini

The Best of Weddings Book Designs 2010-2011 is a showcase of the wedding book designs Picturia Press created this year.

 

Book: Faber and Faber: Eighty Years of Book Cover Design

Author: Joseph Connolly

Publisher: Faber and Faber

Year: 2009

Blog

 

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