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Detail of a book cover design by Norman Ives for A Controversy of Poets: an Anthology of Contemporary American Poetry edited by Paris Leary.Garden City, N.Y., Anchor Books 1965. PS 614 .L4

This is the title I was working on this afternoon and evening. Blogged about it, too.

 

The interior is, finally, almost done. Lots of picky details for something that seems so simple!

 

Updated, 3/6/06 Put the final version of this title to disc this afternoon. Congratulations, Dan and Gayle!

bookdesign: Ward Zwart & BoeckBerg

A Minnesota based interior design portfolio of Eminent Designs.

another joyous comedy of peril.

Packaging project. Promoting 'live music in intimate venues' around Leeds.

 

Box & outer sleeve holds a pocket-sized book (five individual books bound together) about five intimate venues around Leeds, (info, interviews, gig listings etc), a pair of earplugs and travel-sized deodorant.

King Edgar and Christ in Majesty, The New Minster Charter, Winchester, 966, British Library, Cotton Vespasian A. viii, f. 2v © British Library Board

  

From:

11 November 2011 > 13 March 2012

Royal Manuscripts: the Genius of Illumination

British Library

96 Euston Road

London NW1 2DB

www.bl.uk

 

For more events, see blog.eyemagazine.com/?page_id=158

illustrated by Richard Scarry

illustrated by Richard Scarry

find out more about this lecture and watch the video in the kd-lounge archive.

photo: moritz profitlich

It is cove cover made my Essa Afridi. If you love and you can appreciate and if you have any question you may ask.

Final Major Project: Mythology.

 

Explained a bit more at lucyplayer.blogspot.com/2010/06/final-major-project.html.

find out more about this lecture and watch the video in the kd-lounge archive.

photo: moritz profitlich

Learn more about VFS's one-year Digital Design program at www.vfs.com/digitaldesign.

Paul Luna, Catherine Dixon and someone else (sorry!). 27 November 2008.

《金剛經尋寶》封面設計

陳念萱攝影 │ 有鹿文化 │ 2013年1月初版

《愛的教育魔法書》封面設計、插畫

親子教養類 │ 智園出版 │ 2012年10月初版

Picturia Press was contacted by the wonderful photographer, Kevin Stallard, to design his coffee table book, My Sierra A Personal Perspective. Mr. Stallard has been photographings the Sierra Mountains over a period of many years, capturing different perspectives of the Sierra over the different seasons. He has always desired to create a coffee table book showcasing some of his stunning images and we are thrilled we could work with him on this project.

cf. p. 81, layout sketch

  

Giovanni and Martino Mardersteig.

Book and Type Designers and Printers in Verona/Italy.

Exhibition celebrating 60 Years of the Printing House ‘Stamperia Valdonega

 

– at Museum für Druckkunst Leipzig

Book: Faber and Faber: Eighty Years of Book Cover Design

Author: Joseph Connolly

Publisher: Faber and Faber

Year: 2009

Blog

 

find out more about this lecture and watch the video in the kd-lounge archive.

photo: moritz profitlich

Children Book Page Illustration

Book design for AOI Illustrators Guide to Law and Business Practice.

 

Design & Artwork: Simon Sharville

Illustrations: Andy Smith

© 2009 SImon Sharville / AOI

View Simon Sharville's portfolio at

www.simonsharville.co.uk

The author presenting his chronicle to Edward IV, Jean de Wavrin, Recueil des chroniques d’Engleterre, Bruges, c. 1475, Royal 15 E. iv, vol. 1, f. 14© British Library Board

  

From:

11 November 2011 > 13 March 2012

Royal Manuscripts: the Genius of Illumination

British Library

96 Euston Road

London NW1 2DB

www.bl.uk

 

For more events, see blog.eyemagazine.com/?page_id=158

Book designer Giles of Osprey Design posted this cover design, which he calls "woeful". I sort of admire the 2-dimensionality, but it certainly has serious composition problems.

 

As an experiment, I tried to introduce some distinctions between author/title/etc and to tinker with the balance of figure to ground. The changes are headed in a direction that fundamentally undermines some of the quirkiness of the original while clearing up some of the problems. I wouldn't call it the "right" direction. And if it were, I haven't taken it far enough yet.

 

The version posted here, which I assume to be the final design, takes a different tack, of lightening the background to help the text stand out. I think that version went in absolutely the right direction and is much better than my experiment.

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