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Book designed by Picturia Press. 10 Years of blogging from the Live Journal online community. A selection of some of the best blog entries from 1999 to 2009. To view more of the book, click here
At the jury meeting of the Walter Tiemann Prize, in the venerable composing room of the Hochschule für Grafik und Buchkunst Leipzig. It was a honour and pleasure to work with the five jurors, and to take a close look at all these outstanding book designs. Thanks to all who have submitted their work. The award ceremony will take place during the Leipzig book fair in March 2012.
Concept design and graphic design for a photo essay "Vues Accidentelle" by photographer John de Koning
Giovanni and Martino Mardersteig.
Book and Type Designers and Printers in Verona/Italy.
Exhibition celebrating 60 Years of the Printing House ‘Stamperia Valdonega’
William Parron’s Henry VII Horoscope, Royal 12 B. vi, f. 1. British Library Board
From:
11 November 2011 > 13 March 2012
Royal Manuscripts: the Genius of Illumination
British Library
96 Euston Road
London NW1 2DB
For more events, see blog.eyemagazine.com/?page_id=158
Book: Faber and Faber: Eighty Years of Book Cover Design
Author: Joseph Connolly
Publisher: Faber and Faber
Year: 2009
From Tender is the Night by F. Scott Fitzgerald
ISBN: 9780141194066
Designed by Coralie Bickford-Smith
For more information:
www.penguin.co.uk/nf/Book/BookDisplay/0,,9780141194066,00...
See a video about the set at:
Book design for AOI Illustrators Guide to Law and Business Practice.
Design & Artwork: Simon Sharville
Illustrations: Andy Smith
© 2009 SImon Sharville / AOI
View Simon Sharville's portfolio at
by Alfred Bester
Taken for this slideshow on interesting uses of type in fiction:
thepenguinblog.typepad.com/the_penguin_blog/2008/05/5-in-...
artwork for the Third Place Press edition of H. Beam Piper's SF classic, LITTLE FUZZY. The benefit of being both an illustrator and book designer is that I can do the artwork and immediately incorporate in into a cover design.
Done on Sketch Club for iPad. ~2 hours to complete.
best viewed large
kusa awase is a sort of game popular among the aristocrats in Heian era(9th century). they bring along various plants and compare eachother to vie the winner. the idea of the game is reflected into the design of this book.
for this facsimile edition, glossy transparent ink and silk screen technique were used to recreate the surface of Japanese lacquer, which had been used to print the black part of the original binding. to use lacquer in printing was the designer Hashiguchi's idea. this was rare and thought to be very inovative idea then(and today).
草合わせとは平安貴族たちの間で流行った遊び「もの合わせ」の一つで、互いに持ち寄った草花を競い合わせ、優劣を競ったもの。その遊びが装幀のモチーフとなっています。
初版の装幀では、黒い部分に漆が使われました。これは装幀家・橋口五葉による斬新な発想でした。復刻版では、黒いインクの上に艶のある透明インクを何層も重ねて漆の質感を再現しています。
Soseki NATSUME's "Uzurakago"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1907.
designed by Goyo HASHIGUCHI.
three short stories "Botchan", "Nihyakutoka", "Kusamakura" and foreword by the author are included in this book.
facsimile edition was printed in 2005.
i was honoured to join this reprinting project as a kind of proof reader.
夏目漱石《鶉籠(うずらかご)》初版復刻版
装幀：橋口五葉
『坊つちゃん』『二百十日』『草枕』及び著者序文収録
初版1907年、復刻2005年
昨年夏、縁あってこの復刻プロジェクトで
校正に近い作業を担当し、
この夏、完成品が送られてきたので撮影しました。
Design and Artwork of the AOI Images 29 book. Best f British Illustration 2005
Design & Artwork: Simon Sharville
Illustration: Geoff Grandfield
© 2005 SImon Sharville / AOI
View Simon Sharville's portfolio at
It's still drying. I used way too much glue (what do bookbinders use, anyway? modge podge? I don't know). But, when it's folded back up, it's a mostly square book with red covers and an awesome ribbon, and seven square fold-out-pages (four shown on one side, three on the back). I think it's awesome. I want to make Six. Dozen.
I learned about Lotus Books from this post, and my students in pre-K might wind up making Lotus Books in the shape of dragons as a result of me making this book.