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«Die köstliche Gabe der Neugier», Verlag Martin Wallimann, Alpnach (Switzerland) Feb.2011.
This 112-page book unites newspaper editorials by the Swiss writer, journalist, and politician Andreas Iten with reactions and «echoes» by his friends and contemporaries. I had much fun designing and typesetting the book; it uses two different typefaces, Evert Bloemsma's FF Balance (here seen for text) and Turnip, a new text font currently in development by David Jonathan Ross (here seen for titling).
"To Infinity and Beyond!: The Story of Pixar Animation Studios", 2007. Published by Chronicle Books. Design by Tolleson.
Book design of AOI Images 33: Best of British Illustration 2009.
This year I worked together with Adrian Shaughnessy on the design of the Images Book and exhibition graphics. In the book we created a tighter grid with a more contemporary feel and rather than just selecting an illustration from the book to use on the cover we created a typographic design that didn't favour any one illustration style or individual and that could be experimented with in the future. We then followed these principles through to the exhibition and awards. Here we used the icon as a label for the award winners.
Art Direction: Adrian Shaughnessy
Design & Artwork: Simon Sharville
Illustrations: Jonas Bergstrand / Chris Thornley / Greg McLeod
© 2009 SImon Sharville / AOI
View Simon Sharville's portfolio at
Book design of AOI Images 33: Best of British Illustration 2009.
This year I worked together with Adrian Shaughnessy on the design of the Images Book and exhibition graphics. In the book we created a tighter grid with a more contemporary feel and rather than just selecting an illustration from the book to use on the cover we created a typographic design that didn't favour any one illustration style or individual and that could be experimented with in the future. We then followed these principles through to the exhibition and awards.
Art Direction: Adrian Shaughnessy
Design & Artwork: Simon Sharville
© 2009 SImon Sharville / AOI
View Simon Sharville's portfolio at
my final book design project: unwanted photos, found messages, insect and bird bodies.
a collection that celebrates the beauty of the things we leave behind.
AIGA/NY International Perspective series. Irma Boom in conversation with Debbie Millman.
1/29/2014
Tishman Auditorium, Parsons
Photos by Karen Vanderbilt
Angkor Wat II, is the fifth coffee table book we have designed for German photographer Hellmut Issels. In this 100+ page 13 x 11 book, we incorporated some beautiful layering techniques to give the pages depth and aged the photographs somewhat to make them feel like they were taken in a different era. Hellmut has traveled the world taking photographs that often appear in trade magazines and newspapers.
A bespoke headline typeface designed for Page Tsou's exhibition identity and book titled 'The And, Never End' at Agora Arts in Taipei, Taiwan.
The Typeface is inspired by a Barbershop (helix) Pole. Barbershops are a recurring theme in Page's work.
Alexander fighting dragons, Le livre et la vraye hystoire du bon roy Alixandre, Paris, c. 1420–25, Royal 20 B. xx, ff. 49v-50 © British Library
From:
11 November 2011 > 13 March 2012
Royal Manuscripts: the Genius of Illumination
British Library
96 Euston Road
London NW1 2DB
For more events, see blog.eyemagazine.com/?page_id=158
This is research we are doing to determine the style & design of our upcoming book on business model innovation...
Tina Roth Eisenberg alias Swiss-Miss is moderating the panel about book design in St. Gallen with Jost Hochuli and Roland Stieger
Soseki NATSUME's "Sorekara"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1910.
designed by Goyo HASHIGUCHI.
facsimile edition was printed in 2005.
夏目漱石《それから》初版復刻版
装幀：橋口五葉
初版1910年、復刻2005年
most of the binding process is done by hands of craftsmen.
多くの工程は職人による手作業。
or a bit of further information, please see:
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