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Henry V as a young prince, Thomas Hoccleve, Regement of Princes, England, c. 1430–38, British Library, Royal 17 D. vi, ff. 39v-40.© British Library Board
From:
11 November 2011 > 13 March 2012
Royal Manuscripts: the Genius of Illumination
British Library
96 Euston Road
London NW1 2DB
For more events, see blog.eyemagazine.com/?page_id=158
1963 Penguin edition. Cover by Romek Marber.
Postcard in Postcards from Penguin.
Blog post at http://greaterthanorequalto.net/blog/2009/11/postcards-from-penguin/
Fundación Neumann, Teatro Municipal de Caracas
Format size: 21 x 28 x 0.7 cm
Design by: John Lange
Design assistant: Eduardo Gómez
Book: Faber and Faber: Eighty Years of Book Cover Design
Author: Joseph Connolly
Publisher: Faber and Faber
Year: 2009
This is research we are doing to determine the style & design of our upcoming book on business model innovation...
"To Infinity and Beyond!: The Story of Pixar Animation Studios", 2007. Published by Chronicle Books. Design by Tolleson.
1963 Penguin edition. Cover by Romek Marber.
Postcard in Postcards from Penguin.
Blog post at http://greaterthanorequalto.net/blog/2009/11/postcards-from-penguin/
When I can get my head about me and focus -- not easy recently -- I really, really love what I do.
Gettin' half-decent at showing it, off, too. It's even part of a huge missive on Foreword tonight, and happily added to the new Blogged group pool.
Seriously, going to post more work here on Flickr. Just have to find the time. (Two to FlickrCentral today, too. Bad.)
This is research we are doing to determine the style & design of our upcoming book on business model innovation...
Book designer Giles of Osprey Design put forward this cover as an example of one he'd "like to like, but can't" based, it seems, mainly on the legibility of the text. I, on the other hand, think it's a very handsome design (Without seeing a physical copy, I can't speak decisively about the legibility issue at hand).
In any case, I tried a brief clumsy experiment to "deaden" the image, which I think help's the title to "pop" better.
Here's a link to the book's sales page at BAMM.com (gotta plug my local businesses)
This is research we are doing to determine the style & design of our upcoming book on business model innovation...
Book design fot AOI Images 32: Best of British Illustration 2008.
A sample of one of the judges spreads.
Design & Artwork: Simon Sharville
© 2008 SImon Sharville / AOI
View Simon Sharville's portfolio at
projeto gráfico e ilustrações para (proposta de) exposição de arte contemporânea e palestras | graphic design and illustrations for contemporary art exibition and lectures (project)
«Die köstliche Gabe der Neugier», Verlag Martin Wallimann, Alpnach (Switzerland) Feb.2011.
This 112-page book unites newspaper editorials by the Swiss writer, journalist, and politician Andreas Iten with reactions and «echoes» by his friends and contemporaries. I had much fun designing and typesetting the book; it uses two different typefaces, Evert Bloemsma's FF Balance (here seen for text) and Turnip, a new text font currently in development by David Jonathan Ross (here seen for titling).
Soseki NATSUME's "Gubijinso"
facsimile of the first edition
夏目漱石《虞美人草(ぐびじんそう)》初版復刻版
gubijinso means poppy in Japanese and its flower is used as a motif for the design.
外側のケースのことを、日本語では「帙(ちつ)」「書帙」と呼びます。虞美人草とはヒナゲシの別名で、その花が装幀のモチーフとなっています。
for a bit of further information, please see:
もう少し詳しいことはこちらに：