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This is research we are doing to determine the style & design of our upcoming book on business model innovation...
A quick and dirty selection of pages from my first book design project. We were tasked with laying out part of The Kamasutra, consisting of the first book and three commentaries (including commentary on commentary).
This is my rough workfile: basically a binder with all my test prints and post-it notes describing the process.
Book cover design by Antonio Frasconi for The road to Pearl Harbor : the coming of the war between the United States and Japan by Herbert Feis. New York: Atheneum, 1962. D753 .F4 1962
Capital eszett in a drawn version of Futura Display for an East-German book about the Cosa Nostra.
Klaus Polkehn, Horst Szeponik: Wer nicht schweigt, muß sterben. Ein Tatsachenbericht über die Mafia. Berlin: Militärverlag der Deutschen Demokratischen Republik, 1968 (7. Auflage, 1985). Einband: Erika Baarmann. Typograf: Helmut Herrmann. Printing: Druckerei des Ministeriums für Nationale Verteidigung, GDR
This is research we are doing to determine the style & design of our upcoming book on business model innovation...
Everyman and Medieval Miracle Plays: A fascinating Collection of the Most Significant Biblical Pageants edited by A.C. Cawley. New York: Dutton, 1959. PR2411.C39 E9 1959
Book cover design by Antonio Frasconi, typography by Joseph Ascherl for An Approach to Shakespeare by Derek Traversi. Garden City, N.Y., Anchor Books, 1969. PR2976 .T75 1969
This is research we are doing to determine the style & design of our upcoming book on business model innovation...
This is research we are doing to determine the style & design of our upcoming book on business model innovation...
Book cover design by Johannes Regn for Revolutionary Europe, 1783-1815
by George Rudé. Cleveland, Meridian Books 1964. D308 .R8 1964
Pretty much the first ever novel I bought just because of the cover design. Not sure exactly who this UK edition was design by. It shares many elements with the US edition, who's designer is Jamie Stafford-Hill with illustration from Viktor Koen and art direction by Irene Gallo. Perhaps the same team did both. Anyone confirm?
Book cover design by Gene Federico for The Immediate Experience: Movies, Comics, Theatre and Other Aspects of Popular Culture by Robert Warshow. Garden City, N. Y., Anchor Books 1964. PN1993.5.U6 W34 1964
Silkscreened cover on Italian silk bookcloth. This was the Bookbuilder West top award winner in 2009.
Okay, typographers, help me here. Why does the lowercase c look too big (see "patience" on the last line before the hare)? And why do some of the letters seem to be not lined up, such as the w in "Farewell"?
Coffee table book designed by Picturia Press. (www.picturiapress.com) Hellmut Issels photography of the famous Bali Dances
John Wilmot Earl of Rochester: Perfect and Imperfect Enjoyments
1992. Folio Press, London
Giovanni and Martino Mardersteig.
Book and Type Designers and Printers in Verona/Italy.
Exhibition celebrating 60 Years of the Printing House ‘Stamperia Valdonega’
Book cover design by Harriet Newman for Theatre Experiment : an Anthology of American Plays edited by Michael Benedikt. Garden City, N.Y. : Anchor Books, Doubleday, 1968. PS634 .B39 1968
This is research we are doing to determine the style & design of our upcoming book on business model innovation...
From The Last Tycoon by F. Scott Fitzgerald
ISBN: 9780141194080
Designed by Coralie Bickford-Smith
For more information:
www.penguin.co.uk/nf/Book/BookDisplay/0,,9780141194080,00...
See a video about the set at:
This is research we are doing to determine the style & design of our upcoming book on business model innovation...
AIGA/NY International Perspective series. Irma Boom in conversation with Debbie Millman.
1/29/2014
Tishman Auditorium, Parsons
Photos by Karen Vanderbilt
Book cover design by Leonard Baskin, typography by Diana Klemin for Rameau's Nephew, and Other Works by Denis Diderot. Garden City, N.Y.: Doubleday, 1956. PQ1979.A66 E5 1956
Concept design and graphic design for a photo essay "Vues Accidentelle" by photographer John de Koning
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The Wolf Book, designed in 1990
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In first grade, our teacher assigned us a project. Each student was assigned an animal, and our task was to research that animal. We compiled our research into a short, ten page book. The animal I chose was the Mongolian wild horse, and the experience was a blast. I absolutely loved the process of researching, drawing pictures and maps, and ending up with a designed object.
A few months later, during the summer of 1990, I decided to make another book about one of my favorite animals, the wolf. I spent several weeks photocopying pages from National Geographic World magazine, redrawing maps and diagrams, filling pages with some very bizarre editorial drawings, and typing paragraphs on an ancient word processor. The finished pages were then comb-bound at my father's office.
While designing my recent book, Forgetting Oildorado, I recalled the process of making The Wolf Book. I travelled to my parents house where the book resided, and flipped through it for the first time in well over a decade. It's fascinating to revisit something that was once so cherished, and to see the striking parallels between something that was designed at the age of 7 and the work that I'm currently producing.
When I made this book, I had no idea that I'd end up a graphic designer. But it seems that from a very early age, I was -- unknowingly -- well on my way.
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