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Salzburg • Vienna • Prague is a travel book created for our clients who toured these cities on their recent vacation abroad. We compiled the pictures from everyone in the group to create a beautiful photographic essay of their trip. The book was designed as a surprise gift for the upcoming holidays.
A book designed as part of my Final Major Project, to promote British Food Fortnight. The aim is to break traditional British food combinations, to mix things up and try something new!
Best viewed small, it would seem...!
Book Cover Design (2009)
| 原 作：成田良悟
| キャラクターデザイン：ヤスダスズヒト
| 作 画：茶鳥木明代
Client_株式会社 スクウェア・エニックス / SQUARE ENIX CO., LTD.
Art Direction & Design_Masayuki Sato
(C) 成田良悟/ASCII MEDIA WORKS Inc.
(C) 2009 Akiyo Satorigi
Book cover design by Alex Tsao for Seven Plays by Michel de Ghelderode. New York: Hill and Wang, 1960. PQ2613.H17 A24
This poster provides a matrix overview. See also the revised version.
Both editions are out of print. If you are interested in purchasing a copy of the poster, please get in contact with me, and I will notify you as soon as a new version is available.
[exhibition in Leipzig, March 2008 | more information on the project]
Book cover design by Raymond Gid for The Era of Tyrannies: Essays on Socialism and War by
Élie Halévy. Garden City, N.Y.: Anchor Books, 1965. HX40 .H213
Composition No. 1 by Marc Saporta looking mighty fine in the gorgeous Hermès store on the Left Bank in Paris.
2011 © Visual Editions
This is a screenshot of a book cover design i am working on for a Uni assignment. The brief is to create a series of book covers for an author, the book covers need to work as a set.
Soseki NATSUME's "Uzurakago"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1907.
designed by Goyo HASHIGUCHI.
three short stories "Botchan", "Nihyakutoka", "Kusamakura" and foreword by the author are included in this book.
facsimile edition was printed in 2005.
i was honoured to join this reprinting project as a kind of proof reader.
夏目漱石《鶉籠(うずらかご)》初版復刻版
装幀：橋口五葉
『坊つちゃん』『二百十日』『草枕』及び著者序文収録
初版1907年、復刻2005年
昨年夏、縁あってこの復刻プロジェクトで
校正に近い作業を担当し、
この夏、完成品が送られてきたので撮影しました。
Book cover design by Robert Flynn, Cover drawing by Robert Vickrey for Faraday, Maxwell, and Kelvin by D. K. C. MacDonald. Garden City, N.Y., Anchor Books, 1964. QC15 .M27 1964
Book cover design by Larry Lurin for Congress Makes a Law by Stephen Kemp Bailey. Vintage Books, 1964. HD7816.U6 B3 1964
Book design fot AOI Images 32: Best of British Illustration 2008.
A sample of one of the judges spreads.
Design & Artwork: Simon Sharville
© 2008 SImon Sharville / AOI
View Simon Sharville's portfolio at
Book cover design by S. Neil Fujita for The State of Music by Virgil Thomson. New York: Vintage Books, 1962. ML3795.T46 S8 1962
Book cover design by Robin Jacques, typography by Edward Gorey for Three Short Novels by Fyodor Dostoyevsky.
Garden City, N.Y., Anchor Books 1960. PG3326.A15 G3 1960
*a comic strip consisting of several hundred illustrations conceived, designed and narrated by me.
p.s. the original splatter was in deep red but was substituted for blue as per suggestion of prospective publisher who felt that red was "overkill" LOL; in the end we could not see eye to eye and the project evaporated into thin air.
Ilonka Karasz (1896-1981) was the foremost woman modernist designer in the United States in the first half of the twentieth century. She designed wallpaper, wrapping paper, textiles, furniture, interiors, nurseries, book jackets, and magazine covers, among other things.
New York, Not So Little and Not So Old was one of two books by Sarah M. Lockwood designed by Karasz in 1926. (The other was Antiques). Of particular note are Karasz's maps, a skill she leant to many books. For more information and other examples of Karasz's work as a cartographer, see my blog post:
wetoowerechildren.blogspot.com/2010/06/ilonka-karasz-cart...
All images are copyrighted © and owned by their respective holders.
Book cover design by Ivan Chermayeff for The American Earthquake: a Documentary of the Twenties and Thirties by Edmund Wilson. Garden City, NY: Anchor Books, 1964. E169 .W658 1964
Book cover design by Harry Ford for Envy, and Other Works by Yuri Olesha. Translated, with an introd., by Andrew R. MacAndrew. Garden City, N.Y., Anchor Books, 1967. PG3476.O37 Z23 1967
This is research we are doing to determine the style & design of our upcoming book on business model innovation...
Book cover design by Leonard Baskin, typography by Edward Gorey for The Human Image in Dramatic Literature: Essays by Francis Fergusson. Garden City, N.Y. : Doubleday, 1957. PN1623 .F45. Francis Fergusson was a Bennington College faculty member from 1934-1948.
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The Wolf Book, designed in 1990
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In first grade, our teacher assigned us a project. Each student was assigned an animal, and our task was to research that animal. We compiled our research into a short, ten page book. The animal I chose was the Mongolian wild horse, and the experience was a blast. I absolutely loved the process of researching, drawing pictures and maps, and ending up with a designed object.
A few months later, during the summer of 1990, I decided to make another book about one of my favorite animals, the wolf. I spent several weeks photocopying pages from National Geographic World magazine, redrawing maps and diagrams, filling pages with some very bizarre editorial drawings, and typing paragraphs on an ancient word processor. The finished pages were then comb-bound at my father's office.
While designing my recent book, Forgetting Oildorado, I recalled the process of making The Wolf Book. I travelled to my parents house where the book resided, and flipped through it for the first time in well over a decade. It's fascinating to revisit something that was once so cherished, and to see the striking parallels between something that was designed at the age of 7 and the work that I'm currently producing.
When I made this book, I had no idea that I'd end up a graphic designer. But it seems that from a very early age, I was -- unknowingly -- well on my way.
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I wish we still had such drop caps, now and then.
The text is the beginning of Julius Caesar’s Commentarii de Bello Civili (Caes.civ.1)
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Unbeknownst to many, Los Angeles has served as one of the most important oil provinces on the planet. From the initial discoveries near the turn of the 20th century, through the roaring 1920s, and into the present, oil has often guided and defined the development of the city. What's interesting, however, is that this fact is so often eclipsed by Los Angeles' well-documented histories as a center of film, entertainment, boosterism and agriculture. Forgetting Oildorado excavates the city's rich oil history, examines the slow decline of the local industry, and uncovers many of the active oil fields that lie hidden in plain sight, in the very midst of this teeming city.
This 120-page book includes text based upon Frank Ruchala Jr.'s monumental examination of Los Angeles' oil history, oiLA, with historical imagery sourced from Early California Oil by Kenny Franks and Paul Lambert. All other photography was shot by me, using a combination of Digital SLR, 35mm SLR, Medium Format Holga, and 35mm Lomo cameras.
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