View allAll Photos Tagged BookDesign
From The Last Tycoon by F. Scott Fitzgerald
ISBN: 9780141194080
Designed by Coralie Bickford-Smith
For more information:
www.penguin.co.uk/nf/Book/BookDisplay/0,,9780141194080,00...
See a video about the set at:
This is research we are doing to determine the style & design of our upcoming book on business model innovation...
AIGA/NY International Perspective series. Irma Boom in conversation with Debbie Millman.
1/29/2014
Tishman Auditorium, Parsons
Photos by Karen Vanderbilt
Book cover design by Leonard Baskin, typography by Diana Klemin for Rameau's Nephew, and Other Works by Denis Diderot. Garden City, N.Y.: Doubleday, 1956. PQ1979.A66 E5 1956
Concept design and graphic design for a photo essay "Vues Accidentelle" by photographer John de Koning
____
The Wolf Book, designed in 1990
____
In first grade, our teacher assigned us a project. Each student was assigned an animal, and our task was to research that animal. We compiled our research into a short, ten page book. The animal I chose was the Mongolian wild horse, and the experience was a blast. I absolutely loved the process of researching, drawing pictures and maps, and ending up with a designed object.
A few months later, during the summer of 1990, I decided to make another book about one of my favorite animals, the wolf. I spent several weeks photocopying pages from National Geographic World magazine, redrawing maps and diagrams, filling pages with some very bizarre editorial drawings, and typing paragraphs on an ancient word processor. The finished pages were then comb-bound at my father's office.
While designing my recent book, Forgetting Oildorado, I recalled the process of making The Wolf Book. I travelled to my parents house where the book resided, and flipped through it for the first time in well over a decade. It's fascinating to revisit something that was once so cherished, and to see the striking parallels between something that was designed at the age of 7 and the work that I'm currently producing.
When I made this book, I had no idea that I'd end up a graphic designer. But it seems that from a very early age, I was -- unknowingly -- well on my way.
____
A book of fantastic poetry, out now by Gratiaen Award nominee, Ramya Chamalie Jirasinghe.
The book was hand bound by W.P. Perera and features a crotchet ribbon by Chamila Kumari. A woodcut by sculptor Dharshana Jude Tadewus, adorns the cover (not visible here).
Call 0776.584.349 to get a copy.
Book cover design by Bill English for Anglo-Saxon Attitudes by Angus Wilson.
New York: Viking Press, 1960. PR6045.I577 A5 1960
This is research we are doing to determine the style & design of our upcoming book on business model innovation...
This is research we are doing to determine the style & design of our upcoming book on business model innovation...
"To Infinity and Beyond!: The Story of Pixar Animation Studios", 2007. Published by Chronicle Books. Design by Tolleson.
個人的にはこの『のらくろ武勇談』が最高傑作だと思います！とにかく中身も豪華、内容も素晴らしい。田河先生のキャラクターが大集合しています。田河先生得意のモブシーンもたくさん。見ていてワクワクが止まりません。
"Design Benign" was my senior thesis project. I studied the role of cuteness in contemporary product design, what cuteness is exactly comprised of, and how cuteness can be beneficial to design.
Design Benign is an ongoing research project about the role of cuteness in product design. You can read excerpts from it, as well as new material, at design-benign.blogspot.com
Nicole Peterson 2008.
Verena Stössinger, «Bäume fliehen nicht», Roman/novel, Verlag Martin Wallimann August 2012. Hardcover, 192 pages. Historical novel based on an authentic wartime story and originally researched documentation.
Cover image © Michael Kenna / Art Department
Typefaces used: Satyr and Octane by Sindre Bremnes, (Satyr with my spacing and kerning,) both soon to be released.
A quick and dirty selection of pages from my first book design project. We were tasked with laying out part of The Kamasutra, consisting of the first book and three commentaries (including commentary on commentary).
This is the final product, inside the workfile.
Book design of AOI Images 33: Best of British Illustration 2009.
This year I worked together with Adrian Shaughnessy on the design of the Images Book and exhibition graphics. In the book we created a tighter grid with a more contemporary feel and rather than just selecting an illustration from the book to use on the cover we created a typographic design that didn't favour any one illustration style or individual and that could be experimented with in the future. We then followed these principles through to the exhibition and awards. Here we used the icon as a label for the award winners.
Art Direction: Adrian Shaughnessy
Design & Artwork: Simon Sharville
Illustrations: Jonas Bergstrand / Chris Thornley / Greg McLeod
© 2009 SImon Sharville / AOI
View Simon Sharville's portfolio at
____
The Wolf Book, designed in 1990
____
In first grade, our teacher assigned us a project. Each student was assigned an animal, and our task was to research that animal. We compiled our research into a short, ten page book. The animal I chose was the Mongolian wild horse, and the experience was a blast. I absolutely loved the process of researching, drawing pictures and maps, and ending up with a designed object.
A few months later, during the summer of 1990, I decided to make another book about one of my favorite animals, the wolf. I spent several weeks photocopying pages from National Geographic World magazine, redrawing maps and diagrams, filling pages with some very bizarre editorial drawings, and typing paragraphs on an ancient word processor. The finished pages were then comb-bound at my father's office.
While designing my recent book, Forgetting Oildorado, I recalled the process of making The Wolf Book. I travelled to my parents house where the book resided, and flipped through it for the first time in well over a decade. It's fascinating to revisit something that was once so cherished, and to see the striking parallels between something that was designed at the age of 7 and the work that I'm currently producing.
When I made this book, I had no idea that I'd end up a graphic designer. But it seems that from a very early age, I was -- unknowingly -- well on my way.
____
Book cover design by Lawrence Ratzkin for Pop Poems by Ronald Gross. New York: Simon and Schuster, 1967. PS3557.R6 P6 1967
1975 Penguin Edition. Cover by David Pelham.
Postcard in Postcards from Penguin.
Blog post at http://greaterthanorequalto.net/blog/2009/11/postcards-from-penguin/
"To Infinity and Beyond!: The Story of Pixar Animation Studios", 2007. Published by Chronicle Books. Design by Tolleson.
"To Infinity and Beyond!: The Story of Pixar Animation Studios", 2007. Published by Chronicle Books. Design by Tolleson.
Discovered a couple of designs I did a while back for a book cover design competition.
Really enjoyed doing something different from the web or conventional illustration. Was great to work in the constraints of the format.
Had to squeeze a cheeky Keep Calm reference in somewhere.
A project from a few months back. Chromatic is a hand-bound edition of books based on the colour blue. Seven images were created based on seven swatches of blue, ranging from a green-blue to a darker, deep blue. The book is A5 format, printed on white cartridge, has reverse-folded pages, and Japanese bound.
I actually have a few copies left (of ten) if anyone wants one for the cheap price of, say £4? hello@ianep.co.uk