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Fancy umlaut and unorthodox capital eszett both on the jacket and the cover of a German novel.
Hans-Jürgen Steinmann: Die größere Liebe. Halle (Saale): Mitteldeutscher Verlag, 1971. Dust jacket and cover: Günter Gnauck. Printing: Karl-Marx-Werk Pößneck [sic], GDR
The spine has a less expressive version of this maverick character (‘Leipziger Form’, more or less). The typographic title inside the book exhibits the conventional double S, of course.
Book cover design by George Salter for The Keepers of the House by Shirley Ann Grau.
New York: Knopf, 1964. PS3557.R283 K4 1964
A bespoke headline typeface designed for Page Tsou's exhibition identity and book titled 'The And, Never End' at Agora Arts in Taipei, Taiwan.
The Typeface is inspired by a Barbershop (helix) Pole. Barbershops are a recurring theme in Page's work.
Box design by Jim Stoddart.
Blog post at http://greaterthanorequalto.net/blog/2009/11/postcards-from-penguin/
book, book cover, book cover design, e book, e book cover, fantasy book cover, 3d book cover, book design, book cover illustration.
Carlos Rangel
Monte Avila Editores, Caracas
Colección Perspectiva Actual, 2nd edition
Format size: 15.6 x 23.2 x 2.1 cm
Cover design by: Victor Viano
Willem Sandberg
Experimenta Typografica 11
Tektovikn
Designed during World War 2
published by Galerie der Spiegel, Köln, 1957
Book cover design by Antonio Frasconi, typography by Edward Gorey for Discoveries and Opinions of Galileo, translated by Stillman Drake.
New York, N.Y., Anchor Books, 1957.
QB41 .G123 1957
book, book cover, book cover design, e book, e book cover, fantasy book cover, 3d book cover, book design, book cover illustration.
Spread for Iman Raad from Tehran (one of Saki Mafundikwa’s picks)
more here: www.designrelated.com/inspiration/view/Karen/entry/2090
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The Wolf Book, designed in 1990
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In first grade, our teacher assigned us a project. Each student was assigned an animal, and our task was to research that animal. We compiled our research into a short, ten page book. The animal I chose was the Mongolian wild horse, and the experience was a blast. I absolutely loved the process of researching, drawing pictures and maps, and ending up with a designed object.
A few months later, during the summer of 1990, I decided to make another book about one of my favorite animals, the wolf. I spent several weeks photocopying pages from National Geographic World magazine, redrawing maps and diagrams, filling pages with some very bizarre editorial drawings, and typing paragraphs on an ancient word processor. The finished pages were then comb-bound at my father's office.
While designing my recent book, Forgetting Oildorado, I recalled the process of making The Wolf Book. I travelled to my parents house where the book resided, and flipped through it for the first time in well over a decade. It's fascinating to revisit something that was once so cherished, and to see the striking parallels between something that was designed at the age of 7 and the work that I'm currently producing.
When I made this book, I had no idea that I'd end up a graphic designer. But it seems that from a very early age, I was -- unknowingly -- well on my way.
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Designed by Stefanie Posavec
9780141194363
Buy this book www.penguin.co.uk/nf/Book/BookDisplay/0,,9780141194363,00...
Designed by Non-Format
9780141194332
Buy this book www.penguin.co.uk/nf/Book/BookDisplay/0,,9780141194332,00...
Book designed by Picturia Press. THE NUDE MATURED project, explores the hidden beauty of aging and the soft sophistication of the beautiful older woman, accepting and often celebrating her desirability in this image–driven age of unachievable perfection.
Judith Monteferrante invites you to visit
To view more of the book, click here.
my final book design project: unwanted photos, found messages, insect and bird bodies.
a collection that celebrates the beauty of the things we leave behind.
As The Nation put it, "Luba is one of the most complex figures in recent American fiction." I decided it was time to give the book a design treatment that was more in line with prose novels and the great Gilbert Hernandez agreed.
it reads(from right to left):
written by:NATSUME Soseki/
Uzurakago/
Shun'yodo(the publishing house)
夏目漱石著 鶉籠 春陽堂
Soseki NATSUME's "Uzurakago"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1907.
designed by Goyo HASHIGUCHI.
three short stories "Botchan", "Nihyakutoka", "Kusamakura" and foreword by the author are included in this book.
facsimile edition was printed in 2005.
i was honoured to join this reprinting project as a kind of proof reader.
夏目漱石《鶉籠(うずらかご)》初版復刻版
装幀：橋口五葉
『坊つちゃん』『二百十日』『草枕』及び著者序文収録
初版1907年、復刻2005年
昨年夏、縁あってこの復刻プロジェクトで
校正に近い作業を担当し、
この夏、完成品が送られてきたので撮影しました。
Book Cover Design & Book written : Maniackers Design (2010)
CD-ROM with. (Win & Mac)
Size : B5 Size Deformed. (166mm*166mm)
Page : 176 Pages
Client_MdN Corporation. + Maniackers Design
Art Direction, Design & written : Masayuki Sato
Pixel Illustration : Masayuki Sato + Mami Kobayashi
The cover I illustrated and designed for Laurie Penny's new book!
Pre-order it here:
plutopress.wordpress.com/2011/08/17/pre-order-penny-red-n...
Book cover design by Leo Manso, woodcut by Antonio Frasconi for Brecht on Theatre. New York: Hill and Wang: 1964. PN2021 .B68 1964