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Slighty more difficult to work with than last week's potato masher
Strobist info: SB26 in shoot through brolly camera right, to light the subject and background. Fill card CL.
Taken for Active Assignment Weekly: Clouds
First of all, let me thank gfpeck for coming up with this assignment idea. I would have to say that prior to Saturday morning when it had either been completely overcasted or completely clear skys that I was not very happy with this assignment.
Saturday morning, however, turned into one of my best picture taking learning experiences ever. Bare with me, this is going to get a little wordy, but hpping you can relate to it as a fellow picture taker.
It all started at 6:30am. Went out in hopes of catching some interesting clouds only to see blankets of cloud overhead. Not hopeful. At around 6:45am, I noticed that the wind picked up to around 30 miles per hour which started to stir the clouds a bit. At the same time, I could tell that the sunrise was trying to fight it's way through the think sheets of clouds. Before I knew it, the wind started to break up the clouds significantly causing the scenery to change all around me. On the one hand, the sun rays were beaming through the clouds, on the other hand, the clouds behind and to the side of me were receiving pinkish light from the sunrise. We had our share of dark clouds too. It became a cloud wonderland.
I had my tripod set up (for a change) and found myself turning everywhich way to catch a picture. I'm learning about RAW images and exposure, so with every scene, I experimented with different shutter speeds and just thoroughly enjoyed how the results differed with every exposure change. With the wind blowing hard, the scenery, lighting, and colors, even changed between exposure adjustments. Nothing stayed still for me to shoot for more than a minute (crazy, but fun). In under 60 minutes, I got to watch the clouds dance between the sun and the light that it produced. Magnificent.
I couldn't believe I ended up snapping over 250 shots in raw (luckily I have a large memory card). I struggled with which 2 pictures to submit. There were other pictures that I took which were more focused on light. I ended up submitting to AAW pictures that emphsized the clouds. I've posted a mosaic of those pictures to share here (if interested).
Mosaic Link CLICK HERE
WIT: Converted from RAW to Jpeg. Increased "black" and contrast to intensify gradient effect.
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A bored sister decides to try on her brother's ice pack from his wisdom teeth removal, grab a bowl of cereal and start watching videos on her phone.
Daily Assignment:
"Bright, vivid colors can draw attention and add "pop" to a photo. Make a photo that has vivid colors today."
Vivid colors isolated on black background.
I love crayons :D
#ds675
The brief for PwDP Assignment Five is, apparently, oriented towards photojournalism - photograph an event and market the results to relevant publications. This series is my own response. The background is in my blog, here - stansocapwdp.blogspot.co.uk/search/label/Assignment Five.
It relates to a major sporting 'event' of the summer - The Ashes Test Series of cricket matches between England & Australia - but also to my research of contemporary still life photography for Assignment Four; questions around the way photographers might respond to image-saturation in the digital/internet world; and maybe questions around the 'truth' of photographic images. The intended outcome is a series of large prints but, hopefully, these digital versions provide some sense of what is intended.
Shooting with one of my favorite models :-)
Strobist info: SB-28, nearly on-axis, shot through a white umbrella.
Shooting with one of my favorite models, giving me some of her best faces. :-)
Strobist info: SB-28, nearly on-axis, shot through a white umbrella.
Shooting with one of my favorite models, giving me some of her best faces. :-)
Strobist info: SB-28, nearly on-axis, shot through a white umbrella.
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Active Assignment Weekly - soft focus.
ASSIGNMENT DESCRIPTION
Your assignment this week is to capture your images using a technique called "Soft focus". There are a number of different ways to achieve soft focus; including manual de-focusing, stretching a nylon stocking over your lens, using a diffusion filter, or post processing. The idea being that your image is soft and pleasing to look at. I know I imediately delete any shot thats not fully in focus, and this will be a challenge. Can't wait to see what you come up with!
WIT: One clear bowl of water, one CD in the bottom, and a few drops of vegetable oil... the autofocus wasn't picking up the oil drops (and neither were my aging eyes), so this was an outtake on an experiment that I want to try again in natural light. Shot under tungstun lights, 0.4 sec, f/2.8, ISO 800, curves adjustment and vibrancy addition in CS4, noise reduction, and sharpening (though I don't think that did a thing).
My first shot ever for the Utata Iron Photographer challenge project. The rules on this one: taken at night, check. Dramatic light source, check. Black and white, check.
Warped and twisted are my own additions. Check.
OK, so I'm doing this course on photography, hoping to take things back to basics and hopefully learn something. This is my image for assignment 2, which asks you to take an image of something from around your house in an artistic way. Not sure about how arty this is, but I like it. If you're interested, this is one of the ornamental elephants from the Elephant Parade charity.
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