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1. Open butterfly image in adobe photoshop> make a cope of background layer > hide background layer
2. On duplicate layer > Adjustment > select Saturation (Green, Lightness:-100), (Yellow, Lightness=-80)
3. Merge both duplicate layer and hue/saturation layer
4. Use Elliptical Marquel Tool > Draw oval shape so that we butterfly and flower inside the dotted line of oval > right click and choose Select Inverse > right click and choose refine edge (Feather: 50px)
5. Select Adjustment > brightness (-50), contrast (0) > duplicate that layer 2 so that you get frame effect (more darker) .
Assignment: Shutter Speed: For this picture, I used a fast shutter speed so the photo would be in focus. Then I had to turn up my ISO so the picture would be brighter.
I took this photo because for the most part I always have a small on my face. I like the trees in the background of my photo. Something I would change in my photo would be the glare on my face and making it less blurry.
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The brief for PwDP Assignment Five is, apparently, oriented towards photojournalism - photograph an event and market the results to relevant publications. This series is my own response. The background is in my blog, here - stansocapwdp.blogspot.co.uk/search/label/Assignment Five.
It relates to a major sporting 'event' of the summer - The Ashes Test Series of cricket matches between England & Australia - but also to my research of contemporary still life photography for Assignment Four; questions around the way photographers might respond to image-saturation in the digital/internet world; and maybe questions around the 'truth' of photographic images. The intended outcome is a series of large prints but, hopefully, these digital versions provide some sense of what is intended.
Your assignment is to capture the essence of fire and not damage your house like Redgum did when he did a similar assignment four years ago.
Restriction:Fire must be a part of the image..No smoke and mirrors..
WIT
Straight out of the camera. dark rainy night and a pyro fireman eager to volunteer :)
Assignment-4 (2)
"Story of Machiwad"
~Be it 2 in the afternoon or 2 in the dead of night, they are ready to ride the tides ensuing the schedule of sea.
Bahahahah PUFFYAMIYUMIII!!!
Calamity's 27th assignment at the paparrazi contest at SA
CHECK OUTT HER THRREEAAD :
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Bahaha it makes me laugh every time I look at it xD
I made the background myself, using MANEHH GIMP BRUSHHESS :)
But
CREDIITTT : amiyumiclub.deviantart.com/art/Yumi-colored-again-by-Yumi...
AND SUM MOHHRREE : amiyumiclub.deviantart.com/art/Ami-cool-pose-by-Yumifan-8...
Bahaha thoughttss ?
Active Assignment Weekly Jan 3-Jan 10: Wheels
Assignment:
Wheels make the world go ‘round. For this assignment you are to capture the essence of this wonder of invention and seek out the wheels that make your world turn.
Restriction: To add some challenge, NO wheels that are intended to carry vehicles (cars, trucks, bikes, wagons, trains, etc.) are allowed.
WIT: camera on the tripod , staged the mouse on my kitchen table with a book behind to add a background, SB600 on the right splashed off the wall. A bit of balancing in gimp
I think we take the mouse scroll wheel for granted, imagine a world without it....
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WELLINGTON, NEW ZEALAND - August 27: Old Boys hockey match at Scots College August 27, 2016 in Wellington, New Zealand. (Photo by Mark Tantrum/ www.scotscollege.school.nz/)
The assignment was to walk 10 minutes from home then shoot. I added to the randomness by letting Otto, my dog, do the navigating.
Assignment 52: Rainbow's End, in tribute to Frederick Rohde VI, brother of Mama Rhodes
Gold-leaf bowl by Cheryl Williams, my mother's turquoise necklace & small memento mori from my parents' house
A different take on the pot of gold, representing memories of far flung family & friends, & those departed, with this quote from "Housekeeping" by M. Robinson, one of the books I turn to often: " ... in the hope that memory will fulfill itself & become flesh, & that the wanderers will find a way home, & the perished, whose lack we always feel, will step through the door finally and stroke our hair with dreaming, habitual fondness, not having meant to keep us waiting long."
back to my regular old bee obsession after a chicken-love detour.
block-printed platter back. sadly, it dried, so I'll fire this and use it for mosaic work and make a new one for this week's assignment.
The brief for PwDP Assignment Five is, apparently, oriented towards photojournalism - photograph an event and market the results to relevant publications. This series is my own response. The background is in my blog, here - stansocapwdp.blogspot.co.uk/search/label/Assignment Five.
It relates to a major sporting 'event' of the summer - The Ashes Test Series of cricket matches between England & Australia - but also to my research of contemporary still life photography for Assignment Four; questions around the way photographers might respond to image-saturation in the digital/internet world; and maybe questions around the 'truth' of photographic images. The intended outcome is a series of large prints but, hopefully, these digital versions provide some sense of what is intended.
WELLINGTON, NEW ZEALAND - August 27: Old Boys football match at Scots College August 27, 2016 in Wellington, New Zealand. (Photo by Mark Tantrum/ www.scotscollege.school.nz/)
WELLINGTON, NEW ZEALAND - August 27: Old Boys football match at Scots College August 27, 2016 in Wellington, New Zealand. (Photo by Mark Tantrum/ www.scotscollege.school.nz/)
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This week's assignment is menu. Here's a practice shot:
Colour: green
Composition: sense of depth
Lighting: artificial single source (headtorch)
My ideas centred around green beer bottles. After a lot of messing around I manged to get a reflection of the canon symbol in the bottle. Thought it could be a play on the famous Carlsberg ads..... "If Carlsberg made cameras.......".
The jury is out at Rousell towers as to whether this works or not :-)
For this assignment I’ve chosen to make a self-portrait with inspiration taken from Nadar and the photo Self-Portrait, C. 1855. Salt Print. J. Paul Getty Museum, Los Angeles. When I saw this I got inspired to try to recreate the feeling he usually captures in this portraits. He tried to stay true to to all the characteristics of the image and the person and I tried to do that as well. He also captured portraits with a “relaxed” feeling and that is also what inspired me and my photo.
2014-11-23:
This is for an assignment in one of "my" flickr groups. And it's got something to do with pumpkins :-)
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