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Active Assignments Weekly : Movement and Motion.

With the lens pressed up against the window, I have tried to capture the excitment of a train journey into the countryside.

The trees close to the track race by and give a tantalising glimps of the delights that await.

 

I wanted to use the window frame and maybe the seats of the train to give some context, but the window was just too dirty for that, so I used the tracks to provide the context.

these are photos from my daughter's $20 disney princess camera that I took at the "assignment houston" meetup at the Houston Museum of Natural Science on Jul. 13

Taken for Active Weekly Assignment: Black and White and Red All Over.

 

WIT: Trying to get the little girl to sit still long enough to take the shot. Set up a white towel and grabbed a Hibiscus flower off the bush. Resisting the urge to post process was the hardest.

 

Assignment: This week will challenge you to capture subjects that have at least 75% pure Black and White elements in the photo frame – no other colours can be predominent (skin tones are ok, but can't make up more than 25%)

One compulsory addition: add a spot of Red, somewhere, somehow into the photo (i.e. introduce red rose petals on piano keys, but keeping in mind the green stem and leaves are forbidden.)

 

Restriction: No black and white film/image – you must shoot in colour, and bring back a photo in RGB.

 

Dare: Absolutely no post-processing! WYSIWYG: shoot as if you had positive slide film, and could not make any adjustments. This is directed at those of us who love to 'tweak' in PS by sliding around Curves, Levels, Selective Colour, Brightnes/Contrast, Highlight/Shadows, etc. Try going without and bring back your results from what you shot 'in camera' only.

One acceptable exception: if shooting RAW, you can use a sharpen command, but nothing more.

Assignment: Human Scale.

 

taken on: Mamiya C220 - TMX400

printed: 8x8 full frame

 

Spring 2007.

Assignment: Point of View

 

taken on: Mamiya C200 - TMX100

printed: 8x8 full frame

 

Fall 2006.

Sprayed the strings with water, hung a light from the neck to uplight the water and strings and got my son to strum as hard as he could. one way to capture sound

Guardian camera club utilities assignment.

 

I had some 4 core telephone cable in the flat from when I moved a socket, thought this would make a more intresting shot striped back to remove the casing. Also moved the light around to try to maximise shaddows and highlights. Later tried some mono shots and liked the results.

 

Enjoy and thanks for looking.

 

Craig

Assignment-2: Environmental Portrait of a Women(Mother)

There is only one pretty child in the world, and every mother has it.

WELLINGTON, NEW ZEALAND - August 27: Generations of great Scots at Scots College August 27, 2016 in Wellington, New Zealand. (Photo by Mark Tantrum/ www.scotscollege.school.nz/)

OCA: photograph submitted for the OCA Introduction to Digital Photography assignment 1: Contrasts.

Contrasting pairs of images

 

Duplicate image

these are photos from my daughter's $20 disney princess camera that I took at the "assignment houston" meetup at the Houston Museum of Natural Science on Jul. 13

Calamity's Assignment 33 for PAPARAZZIIII!

 

Le originallzz

>> i221.photobucket.com/albums/dd72/Killaroxsox32/ORIGINALSA...

Bahhah

I've been in a very edittyy mood recently :)

 

This is one of thecrappy outcomes xD

 

I hate the leg lots :)

 

It looked much better before I uploaded it here... maybe I uploaded the wrong version...

 

Oh well xD

I'm taking a 35mm black and white photography course at my Uni this semester and my teacher is kind enough to scan the work that we hand in.

 

This is one of the two prints I chose to hand in for my first assignment which was on scale. It seems to have scanned with a slight blue/purpleish tint though it is black and white.

 

Photo taken with a Yashica FR and Ilford HP5 Plus 400 ISO film. Processed, developed and printed by me.

Active Assignment Weekly: Mar 15 - Mar 21: Get Low

But this week's assignment is to get down on the ground (or at least put your camera on the ground) and take a picture. I want a super low perspective.

Dare: Take it outdoors (hopefully the weather permits)

Restriction: Keep the camera 2 feet or less from the ground

 

So, the reason this is titled meaningless is I have no explanation why an empty martini glass would be sitting on some bricks in the dark other than because I was looking at all the amazing submissions this week and the great lighting on some of them, and I felt inspired to try one myself.

 

WIT: I got out my halogen lamp again, waited til the wife put my son to sleep so I could turn out all the lights except the halogen and then I snapped away. I couldn't really find any interesting subjects and this was the best I came up with. Thank you for looking!

Strobist info: really struggled with this one.

F/9 at 0.8sec, 50mm lens.

Flash, camera left at same height as subject. I made a little hat for it to restrict light further (a la 102 assignment page), although I suspect that all this did was make my flash work a bit harder. Tried to catch some shadow on the wall and ceiling from ambient light from a desk lamp on the floor aimed at a houseplant, but exposure not really long enough to really pick that up.

Active Assignment Weekly: In Need of Restoration

 

A view inside the old Laurel Art Center on Main Street in Laurel, MD. I got up close to the plate glass window and cupped a hand around the lens to minimize reflections. Tweaked the levels in post to emphasize the shadows a touch.

 

Main Street is always interesting because even though some of it is always in decay, other parts are continuously being renewed. The Laurel Art Center was the best place to get art supplies for many years.

 

28mm SMC Takumar @ f/4

For this assignment, the main project i had issue because i really didnt know what to photograph mainly because i felt like i didnt have anything good to photograph. But i worked with what i had, and took several images of different things with minimal lighting. I do feel like i struggled a lot with this assignment. So i chose this image to upload to the group because i felt this one was my best image in comparison to my other images. This is a pine tree that got split by a storm a few weeks ago. The other reason i chose this was because i like the lighting in it. My ISO was 800 and my shutter speed was 1.6 and the aperture was 6.3. So i wanted to go for a Kohei Yoshiyuki type of image because i really like their work, however i felt that i didnt have the right scenario to capture an image like that, so I had to scrap my idea and begin with something else. Again the learning experience was working with iso and night time which again proved a small challenge but this time i felt more confident shooting this time compared to my first assignment.

WELLINGTON, NEW ZEALAND - August 27: Generations of great Scots at Scots College August 27, 2016 in Wellington, New Zealand. (Photo by Mark Tantrum/ www.scotscollege.school.nz/)

Strobist:

 

Vivitar 285HV on 1/2, camera right, shot through Cardboard "bars". Triggered with Cactus V4s.

Active Assignment Weekly: 23-30 May 2016: Water:

 

"I find water to be an inspiration - it is present everywhere, has countless shapes and colors, catches light in different ways and gives a photographer the freedom to play with it as he wishes. Restriction - only water, no other liquids :)"

 

WIT: Pouring water from a jug in the evening sun. Cropped then adjusted levels to turn background darker.

Assignment: Creative Printing.

 

taken on: Mamiya C220 - TMX400

printed: 8x8 full frame

 

old, underexposed, damaged neg, and torn paper border.

 

Spring 2007.

This example allows you managing personnel.

It only illustrates one of the many ways VISUAL PLANNING can meet this need.

A colour code indicates the type of task to be performed.

Icons represent assignments of employees.

A reporting indicator allows to check the remaining holidays for each person..

On a single click, the inverted view shows assignments in rows instead personnel.

This view presents then the planner assignments”

Strobist:

 

Vivitar 285HV on 1/2, camera right, shot through Cardboard "bars". Triggered with Cactus V4s.

Assignment 52: The Golden Hour comparison diptych

 

These are cropped, but otherwise unedited. The "golden" hydrangeas might look like they're against sky, but that's the same snow backdrop, turned blue in that light. Very interesting assignment.

Assignment:

for this week theme your photographic eye should look for something "artificial".

No restriction, just be creative and have fun.

 

Artificial Flowers

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Assignment 1a - Focussing

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