View allAll Photos Tagged Application
Looking for some bloggers. Application @ mainstore or contact me directly inworld @themescudi . Notecards only please. IMS get lost. Click bloggers needed sign inworld for the notecard. Fill out & drop back into my box.
Flickr, wordpress, tumblr, & or blogspot will be necessary.
Inworld Location:
Blogger application open until August 31st.
If you are interested click here to apply: docs.google.com/forms/d/e/1FAIpQLSc456L2ZCH-jNvtPF4n0YdDx...
Oneword designer applications are now open! We'll be accepting new stores now through mid February. Please check the blog post for more info.
Blogger applications will be opening later next month so look out for those as well! <3
onewordsl.blogspot.com/2016/01/designer-applications-now-...
"The distinctive characteristic of a traditional society is order."
Ananda K. Coomaraswamy
"A normal civilization is one that rests on principles, one in which all is ordered and in a hierarchy consistent with these principles, so that everything is seen to be an application and extension of a metaphysical doctrine."
René Guénon
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Chromolithographic patterns from La Plante et ses Applications Ornementales (1896) by Maurice Pillard Verneuil (1869–1942), French artist and decorator in the Art Nouveau and Art Deco movement. Verneuil studied and developed his style from Eugène Grasset, a Franco-Swiss pioneer of Art Nouveau design. Inspired by Japanese art, nature and particularly the sea. He is known for his contributions to the Art Deco movement through the use of bold floral designs on ceramic tiles, wallpapers, textiles, and posters. We have digitally enhanced the decorative illustrations from La Plante et ses Applications Ornementales (1896) for you to download for free under the creative commons 0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1267418/la-plante-et-ses-applications-ornementales-free-cc0-ornamental-designs
Qui l'ourson de gauche exploite-t il vraiment? L'ourson orange ou ceux qui s'allignent undustriellement pour patienter?
The 2th annual kawaii Fair
Date: 12 - 26 April
Price: L$ 2500 Lindens, 100 prims.
Rules: docs.google.com/document/d/1hyg06WpCWqW0sKDXp15zmkS5qLDL4...
Designers Application: docs.google.com/spreadsheet/viewform?formkey=dFV6Ynd2WWxE...
Bloggers Application:
docs.google.com/spreadsheet/viewform?formkey=dG1TdnhHekJF...
More information:
We are looking for talented designers for our 6th Edition in December, the application is still open !
Interested in participating? Read our rules and fill out your form here 👉 forms.gle/p5HVojwcBqFzF1Rv5
Applications open now and run through July 15th.
If you are interested in becoming part of our team, please visit Ema's secret store and click the Blogotex sign to apply.
Hello pretty Ladies,
Kenvie Bloggers group will be open untill 28th January to accept 30 new bloggers, but you ned to fill some requirements in order to be chosen. Approved will be announced on 1st Feb.
• Your blog must have traffic over 30k views /preferably/
• Your blog must be having pictures of good quality and present the items good.
• Your blog must be synced in at least 3 Second Life Fashion Feeds
Apply by filling this aplication:
docs.google.com/forms/d/1Mh12y3XUSXtj6hJ-fxlUTWpmtOCDSjbV...
Make sure you visit the store inworld and you are aware of the items you are applying to review.
The seven IC-coaches of NS between 2807 and 2843, running the international intercity service 9248 from Amsterdam via Breda to Brussels. The train is using the HSL-Zuid, the Dutch part of the High Speed Line from the cities Amsterdam and Rotterdam to Antwerp, Belgium. 2807 has a (small) sticker with the logos of both companies NS and NMBS/SNCB.
On the east side of the tracks a field with cabbage for the harvest of Brussels sprouts.
Puttershoek (NL).
M44168.
Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. Instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoal, chalk, pastels, various kinds of erasers, markers, styluses, various metals (such as silverpoint) and electronic drawing.
A drawing instrument releases small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, plastic, leather, canvas, and board, may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything. The medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas.[1] The wide availability of drawing instruments makes drawing one of the most common artistic activities.
In addition to its more artistic forms, drawing is frequently used in commercial illustration, animation, architecture, engineering and technical drawing. A quick, freehand drawing, usually not intended as a finished work, is sometimes called a sketch. An artist who practices or works in technical drawing may be called a drafter, draftsman or a draughtsman.[2]
Drawing is one of the major forms of expression within the visual arts. It is generally concerned with the marking of lines and areas of tone onto paper/other material, where the accurate representation of the visual world is expressed upon a plane surface.[3] Traditional drawings were monochrome, or at least had little colour,[4] while modern colored-pencil drawings may approach or cross a boundary between drawing and painting. In Western terminology, drawing is distinct from painting, even though similar media often are employed in both tasks. Dry media, normally associated with drawing, such as chalk, may be used in pastel paintings. Drawing may be done with a liquid medium, applied with brushes or pens. Similar supports likewise can serve both: painting generally involves the application of liquid paint onto prepared canvas or panels, but sometimes an underdrawing is drawn first on that same support.
Madame Palmyre with Her Dog, 1897. Henri de Toulouse-Lautrec
Galileo Galilei. Phases of the Moon. 1616.
Drawing is often exploratory, with considerable emphasis on observation, problem-solving and composition. Drawing is also regularly used in preparation for a painting, further obfuscating their distinction. Drawings created for these purposes are called studies.
There are several categories of drawing, including figure drawing, cartooning, doodling, free hand and shading. There are also many drawing methods, such as line drawing, stippling, shading, the surrealist method of entopic graphomania (in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots), and tracing (drawing on a translucent paper, such as tracing paper, around the outline of preexisting shapes that show through the paper).
A quick, unrefined drawing may be called a sketch.
In fields outside art, technical drawings or plans of buildings, machinery, circuitry and other things are often called "drawings" even when they have been transferred to another medium by printing.
History[edit]
Drawing as a Form of Communication Drawing is one of the oldest forms of human expression, with evidence for its existence preceding that of written communication.[5] It is believed that drawing was used as a specialised form of communication before the invent of the written language,[5][6] demonstrated by the production of cave and rock paintings created by Homo sapiens sapiens around 30,000 years ago.[7] These drawings, known as pictograms, depicted objects and abstract concepts.[8] The sketches and paintings produced in prehistoric times were eventually stylised and simplified, leading to the development of the written language as we know it today.
Drawing in the Arts Drawing is used to express one's creativity, and therefore has been prominent in the world of art. Throughout much of history, drawing was regarded as the foundation for artistic practise.[9] Initially, artists used and reused wooden tablets for the production of their drawings.[10] Following the widespread availability of paper in the 14th century, the use of drawing in the arts increased. At this point, drawing was commonly used as a tool for thought and investigation, acting as a study medium whilst artists were preparing for their final pieces of work.[11][12] In a period of artistic flourish, the Renaissance brought about drawings exhibiting realistic representational qualities,[13] where there was a lot of influence from geometry and philosophy.[14]
The invention of the first widely available form of photography led to a shift in the use of drawing in the arts.[15] Photography took over from drawing as a more superior method for accurately representing visual phenomena, and artists began to abandon traditional drawing practises.[16] Modernism in the arts encouraged "imaginative originality"[17] and artists' approach to drawing became more abstract.
Drawing Outside the Arts Although the use of drawing is extensive in the arts, its practice is not confined purely to this field. Before the widespread availability of paper, 12th century monks in European monasteries used intricate drawings to prepare illustrated, illuminated manuscripts on vellum and parchment. Drawing has also been used extensively in the field of science, as a method of discovery, understanding and explanation. In 1616, astronomer Galileo Galilei explained the changing phases of the moon through his observational telescopic drawings.[16] Additionally, in 1924, geophysicist Alfred Wegener used illustrations to visually demonstrate the origin of the continents.The medium is the means by which ink, pigment or color are delivered onto the drawing surface. Most drawing media are either dry (e.g. graphite, charcoal, pastels, Conté, silverpoint), or use a fluid solvent or carrier (marker, pen and ink). Watercolor pencils can be used dry like ordinary pencils, then moistened with a wet brush to get various painterly effects. Very rarely, artists have drawn with (usually decoded) invisible ink. Metalpoint drawing usually employs either of two metals: silver or lead.[20] More rarely used are gold, platinum, copper, brass, bronze, and tinpoint.
Paper comes in a variety of different sizes and qualities, ranging from newspaper grade up to high quality and relatively expensive paper sold as individual sheets.[21] Papers can vary in texture, hue, acidity, and strength when wet. Smooth paper is good for rendering fine detail, but a more "toothy" paper holds the drawing material better. Thus a coarser material is useful for producing deeper contrast.
Newsprint and typing paper may be useful for practice and rough sketches. Tracing paper is used to experiment over a half-finished drawing, and to transfer a design from one sheet to another. Cartridge paper is the basic type of drawing paper sold in pads. Bristol board and even heavier acid-free boards, frequently with smooth finishes, are used for drawing fine detail and do not distort when wet media (ink, washes) are applied. Vellum is extremely smooth and suitable for very fine detail. Coldpressed watercolor paper may be favored for ink drawing due to its texture.
Acid-free, archival quality paper keeps its color and texture far longer than wood pulp based paper such as newsprint, which turns yellow and become brittle much sooner.
The basic tools are a drawing board or table, pencil sharpener and eraser, and for ink drawing, blotting paper. Other tools used are circle compass, ruler, and set square. Fixative is used to prevent pencil and crayon marks from smudging. Drafting tape is used to secure paper to drawing surface, and also to mask an area to keep it free of accidental marks sprayed or spattered materials and washes. An easel or slanted table is used to keep the drawing surface in a suitable position, which is generally more horizontal than the position used in painting.
Technique[edit]
Raphael, study for what became the Alba Madonna, with other sketches
Almost all draftsmen use their hands and fingers to apply the media, with the exception of some handicapped individuals who draw with their mouth or feet.[22]
Prior to working on an image, the artist typically explores how various media work. They may try different drawing implements on practice sheets to determine value and texture, and how to apply the implement to produce various effects.
The artist's choice of drawing strokes affects the appearance of the image. Pen and ink drawings often use hatching—groups of parallel lines.[23] Cross-hatching uses hatching in two or more different directions to create a darker tone. Broken hatching, or lines with intermittent breaks, form lighter tones—and controlling the density of the breaks achieves a gradation of tone. Stippling, uses dots to produce tone, texture or shade. Different textures can be achieved depending on the method used to build tone.[24]
Drawings in dry media often use similar techniques, though pencils and drawing sticks can achieve continuous variations in tone. Typically a drawing is filled in based on which hand the artist favors. A right-handed artist draws from left to right to avoid smearing the image. Erasers can remove unwanted lines, lighten tones, and clean up stray marks. In a sketch or outline drawing, lines drawn often follow the contour of the subject, creating depth by looking like shadows cast from a light in the artist's position.
Sometimes the artist leaves a section of the image untouched while filling in the remainder. The shape of the area to preserve can be painted with masking fluid or cut out of a frisket and applied to the drawing surface, protecting the surface from stray marks until the mask is removed.
Another method to preserve a section of the image is to apply a spray-on fixative to the surface. This holds loose material more firmly to the sheet and prevents it from smearing. However the fixative spray typically uses chemicals that can harm the respiratory system, so it should be employed in a well-ventilated area such as outdoors.
Another technique is subtractive drawing in which the drawing surface is covered with graphite or charcoal and then erased to make the image.[25]
Tone[edit]
Line drawing in sanguine by Leonardo da Vinci
Shading is the technique of varying the tonal values on the paper to represent the shade of the material as well as the placement of the shadows. Careful attention to reflected light, shadows and highlights can result in a very realistic rendition of the image.
Blending uses an implement to soften or spread the original drawing strokes. Blending is most easily done with a medium that does not immediately fix itself, such as graphite, chalk, or charcoal, although freshly applied ink can be smudged, wet or dry, for some effects. For shading and blending, the artist can use a blending stump, tissue, a kneaded eraser, a fingertip, or any combination of them. A piece of chamois is useful for creating smooth textures, and for removing material to lighten the tone. Continuous tone can be achieved with graphite on a smooth surface without blending, but the technique is laborious, involving small circular or oval strokes with a somewhat blunt point.
Shading techniques that also introduce texture to the drawing include hatching and stippling. A number of other methods produce texture. In addition to the choice of paper, drawing material and technique affect texture. Texture can be made to appear more realistic when it is drawn next to a contrasting texture; a coarse texture is more obvious when placed next to a smoothly blended area. A similar effect can be achieved by drawing different tones close together. A light edge next to a dark background stands out to the eye, and almost appears to float above the surface.
Form and proportion[edit]
Pencil portrait by Ingres
Measuring the dimensions of a subject while blocking in the drawing is an important step in producing a realistic rendition of the subject. Tools such as a compass can be used to measure the angles of different sides. These angles can be reproduced on the drawing surface and then rechecked to make sure they are accurate. Another form of measurement is to compare the relative sizes of different parts of the subject with each other. A finger placed at a point along the drawing implement can be used to compare that dimension with other parts of the image. A ruler can be used both as a straightedge and a device to compute proportions.
When attempting to draw a complicated shape such as a human figure, it is helpful at first to represent the form with a set of primitive volumes. Almost any form can be represented by some combination of the cube, sphere, cylinder, and cone. Once these basic volumes have been assembled into a likeness, then the drawing can be refined into a more accurate and polished form. The lines of the primitive volumes are removed and replaced by the final likeness. Drawing the underlying construction is a fundamental skill for representational art, and is taught in many books and schools. Its correct application resolves most uncertainties about smaller details, and makes the final image look consistent.[26]
A more refined art of figure drawing relies upon the artist possessing a deep understanding of anatomy and the human proportions. A trained artist is familiar with the skeleton structure, joint location, muscle placement, tendon movement, and how the different parts work together during movement. This allows the artist to render more natural poses that do not appear artificially stiff. The artist is also familiar with how the proportions vary depending on the age of the subject, particularly when drawing a portrait.
Perspective[edit]
Linear perspective is a method of portraying objects on a flat surface so that the dimensions shrink with distance. Each set of parallel, straight edges of any object, whether a building or a table, follows lines that eventually converge at a vanishing point. Typically this convergence point is somewhere along the horizon, as buildings are built level with the flat surface. When multiple structures are aligned with each other, such as buildings along a street, the horizontal tops and bottoms of the structures typically converge at a vanishing point.
Two-point perspective drawing
When both the fronts and sides of a building are drawn, then the parallel lines forming a side converge at a second point along the horizon (which may be off the drawing paper.) This is a two-point perspective.[27] Converging the vertical lines to a third point above or below the horizon then produces a three-point perspective.
Depth can also be portrayed by several techniques in addition to the perspective approach above. Objects of similar size should appear ever smaller the further they are from the viewer. Thus the back wheel of a cart appears slightly smaller than the front wheel. Depth can be portrayed through the use of texture. As the texture of an object gets further away it becomes more compressed and busy, taking on an entirely different character than if it was close. Depth can also be portrayed by reducing the contrast in more distant objects, and by making their colors less saturated. This reproduces the effect of atmospheric haze, and cause the eye to focus primarily on objects drawn in the foreground.
Artistry[edit]
Chiaroscuro study drawing by William-Adolphe Bouguereau
The composition of the image is an important element in producing an interesting work of artistic merit. The artist plans element placement in the art to communicate ideas and feelings with the viewer. The composition can determine the focus of the art, and result in a harmonious whole that is aesthetically appealing and stimulating.
The illumination of the subject is also a key element in creating an artistic piece, and the interplay of light and shadow is a valuable method in the artist's toolbox. The placement of the light sources can make a considerable difference in the type of message that is being presented. Multiple light sources can wash out any wrinkles in a person's face, for instance, and give a more youthful appearance. In contrast, a single light source, such as harsh daylight, can serve to highlight any texture or interesting features.
When drawing an object or figure, the skilled artist pays attention to both the area within the silhouette and what lies outside. The exterior is termed the negative space, and can be as important in the representation as the figure. Objects placed in the background of the figure should appear properly placed wherever they can be viewed.
Drawing process in the Academic Study of a Male Torso by Jean-Auguste-Dominique Ingres (1801, National Museum, Warsaw)
A study is a draft drawing that is made in preparation for a planned final image. Studies can be used to determine the appearances of specific parts of the completed image, or for experimenting with the best approach for accomplishing the end goal. However a well-crafted study can be a piece of art in its own right, and many hours of careful work can go into completing a study.
Process[edit]
Individuals display differences in their ability to produce visually accurate drawings.[28] A visually accurate drawing is described as being "recognized as a particular object at a particular time and in a particular space, rendered with little addition of visual detail that can not be seen in the object represented or with little deletion of visual detail”.[29]
Investigative studies have aimed to explain the reasons why some individuals draw better than others. One study posited four key abilities in the drawing process: perception of objects being drawn, ability to make good representational decisions, motor skills required for mark-making and the drawer's own perception of their drawing.[29] Following this hypothesis, several studies have sought to conclude which of these processes are most significant in affecting the accuracy of drawings.
Motor function Motor function is an important physical component in the 'Production Phase' of the drawing process.[30] It has been suggested that motor function plays a role in drawing ability, though its effects are not significant.[29]
Perception It has been suggested that an individual's ability to perceive an object they are drawing is the most important stage in the drawing process.[29] This suggestion is supported by the discovery of a robust relationship between perception and drawing ability.[31]
This evidence acted as the basis of Betty Edwards' how-to drawing book, Drawing on the Right Side of the Brain.[32] Edwards aimed to teach her readers how to draw, based on the development of the reader's perceptual abilities.
Furthermore, the influential artist and art critic John Ruskin emphasised the importance of perception in the drawing process in his book The Elements of Drawing.[33] He stated that "For I am nearly convinced, that once we see keenly enough, there is very little difficult in drawing what we see".
Visual memory has also been shown to influence one's ability to create visually accurate drawings. Short-term memory plays an important part in drawing as one’s gaze shifts between the object they are drawing and the drawing itself.[34]
We once again open our doors for new talented designers to join us for our 2nd round!
Disturbed Event - 8th to 29th
___________________________
Professional, unique, quality bloggers wanted.
Aesthetic: Asian, cyber, futuristic, fantasy.
Items: Accessories, gadgets, clothing, props.
Application -
SEKAI
Dominant 3 comparisons - showing the different applications of Citylink livery applied when Western & Eastern first repainted these out of blue & white 'Scottish' livery. Western always seemed to use more blue. The 'more yellow' version suits the lines of the body better but the 'more blue' version seems crisper. Not sure which I prefer. Discuss? Also for some reasons Volvo Dominant 3s (and Goldliners) always seemed to get these more protruding headlights than their Tiger counterparts. Not sure why, but I think it looks better. Q419 (indicating it's in Clydeside's 'Quicksilver' coaching unit, based at Thornliebank depot) has evidently recently been used on the 902 service from London to Gourock via hamilton, EK, Paisley etc (but not Glasgow). I never rode on this service alas, for it was the last bastion of Dominant 3 with sloping windows working on the London services.
DO NOT COPY, SHARE OR POST MY PICTURES ON ANY OTHER WEBSITE WITHOUT MY PERMISSION PLEASE.
Scrabble with words Occupation, Application, Resume, Hiring
When using this image please provide photo credit (link) to: www.flazingo.com per these terms: www.flazingo.com/creativecommons
I took this photo a while ago and thought I had posted it but I didn't.
Basically it shows how I apply my stickers. Using this technique it allows me to line up the bottom of the sticker with the bottom of the torso. The only issue that i have sometimes is getting it centered but if you only stick the bottom then you can check the alignment before you place it all the way.
I hope that this helps some of you.
Had a requirement for being the Application fan I’m I wanted to Google Play to find the best Craigslist Android applications and using Craigslist recently to setting out some video production equipment. The most effective results weren’t always perfect so I’ve employed most of the a...
In an increasingly digital world...
There are still some applications where paper has the edge.
Dedicated to all those trees that die to preserve my posterior from a digital solution.
Strobist sb80dx 1/4 pwr 24mm zoom in 38cm ezybox. 1m above , behind camera left
Job application with pen and glasses
When using this image please provide photo credit (link) to: www.flazingo.com per these terms: www.flazingo.com/creativecommons
Shot with three large Neewer LED panels, nothing else, no light formers .... seems like I start to like LED light (never would have guessed that).
EXIF
5d3 with EF 70-200 f/2.8 II at f/3.5 and at 145 mm,, ISO 320, Av-Mode, Raw., WB on flash.
by Dr. Kelly Runyan, OTD, LE
Below is the first of a 3-part exploration of popular skin care acids. Education is of utmost importance to me. An educated consumer is an empowered consumer.
Part 1 Benefits of the Top 5 Skin Care Acids
Part 2 Moisturizing Skin Care Acids
Part 3 What does pH have to do with a skin care acid’s effectiveness?
Part 1 -
When you think of having an acid applied to your face, do you envision a scene from a horror film? No worries. The ongoing application of low-intensity acids can be an integral part of an effective age and acne management home program.
Choosing an over the counter (OTC) or cosmetic product that contains Alpha Hydroxy Acids (AHA) or Beta Hydroxy Acids (BHA) doesn’t have to be a daunting task.
There are 3 primary factors to consider when choosing a product that contains alpha or beta hydroxy acids.
Which acid will best fulfill my skin care needs?
What percentage of the active acid(s) should I use?
What is the pH of the product that the acid is delivered in?
What do AHAs and BHAs do for the skin? There are a variety of acids used in the skin care industry. Each acid has a different set of attributes. Let’s explore some of the benefits of acids most commonly used in cosmetics and OTC products.
Glycolic Acid is a very popular Alpha Hydroxy Acid (AHA) derived from cane sugar. It is found in many skin care treatment products that focus on minimizing signs of aging and acne. Glycolic Acid:
Exfoliates the dead skin cell layer, encouraging oil and dead skin cells to be released from the skin
Decreases fine lines and wrinkles
Attracts water into the skin (hydrophilic)
Helps dull, tired skin to be replaced with fresh, glowing skin
Decreases hyperpigmentation (discoloration) for a more even skin tone
Smooths and softens skin’s texture
Glycolic’s small molecule size allows deeper penetration which unclogs follicles and dissolves the dead skin cell build up in pores (blackheads)
IGOG Skin Care products that contain Glycolic Acid:
No. 10 Organic Illuminating Serum
No. 19 Organic Brightening Moisturizer
No. 20 Organic Gravity Defying Moisturizer
No. 22 Creamy Smoothing Moisturizer
No. 26 Organic Multi-Acid Mask (coming soon)
Lactic Acid is a fabulous AHA used to brighten and smooth the skin. Lactic Acid is derived from milk. Lactic acid:
Is easily tolerated by many because it is less sensitizing
Lightens hyperpigmentation (discoloration)
Brightens skin
Smooths texture
Exfoliates tired, dull skin cells
IGOG Skin Care Products that contain Lactic Acid:
No. 20 Organic Gravity Defying Moisturizer
No. 22 Creamy Smoothing Moisturizer
Kojic Acid is a pigment fighting wonder that is derived from fermented rice and Japanese Reishi mushrooms. Kojic Acid works to inhibit the production of melanin in your skin. Melanin is the substance that gives your skin its dark color when exposed to sun, inflammation (acne) or hormonal changes (melasma pregnancy mask). The more melanin you produce, the darker your skin becomes. If you have unwanted dark spots (hyperpigmentation) including Kojic Acid in your skin care routine can help even-out your skin’s color.
IGOG Skin Care Products that contain Kojic Acid include:
No. 10 Organic Illuminating Serum
No. 19 Organic Brightening Moisturizer
Retinoic Acid (RA) is a derivative of Vitamin A. RA has proven its worth in anti-aging skin care circles in both prescription form (Tretinoin, Retin-A, Renova, Refissa) and in cosmetic and OTC preparations (Retinol). Non-prescription retinol is tolerated by skin better than prescription retinoids, which tend to come with irritating side effects. There is a wealth of research to back up retinol’s anti-aging benefits.
Retinoic Acid (RA) adds structure and thickness the skin to fill in fine lines and wrinkles
RA brightens the skin by exfoliating dull, tired surface cells
Encourages healthy cell function
Functions as an antioxidant which limits free-radical damage
Fights hyperpigmentation (discoloration)
Improves pore function which helps enlarged, clogged pores purge their dead skin cell lining, returning pores to their genetically-determined size
All forms of vitamin A break down and deteriorate when repeatedly exposed to air and light. Buy retinol products in opaque, airless dispensing bottles like those that we use at IGOG Skin Care!
If you are just starting to use a retinol treatment, start slowly, allowing your skin to get used to this potent ingredient.
IGOG products that contain Retinol:
No. 4 Exfoliating Mini-Peel Pads
No. 9 Organic Retinol Serum
No. 20 Organic Gravity Defying Moisturizer
Salicylic Acid is a Beta Hydroxy Acid (BHA) that is derived from acetylsalicylic acid (aspirin). Like AHAs, BHAs act as an exfoliant. The shedding of dead skin cells allows fresh cells to rise to the skin’s surface. BHAs are a lipid (oil) soluble molecule allowing penetration into pores that contain sebum (oil), helping to exfoliate the pore itself. This makes BHAs particularly useful to oily, acne-prone skin. Salicylic acid is usually well tolerated. This BHA inhibits inflammation, and is less likely to make users sensitive to the sun than Glycolic Acid. Those sensitive to aspirin should consult their physician before topical use.
Willow Bark Extract is a source of natural BHA, polyphenols and flavonoids. Willow Bark Extract may contribute effects similar to those seen from synthetic salicylic and can be used in organic formulations. Salicylic acid:
Is a keratolytic = Exfoliant
Is anti-inflammatory
Inhibits the formation of comedo (acne)
Restricts the growth of bacteria
Is capable of penetrating and breaking down sebum plugs (blackheads) opening/clearing clogged pores
Shrinks and tightens pores
Reduces appearance of wrinkles
Smooths skin
Helps to manage Keratosis Pilaris (KP) which shows up as rough bumps of dry skin on arms, thighs buttocks and cheeks
Reduces hyperpigmentation (discoloration)
Over-the-counter limits are set at 2% - 3% for topical preparations
pH of 3 or 4 will bring maximum benefits
IGOG Skin Care Products that contain Salicylic Acid:
No. 4 Exfoliating Mini-Peel Pads
No. 10 Organic Illuminating Serum
No. 26 Organic Multi-Acid Mask (coming soon)
Precautions:
If you use an acid in your skin care routine, you must be diligent in use of an effective sun block! Acids can make your skin more vulnerable to the sun’s rays, even days after you stop using them. Sun damage and burns can occur if you are not properly protected. Wear your sunblock and re-apply regularly!
Both AHAs and BHAs can cause irritation including redness, burning, flaking or itching if used in high concentrations with a low pH. It is best to do a test patch over a small area to make sure your skin can tolerate skin care acids. Ramp up usage starting with use a few times per week and increase as tolerated.
Consult your doctor before using AHA/BHA containing products if you are pregnant or breast feeding.
Darker skinned individuals may be at risk for scarring and loss of pigment (hypopigmentation) when using strong-level acids.
Consult a skin care professional to determine if Alpha and Beta Hydroxy Acids are appropriate for you.
References:
Asadzadeh, A., Sirous, H., Pourfarzam, M., Yaghmaei, P., & Afshin, F. (2016). In vitro and in silico studies of the inhibitory effects of some novel kojic acid derivatives on tyrosinase enzyme. Iranian Journal of Basic Medical Sciences, 19(2), 132–144.
Gonçalez, M. L., Corrêa, M. A., & Chorilli, M. (2013). Skin Delivery of Kojic Acid-Loaded Nanotechnology-Based Drug Delivery Systems for the Treatment of Skin Aging. BioMed Research International, 2013, 271276. doi.org/10.1155/2013/271276
Kornhauser, A., Wei, R.-R., Yamaguchi, Y., Coelho, S. G., Kaidbey, K., Barton, C., … Hearing, V. J. (2009). The Effects of Topically Applied Glycolic Acid and Salicylic Acid on Ultraviolet Radiation-Induced Erythema, DNA Damage and Sunburn Cell Formation in Human Skin. Journal of Dermatological Science, 55(1), 10–17. doi.org/10.1016/j.jdermsci.2009.03.011
Maia Campos, P. M. B. G., Gaspar, L. R., Gonçalves, G. M. S., Pereira, L. H. T. R., Semprini, M., & Lopes, R. A. (2015). Comparative Effects of Retinoic Acid or Glycolic Acid Vehiculated in Different Topical Formulations. BioMed research international, 2015.
Oliveira, M. B., do Prado, A. H., Bernegossi, J., Sato, C. S., Lourenço Brunetti, I., Scarpa, M. V., … Chorilli, M. (2014). Topical Application of Retinyl Palmitate-Loaded Nanotechnology-Based Drug Delivery Systems for the Treatment of Skin Aging. BioMed Research International, 2014, 632570. doi.org/10.1155/2014/632570
Orfanos, C. E., Zouboulis, C. C., Almond-Roesler, B., & Geilen, C. C. (1997). Current use and future potential role of retinoids in dermatology. Drugs, 53(3), 358-388.
Tran, D., Townley, J. P., Barnes, T. M., & Greive, K. A. (2015). An anti-aging skin care system containing alpha hydroxy acids and vitamins improves the biomechanical parameters of facial skin. Clinical, Cosmetic and Investigational Dermatology, 8, 9–17. doi.org/10.2147/CCID.S75439
Benefits of the Top 5 Skin Care Acids Posted first on: igogskincare.com/
Link : goo.gl/forms/W2Dcda5KS0ccYF4C2
You are refused in several great shops, you are fed up! You are serious,& have a beautifull blog, try your luck for my shop :)
WOMENSTUFF HUNT APPLICATION
Attention Bloggers!
Get ready for an extraordinary event this July – the Womenstuff Hunt! 🌟
We’re thrilled to announce that our annual Womenstuff Hunt event is just around the corner, and we want YOU to be a part of it!
Don't miss out on this unique opportunity to showcase your talent and be a part of something truly special.
Key Dates:
Event Start: July 1st
Event End: July 31st
Sign up now and let’s make this event unforgettable together!
Thank you in advance for your enthusiasm and participation.
Let's hunt and have fun!
Group of women transport millet crops after harvesting them in Bankass, Mali. Microdosing technology application allowed to increase the yield that gives. Credit: Moctar Menta, IFDC
#Applications Close 18
The Old Fair is a fair held 2 times a year (May-November) and brings together designers from different backgrounds who present their creations in one place.
The style of this fair is all that is old former garage. and wood decorations.
It is a fair open to all kinds of designers of varied styles like skins-makeus, clothing-accessories, home decorations and everything for.
This event is for women, men, unisex Mesh or decorative items.
The Old Fair opens 04 month. Each designer will have to create a single unique element to the fair and is not an event discount are reaching high quality items without price limit.
The Old Fair NOT accept to display items featuring the real brand names, logos or copyrighted material. It is an event for adults and the sim will be rated General.
Application with pen
When using this image please provide photo credit (link) to: www.flazingo.com per these terms: www.flazingo.com/creativecommons
40ª Exposição de Flores de Santo Andre - SP
Copyright © 2013 GFerreiraJr
® rights reserved
REPRODUÇÃO PROIBIDA
® Todos os direitos reservados
** Foto sem tratamento em Photoshop ou outros aplicativos, somente assinada. Uso de filtro UV
** Photo untreated into Photoshop or other applications, only signed. Use of UV filter
The look of Love
I may have smugged a teeny tiny bit, but mostely its raw. I just thought she looked like she was looking into the eyes of her lover. If he looks back like this, its going to be fun!
Item nº 53206.
Renault 4L "Guardia Civil" (España).
Escala 1/43.
Mondo S.p.A. (Italia).
Made in China.
Año 2014 (?)
More info about Mondo Motors 1:43 diecast collections:
www.mondomotors.org/products_category.cfm?id=827
---------------------------------------------------------------------------------------------------
Renault 4
"La Renault 4 (couramment appelée 4L) est une petite voiture populaire de grande diffusion de conception simple et pratique. Ce fut aussi la première application de la traction sur une voiture automobile de tourisme de la marque Renault après que cette technique a été adoptée sur l'Estafette en 1958.
Elle est construite d'août 1961 à la fin 1992 dans 28 pays, initialement avec la Dauphine sur l'île Seguin à Boulogne-Billancourt ainsi qu'à l'usine Renault de Flins, en Espagne (par Fasa-Renault), en Argentine par IKA-Renault, en Italie par Alfa Romeo (sous licence), au Maroc, à Madagascar, en Afrique du Sud, puis en Slovénie pour les dernières années de sa production.
La Renault 4 connut un grand succès auprès des PME, des artisans, de la gendarmerie (c'était l'une des voitures françaises de l'époque qui permettait de conduire avec le képi sur la tête), mais également auprès des PTT, de France Télécom ou EdF dans sa version fourgonnette F4 ; ces contrats lui donnèrent une très grande visibilité.
En France, la Renault 4 fut en tête des ventes de 1962 à 1965 (succédant à la Renault Dauphine), puis de 1967 à 1968. Elle reste aujourd'hui [Quand ?] la deuxième voiture française la plus vendue avec 8 135 424 exemplaires derrière la Peugeot 206 et juste devant le duo Renault 9 et 11."
(...)
"Moteurs utilisés sur la Renault 4 au fil des années4 :
- 603 cm3 (49 x 80) : puissance 23 ch et couple de 4,3 mkg. Monté sur R3 (modèles 1962) ;
- 747 cm3 (54,5 x 80) : puissance 27,6 ch à 30 ch et couple de 5,1 à 5,6 mkg ;
- 782 cm3 (55 x 80) à partir des modèles 1972 : puissance 30 ch et couple de 5,4 mkg ;
- 845 cm3 (58 x 80) avec option 5 CV : puissance 30 ch et couple de 5,9 mkg. Montée en série pour 1983 ;
- 956 cm3 (65 x 72) : puissance 34 ch et couple de 6,2 mkg. Monté sur les derniers modèles TL Savane à partir de mai 1986 ;
- 1 108 cm3 (70 x 72) : puissance 34 ch et couple de 7,5 mkg. Équipe en série la 4 GTL à partir du début 1978."
(...)
Versions
- La R3
"La R3 est une déclinaison économique avec le petit « moteur Billancourt » de 603 cm³ « sous-alésé » dérivé du moteur de la 4 CV. (...) Elle ne fut produite que de 1961 à 1962, le nombre total d'exemplaires construits varie selon les estimations entre 2 526 et 2 571, ce qui en fait un modèle extrêmement recherché par les collectionneurs aujourd'hui."
- La R4 L
"À côté de la R3 et de la R4 de base — sensiblement équivalente à la R3 dans sa présentation — il existait une déclinaison « Luxe » dite R4 L, elle se caractérisait par sa troisième vitre latérale et différents accessoires et baguettes inox, qui la rendait plus luxueuse.
Cette version, qui s'appela bientôt R4 L Export, fut la plus vendue. À tel point que l'appellation générique de la Renault 4 deviendra progressivement 4L. Par rapport à la version de base, qui possédait des sièges du type « strapontins suspendus » de même type que la 2 CV, la R4 L Export possédait des sièges plus élaborés et plus confortables (séparés à l'avant) et une banquette arrière rabattable."
- La Parisienne (1963)
- Les R4 Export, 4 TL et TL Savane
"Hormis le modèle de base, la Renault traverse la fin des années 1960 et les années 1970 sous la forme de la R4 « Export », qui devint la 4 TL pour 1976. (...)
En 1986, le modèle TL est rebaptisé « TL Savane » (...) En 1989, Renault équipe ce modèle du « pack sécurité » (...) "
- La 4 GTL
"Début 1978, la 4 GTL reprend la formule qui a fait le succès de la Renault 5 GTL : un gros « moteur Cléon-Fonte » de 1 108 cm3 retravaillé pour consommer moins (5,4 litres aux 100) et des bandes de protection latérales grises avec pare-chocs et crosses avant assortis. La version GTL supplantera rapidement la 4 TL.
En mai 1986, lors du remaniement de la gamme, la GTL devient « GTL Clan », (...)
En 1989, Renault revient à de plus banales jantes tôles, et équipe ce modèle du même « pack sécurité » que la version TL Savane.
Trop âgée pour pouvoir respecter les normes antipollution qui doivent arriver en 1993 (pot catalytique obligatoire), la production de Renault 4 est arrêtée fin 1992 avec une série « Bye-Bye » de R4 GTL Clan, des modèles numérotés de 1 à 1 000 devenus collectors."
- Séries spéciales
"Dès le début de la production, Renault propose des modèles à diffusion limitées, afin de relancer les ventes, ou encore rajeunir l'image de la voiture. Plusieurs séries spéciales sont ainsi créées : la « Safari » (1976), la « Jogging » (1981), la « Sixties » (1985) avec sa sellerie flashy et ses deux toits ouvrants, la « Carte jeune » (1991)...
Durant les années 1960, d'autres modèles nettement plus rares ont été produits, tels la « Plein air », la « Parisienne » ou encore des adaptations 4x4 produites par Sinpar."
(...)
Source: fr.wikipedia.org/wiki/Renault_4
More info:
www.renaultclassiccarclub.com/ModelsRegister/r4_history.html
www.r4-4l.com/tous-les-modeles-de-4l/histoire-de-la-4l/
-----------------------------------------------------------------------------------------------
50 aniversario del Renault 4L en España [1964-2014]
Emilio Salmoral
Periodista especializado en el mundo del motor. Colaborador en AUTO BILD
02/05/2014 - 10:35
"Aunque el Renault 4L llevaba fabricándose desde finales de 1963 (se hicieron 250 unidades), hasta el año siguiente no comenzaron las primeras entregas a los clientes.
Pero el Renault 4 no era un coche desconocido, ya que llevaba desde 1961 fabricándose en Francia.
Es posible que circularan algunas unidades construidas en el país vecino, pero tuvieron que pasar tres años para fabricar en España.
Por cierto, en Portugal también se construyó en la planta de Guarda y los aficionados sienten devoción por él.
Respecto a la versión francesa, el Renault 4L de FASA es diferente. Los parachoques son de un diseño distinto y tiene una especie de bigote en la placa de la matrícula posterior. Además, los coches españoles tampoco tienen los intermitentes laterales que sí tenían los franceses.
La historia nos ha demostrado que lo que buscaban los ingenieros españoles era, sobre todo, una mecánica con mayores capacidades. Por ello, nuestro 4L utilizó un motor de 845 centímetros cúbicos y 30 CV de potencia con los que podía ofrecer unas capacidades dinámicas superiores que los del 0,7 litros que también se vendía en Francia como versión de acceso.
Asimismo, todos los coches comercializados en España tienen un sistema eléctrico de 12 voltios que permite una mayor iluminación.
En 1965, Renault lanza al mercado la versión Super que ofrecía a su conductor unos asientos más lujosos y en 1967 empieza a utilizar los paragolpes del Renault 8."
(...)
"En 1968 se introduce al mercado el primer restyling del Renault 4. Las principales diferencias son una parrilla totalmente nueva que se hace evidente en todo el frontal del vehículo.
Pero los mayores cambios se encuentran en la mecánica: el R4 abandona el motor originario del 4/4 y estrena el tipo Sierra del Renault 8 que ofrecía una elevadísima fiabilidad. Con este bloque, la potencia se incrementó hasta los 35 CV. También era muy alabado por los conductores de su época el excelente sincronizado de su caja de cambios.
Así se mantuvo el Renault 4 hasta que en 1978 se sometió a su segunda puesta al día. La bonita parrilla de aluminio dejó paso a una de plástico; los intermitentes adoptaron el color naranja y ganaron en tamaño. Por cierto, volvió a cambiar de paragolpes. Como el Renault 8 ya no se fabricaba, recurrió a los que usaba el Renault 4 francés de 1968.
En 1982 se produjo un hecho histórico, ya que el 4L adoptó el motor de 1,1 litros con 40 CV. Este bloque es legendario para la marca francesa, ya que lo han usado coches como el 8 TS, Renault 5 o Twingo.
Pero el interior del Renault 4L seguía siendo el mismo y muchos conductores estaban cansados de ese salpicadero de tono beige que era demasiado simple.
En 1983 FASA decidió darle a su coche un aspecto visual más moderno y apostó el plástico negro, una renovada instrumentación y unos asientos más cómodos que llegaron a incluir hasta reposacabezas.
El último Renault 4 se fabricó en Valladolid en 1989.
Aunque el coche se comercializó hasta 1992, el que quería un 4L tenía que comprarse la versión Clan que estaba fabricada en Eslovenia y no tenía la calidad de construcción de nuestro paisano castellano."
(...)
Fuente: www.autobild.es/reportajes/50-aniversario-renault-4l-espa...
More info:
elautomovilenespana.blogspot.com.es/2010/06/renault-4-ii....
es.wikipedia.org/wiki/Renault_4
www.ocio.net/motor/historia-del-renault-4-un-automovil-un...
Designers application: totstreet.wix.com/eggsandbunnies#!designers-application/b...
Bloggers application: totstreet.wix.com/eggsandbunnies#!bloggers-application/d3a1j