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A beautiful artist’s concept of an earth-orbiting Apollo Applications Program (AAP) configuration, possibly of an experimental micro-gravity biology module…maybe… ¯\_(ツ)_/¯…docked to the Apollo Command/Service Module (CSM).
The scientist-astronaut seems – I think – to be using a snazzy microscope of some sort, although I’m having some perspective issues regarding it, to include what the large rectangular component with the conical appendage is being used for. Photomicrography? And how it correlates with the other components in the immediate vicinity, which may include dual/binocular eyepieces?
Note also the item that looks like a bubble helmet on the half shelf to the left of the scientist-astronaut. I think I see the vague, barely perceptible features of a human head inside it. Do you see it??? GOOD GOD, what kind of unholy experiments were under consideration?!? 😲😉
And, I can’t seem to identify the rough, textured, metallic(?)…’mass’ depicted on the other side of the module, across from the scientist-astronaut. And, it looks like there’s a fixed stool in front of it.
Based on the strong similarity of this CSM to that in another work I’ve linked to below, which is also from this series of works (based on photo ID no. sequence), I really think it, and this one is by Raymond Bruneau. That other one has the letters “RB”, with an arrow adjacent to it, depicted as if it were part of the surface markings on the exterior of the Service Module. That, and the fact that Mr. Bruneau chose to use actual photographs of the earth in a number of his earth orbit depictions, such as this one, gives me confidence in my identification.
Finally, although I haven’t been able to find a match from the exemplars available online, I’m sure the Neil Armstrong signature is an autopen.
Here are all the mobile phones I've owned. Starting from the left we have:
Ericsson SH888
Originally introduced in 1998, I was given it in about 2000 by someone I used to work for who worked for Ericsson. It was one of the earliest dual-band phones and also one of the first with built in infrared. I think I managed to get it to talk to my Psion 5 once. Very solid and dependable.
Ericsson T39m
In 2001 I took out a contract with Vodafone and chose this phone to go with it. It features tri-band, Bluetooth, predictive text, GPRS and a WAP browser, nice clear screen and very good battery life. It's also very light and thin. It's seen a lot of use: I used it for just over two years I think, then I lent it to my housemate who used it for a year or so. It still works fine, though it is a little worn. One of the best phones Ericsson made.
Sony Ericsson T610
Oh dear. I don't know what came over me with this one. I thought it was time I had a new phone on renewing my contract and the T610 caught my eye with its retro styling. This was in 2003 or so. Ericsson and Sony had joined forces to make phones and my good experience with the T39 lead me to believe this one would be OK. How wrong I was. Sony brought nice styling to the partnership, unfortunately rather than combining it with Ericsson's robust content they apparently discarded it altogether. It features a colour screen which is unreadable outdoors and a camera which not only takes pointlessly small 288x352 pictures, but the sensor lends a green tint usually and the optics distort to the edge of recognition. The software is very sluggish, especially when opening the text message inbox. The keys and joystick are not great, though they're even worse when mango chutney is applied I found. Yet another negative is the level of bastardisation by Vodafone, most annoyingly that the right-hand soft key always goes to "Vodafone Live" which I hardly ever used and was not allowed to change.
Nokia 6630
Just as soon as that contract was up I got this phone. I realised my mistake and so was much more careful choosing this one. Put off Sony Ericsson I decided to switch to Nokia and to splash out some extra cash to get a fairly high end smart phone. Definitely content over looks this time, it is a bit bulbous, funny looking and bulky. After the T610 the content is a very large breath of lovely fresh air. The very first thing I did was reassign all the shortcuts on the standby screen, because I could. Features a nice bright screen which is very legible in all lighting conditions, especially with the sensor which varies the backlight brightness depending on the ambient light level. It has a 1.3MP camera with reasonable optics though like nearly all phone cameras it doesn't cope well with bright lights in the shot. Has 3G and the keys are good and responsive. The main feature though is Series 60 which is a version of the Symbian OS. There's a fair bit of software available for it, including a version of PuTTY which is very handy. It takes a reduced size dual-voltage MMC memory card, it took me a while to find a compatible one, but I eventually got a 256MB card off ebay. It didn't take too long to fill it with music, pictures and text messages. One gripe with the software implementation is the lack of integration between the Symbian apps and the phone functions, for instance the clock and calendar applications have no connection so there is a lack of sophistication in how alarms can be set, one can't have different alarms repeated on different weekdays. I'd like to be able to set alarms which switch profiles for meetings, lectures etc. One can include a person's birthday in their entry in the contacts database, but it doesn't show up on the calendar.
Nokia E70
I've just got this one. After a fair bit of research, I was seriously considering the N93 with its 3.2MP camera with auto focus and 3x optical zoom, but then I saw some results and came to the conclusion that the quality is still not that good. So Instead I went for this phone, the most exciting feature of which is the full and very nice to use qwerty keyboard, or is it the 802.11G wireless networking? Probably both equally. SSH on this phone is a joy, nethack is quite playable though the 'b' key is on the other side of the screen to the rest of the direction keys. The WLAN really is great, if I'm at home or near an accessible network (including unconfigured netgears) I can use the networking features of my phone without worrying about paying for every byte. The browser has had mixed reviews, I think it is mostly very good. It copes with just about every page, including flickr with all its javascript, and though you get a little frame view onto the entire page it always seems to be wide enough to fit the main text column without having to scroll sideways to read the text. A major problem with it is the lack of RAM. It often runs out of memory on graphics heavy pages, though sometimes just reloading helps. Quite a hassle for me is the lack of ability to download a file linked to from a page, all it can do is attempt to open it with an installed program. I can't even find a way to copy and paste the linked url nor indeed any text on a web page. Again it suffers from a lack of integration between phone and application functionality. Yesterday I looked up a restaurant's phone number on their web page and wanted to dial it, all I could do is commit it to memory, switch to the phone interface and type it in.
In her application to the Covergirls, Suzane asked about the possibility of there being any transformation service in Houston. I told her about Vanity who is also a member of the Covergirls and a friend of mine.. See: vanitytransformations.com/vts/ .
Vanity also throws the biggest and best TG parties on Houston. Her Halloween parties are legendary as were the old Christmas parties and pool parties and the more recent Miss TG Houston Pageants, prom parties and Bridezilla 2009.
Suzane has my permission to use these five photos taken of her at Unity 2010 for her own Flickr site.
Hi there Bats! I just got out of that gross madhouse they call a prison, and as you can see, Im back, and Im given gotham a whole new meanin' for mayhem! Try and stop me now, bat brain!
Hey guys! this is my application for harley quinn in GCW. My take on harley will be a little less insane than how she is normally depicted. See you in Gotham!(hopefully :P)
Press L to view on a black background.
You can see more on my Flickr Photostream or on my Web site.
This image is mine. You may not use it anywhere or for any project without my express permission. Rates for commercial applications are available on request.
Please contact me if you would like to arrange a commercial use, or purchase a print of this photograph.
motorchase.com/wp-content/uploads/2016/04/Ford-GT-1-770x6...
The new Ford GT is said to be the most advanced vehicle ever created by Ford. And it will have a limited production: only 250 units a year. This is the sort of car you do not choose to buy: you hope to be able to. Not only due to price, but also to exclusivity (being a Ford does not make it...
motorchase.com/en/2016/04/want-ford-gt-apply-like-apply-j...
Press L to view on a black background.
You can see more on my Flickr Photostream or on my Web site.
This image is mine. You may not use it anywhere or for any project without my express permission. Rates for commercial applications are available on request.
Please contact me if you would like to arrange a commercial use, or purchase a print of this photograph.
فضاوة فجر x"D
نعتذر عن أي خطأ
و يوم جميل لكم ♥♥
reema's free time @ Fajer x"D
Have a nice day all ♥♥
Job application with Pen
When using this image please provide photo credit (link) to: www.flazingo.com per these terms: www.flazingo.com/creativecommons
Trooper-2316 mission report:
We had tracked the Jedi from the downed Venator to the planets tropical sector, we sent out 3 squads to search the area, we were the only ones who came back. The Jedi put up a good fight but in the end was no match for the numbers of our republic ground forces. Cowards will always be caught, he tried to flee from the inevitable but no one can escape their fate. The Jedi master was a strong warrior but he was a traitor so we destroyed him, the Jedi are all traitors and we are the ones who have to deal with the mess all of them have made.
Conclude report.
————————————————————————
I built this as my Dark Times Application but unfortunately it didn’t make the cut so I’ll be trying again sometime in the future.
+1 in cmnts.
Okay so first of all, thank you to Jenny for my first ever testimonial! :3 To have one of my favorite flickr-ers write my first testimonial is just great :)
In other news, college applications college applications college applications college applications! D:
I have a week to hand in certain things to my school for early action deadlines, then about a month to get my actual applications and portofolio in to all the art schools, and about 2 extra weeks to apply to city colleges for backup! I am. Beyond stressed. You don't even know.
I'm possibly going to have another shoot like this with Chris. I was just testing if the silhouettes would come out nice by myself, and now that I know they do, I'll probably do something of the two of us, so expect that hopefully soon! :)
OH. This is upload 1,200! Daaang I take too many pictures.
Oh and one more thing; lightbox this!
I recognized that I had a lot of letters on my phone and thought that it would be cool to create a little alphabet chart based on the iPhone application icons.
Heidi Cody's 'American Alphabet' was a huge inspiration.
Title: Technicians at work in the Applications Laboratory, Varian Techtron, 679 Springvale Road, Mulgrave
Author / Creator: Sievers, Wolfgang, 1913-2007 photographer.
Date: 1974.
The National Library of Australia holds a similar, colour photo of this scene.
Varian Techtron was the result of a merger between the Australian company Techtron and the American firm Varian Associates in 1967. The Springvale Road site (then in Springvale North, but now in Mulgrave) was established by Techtron and is still in use, but now as Agilent Technologies (which acquired Varian in 2009). Techtron Appliances was established in 1938 and it and its successor companies have produced a variety of electronic and analytic equipment for industry and scientific research, notably including Atomic Absorption Spectrophotometers (AAS) to CSIRO specifications.
See locale on Google Maps.
Subjects:
Varian Techtron Employees.
Atomic absorption spectroscopy Calibration.
Atomic absorption spectroscopy Instruments.
Industrial technicians.
Optical spectrometers.
Laboratories Victoria Mulgrave.
Gelatin silver prints.
Notes: Job number inscribed in pencil on reverse of image: 4314 AG
Vintage print with the photographer's studio stamp on reverse.
Title taken from information supplied by Varian Australia, courtesy of the photographer.
Printed by Wolfgang Sievers at an unknown date from his negative made in 1974.
Copyright status: This work is in copyright
Conditions of use: Copyright restrictions apply.
For Copyright queries, please contact the National Library of Australia.
Source: SLV
Identifier(s): Accession no: H2000.195/245
Source / Donor: Purchased 2000.
Series / Collection: Wolfgang Sievers collection.
Link to online item:
handle.slv.vic.gov.au/10381/308751
Link to this record:
search.slv.vic.gov.au/permalink/f/1fe7t3h/SLV_ROSETTAIE18...
search.slv.vic.gov.au/permalink/f/1fe7t3h/SLV_VOYAGER1757465
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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Sutil, Nicolás Salazar. Motion and Representation: The Language of Human Movement. Cambridge: MIT Press, 2015.
Swenson, Kirsten. Irrational Judgements: Eva Hesse, Sol Lewitt, and 1960s New York. New Haven: Yale University Press, 2015.
Szeemann, Harold. Zum freien Tanz, zu reiner Kunst. Rolandseck: Stiftung Hans Arp und Sophie Taeuber-Arp, 1991.
Tagg, John. The Burden of Representation: Essays on Photographies and Histories. Minneapolis: University of Minnesota Press, 1988.
Tilmans, Karin, and Frank van Vree, Jay Winter, eds. Performing the Past: Memory, History, and Identity in Modern Europe. Amsterdam: Amsterdam University Press, 2010.
Tumarkin, Maria M. Traumascapes: The Power and Fate of Places Transformed by Tragedies. Victoria, Australia: Melbourne University Press, 2005.
Udall, Sharyn R. Dance and American Art: A Long Embrace. Madison: University of Wisconsin Press, 2012.
Vacche, Angela Dalle. Film, Art, New Media: Museum without Walls? New York: Palgrave Macmillan, 2012.
Vertinsky, Patricia Anne. The Eternally Wounded Woman: Women, Doctors, and Exercise in the Late Nineteenth Century. Manchester: Manchester University Press, 1989.
Virilio, Paul. The Art of the Motor. Translated Julie Rose. Minneapolis: University of Minnesota Press, 1995.
Weibel, Peter. Beyond Art: A Third Culture. Vienna: Ambra Verlag, 2005.
Wells, Liz, ed. Photography: A Critical Introduction. New York: Rutledge, 1996/2015.
Westcott, James. When Marina Abramović Dies: A Biography. Cambridge: MIT Press, 2010.
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White, Hayden V. Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore: Johns Hopkins University Press, 1973.
Wiehager, Renate, ed. Moving Pictures: Photography and Film in Contemporary Art. Ostfildern- Ruit, Germany: Hate Cantz Publishers, 2001.
Williams, Raymond. Culture and Society, 1780 - 1950. New York: Columbia University Press, 1958/1983.
Wood, Catherine. Yvonne Rainer: The Mind is a Muscle. London: Afterall, 2007. Wood, Denis. The Power of Maps. New York: Guilford Press, 2010.
Woodward, Susan L. Balkan Tragedy: Chaos and Dissolution after the Cold War. Washington, D.C.: The Brookings Institution, 1995.
Young, Kevin. Deviance and Social Control in Sport. Champaign, IL: Human Kinetics, 2008. Youngblood, Gene. Expanded Cinema. New York: E.P. Dutton and Co., 1970.
Zelizer, Barbie, ed. Visual Culture and the Holocaust. New Brunswick: Rutgers University Press, 2001.
Zidić, Igor, and Ana Dević, Antonio Gotovac Lauer a.k.a. Tomislav Gotovac. Antonio Gotovac Lauer: Čelična mreža. Zagreb: Moderna Galerija and Studio Josip Račič, 2006.
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
-------
In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
------
for activating the format or for inviting the installation
please contact 1@colonel.dk
-----
critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
Apologies for the lateness of this post. Believe me, it's not for lack of being ecstatic, just manic busy-ness and more recently mild sickness.
But I am most certainly overwhelmingly appreciative.
On Tuesday this week, I reached 100% of the goal of my project interior / exterior (in fact, 102%) and since then have exceeded that again!
The most recent contributors to my cause were two Divine Sisters, Michelle McRae and Sarah Mercer, and both Kyle Warren and Adam Meyer showed further support!
I am unbelievably thankful to everyone who has shown their support for my residency at Hospitalfield in Arbroath, Scotland, in April next year, and once the deadline has passed will be in contact with those who have shown their support to follow up about addresses and such for rewards where relevant.
If you haven't had a chance yet and would still like to be involved, any additional funds raised over the goal of AUD1,550 will go toward my flight to the UK, and all rewards are still valid until midday on the 8th of December, Australian Daylight Savings Time.
I am so excited about this residency and, internet permitting, will be blogging about my experiences there as it happens. I hope to bring you some wonderful photographs and carry those over into a self-published collection of images and an exhibition to complete my interior / exterior series.
I'm also excited about two upcoming collaborations. One with Simon Groth, a Brisbane author, to take the form of a published collection of short stories / prose and images; the other, a second collaboration with Nick Kind, ex-pat Brit based in Melbourne, a potential "letters from home" blog in the form of images exchanged between us of each other's place of origin.
The residency will go ahead irrespective of the UK Home Office, but my move to the UK is still dependent on my application for a UK Ancestry Visa, which I posted off last Wednesday after having my biometric data taken. I can't see any reason why it would be declined, but don't want to assume anything.
Should all go to plan though, I will be in London for the long haul by the 18th of January next year, and I am unbelievably excited at that prospect. And daunted. But mostly excited.
Hello, Application for Blogger are open!!!
Now till 15 february
INfos about the Shop:
- Flickr: www.flickr.com/photos/139565429@N08/
- MarketPlace: marketplace.secondlife.com/fr-FR/stores/179117
- Fb Page: www.facebook.com/noirneigesl/
This new app is so silly I had to share!
Sandro Stefanelli is one of the guys behind it and a friend, the same crew behind Talking Carl!
Enjoy my sillyness!
Cheetah Marine 7.9m Series
7.9m SERIES 2.7m BEAM Lengths: 7.9m
Since its launch in 2003, the 7.9m has become one of the most versatile workboats in the UK, surpassing expectations in a variety of applications. The 7.9m has been built for a wide range of workboat and leisure uses ranging from wheelchair accessible cruiser to hydrographic survey and commercial diving.
The low centre of gravity and steep deadrise gives an incredibly comfortable ride and a very stable working platform. With a beam of 2.7m, the 7.9m is the largest Cheetah which can be road towed in the UK. Flexibility of launch sites has been popular for hydrographic survey and with recreational users, whilst the stability and good load carrying capacity appeals to commercial operators across the fishing and workboat sectors.
Length overall7.9m
Length overall inc bow sprit8.2m
Length to inner transom7.2m
Beam2.7m
Draught0.3m (min)
Wheelhouse size1.7m
Deck space2.1 x 2.58m wide
MDL Marina, Torquay, TQ2 5EQ
07970 176604
Please don't post your photos here nor GLITTERY IMAGES. They will be removed. Don't invite me to any group. I will not accept ;-)
Maybe it is'nt smart to go here, I mean everyone would expect the clown super-hero going to the amusment park, or maybe it is too obvious?
Not that I care, This is the only nice place in this city, for me atleast.
It reminds me of my dad, I don't know if thats good ore bad, some people say I should just forget that it happend, that I should live on.
but I can't.
Puchline claimes territory 12# Amusement park as his base.
----------------------------------------------------------------------------------
My Battle for Blackhaven Base application, and I know its right next to G-killers base, but this is for me the first time playing such a game, so I'm not going to do everything perfect :P
👑✨ MISS SECOND LIFE UNIVERSE 2025 – APPLICATIONS NOW OPEN! ✨👑
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📍 Apply In-World (Landmark):
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2007
Development application 12 April 2007 – demolition of dwelling
Maitland City Library collection
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Late home again, I heard murmurs about me,
my parents in bed. It was not the first time,
and I didn’t know whether they ever realised
I could hear them speaking, that I also guessed
what their regular topic was. By oversight
left on the dining room table, not typed
but (“strictly required of all candidates”)
done in handwriting ‒ upright ‒ spaced
as clearly as always ‒ was my father’s
most recent letter of application.
I should not have read it. It set out his wide
experience, his talents, his eagerness
to meet new prospects with fresh ideas,
and adjust to a changing world (which went
without saying but had to be said). I saw
one detail that stopped me with its bravery:
“I am still a young man”, and the figure he added,
like this: (47). I looked at the clock
‒ as late as that? There was no more risk
of waking them now. I could go to bed.
Seventeen, on that frozen night my eyes
started something not far from the same sort of tears
that they fill with today, so I like to believe.
© All Rights Reserved
Use of my photos requires credit in the form of a link back to the original photo. Please visit my photo permissions page for full details.
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